Juice (soundtrack)

Juice is the soundtrack to the 1992 crime drama film, Juice. It was released on December 31, 1991 through MCA Records and consisted mainly of hip hop music. The soundtrack was a success, making it to #17 on the Billboard 200 and #3 on the Top R&B Albums and featured four charting singles "Uptown Anthem", "Juice (Know the Ledge)", "Don't Be Afraid" and "Is It Good to You". Juice was certified gold by the RIAA on March 4, 1992.

Track listing

Soundtrack

A soundtrack, also written sound track, can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.

Origin of the term

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

Soundtrack (Charles Lloyd album)

Soundtrack is a live album by jazz saxophonist Charles Lloyd recorded at The Town Hall in 1968 by the Charles Lloyd Quartet featuring Keith Jarrett, Ron McClure, and Jack DeJohnette.

Reception

The Allmusic review by Thom Jurek awarded the album 4 stars and states "Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy... The band is in a heavy Latin mood, where the blues, samba, bossa, hard bop, modal, and even soul are drenched in the blues. With only four tunes presented, the Charles Lloyd Quartet, while a tad more dissonant than it had been in 1966 and 1967, swings much harder, rougher, and get-to-the-groove quicker than any band Lloyd had previously led... This band would split soon after, when Jarrett left to play with Miles Davis, but if this was a live swansong, they couldn't have picked a better gig to issue".

Track listing

24: The Soundtrack

24: The Soundtrack, released on December 7, 2004 in the USA, is based on the Fox television drama series 24, contains nineteen tracks of music composed exclusively for the first three seasons by producer Sean Callery, including the show's full theme song which has never been aired. The music contained in the soundtrack is somewhat of a hybrid mix of electronic pulses and rich orchestral textures that is meant to give each episode its own sound, yet at the same time have a sound that is consistent with the rest of the series in a way that compliments the show's "real-time" format. The insert of the album contains various photographs from the three seasons and also includes Callery's comments about how he went about producing each track. The liner notes also list which specific episode each track comes from. The album was released by Varèse Sarabande in the USA, Virgin TV in the UK, and EMI in Japan.

This album has been released with the Copy Control protection system in some regions.

Black Vulcan

Black Vulcan is a fictional African-American superhero on the animated series Super Friends created by Hanna-Barbera. He was voiced by Buster Jones.

Fictional character biography

Unlike most of the Super Friends, Black Vulcan was not a pre-existing DC Comics character. This is particularly notable since DC Comics' roster did include an African American superhero with electricity-based powers, Black Lightning, who could not be used on the show due to disputes between DC and Black Lightning's creator Tony Isabella.

Black Vulcan appeared in The All-New Super Friends Hour cartoon series (episode "The Whirlpool").

His powers include the ability to emit electricity from his hands. He can also fly by charging his lower body with energy. On a few occasions, he has exhibited powers he had not shown before, such as the ability to assume a form of pure energy and travel at the speed of light (in an unsuccessful attempt to escape a black hole.) He was able to travel back in time by fluctuating his body's energy to open a rift in space-time. Black Vulcan is able to spot-weld microelectronics.

Juice (Juice Newton album)

Juice is the multi-Platinum 1981 breakthrough album by American country-rock singer Juice Newton. The album was Newton's third solo album and her first major international success.

Hits

The album features two #1 hits "Angel of the Morning" and "The Sweetest Thing (I've Ever Known)". It also contains "Queen of Hearts," the biggest-selling single of Juice Newton's career, which peaked at #2 on both Billboard's Hot 100 and Adult Contemporary charts ("Endless Love" by Diana Ross and Lionel Richie prevented the song from reaching #1). "Queen of Hearts" was a popular music video during the summer of MTV's debut. Newton would go on to have more hit songs and albums, but this remains the album for which she is best known.

Awards

Juice garnered Juice Newton two "Best Female Vocalist" Grammy Award nominations (in the Pop and Country categories, respectively) neither of which she won. But she did win her first Grammy for her follow-up album Quiet Lies.

Greatest Hits

In 1984, a fourth track from Juice titled "Ride 'Em Cowboy" was released in support of Newton's first "Greatest Hits" album. The single reached #32 on the U.S. Billboard Country charts.

Blading (professional wrestling)

In professional wrestling, blading is the practice of intentionally cutting oneself to provoke bleeding. It is also known as juicing, gigging, or getting color. Similarly, a blade is an object used for blading, and a bladejob is a specific act of blading. The act is usually done a good length into the match as the blood will mix with the flowing sweat to make the wound look like much more blood is flowing from it than there actually is. The preferred area for blading is usually the forehead, as scalp wounds bleed profusely and heal easily. Legitimate, unplanned bleeding which occurs outside the storyline is called juicing the hard way.

History

Prior to the advent of blading, most storyline blood in wrestling came from one wrestler deliberately splitting the flesh over their opponent's eyebrow bone with a well placed and forceful punch. In his third autobiography, The Hardcore Diaries, Mick Foley cites Terry Funk as one of the few remaining active wrestlers who knows how to "bust an eyebrow open" in this way. The forehead has always been the preferred blading surface, due to the abundance of blood vessels. A cut in this area will bleed freely for quite some time and will heal quickly. A cut in this location will allow the blood to mix in with the sweat on the wrestler's face, giving them the proverbial "crimson mask" effect.