- published: 31 Jul 2014
- views: 123386
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Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk
Twitter - http://twitter.com/motionsquared
Facebook - http://facebook.com/motionsquarednet
Instagram - http://instagram.com/motionsquared
Free Cinema 4D Textures - http://bit.ly/1Mlq842
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens.
So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time.
Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.
Here is a list of all the main techniques we covered:
1. Limit Range of Colors with Garbage Matte
2. Screen Matte vs Alpha Viewer
3. NEVER Final Result (Use Intermediate Result)
4. Screen Balance Shifts Hue
5. Clipping with Curves
6. Understanding Status View
7. Test Multiple Frames And Keyframe If Necessary
8. Key Cleaner Effect
9. Reduce Chatter
10. Advanced Spill Suppressor
11. Fix Bad Edges with Refine Hard Matte
12. Eye Drop Less Saturated Colors
13. Tight Garbage Mask with Keylight
14. Remove Shadows with Shadow/Highlights
15. Remove Shadows with Invert Lightness
16. Brighten Areas with Adjustment Layers
17. Apply Key to Adjustment Layers
18. Add Vibrance to Brightened Areas
19. Use Track Matte to Steal Alpha Matte
20. Make Adjustments Before Key (Understanding Order)
21. Mask Out Keylight From Certain Areas
22. Pre-compose If Key Is On Adjustment Layers
23. Edge Color Correction with Keylight
24. Refine Soft Matte
25. Refine Soft Matte Disadvantages
26. Refine Soft Matte vs Key Cleaner
27. Can't Use Keying Effects After Decontaminate Edge Colors
Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others.
Facebook Page: www.facebook.com/visionarydesignpage
Check out all the other cool videos & tutorials here on V~Universe!
Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come!
- published: 18 Dec 2016
- views: 20829
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects.
Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows.
Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness).
Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods.
Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner).
Then all you'll need to do is color match, drop in your background, and you'll be good to go!
This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening).
8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692
8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv
- published: 05 Feb 2012
- views: 241059
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example.
If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here:
http://j.mp/IntroBasicKeying
Check out Kaitlyn's channel, Alpha Studios, here!
http://bit.ly/Alpha_Studios
http://www.alphastudios.com/
- - -
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
- - -
Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
- published: 30 Jun 2016
- views: 33752
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in:
Instagram: https://www.instagram.com/thunderzebra_/
Twitter: https://twitter.com/thunder_zebra
Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link!
https://www.youtube.com/watch?v=Mrj6EBM8wZI
- published: 14 Sep 2016
- views: 10879
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
- published: 10 Mar 2012
- views: 127368
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'.
'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'.
- published: 01 Aug 2014
- views: 35207
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow.
Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi.
Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro.
Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare.
Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip.
Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA.
Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters.
Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo.
Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione.
Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione.
Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro.
Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo.
Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora.
Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente.
Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà.
Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia.
Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo.
Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare.
Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito.
Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale.
A presto, ciao!
=======================================================
* Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1
* Visita il mio sito
http://PaoloGrisendi.com
* Seguimi anche su Facebook
https://www.facebook.com/paologyoutubeevideomarketing/
* Seguimi su Twitter
https://twitter.com/PaoloGrisendi
* Mi trovi anche su LinkedIn
https://it.linkedin.com/in/paologrisendi
- published: 08 Jul 2017
- views: 339
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect.
As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork.
Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all.
Topaz Detailing can be found at:
http://www.topazlondon.com/
https://www.facebook.com/TopazDetailing
http://instagram.com/topazdetailing
Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA
PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc
Thanks for watching, Tim
Subscribe: http://bit.ly/Shmee150YT
Website: http://www.shmee150.com
Facebook: http://www.fb.com/shmee150
Instagram: http://www.instagram.com/shmee150
- published: 17 Mar 2016
- views: 699450
Adobe After Effects
Adobe After Effects is a digital visual effects, motion graphics, and compositing application developed by Adobe Systems and used in the post-production process of filmmaking and television production. Among other things, After Effects can be used for keying, tracking, rotoscoping, compositing and animation. It also functions as a very basic non-linear editor, audio editor and media transcoder.
Description
Adobe After Effects is software primarily used for creating motion graphics and visual effects. It allows users to animate, edit, and compose media in 2D or 3D space with many different built-in tools and third party plug-ins which can be downloaded from the Internet depending on what type of plug in the user is looking for. It also provides individual attention to variables like parallax and also user adjustable angles of observation.
Adobe After Effects is a layer-oriented program. Each individual media object like video clips, still images, audio clips, etc. runs on its own. In contrast, other Non-Linear Editing Systems use a system where individual media objects can occupy the same track as long as they do not overlap at the same time. This track-oriented system is more suitable for editing and can keep project files more simple. The layer oriented system that Adobe After Effects has is suitable for extensive video effects work and also key framing. Other compositing packages, especially the ones that employ tree or node workflows, such as Nuke and Fusion, are better suited to managing complex interconnected data flow within a composite. Adobe After Effects is capable of countering the problem somewhat by selectively hiding layers or by grouping them into pre-compositions.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Adobe_After_Effects
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Keying
Keying may refer to:
- Keying (ship), a Chinese junk which sailed to the U.S. and Britain in 1847–1848, named after the official
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Keying
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Chroma key
Chroma key compositing, or chroma keying, is a special effects / post-production technique for compositing (layering) two images or video streams together based on color hues (chroma range). The technique has been used heavily in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture and videogame industries. A color range in the top layer is made transparent, revealing another image behind. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as color keying, colour-separation overlay (CSO; primarily by the BBC), or by various terms for specific color-related variants such as green screen, and blue screen – chroma keying can be done with backgrounds of any color that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from most human skin colors. No part of the subject being filmed or photographed may duplicate a color used in the background.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Chroma_key
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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16:22Advanced Keying Techniques in After Effects - Tutorial
Advanced Keying Techniques in After Effects - TutorialAdvanced Keying Techniques in After Effects - Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green screen footage. Motion Squared Texture Packs - http://bit.ly/1SFz7tk Twitter - http://twitter.com/motionsquared Facebook - http://facebook.com/motionsquarednet Instagram - http://instagram.com/motionsquared Free Cinema 4D Textures - http://bit.ly/1Mlq842 -
40:13Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
Ultimate Green Screen Tutorial | Crazy Advanced Keying TechniquesUltimate Green Screen Tutorial | Crazy Advanced Keying Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens. So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time. Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel. Here is a list of all the main techniques we covered: 1. Limit Range of Colors with Garbage Matte 2. Screen Matte vs Alpha Viewer 3. NEVER Final Result (Use Intermediate Result) 4. Screen Balance Shifts Hue 5. Clipping with Curves 6. Understanding Status View 7. Test Multiple Frames And Keyframe If Necessary 8. Key Cleaner Effect 9. Reduce Chatter 10. Advanced Spill Suppressor 11. Fix Bad Edges with Refine Hard Matte 12. Eye Drop Less Saturated Colors 13. Tight Garbage Mask with Keylight 14. Remove Shadows with Shadow/Highlights 15. Remove Shadows with Invert Lightness 16. Brighten Areas with Adjustment Layers 17. Apply Key to Adjustment Layers 18. Add Vibrance to Brightened Areas 19. Use Track Matte to Steal Alpha Matte 20. Make Adjustments Before Key (Understanding Order) 21. Mask Out Keylight From Certain Areas 22. Pre-compose If Key Is On Adjustment Layers 23. Edge Color Correction with Keylight 24. Refine Soft Matte 25. Refine Soft Matte Disadvantages 26. Refine Soft Matte vs Key Cleaner 27. Can't Use Keying Effects After Decontaminate Edge Colors Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others. Facebook Page: www.facebook.com/visionarydesignpage Check out all the other cool videos & tutorials here on V~Universe! Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come! -
