- published: 23 Sep 2014
- views: 67854
Playtime (sometimes written PlayTime or Play Time) is a French comedy film, and is Jacques Tati's fourth major film, and generally considered to be his most daring film. It was shot from 1964 through 1967 and released in 1967. In Playtime, Tati again plays Monsieur Hulot, a character who had appeared in some of his earlier films, including Mon Oncle and Les Vacances de Monsieur Hulot. As mentioned on the production documentary that accompanies the Criterion Collections DVD of the film, by 1964 Tati had grown ambivalent towards playing Hulot as a recurring central role. Unable to dispense with the popular character altogether, Hulot appears intermittently in Playtime, alternating between central and supporting roles. Shot in 70 mm, Playtime is notable for its enormous set, which Tati had built specially for the film, as well as Tati's trademark use of subtle, yet complex visual comedy supported by creative sound effects; dialogue is frequently reduced to the level of background noise.
Considered by many to be Jacques Tati's masterpiece, PlayTime is a perfectly orchestrated city symphony. Shot on 70mm on a huge constructed set of concrete, glass and steel, the film was the most ambitious project Tati ever took on. Now diligently restored in-line with the filmmaker's particular, perfectionist approach, audiences can once again enjoy the expansive scope of his comic vision. STUDIOCANAL's PlayTime returns to cinemas from 7 November in a new 4K restoration, opening at BFI Southbank as part of a wider Jacques Tati season. It will screen in the French Film Festival UK this November and in selected cinemas nationwide.
Originální název: Play Time, Informace o filmu na http://www.sms.cz/film/playtime-1967 Drama / komedie, Francie, Itálie, 1967, 155 min. Režie: Jacques Tati Hrají: Jacques Tati, Barbara Denneková, Rita Maidenová, France Rumillyová, France Delahalleová, Valérie Camilleová, Erika Dentzlerová, Nicole Rayová, Yvette Ducreuxová, Nathalie Jemová, Jacqueline Lecomteová, Oliva Poli, Alice Fieldová, Sophie Wenneková, Evy Cavallarová, Laure Pailletteová, Colette Proustová, Luce Bonifassyová, Ketty Franceová, Eliane Firmin-Dicková, Billy Kearns, Yves Barsacq, André Fouché, Georges Montant, Georges Faye, John Abbey, Reinhard Kolldehoff, Michel Francini, Henri Piccoli, François Viaur, Douglas Read, Marc Monjou, Billy Bourbon, Madeleine Bouchez, James Campbell, Marie-Pierre Caseyová
My review of Jacques Tati's dizzying and hilarious look at man's tumultuous relationship with modern technology, PlayTime.
The tribulations of the tourist photographer.
Jacques Tati's Play Time (1967) delivers one of the most humorous critics on modern architecture and its alienating influence of its inhabitants. This short but very accurately planned scene shows a tricky visual joke. Read more: http://bobbyperublog.blogspot.com/
Playtime (Comedy Film 1967) Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.
Told you the story 'bout a teather's pet
well aou ain't heard nothing yet
skooldaze over teacher thinks that's no life
skirts up, heads down, Playtime
you know I'm wanting you
I know you're wanting every inch of me
you love how hard it gets and I
love just how dirty you can be
I told her that she needs
a good stiff talking to
this conversation piece
is sure to do you good
Playtime
teacher's getting horny
reading little pornographic storys
Playtime
loving every minute
she can take it in the hilt
Playtime
teasing and pleading
she can make it harder than before
Playtime
give her all you've got
she can take it all and beg for more
silk stockings, black high heels
skirt so tight you won't believe you eyes
the way she swallows you
you'll wonder what she's got between her thighs
she is insatible
she's never satisfied
warm, wet and willing
as she welcomes you inside
she make it obvious
the things that she has got upon her mind
she needs it hard
the way she winks at you and wiggles her behind
her blouse is open
just enough to make you drool
I do my homework