- published: 19 Feb 2017
- views: 30897
F55 or F-55 may refer to :
and also :
Souped Up Top Ten Dragster Thailand Records 2016 (19 กุมภาพันธ์ 2017) รอบคลอลิฟาย สนาม Bangkok Drag Avenu "มิชชั่น ซิก - ภารกิจพิชิตเลข 6" ปรากฏการณ์ครั้งยิ่งใหญ่ของเมืองไทย ในการค้นหารถแดร็กที่เร็วที่สุดประจำปี 2016. - - - - - - - - - - - - - - - - - - - - - - - - - - - - Categories 1 SUPER DRAGSTER 2 SUPER MAX B 3 SUPER MAX D 4 PRO 6 MODIFY 5 PRO 4 MODIFY 6 PRO 6 7 PRO 4 8 PRO 4 FWD 9 PRO TRUCK 10 PRO 4 N/A 11 SUPER 4 N/A 12 SUPER 6 2WD 13 SUPER 6 4WD 14 SUPER 4 2WD 15 SUPER 4 4WD 16 PRO F55 17 1.9 18 TRI ACE PRO 1500 N/A 19 TRI ACE PRO 1500 TURBO For more information please visit http://www.xo-autosport.com/soupedup/ Official site: http://www.xo-autosport.com/soupedup F...
ทดสอบโบ F55 รุ่นใหม่จากสยามมอเตอร์ บูสมิดเกจ อัฟเกรดกันรุนและรูน้ำมัน คันที่ทดสอบไม่มีแคม เครื่องสามพัน ปั้มคอมมอนเรลตัวเดียว บูสติดไว ใช้กันยาวๆ ติดต่อสอบถามได้ที่เบอร์ 02-105-4552 หรืออินบ็อค ครับ
เพื่อนๆสนใจโทรถามได้นะคับ. รับประกันความแรงคับ ☎083-999-2679 ☎083-783-2757
ชมย้อนหลังเทปแข่งขัน All New Isuzu F55 ในงาน ISUZU Race Spirit 2016 สนามที่ 3 (ตกค้าง) ชมทุกรุ่นที่ www.forspeed1.com วันเสาร์ที่ 2 กรกฎาคม 2559 ณ.สนามแข่งรถบางกอกแดรก อเวนิว คลอง 5 จัดการแข่งขันโดย ทีมงาน RACE SPIRIT เทปการแข่งขันโดย www.forspeed1.com
ผ่าน YouTube capture
For more information about the new CineAlta cameras from Sony visit: http://bit.ly/CineAltaYT Dig was produced by Fried Pixel Films, a new venture from Cinematographer Steve Lawes and Director Martin Scanlan, for Sony Europe. Dig is a short film produced for the European launch of the Sony PMW-F55 camera. It was premiered at the Camerimage Film Festival in Poland on 28th November 2012. It was shot in 4K raw and posted in DaVinci Resolve. The uploaded file is an 1080P MP4 at 20Mbps derived from an HD ProRes master. You can watch a replay of our webchat about the making of Dig here: http://bit.ly/Thenewfwebchat
One of the big advantages of the Sony F55 is its ability to record both RAW and HD at the same time (this is true of the F5 as well). When paired with the Sony AXS-R5 recorder, the F5/F55 can record 16-bit RAW data to AXS media cards, and HD video (MPEG2 or XAVC) to SxS cards. This gives you an easy-to-use offline editing format as well as an extremely high quality online Raw format at the same time. Workflows like this are used all the time these days, but the F5 & F55 make it particularly easy. For an in-depth look at this workflow in action, watch my two videos -- in the first part above, I explain how to set up the camera for simultaneous recording, including how to add a LUT to the HD recording, and in the second video below, I complete the online/offline workflow, showing how to tak...
This video is in response to a few people who asked if they could see some examples of my F55 4K RAW footage before and after grading. All the shots were graded in about 2 hours on a MacBook Pro. Sony PMW-F55 w/ R5 RAW recorder Zeiss 15.5-45mm and RED 300mm lenses Graded in DaVinci Resolve 12 To master your Sony PMW-F55, PXW-FS7, or PXW-FS5 please visit www.VortexMedia.com for field guides and tutorial videos.
Underneath a big clock
At the corner of 5th Avenue and 22nd Street
I stood and waited for a girl I knew
At the spot where we agreed to meet
It was four minutes of two
At four of two, I stood waiting for the girl
I was four minutes early for the date we had planned
I was planning to say I was in love with her
Just as soon as she showed for a two o'clock date
And the clock said four of two
At four of two, I was staring into space
She was not yet late, according to the clock
I was feeling nervous so I kept looking up
At the clock sticking out of the side of the building
And it still said four of two
At four of two, I began to feel tired
And I rubbed my eyes, and again I checked the time
It seemed as if the sky was growing dark
But I felt reassured when I looked at the clock
And it still said four of two
I lay my head down on the sidewalk
So in case she were coming I would have a better view
But no one was there so I stretched out
And closed my eyes for a second or two
It was four minutes of two
At once I awoke to a futuristic world
There were flying cars and gigantic metal bugs
I'd grown a beard, it was long and white
But I knew that the girl would be coming very soon
For though everything had changed, there was still that clock