1:58Keying Cars (Prank)
Keying Cars (Prank) -
8:15Advanced Green Screen Keying [After Effects Tutorial]
Advanced Green Screen Keying [After Effects Tutorial]Advanced Green Screen Keying [After Effects Tutorial]
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects. Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows. Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness). Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods. Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner). Then all you'll need to do is color match, drop in your background, and you'll be good to go! This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening). 8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692 8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv -
6:00Intro to Basic Keying [AE]
Intro to Basic Keying [AE]Intro to Basic Keying [AE]
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example. If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here: http://j.mp/IntroBasicKeying Check out Kaitlyn's channel, Alpha Studios, here! http://bit.ly/Alpha_Studios http://www.alphastudios.com/ - - - Special thanks to RØDE Microphones! Check them out here: http://www.rode.com Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/ Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com - - - Thanks for watching! More videos at http://school.rocketjump.com! We're on TWITCH every Thursday at 3PM PST! http://twitch.tv/rocketjump You can also follow us on Facebook & Twitter: http://www.facebook.com/RJFilmSchool https://twitter.com/rjfilmschool -
9:47Professional Green Screen / Advanced Keying Tutorial [After Effects]
Professional Green Screen / Advanced Keying Tutorial [After Effects]Professional Green Screen / Advanced Keying Tutorial [After Effects]
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in: Instagram: https://www.instagram.com/thunderzebra_/ Twitter: https://twitter.com/thunder_zebra Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link! https://www.youtube.com/watch?v=Mrj6EBM8wZI -
18:55Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
Multi-layer Keying in After Effects Part 1 - Pulling a Basic KeyMulti-layer Keying in After Effects Part 1 - Pulling a Basic Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key. -
12:13Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light TutorialNuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune 'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'. 'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'. -
3:48Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondoTutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow. Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi. Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro. Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare. Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip. Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA. Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters. Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo. Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione. Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione. Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro. Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo. Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora. Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente. Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà. Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia. Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo. Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare. Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito. Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale. A presto, ciao! ======================================================= * Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1 * Visita il mio sito http://PaoloGrisendi.com * Seguimi anche su Facebook https://www.facebook.com/paologyoutubeevideomarketing/ * Seguimi su Twitter https://twitter.com/PaoloGrisendi * Mi trovi anche su LinkedIn https://it.linkedin.com/in/paologrisendi -
16:14KEYING My Ferrari
KEYING My FerrariKEYING My Ferrari
You read that right, watch me keying my Ferrari FF... I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect. As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork. Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all. Topaz Detailing can be found at: http://www.topazlondon.com/ https://www.facebook.com/TopazDetailing http://instagram.com/topazdetailing Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc Thanks for watching, Tim Subscribe: http://bit.ly/Shmee150YT Website: http://www.shmee150.com Facebook: http://www.fb.com/shmee150 Instagram: http://www.instagram.com/shmee150
-
Advanced Keying Techniques in After Effects - Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green screen footage. Motion Squared Texture Packs - http://bit.ly/1SFz7tk Twitter - http://twitter.com/motionsquared Facebook - http://facebook.com/motionsquarednet Instagram - http://instagram.com/motionsquared Free Cinema 4D Textures - http://bit.ly/1Mlq842
published: 31 Jul 2014 -
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens. So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time. Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel. Here is a list of all the main techniques we covered: 1. Limit Range of Colors with Garbage Matte 2. Screen Matte vs Alpha Viewer 3. NEVER Final Result (Use Intermediate Result) 4. Screen Balance Shifts Hue 5. Clipping with Curves 6. Understanding Status View 7. Test Multiple Frames And Keyframe If Necessary 8. Key Cleaner...
published: 18 Dec 2016 -
-
Advanced Green Screen Keying [After Effects Tutorial]
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects. Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows. Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness). Next, we'll extract the matte created by Keylig...
published: 05 Feb 2012 -
Intro to Basic Keying [AE]
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example. If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here: http://j.mp/IntroBasicKeying Check out Kaitlyn's channel, Alpha Studios, here! http://bit.ly/Alpha_Studios http://www.alphastudios.com/ - - - Special thanks to RØDE Microphones! Check them out here: http://www.rode.com Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/ Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums:...
published: 30 Jun 2016 -
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in: Instagram: https://www.instagram.com/thunderzebra_/ Twitter: https://twitter.com/thunder_zebra Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link! https://www.youtube.com/watch?v=Mrj6EBM8wZI
published: 14 Sep 2016 -
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
published: 10 Mar 2012 -
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune 'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'. 'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size'...
published: 01 Aug 2014 -
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow. Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi. Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro. Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare. Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensi...
published: 08 Jul 2017 -
KEYING My Ferrari
You read that right, watch me keying my Ferrari FF... I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect. As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork. Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all...
published: 17 Mar 2016
Advanced Keying Techniques in After Effects - Tutorial
- Order: Reorder
- Duration: 16:22
- Updated: 31 Jul 2014
- views: 123386
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk...
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk
Twitter - http://twitter.com/motionsquared
Facebook - http://facebook.com/motionsquarednet
Instagram - http://instagram.com/motionsquared
Free Cinema 4D Textures - http://bit.ly/1Mlq842
https://wn.com/Advanced_Keying_Techniques_In_After_Effects_Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk
Twitter - http://twitter.com/motionsquared
Facebook - http://facebook.com/motionsquarednet
Instagram - http://instagram.com/motionsquared
Free Cinema 4D Textures - http://bit.ly/1Mlq842
- published: 31 Jul 2014
- views: 123386
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
- Order: Reorder
- Duration: 40:13
- Updated: 18 Dec 2016
- views: 20829
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques...
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens.
So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time.
Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.
Here is a list of all the main techniques we covered:
1. Limit Range of Colors with Garbage Matte
2. Screen Matte vs Alpha Viewer
3. NEVER Final Result (Use Intermediate Result)
4. Screen Balance Shifts Hue
5. Clipping with Curves
6. Understanding Status View
7. Test Multiple Frames And Keyframe If Necessary
8. Key Cleaner Effect
9. Reduce Chatter
10. Advanced Spill Suppressor
11. Fix Bad Edges with Refine Hard Matte
12. Eye Drop Less Saturated Colors
13. Tight Garbage Mask with Keylight
14. Remove Shadows with Shadow/Highlights
15. Remove Shadows with Invert Lightness
16. Brighten Areas with Adjustment Layers
17. Apply Key to Adjustment Layers
18. Add Vibrance to Brightened Areas
19. Use Track Matte to Steal Alpha Matte
20. Make Adjustments Before Key (Understanding Order)
21. Mask Out Keylight From Certain Areas
22. Pre-compose If Key Is On Adjustment Layers
23. Edge Color Correction with Keylight
24. Refine Soft Matte
25. Refine Soft Matte Disadvantages
26. Refine Soft Matte vs Key Cleaner
27. Can't Use Keying Effects After Decontaminate Edge Colors
Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others.
