Focus puller

A focus puller, or 1st assistant camera, is a member of a film crew’s camera department whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed.

"Pulling focus" or "rack focusing" refers to the act of changing the lens’s focus distance setting in correspondence to a moving subject’s physical distance from the focal plane. For example, if an actor moves from 8 m away from the focal plane to 3 m away from the focal plane within a shot, the focus puller will change the distance setting on the lens during the take in precise correspondence to the changing position of the actor. Additionally, the focus puller may shift focus from one subject to another within the frame, as dictated by the specific requirements of the shot (cinematic techniques).

A good focus puller will have an intimate knowledge of cinematographic and optical theory. Depending on the parameters of a given shot, there is often very little room for error. As such, the role of a focus puller is extremely important within the realm of a film production; a "soft" image will, in most circumstances, be considered unusable, since there is no way to fix such an error in post-production. One must also consider that an actor may not be able to duplicate his or her best performance in a subsequent take, so the focus puller is expected to perform flawlessly on every take. Because of these factors, some production personnel consider the focus puller to have the most difficult job on set. For example, British cinematographer Oliver Stapleton has written:

Focus

Focus, FOCUS, or foci may refer to:

In science, mathematics or computing:

Film

Music

Follow focus

A follow focus is a focus control mechanism used in filmmaking with film cameras and in television production with professional video cameras. It is ergonomic rather than strictly necessary; in other words it does not contribute to the basic functionality of a camera but instead helps the operator be more efficient and precise. It is usually operated by a focus puller (often called the 1st assistant camera, or 1st AC) but some camera operators prefer to pull their own focus (the act of changing focus is called "pulling" or racking focus).

The mechanism works through a set of gears on the follow focus that are attached to teeth on the focus ring of the lens. These gears feed to a wheel that, when turned by a focus puller, spins the teeth and thus the ring on the lens. Practically, the device is not necessary as the operator can directly turn the ring on the lens. However, this would place the hand in an awkward position perpendicular to the camera rather than parallel, and turning beyond a certain distance (such as 360 degrees) would be impossible. Sometimes, such a "focus pull" would even be difficult with a follow focus, so an L-shaped metal rod called a speed crank can be attached in the provided square hole at the center of the wheel. Thus, the hand merely has to spin the rod, which turns the wheel. If it is necessary for the operator to stand a short distance from the camera, e.g., if the camera is inconveniently high, a short flexible cable called a "focus whip" can be used.

The Art

The Art (sometimes stylised as THEART) are an Australian Alternative Rock band based in Sydney. They began performing under the name The Follow in 2004. Tasmanian band leader Azaria Byrne was known as an unsuccessful contestant on the reality television series Popstars.

Early highlights for the band's career have been supporting successful bands such as the Pixies, Marilyn Manson, Nine Inch Nails, Sonic Youth and Thirty Seconds to Mars as late as 2010, however this was marred by the crowd booing and calls to "get off the stage".

As band leader Azaria Byrne enters middle age success has so far eluded him despite media attention resulting from his being cuckolded by the even older fading celebrity Bill Corgan.

The other band members have all been described as "dull" but this could also be a result of the attention seeking behavior of their singer.

Members

References