Gypsy is a 1962 musical comedy-drama film produced and directed by Mervyn LeRoy. The screenplay by Leonard Spigelgass is based on the book of the 1959 stage musical Gypsy: A Musical Fable by Arthur Laurents, which was adapted from Gypsy: A Memoir by Gypsy Rose Lee. Stephen Sondheim wrote the lyrics for songs composed by Jule Styne. The film was remade for television in 1993.

Determined to make her young, blonde, and beautiful daughter June a vaudeville headliner, willful, resourceful, domineering stage mother Rose Hovick will stop at nothing to achieve her goal. She drags the girl and her shy, awkward, and decidedly less-talented older sister Louise around the country in an effort to get them noticed, and with the assistance of agent Herbie Sommers, she manages to secure them bookings on the prestigious Orpheum Circuit.

Years pass, and the girls no longer are young enough to pull off the childlike personae their mother insists they continue to project. June rebels and elopes with Tulsa, one of the dancers who backs the act. Devastated by what she considers an act of betrayal, Rose pours all her energies into making a success of Louise, despite the young woman's obvious lack of singing and dancing skills. Not helping matters is the increasing popularity of sound films, which leads to a decline in the demand for stage entertainment. With bookings scarce, mother and daughter find themselves in Wichita, Kansas, where the owner of a third-rate burlesque house offers Louise a job.

Gypsy or gipsy may refer to:

The year 1962 in film involved some significant events.

Academy Awards:

Golden Globe Awards:

Palme d'Or (Cannes Film Festival):

Golden Lion (Venice Film Festival):

Golden Bear (Berlin Film Festival):

U.S.A. unless stated

#

A

B

C

D

E

F

G

H

I

J

K

L

M

O

P

R

S

T

V

W

A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.

Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.

Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.

Mervyn LeRoy (October 15, 1900 - September 13, 1987) was an American film director, film producer and sometime actor.

Born to Jewish parents in San Francisco, his family was financially ruined by the 1906 earthquake. (His paternal grandfather owned a successful San Francisco department store that was destroyed in the quake; the store was heavily insured, but the insurance company went bankrupt in the aftermath of the earthquake.) To make money, young Mervyn sold newspapers and entered talent shows as a singer. Through this he worked his way into vaudeville. When his act broke up, he and his cousin, Jesse Lasky, went to Hollywood.

LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films. His first directing job was in 1927's No Place to Go. When his movies made lots of money without costing too much, he became well-received in the movie business.

In 1931 he directed two key films which launched Edward G. Robinson into major stardom, the Oscar-nominated critique of tabloid journalism Five Star Final, and the classic gangster epic Little Caesar. From that point forward, LeRoy would be responsible for a diverse variety of films as a director and producer. In 1938 he was chosen as head of production at MGM, where he was responsible for the decision to make The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum and Lana Turner.