Facebook Page: www.facebook.com/visionarydesignpage
Check out all the other cool videos & tutorials here on V~Universe!
Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come!
https://wn.com/Ultimate_Green_Screen_Tutorial_|_Crazy_Advanced_Keying_Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens.
So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time.
Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.
Here is a list of all the main techniques we covered:
1. Limit Range of Colors with Garbage Matte
2. Screen Matte vs Alpha Viewer
3. NEVER Final Result (Use Intermediate Result)
4. Screen Balance Shifts Hue
5. Clipping with Curves
6. Understanding Status View
7. Test Multiple Frames And Keyframe If Necessary
8. Key Cleaner Effect
9. Reduce Chatter
10. Advanced Spill Suppressor
11. Fix Bad Edges with Refine Hard Matte
12. Eye Drop Less Saturated Colors
13. Tight Garbage Mask with Keylight
14. Remove Shadows with Shadow/Highlights
15. Remove Shadows with Invert Lightness
16. Brighten Areas with Adjustment Layers
17. Apply Key to Adjustment Layers
18. Add Vibrance to Brightened Areas
19. Use Track Matte to Steal Alpha Matte
20. Make Adjustments Before Key (Understanding Order)
21. Mask Out Keylight From Certain Areas
22. Pre-compose If Key Is On Adjustment Layers
23. Edge Color Correction with Keylight
24. Refine Soft Matte
25. Refine Soft Matte Disadvantages
26. Refine Soft Matte vs Key Cleaner
27. Can't Use Keying Effects After Decontaminate Edge Colors
Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others.
Facebook Page: www.facebook.com/visionarydesignpage
Check out all the other cool videos & tutorials here on V~Universe!
Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come!
- published: 18 Dec 2016
- views: 20829
Keying Cars (Prank)
- Order: Reorder
- Duration: 1:58
- Updated: 18 Jun 2013
- views: 1006398
A different way to "Key" cars
See my videos a day early on my facebook page!
Facebook:
https://www.facebook.com/Rosscreations
Some of my music:
https://soundc...
A different way to "Key" cars
See my videos a day early on my facebook page!
Facebook:
https://www.facebook.com/Rosscreations
Some of my music:
https://soundcloud.com/rosscreations
https://wn.com/Keying_Cars_(Prank)
Advanced Green Screen Keying [After Effects Tutorial]
- Order: Reorder
- Duration: 8:15
- Updated: 05 Feb 2012
- views: 241059
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen...
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects.
Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows.
Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness).
Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods.
Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner).
Then all you'll need to do is color match, drop in your background, and you'll be good to go!
This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening).
8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692
8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv
https://wn.com/Advanced_Green_Screen_Keying_After_Effects_Tutorial
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects.
Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows.
Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness).
Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods.
Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner).
Then all you'll need to do is color match, drop in your background, and you'll be good to go!
This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening).
8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692
8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv
- published: 05 Feb 2012
- views: 241059
Intro to Basic Keying [AE]
- Order: Reorder
- Duration: 6:00
- Updated: 30 Jun 2016
- views: 33752
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe Afte...
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example.
If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here:
http://j.mp/IntroBasicKeying
Check out Kaitlyn's channel, Alpha Studios, here!
http://bit.ly/Alpha_Studios
http://www.alphastudios.com/
- - -
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
- - -
Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
https://wn.com/Intro_To_Basic_Keying_Ae
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example.
If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here:
http://j.mp/IntroBasicKeying
Check out Kaitlyn's channel, Alpha Studios, here!
http://bit.ly/Alpha_Studios
http://www.alphastudios.com/
- - -
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
- - -
Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
- published: 30 Jun 2016
- views: 33752
Professional Green Screen / Advanced Keying Tutorial [After Effects]
- Order: Reorder
- Duration: 9:47
- Updated: 14 Sep 2016
- views: 10879
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on ...
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in:
Instagram: https://www.instagram.com/thunderzebra_/
Twitter: https://twitter.com/thunder_zebra
Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link!
https://www.youtube.com/watch?v=Mrj6EBM8wZI
https://wn.com/Professional_Green_Screen_Advanced_Keying_Tutorial_After_Effects
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in:
Instagram: https://www.instagram.com/thunderzebra_/
Twitter: https://twitter.com/thunder_zebra
Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link!
https://www.youtube.com/watch?v=Mrj6EBM8wZI
- published: 14 Sep 2016
- views: 10879
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
- Order: Reorder
- Duration: 18:55
- Updated: 10 Mar 2012
- views: 127368
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight...
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
https://wn.com/Multi_Layer_Keying_In_After_Effects_Part_1_Pulling_A_Basic_Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
- published: 10 Mar 2012
- views: 127368
Nuke Keying with Key-light Tutorial
- Order: Reorder
- Duration: 12:13
- Updated: 01 Aug 2014
- views: 35207
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite a...
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'.
'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'.
https://wn.com/Nuke_Keying_With_Key_Light_Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'.
'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'.
- published: 01 Aug 2014
- views: 35207
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
- Order: Reorder
- Duration: 3:48
- Updated: 08 Jul 2017
- views: 339
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vedia...
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow.
Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi.
Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro.
Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare.
Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip.
Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA.
Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters.
Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo.
Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione.
Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione.
Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro.
Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo.
Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora.
Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente.
Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà.
Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia.
Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo.
Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare.
Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito.
Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale.
A presto, ciao!
=======================================================
* Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1
* Visita il mio sito
http://PaoloGrisendi.com
* Seguimi anche su Facebook
https://www.facebook.com/paologyoutubeevideomarketing/
* Seguimi su Twitter
https://twitter.com/PaoloGrisendi
* Mi trovi anche su LinkedIn
https://it.linkedin.com/in/paologrisendi
https://wn.com/Tutorial_Chroma_Keying_In_Screenflow_Come_Usare_Il_Green_Screen_Per_Rimuovere_Lo_Sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow.
Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi.
Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro.
Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare.
Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip.
Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA.
Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters.
Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo.
Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione.
Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione.
Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro.
Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo.
Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora.
Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente.
Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà.
Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia.
Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo.
Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare.
Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito.
Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale.
A presto, ciao!
=======================================================
* Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1
* Visita il mio sito
http://PaoloGrisendi.com
* Seguimi anche su Facebook
https://www.facebook.com/paologyoutubeevideomarketing/
* Seguimi su Twitter
https://twitter.com/PaoloGrisendi
* Mi trovi anche su LinkedIn
https://it.linkedin.com/in/paologrisendi
- published: 08 Jul 2017
- views: 339
KEYING My Ferrari
- Order: Reorder
- Duration: 16:14
- Updated: 17 Mar 2016
- views: 699450
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection ...
