The Liberation Front of Mozambique, (FRELIMO) (Portuguese pronunciation: [fɾeˈlimu]), from the Portuguese Frente de Libertação de Moçambique, was a liberation movement which was founded in 1962 to fight for the independence of the Portuguese Overseas Province of Mozambique. At its 3rd Congress, in February 1977, it became a Marxist-Leninist political party and its official name became the Frelimo Party (Partido Frelimo). Independence was achieved in 1975 after the Carnation Revolution in Lisbon and the movement/party has ruled Mozambique from then until the present, first as a single party, and later as the majority party in a multi-party parliament.

After World War II, while many European nations were granting independence to their colonies, Portugal, under the Estado Novo regime, maintained that Mozambique and other Portuguese possessions were overseas territories of the metropole (mother country), and emigration to the colonies soared. Calls for Mozambican independence developed apace, and in 1962 several anti-colonial political groups formed the Front for the Liberation of Mozambique (FRELIMO), which initiated an armed campaign against Portuguese colonial rule in September 1964. However, Portugal had ruled Mozambique for more than four hundred years; not all Mozambicans desired independence, and fewer still sought change through armed revolution.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion.

Miles Dewey Davis was born on May 26, 1926, to an affluent African American family in Alton, Illinois. His father, Dr. Miles Henry Davis, was a dentist. In 1927 the family moved to East St. Louis, Illinois. They also owned a substantial ranch in northern Arkansas, where Davis learned to ride horses as a boy.

Davis' mother, Cleota Mae (Henry) Davis, wanted her son to learn the piano; she was a capable blues pianist but kept this fact hidden from her son. His musical studies began at 13, when his father gave him a trumpet and arranged lessons with local musician Elwood Buchanan. Davis later suggested that his father's instrument choice was made largely to irk his wife, who disliked the trumpet's sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato; he was reported to have slapped Davis' knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, "I prefer a round sound with no attitude in it, like a round voice with not too much tremolo and not too much bass. Just right in the middle. If I can’t get that sound I can’t play anything."Clark Terry was another important early influence.^{[citation needed]}