3/5: F. Anstey; Mr. Punch's Pocket Ibsen - Hedda
Thomas Anstey Guthrie (August 8, 1856 - March 10, 1934) was an
English novelist and journalist, who wrote his comic novels under the pseudonym
F. Anstey. He was born in
Kensington, London, to
Augusta Amherst Austen, an organist and composer, and Thomas Anstey Guthrie. He was educated at
King's College School and at
Trinity Hall, Cambridge, and was called to the bar in
1880. But the popular success of his story
Vice Versa (
1882) with its topsy turvy substitution of a father for his schoolboy son, at once made his reputation as a humorist of an original type. He published in 1883 a serious novel,
The Giant's
Robe; but he discovered (and again in 1889 with The
Pariah) that it was not as a serious novelist but as a humorist that the public insisted on regarding him. As such, his reputation was further confirmed by
The Black Poodle (1884),
The Tinted Venus (1885),
A Fallen Idol (1886), and other works. Baboo Jabberjee
B.A. (1897), and A
Bayard from
Bengal (1902) are humorous yet truthful studies of the
East Indian with a veneer of English civilization.
Guthrie became an important member of the staff of
Punch magazine, in which his voces populi and his humorous parodies of a reciter's stock-piece (
Burglar Bill, &c.;) represent his best work. In
1901, his successful farce
The Man from Blankleys, based on a story that originally appeared in
Punch, was first produced at the
Prince of Wales Theatre, in
London. He wrote Only
Toys (1903) and Salted Almonds (
1906). Many of Anstey's stories have been adapted into theatrical productions and motion pictures. The Tinted Venus was adapted by
S. J. Perelman,
Ogden Nash, and
Kurt Weill into
One Touch of Venus in 1943. Vice Versa has been filmed many times, usually transposed in setting and without any credit to the original book. Another of his novels,
The Brass Bottle, has also been filmed more than once, including The Brass Bottle (1964). His Tourmalin's
Time Cheques (1891) is one of the earliest stories featuring the science fiction concept of intentional and frequent movement in time, and probably the first to investigate the practical paradoxes such a concept would create.
MR. PUNCH'S POCKET IBSEN
.....
These short comic parodies of five well-known tragedies by
Henrik Ibsen originally appeared in Punch, the
British humor magazine. From the prefatory note: "The author is conscious that his imitation is painfully lacking in the mysterious obscurity of the original, that the vein of allegorical symbolism is thinner throughout than it should be, and that the characters are not nearly so mad as persons invariably are in real life—but these are the faults inevitable to a prentice hand, and he trusts that due allowances may be made for them by the critical."
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