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect.
As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork.
Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all.
Topaz Detailing can be found at:
http://www.topazlondon.com/
https://www.facebook.com/TopazDetailing
http://instagram.com/topazdetailing
Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA
PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc
Thanks for watching, Tim
Subscribe: http://bit.ly/Shmee150YT
Website: http://www.shmee150.com
Facebook: http://www.fb.com/shmee150
Instagram: http://www.instagram.com/shmee150
https://wn.com/Keying_My_Ferrari
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect.
As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork.
Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all.
Topaz Detailing can be found at:
http://www.topazlondon.com/
https://www.facebook.com/TopazDetailing
http://instagram.com/topazdetailing
Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA
PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc
Thanks for watching, Tim
Subscribe: http://bit.ly/Shmee150YT
Website: http://www.shmee150.com
Facebook: http://www.fb.com/shmee150
Instagram: http://www.instagram.com/shmee150
- published: 17 Mar 2016
- views: 699450
-
Advanced Keying Techniques in After Effects - Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green screen footage. Motion Squared Texture Packs - http://bit.ly/1SFz7tk Twitter - http://twitter.com/motionsquared Facebook - http://facebook.com/motionsquarednet Instagram - http://instagram.com/motionsquared Free Cinema 4D Textures - http://bit.ly/1Mlq842
published: 31 Jul 2014 -
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens. So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time. Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel. Here is a list of all the main techniques we covered: 1. Limit Range of Colors with Garbage Matte 2. Screen Matte vs Alpha Viewer 3. NEVER Final Result (Use Intermediate Result) 4. Screen Balance Shifts Hue 5. Clipping with Curves 6. Understanding Status View 7. Test Multiple Frames And Keyframe If Necessary 8. Key Cleaner...
published: 18 Dec 2016 -
-
Advanced Green Screen Keying [After Effects Tutorial]
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects. Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows. Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness). Next, we'll extract the matte created by Keylig...
published: 05 Feb 2012 -
Intro to Basic Keying [AE]
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example. If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here: http://j.mp/IntroBasicKeying Check out Kaitlyn's channel, Alpha Studios, here! http://bit.ly/Alpha_Studios http://www.alphastudios.com/ - - - Special thanks to RØDE Microphones! Check them out here: http://www.rode.com Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/ Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums:...
published: 30 Jun 2016 -
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in: Instagram: https://www.instagram.com/thunderzebra_/ Twitter: https://twitter.com/thunder_zebra Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link! https://www.youtube.com/watch?v=Mrj6EBM8wZI
published: 14 Sep 2016 -
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
published: 10 Mar 2012 -
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune 'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'. 'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size'...
published: 01 Aug 2014 -
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow. Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi. Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro. Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare. Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensi...
published: 08 Jul 2017 -
KEYING My Ferrari
You read that right, watch me keying my Ferrari FF... I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect. As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork. Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all...
published: 17 Mar 2016
Advanced Keying Techniques in After Effects - Tutorial
- Order: Reorder
- Duration: 16:22
- Updated: 31 Jul 2014
- views: 123386
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk...
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk
Twitter - http://twitter.com/motionsquared
Facebook - http://facebook.com/motionsquarednet
Instagram - http://instagram.com/motionsquared
Free Cinema 4D Textures - http://bit.ly/1Mlq842
https://wn.com/Advanced_Keying_Techniques_In_After_Effects_Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green screen footage.
Motion Squared Texture Packs - http://bit.ly/1SFz7tk
Twitter - http://twitter.com/motionsquared
Facebook - http://facebook.com/motionsquarednet
Instagram - http://instagram.com/motionsquared
Free Cinema 4D Textures - http://bit.ly/1Mlq842
- published: 31 Jul 2014
- views: 123386
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
- Order: Reorder
- Duration: 40:13
- Updated: 18 Dec 2016
- views: 20829
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques...
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens.
So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time.
Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.
Here is a list of all the main techniques we covered:
1. Limit Range of Colors with Garbage Matte
2. Screen Matte vs Alpha Viewer
3. NEVER Final Result (Use Intermediate Result)
4. Screen Balance Shifts Hue
5. Clipping with Curves
6. Understanding Status View
7. Test Multiple Frames And Keyframe If Necessary
8. Key Cleaner Effect
9. Reduce Chatter
10. Advanced Spill Suppressor
11. Fix Bad Edges with Refine Hard Matte
12. Eye Drop Less Saturated Colors
13. Tight Garbage Mask with Keylight
14. Remove Shadows with Shadow/Highlights
15. Remove Shadows with Invert Lightness
16. Brighten Areas with Adjustment Layers
17. Apply Key to Adjustment Layers
18. Add Vibrance to Brightened Areas
19. Use Track Matte to Steal Alpha Matte
20. Make Adjustments Before Key (Understanding Order)
21. Mask Out Keylight From Certain Areas
22. Pre-compose If Key Is On Adjustment Layers
23. Edge Color Correction with Keylight
24. Refine Soft Matte
25. Refine Soft Matte Disadvantages
26. Refine Soft Matte vs Key Cleaner
27. Can't Use Keying Effects After Decontaminate Edge Colors
Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others.
Facebook Page: www.facebook.com/visionarydesignpage
Check out all the other cool videos & tutorials here on V~Universe!
Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come!
https://wn.com/Ultimate_Green_Screen_Tutorial_|_Crazy_Advanced_Keying_Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish making this so I hope you enjoy. These are 90% of the keying techniques I use when challenged by tough green screens.
So sorry it turned out 40 mins but I shortened it as much as possible. You could possibly watch the entire video in two sessions, on half at a time.
Anyway, please let me know what you think in the comments and SUBSCRIBE so you won't lose contact with my channel.
Here is a list of all the main techniques we covered:
1. Limit Range of Colors with Garbage Matte
2. Screen Matte vs Alpha Viewer
3. NEVER Final Result (Use Intermediate Result)
4. Screen Balance Shifts Hue
5. Clipping with Curves
6. Understanding Status View
7. Test Multiple Frames And Keyframe If Necessary
8. Key Cleaner Effect
9. Reduce Chatter
10. Advanced Spill Suppressor
11. Fix Bad Edges with Refine Hard Matte
12. Eye Drop Less Saturated Colors
13. Tight Garbage Mask with Keylight
14. Remove Shadows with Shadow/Highlights
15. Remove Shadows with Invert Lightness
16. Brighten Areas with Adjustment Layers
17. Apply Key to Adjustment Layers
18. Add Vibrance to Brightened Areas
19. Use Track Matte to Steal Alpha Matte
20. Make Adjustments Before Key (Understanding Order)
21. Mask Out Keylight From Certain Areas
22. Pre-compose If Key Is On Adjustment Layers
23. Edge Color Correction with Keylight
24. Refine Soft Matte
25. Refine Soft Matte Disadvantages
26. Refine Soft Matte vs Key Cleaner
27. Can't Use Keying Effects After Decontaminate Edge Colors
Visionary Universe provides the visual community a very unique & advanced method of approaching VFX with a thought inspiring, conceptual mindset. These videos are meant to increase your VFX intelligence to open new doors beyond many others.
