Prime Cut’s version is more like a tastefully appointed costume drama than a cruel disrobing of gender and power struggles
An overload of stories makes it easy to lose sight of what is important
Deirdre Kinahan’s new play fits a love triangle over the forces of the Rising. But can it be contained?
Conor McPherson’s writing sweeps the audience along in this zippy production
Mark O’Rowe’s stark production treats the the play almost as a documentary and cleverly casts against type
Willy Russell’s Liverpool drama travels to Belfast and gets a different accent and a calm ferocity
The event also featured video tributes to Waking the Feminists and the year in theatre
The theatre protest movement held two events in NYC, with organiser Lisa Tierney-Keogh saying its time to ‘kick the f**king door down’
Five nominees for Irish Times theatre awards recall a performance that inspired them and informed their own approaches
This is a purgatorial experience of emigration, where nobody is ever at home
From her irreverent early work to ‘volunteering her breasts’ for DruidShakespeare and on to her fresh take on O’Casey’s Juno, Crotty has never been one for convention
David Ireland’s caustic new play is testing limits with plenty of unpalatable opinions and outrageous claims
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