Facebook Page: www.facebook.com/visionarydesignpage
Check out all the other cool videos & tutorials here on V~Universe!
Hopefully you learned a thing or two but mostly inspired some really cool ideas! It's been fun guys, hopefully I will see YOU in future videos to come!
- published: 18 Dec 2016
- views: 20829
Keying Cars (Prank)
- Order: Reorder
- Duration: 1:58
- Updated: 18 Jun 2013
- views: 1006398
A different way to "Key" cars
See my videos a day early on my facebook page!
Facebook:
https://www.facebook.com/Rosscreations
Some of my music:
https://soundc...
A different way to "Key" cars
See my videos a day early on my facebook page!
Facebook:
https://www.facebook.com/Rosscreations
Some of my music:
https://soundcloud.com/rosscreations
https://wn.com/Keying_Cars_(Prank)
Advanced Green Screen Keying [After Effects Tutorial]
- Order: Reorder
- Duration: 8:15
- Updated: 05 Feb 2012
- views: 241059
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen...
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects.
Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows.
Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness).
Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods.
Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner).
Then all you'll need to do is color match, drop in your background, and you'll be good to go!
This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening).
8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692
8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv
https://wn.com/Advanced_Green_Screen_Keying_After_Effects_Tutorial
Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects.
Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows.
Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness).
Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods.
Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner).
Then all you'll need to do is color match, drop in your background, and you'll be good to go!
This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in Audacity, put together in Adobe Premiere Pro CS5 (for the tutorial) and Adobe After Effects CS5 (for the green screening).
8-bit Digital TV on Facebook: https://www.facebook.com/pages/8-bit-Digital-TV/132677656828692
8-bit Digital TV on Twitter: https://twitter.com/#!/8bitdigitaltv
- published: 05 Feb 2012
- views: 241059
Intro to Basic Keying [AE]
- Order: Reorder
- Duration: 6:00
- Updated: 30 Jun 2016
- views: 33752
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe Afte...
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example.
If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here:
http://j.mp/IntroBasicKeying
Check out Kaitlyn's channel, Alpha Studios, here!
http://bit.ly/Alpha_Studios
http://www.alphastudios.com/
- - -
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
- - -
Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
https://wn.com/Intro_To_Basic_Keying_Ae
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces us to the basic tools used for keying out green screens in Adobe After Effects, using our "Budget Bus Flip" as an example.
If you'd like to follow along, grab this FREE DOWNLOAD of Kaitlyn's After Effects project file, as well as the footage, here:
http://j.mp/IntroBasicKeying
Check out Kaitlyn's channel, Alpha Studios, here!
http://bit.ly/Alpha_Studios
http://www.alphastudios.com/
- - -
Special thanks to RØDE Microphones! Check them out here:
http://www.rode.com
Special thanks to Vitec Videocom! Check them out here: http://www.vitecvideocom.com/
Questions about our sponsors and how they work? A video on that soon, but we have an open policy and can answer your questions directly on our forums: http://discuss.rocketjump.com
- - -
Thanks for watching! More videos at http://school.rocketjump.com!
We're on TWITCH every Thursday at 3PM PST!
http://twitch.tv/rocketjump
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
- published: 30 Jun 2016
- views: 33752
Professional Green Screen / Advanced Keying Tutorial [After Effects]
- Order: Reorder
- Duration: 9:47
- Updated: 14 Sep 2016
- views: 10879
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on ...
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in:
Instagram: https://www.instagram.com/thunderzebra_/
Twitter: https://twitter.com/thunder_zebra
Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link!
https://www.youtube.com/watch?v=Mrj6EBM8wZI
https://wn.com/Professional_Green_Screen_Advanced_Keying_Tutorial_After_Effects
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice keying! The footage I use in the video is from the short I'm working on called "Route 66", feel free to follow the project in:
Instagram: https://www.instagram.com/thunderzebra_/
Twitter: https://twitter.com/thunder_zebra
Also, I want to say again, this technique was developed by this awesome guy, not by me! If you wanna see the whole thing on deep detail, click the following link!
https://www.youtube.com/watch?v=Mrj6EBM8wZI
- published: 14 Sep 2016
- views: 10879
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
- Order: Reorder
- Duration: 18:55
- Updated: 10 Mar 2012
- views: 127368
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight...
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
https://wn.com/Multi_Layer_Keying_In_After_Effects_Part_1_Pulling_A_Basic_Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutorials on basic multi-layer keying in Adobe After Effects using Keylight 1.2, Andrew Devis starts by showing how and explaining why you might need a garbage matte for most keying work and what considerations are important for such a matte. Andrew then goes on to show how to pull a basic key and then modify that key to ensure that you don't over-smooth your end results, finally viewing the keyed footage with a bright image behind to test the key.
- published: 10 Mar 2012
- views: 127368
Nuke Keying with Key-light Tutorial
- Order: Reorder
- Duration: 12:13
- Updated: 01 Aug 2014
- views: 35207
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite a...
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'.
'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'.
https://wn.com/Nuke_Keying_With_Key_Light_Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' is one of those fundamental 'compositing' skills. You can't composite anything until you have 'mattes' pulled for the elements you want to layer together. 'Keylight' is a 'color difference keyer', which means that for it to figure out a key, it compares every 'pixel' in the image against a single color, known here as the 'Screen Color'.
'Keylight' is an industry-proven color difference keyer. The core algorithm was developed by the 'Computer Film Company' and has been further developed by 'The Foundry'. To improve the key by firming up the foreground so the background doesn't show through, you should adjust the 'Clip White, Clip Black and Screen Matte' etc options. 'Reformat node' lets you 're size' and 'reposition' your image sequences to a 'different format'. 'Premult node' multiplies the input's 'rgb' channels by its 'alpha'.
- published: 01 Aug 2014
- views: 35207
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
- Order: Reorder
- Duration: 3:48
- Updated: 08 Jul 2017
- views: 339
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vedia...
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow.
Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi.
Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro.
Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare.
Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip.
Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA.
Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters.
Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo.
Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione.
Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione.
Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro.
Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo.
Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora.
Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente.
Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà.
Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia.
Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo.
Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare.
Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito.
Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale.
A presto, ciao!
=======================================================
* Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1
* Visita il mio sito
http://PaoloGrisendi.com
* Seguimi anche su Facebook
https://www.facebook.com/paologyoutubeevideomarketing/
* Seguimi su Twitter
https://twitter.com/PaoloGrisendi
* Mi trovi anche su LinkedIn
https://it.linkedin.com/in/paologrisendi
https://wn.com/Tutorial_Chroma_Keying_In_Screenflow_Come_Usare_Il_Green_Screen_Per_Rimuovere_Lo_Sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in due software creati da Apple, ossia Imovie e Final Cut Pro
Oggi vediamo come farlo su un altro programma sempre per MAC: ScreenFlow.
Questo programma, molto famoso per la sua capacità di catturare lo schermo e quindi di realizzare tutorial velocemente, ha anche la capacità di realizzare dei montaggi.
Ovviamente non nasce propriamente per fare concorrenza a programmi più blasonati, quindi manca di un sacco di funzioni che hanno invece programmi come Adobe Premiere e Final Cut Pro.
Detto questo, è in grado di rimuovere lo sfondo ai video per poterlo sostituire con immagini, video o animazioni. Vediamo come fare.
Come prima cosa apriamo il programma. Selezioniamo new document e scegliamo le dimensioni del canvas. Se non ne sei sicuro, puoi utilizzare dei preset dal menu a tendina. Fatto questo dobbiamo importare il clip.
Ci sono alcuni modi, tra cui il drag and drop. In alternativa puoi cliccare sull'icona in alto sulla destra e selezionare ADD MEDIA.
Una volta importato il clip lo trasciniamo sulla timeline. Bene, ora possiamo applicare l’effetto per la rimozione dello sfondo. Per fare questo ti basta cliccare sul pulsante col segno + di fianco a Video Filters.
Seleziona con un doppio click CHROMA KEY e voilà. Effetto applicato. Ti basterà solo a questo punto importare uno sfondo.
Lo so sembra facile, e lo è se il clip che hai girato non presenta problemi. Se ce ne sono stati, bisognerà provare ad agire con i controlli che abbiamo a disposizione.
Come abbiamo visto nel tutorial su Imovie, anche Screenflow ha pochi controlli per eventuali correzioni. Questo può portare a pensare che sia una cosa facile o addirittura banale, ma come vedrai a breve se il clip ha problemi potrebbero risultare insufficienti per risolvere la situazione.
Nel clip mostrato nel video come esempio l’illuminazione non è omogenea. Il che significa che abbiamo lo sfondo con colori diversi. A un lato un verde più chiaro, all’altro più scuro.
Applicando l’effetto vedrai che ci sono problemi. Proviamo a fare un tentativo.
Il primo controllo è quello sul colore. Nel caso ScreenFlow abbia scelto una tonalità che riteniamo sbagliata, possiamo cambiarla usando questo comando. Clicchiamo sul canvas nella zona che vogliamo e vediamo se la situazione migliora.
Il secondo controllo non ci è molto utile in questo caso. Si utilizza quando nel file ci sono parti bianche che potrebbero far trasparire lo sfondo. Come vedi nel video ho la camicia scura quindi non ci serve a niente.
Con il controllo sotto abbiamo più speranze. Si chiama tolerance, che potremmo tradurre in tolleranza. In poche parole una volta scelto il colore, se aumentiamo la tolerance Screenflow andrà ad includere anche tinte vicine a quel colore, ovviamente più lo aumentiamo e più ne includerà.
Come vedi se cambio il valore qualcosa cambia, anche se iniziano a spuntare artefatti sulla camicia.
Infine abbiamo il controllo ANGLE, ossia angolo. Non è ben chiaro cosa faccia nello specifico, o almeno non sono riuscito ad interpretarlo dal loro manuale. Fatto sta che non resta che provare anche con questo controllo.
Insomma, dopo qualche minuto di sperimentazione non sono riuscito a salvare la situazione. O almeno non ci sono riuscito solo con questi 3 controlli. E’ anche vero che questo è un caso estremo e l’ho girato di proposito per mostrarti cosa NON fare.
Quindi si torna al punto che ho già espresso nello scorso video: meno casini combiniamo in ripresa, meno mal di testa e frustrazione avremo in post produzione in seguito.
Come sempre spero di esserti stato utile, iscriviti al mio canale se ancora non l’hai fatto, seguimi anche su Facebook, visita il mio sito PaoloGrisendi.com e contattami se vuoi scoprire come migliorare la qualità dei tuoi video e la performance del tuo canale.
A presto, ciao!
=======================================================
* Iscriviti al mio Canale qui https://www.youtube.com/user/paologvideomarketing?sub_confirmation=1
* Visita il mio sito
http://PaoloGrisendi.com
* Seguimi anche su Facebook
https://www.facebook.com/paologyoutubeevideomarketing/
* Seguimi su Twitter
https://twitter.com/PaoloGrisendi
* Mi trovi anche su LinkedIn
https://it.linkedin.com/in/paologrisendi
- published: 08 Jul 2017
- views: 339
KEYING My Ferrari
- Order: Reorder
- Duration: 16:14
- Updated: 17 Mar 2016
- views: 699450
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection ...
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect.
As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork.
Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all.
Topaz Detailing can be found at:
http://www.topazlondon.com/
https://www.facebook.com/TopazDetailing
http://instagram.com/topazdetailing
Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA
PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc
Thanks for watching, Tim
Subscribe: http://bit.ly/Shmee150YT
Website: http://www.shmee150.com
Facebook: http://www.fb.com/shmee150
Instagram: http://www.instagram.com/shmee150
https://wn.com/Keying_My_Ferrari
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each of my new cars to Topaz Detailing for application of Paint Protection Film, and this is exactly why! After showing the process with each of my McLaren 650S Spider and 675LT I have seen an awful lot of interest in the process and reasons behind it, and how better to explain it than a live demonstration - with keys, and a screwdriver for added effect.
As shown here, you can see how the PPF truly saves the paintwork on a car; and when you are talking special colours on these kind of cars it's not unusual to spend £10-20,000 just on the optional paintwork.
Quite how much bonus protection it provides actually took me by surprise doing this, I was genuinely worried this would go wrong but it didn't at all and the car is perfect behind it all.
Topaz Detailing can be found at:
http://www.topazlondon.com/
https://www.facebook.com/TopazDetailing
http://instagram.com/topazdetailing
Detailing the 675LT: https://www.youtube.com/watch?v=7D4wIn6NMcA
PPF to 650S: https://www.youtube.com/watch?v=QVH5ez_FHTc
Thanks for watching, Tim
Subscribe: http://bit.ly/Shmee150YT
Website: http://www.shmee150.com
Facebook: http://www.fb.com/shmee150
Instagram: http://www.instagram.com/shmee150
- published: 17 Mar 2016
- views: 699450
-
The Key
published: 12 Nov 2013 -
Luck-Key
published: 29 Nov 2016 -
-
Alicia Keys Best Songs || Alicia Keys Greatest Hits
published: 29 Feb 2016 -
-
Luck-Key
published: 07 Feb 2017 -
Under Lock and Key Movie 1995 - full movie
published: 22 Jan 2017 -
Rochelle Keyes
published: 15 Aug 2016 -
落KEY人生
published: 27 May 2015 -
The Key
- Order: Reorder
- Duration: 39:45
- Updated: 12 Nov 2013
- views: 40
- published: 12 Nov 2013
- views: 40
Luck-Key
- Order: Reorder
- Duration: 1:39:25
- Updated: 29 Nov 2016
- views: 44541
- published: 29 Nov 2016
- views: 44541
The Broken Key
- Order: Reorder
- Duration: 1:00:55
- Updated: 23 Feb 2017
- views: 1698
Alicia Keys Best Songs || Alicia Keys Greatest Hits
- Order: Reorder
- Duration: 1:25:20
- Updated: 29 Feb 2016
- views: 834543
- published: 29 Feb 2016
- views: 834543
FAITH IS THE KEY
- Order: Reorder
- Duration: 3:32:37
- Updated: 15 Nov 2016
- views: 1521
Luck-Key
- Order: Reorder
- Duration: 1:30:00
- Updated: 07 Feb 2017
- views: 10237
- published: 07 Feb 2017
- views: 10237
Under Lock and Key Movie 1995 - full movie
- Order: Reorder
- Duration: 1:12:54
- Updated: 22 Jan 2017
- views: 1298198
- published: 22 Jan 2017
- views: 1298198
Rochelle Keyes
- Order: Reorder
- Duration: 1:47:10
- Updated: 15 Aug 2016
- views: 5824
- published: 15 Aug 2016
- views: 5824
落KEY人生
- Order: Reorder
- Duration: 2:08:22
- Updated: 27 May 2015
- views: 194946
- published: 27 May 2015
- views: 194946
- Playlist
- Chat
16:22
Advanced Keying Techniques in After Effects - Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green...
published: 31 Jul 2014
Advanced Keying Techniques in After Effects - Tutorial
Advanced Keying Techniques in After Effects - Tutorial
- Report rights infringement
- published: 31 Jul 2014
- views: 123386
40:13
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish m...
published: 18 Dec 2016
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
- Report rights infringement
- published: 18 Dec 2016
- views: 20829
1:58
Keying Cars (Prank)
A different way to "Key" cars
See my videos a day early on my facebook page!
Facebook:
h...
published: 18 Jun 2013
Keying Cars (Prank)
Keying Cars (Prank)
- Report rights infringement
- published: 18 Jun 2013
- views: 1006398
8:15
Advanced Green Screen Keying [After Effects Tutorial]
Green screening can be difficult and confusing. Despite your best efforts, you can still ...
published: 05 Feb 2012
Advanced Green Screen Keying [After Effects Tutorial]
Advanced Green Screen Keying [After Effects Tutorial]
- Report rights infringement
- published: 05 Feb 2012
- views: 241059
6:00
Intro to Basic Keying [AE]
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces...
published: 30 Jun 2016
Intro to Basic Keying [AE]
Intro to Basic Keying [AE]
- Report rights infringement
- published: 30 Jun 2016
- views: 33752
9:47
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice ke...
published: 14 Sep 2016
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Professional Green Screen / Advanced Keying Tutorial [After Effects]
- Report rights infringement
- published: 14 Sep 2016
- views: 10879
18:55
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutor...
published: 10 Mar 2012
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
- Report rights infringement
- published: 10 Mar 2012
- views: 127368
12:13
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' i...
published: 01 Aug 2014
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial
- Report rights infringement
- published: 01 Aug 2014
- views: 35207
3:48
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in ...
published: 08 Jul 2017
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
- Report rights infringement
- published: 08 Jul 2017
- views: 339
16:14
KEYING My Ferrari
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each ...
published: 17 Mar 2016
KEYING My Ferrari
KEYING My Ferrari
- Report rights infringement
- published: 17 Mar 2016
- views: 699450
- Playlist
- Chat
16:22
Advanced Keying Techniques in After Effects - Tutorial
Learn some advanced keying techniques that will help you to get the best out of your green...
published: 31 Jul 2014
Advanced Keying Techniques in After Effects - Tutorial
Advanced Keying Techniques in After Effects - Tutorial
- Report rights infringement
- published: 31 Jul 2014
- views: 123386
40:13
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
So excited to share all these green screen tips with everyone! Took me FOREVER to finish m...
published: 18 Dec 2016
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
Ultimate Green Screen Tutorial | Crazy Advanced Keying Techniques
- Report rights infringement
- published: 18 Dec 2016
- views: 20829
1:58
Keying Cars (Prank)
A different way to "Key" cars
See my videos a day early on my facebook page!
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published: 18 Jun 2013
Keying Cars (Prank)
Keying Cars (Prank)
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- published: 18 Jun 2013
- views: 1006398
8:15
Advanced Green Screen Keying [After Effects Tutorial]
Green screening can be difficult and confusing. Despite your best efforts, you can still ...
published: 05 Feb 2012
Advanced Green Screen Keying [After Effects Tutorial]
Advanced Green Screen Keying [After Effects Tutorial]
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- published: 05 Feb 2012
- views: 241059
6:00
Intro to Basic Keying [AE]
Starting off PART ONE of our VFX basics series, Kaitlyn Yang from Alpha Studios introduces...
published: 30 Jun 2016
Intro to Basic Keying [AE]
Intro to Basic Keying [AE]
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- published: 30 Jun 2016
- views: 33752
9:47
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Hi guys! In this tutorial I'm showing you some really nice techniques for a really nice ke...
published: 14 Sep 2016
Professional Green Screen / Advanced Keying Tutorial [After Effects]
Professional Green Screen / Advanced Keying Tutorial [After Effects]
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- published: 14 Sep 2016
- views: 10879
18:55
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
http://library.creativecow.net/devis_andrew/Multi-Layer-Editing-1 In this first of 4 tutor...
published: 10 Mar 2012
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
Multi-layer Keying in After Effects Part 1 - Pulling a Basic Key
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- published: 10 Mar 2012
- views: 127368
12:13
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial by Anibrain School Of Media Design, Pune
'Keying' i...
published: 01 Aug 2014
Nuke Keying with Key-light Tutorial
Nuke Keying with Key-light Tutorial
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- published: 01 Aug 2014
- views: 35207
3:48
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Nei due tutorial precedenti abbiamo visto come realizzare la tecnica del chroma keying in ...
published: 08 Jul 2017
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
Tutorial Chroma Keying in Screenflow - Come usare il green screen per rimuovere lo sfondo
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- published: 08 Jul 2017
- views: 339
16:14
KEYING My Ferrari
You read that right, watch me keying my Ferrari FF...
I have made a habit of taking each ...
published: 17 Mar 2016
KEYING My Ferrari
KEYING My Ferrari
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- published: 17 Mar 2016
- views: 699450
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39:45
The Key
published: 12 Nov 2013
The Key
The Key
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- published: 12 Nov 2013
- views: 40
1:39:25
Luck-Key
published: 29 Nov 2016
Luck-Key
Luck-Key
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- published: 29 Nov 2016
- views: 44541
1:25:20
Alicia Keys Best Songs || Alicia Keys Greatest Hits
published: 29 Feb 2016
Alicia Keys Best Songs || Alicia Keys Greatest Hits
Alicia Keys Best Songs || Alicia Keys Greatest Hits
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- published: 29 Feb 2016
- views: 834543
3:32:37
FAITH IS THE KEY
FAITH IS THE KEY
published: 15 Nov 2016
FAITH IS THE KEY
1:30:00
Luck-Key
published: 07 Feb 2017
Luck-Key
Luck-Key
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- published: 07 Feb 2017
- views: 10237
1:12:54
Under Lock and Key Movie 1995 - full movie
published: 22 Jan 2017
Under Lock and Key Movie 1995 - full movie
Under Lock and Key Movie 1995 - full movie
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- published: 22 Jan 2017
- views: 1298198
1:47:10
Rochelle Keyes
published: 15 Aug 2016
Rochelle Keyes
Rochelle Keyes
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- published: 15 Aug 2016
- views: 5824
2:08:22
落KEY人生
published: 27 May 2015
落KEY人生
落KEY人生
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- published: 27 May 2015
- views: 194946
1:02:51
Keys to the Castle
Keys to the Castle
published: 28 Nov 2016
Keys to the Castle
The Key...
Luck-Key...
The Broken Key...
Alicia Keys Best Songs || Alicia Keys Greatest Hit...
FAITH IS THE KEY...
Luck-Key...
Under Lock and Key Movie 1995 - full movie...
Rochelle Keyes...
落KEY人生...
Keys to the Castle...
See more photos of keying
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Lyrics list:lyrics
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One More Time, Kenny G
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Endless Love, Kenny G
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Yesterday, Kenny G
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You're Beautiful, Kenny G
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You Send Me, Kenny G
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You Raise Me Up, Kenny G
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You Make Me Believe, Kenny G
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Wind Beneath My Wings, Kenny G
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What Does It Take, Kenny G
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What a Wonderful World, Kenny G
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One More Time
I lie half awake
Late at night
I reach out to touch you
To feel you by my side
And I reach
And I reach
But I never get to feel you
Will I ever get to feel you again?
Again...
Just one more time
One more moment
To take you in my arms
One more chance
One more kiss
Before I wake to find you gone
One more time
Before I have to face another day
And my heart breaks...again
It's only a dream
But it's also real
I don't want it to end
But I know it will
So I pray and I pray
Every night I'm on my knees
Begging for the chance to see you again
Again…
back
A 2,000 square mile iceberg is about to break off of Antarctica
Edit The Independent 08 Jul 2017
Scientists have been expecting the break from the Larsen C ice shelf, monitoring the progress of a crack which extended to over 100 miles long in recent months ... Read more....
back
Actor Shia LaBeouf allegedly ran from police to avoid Savannah arrest
Edit Atlanta Journal 08 Jul 2017
Once again, actor Shia LaBeouf had been arrested on charges of public drunkenness, this time in Savannah. According to the Chatham County Sheriff’s Office booking log, LaBeouf, 31, was arrested at 4 a.m., Saturday by the Savannah Chatham Metropolitan Police Department ... ....
back
Stephen Hawking: Earth could turn into hothouse planet like Venus
Edit Fox News 07 Jul 2017
Earth could turn into a hothouse planet like Venus, with boiling oceans and acid rain, if humans don't curb irreversible climate change, physicist Stephen Hawking claimed in a recent interview ... ....
back
Fire at Los Angeles receiving station leaves 140,000 with no power
Edit DNA India 09 Jul 2017
A fire at a receiving station in Los Angeles left 140,000 residents without power on Saturday after a second straight day marked by temperatures that exceeded 90 degrees (32 Celsius), power authorities said ... ....
Public sector urged to key into IT digital transformation
Edit Business Day Online 09 Jul 2017
The need for public sector organisations to key into IT digital transformation to achieve better efficiency and effectiveness has been reiterated at a Customer Technology Update Session held at Transcorp Hilton, Abuja ... Visit the site and log in/register to read. The post Public sector urged to key into IT digital transformation appeared first on BusinessDay . News you can trust ... ....
Lions captain plays key role as ref changes mind
Edit Fox Sports 09 Jul 2017
AUCKLAND, New Zealand (AP) British and Irish Lions captain Sam Warburton played a key role in causing the referee to change his mind on a crucial penalty call in the last moments of Saturday's third test against New Zealand ... ....
Keegan-Michael Key's new series 'Friends from College' is the 2017 friends show you need
Edit Detroit Free Press 09 Jul 2017DU MSc (Maths Edu) Entrance Test Answer Key, 2 Questions Per Set deleted
Edit NDTV 09 Jul 2017
Delhi University (DU) has released revised answer keys for the entrance test held on 4 July for admission to the Course M.Sc (Mathematics Education) -2017 ... ....
Key points from the G20 summit of world leaders
Edit ABC News 09 Jul 2017
Key points from the G20 summit of world leaders. Where they did and didn't agree ... ....
Key Donald Trump allies held meeting with Kremlin lawyer last year, report
Edit The Daily Telegraph 09 Jul 2017
Within a fortnight of Donald Trump clinching the Republican nomination key allies held a meeting with a Kremlin-linked lawyer ... Ms ... ....
India vs West Indies, one-off T20I: Five key player clashes to watch out for
Edit Hindustan Times 09 Jul 2017
With India and West Indies set to go head-to-head in the one-off T20I at the Sabina Park in Kingston, Jamaica, on Sunday, here is a look at the five key player battles to watch out for.. Chris Gayle v Bhuvneshwar Kumar ... READ ....
Pep Guardiola suffers embarrassing setback, Man City boss snubbed by key signing
Edit Caughtoffside 09 Jul 2017
Despite seemingly being all set to join Man City this summer, reports suggest that Dani Alves has snubbed Pep Guardiola in favour of Paris Saint-Germain ... The post Pep Guardiola suffers embarrassing setback, Man City boss snubbed by key signing appeared first on CaughtOffside. ....
Report: Trump key aides met with Kremlin-linked lawyer
Edit Detroit news 09 Jul 2017
Washington — Donald Trump’s eldest son, son-in-law and then-campaign chairman met with a Russian lawyer shortly after Trump won the Republican nomination, in what appears to be the earliest known private meeting between key aides to the president and a Russian. Representatives of Donald Trump Jr ... Then-campaign chairman Paul Manafort also attended, according to the statement from Donald Trump Jr ... citizens to adopt Russian children ... “Mr ... ....
Nola pitching like he's key part of Phils' future
Edit MLB 09 Jul 2017
PHILADELPHIA -- Are there pieces of the Phillies' future already here?. Andy MacPhail, Matt Klentak and Pete Mackanin have been getting that question a lot lately. The Phillies have the worst record in the Majors and there are plenty of reasons why, but these days it's easy to look into the future and see Aaron Nola pitching meaningful games for the Phillies ... Full Game Coverage ... It's quite a turnaround ... I think that's been key for me ... ....
Knowing the dead zones key to keep catching streak alive
Edit Baltimore Sun 09 Jul 2017
There are few absolutes in the world, but one thing sure is. Fish and crabs don't stay in the same spot all summer. Like many of you I've enjoyed an exceptional summer striper season to date, and the crabbing ain't too shabby, either. In fact, for a while there I was downright spoiled; catching... ....
Home runs power Birds by Keys
Edit Public Technologies 09 Jul 2017
The text version of this document is not available at the moment ... (noodl. 39563287) ....
Prescription for care: Oversight is a key to well-run nursing homes
Edit Pittsburgh Post-Gazette 09 Jul 2017
The county-owned nursing home, long a staple of Pennsylvania’s health care landscape, is becoming a thing of the past. With many beds filled with Medicaid recipients, the homes often require general-fund subsidies that counties are loath or unable to make. Many counties — 18 since 2004 — have sold their nursing homes or otherwise gotten out of the business ... ....
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