Days before the release of his new
album I
Changed... A Lot,
DJ Khaled pays
DJ Envy,
Angela Yee and
Charlamagne tha God a visit for an in depth interview at the
Breakfast Club Power 105.1 in
New York City. Another one!
1. I
Don’t Play About My
Paper (feat.
Future &
Rick Ross)
2. I
Ride (feat.
Boosie Badazz, Future, Rick Ross &
Jeezy)
3.
Gold Slugs (feat.
Chris Brown,
August Alsina &
Fetty Wap)
4.
I Swear I Never Tell Another
Soul (feat. Future,
Yo Gotti &
Trick Daddy)
5.
I Lied (feat.
French Montana,
Meek Mill,
Beanie Sigel &
Jadakiss)
6.
How Many Times (feat. Chris Brown,
Lil Wayne &
Big Sean)
7.
You Mine (feat.
Trey Songz,
Jeremih & Future)
8.
Every Time We
Come Around (feat. French Montana, Jadakiss,
Ace Hood &
Vado)
9. I Ain’t Worried (feat. Ace Hood & Rick Ross)
10. They
Don’t Love You No More (feat.
JAY Z, Meek Mill, Rick Ross & French Montana)
11. My
League –
Mavado
12.
Hold You Down (feat. Chris Brown, August Alsina, Future & Jeremih)
13.
Most High (feat.
John Legend)
Deluxe edition:
14. Hold You Down (
Remix) [feat.
Usher, Rick Ross,
Fabolous & Ace Hood]
15. Gold Slugs (
Instrumental) [feat. Chris Brown, August Alsina & Fetty Wap]
16. I Lied (Instrumental) [feat. French Montana, Meek Mill, Beanie Sigel & Jadakiss]
Despite its title, "
I Changed A Lot" is exactly the type of album we've come to expect from DJ Khaled.
In DJ Khaled's eyes, he's the hip hop version of
George Clooney in "
Ocean's 11": a wily veteran with the connections and know-how necessary to bring together a formidable team of specialists. He constructs albums featuring members of his inner circle (with Rick Ross playing
Matt Damon's role, Lil Wayne as
Brad Pitt) performing alongside legends (Jadakiss as
Carl Reiner) and hot new talent (Fetty Wap's vocal gymnastics make him a natural fit as the
Chinese acrobat, Yen). Each time, it's almost the exact same mission-- if you equate pulling off a huge heist with topping the charts-- but fresh sounds and new characters keep audiences coming back for more.
Considering that
Khaled's persona involves an almost comical amount of ego, though, his own envisioning of his career may not be the most accurate.
Instead, let's think of him as the rap game
Michael Bay. The director has pretty much one speed-- action-packed blockbuster-- and although the casts of his films aren't usually as chock full of stars as the "
Ocean's" series, perhaps the expensive, frequently-occurring explosions he favors are better parallels for the seconds-long guest verses that pepper Khaled's music. Every unveiling of a tracklist is a trailer that promises pyrotechnics, every album a July 4th-weekend opening. Both men seem to have little care for depth or complexity, and Khaled explaining his album's "concept" would probably resemble Bay attempting to plan a real-life military strike.
Hell, Khaled's latest album's artwork even doubles as an ad for his new food chain, again putting him in the same class as Bay, a record-breaking master of product placement.
I Changed A Lot, which is effectively subtitled with the
Miami address of one such Finga Licking location, is another seemingly random collection of bright, of-the-moment beats, song titles that could double as all-caps Instagram captions and featured artist pairings that are awards show-level weird.
Nearly every track sounds designed to slide seamlessly into
2015 radio rotation, with Khaled's finger-on-the-pulse updates on each ensuing album's sonic framework now just as predictable as a yearly increase on your salary due to inflation.
Sure enough, I Changed A Lot begins by pulling the same trick that Meek Mill and
The Game did on their recent albums: featuring Future on a track that sounds, well, exactly like a Future track. This being Khaled though, he does it three times in the first four songs. As the
Atlanta star predicted earlier this year on "Never Gon'
Lose," his formula is a winning one, and even despite top-shelf
Metro Boomin and
Southside beats being replaced with
We The Best store-brand ones from
Beat Bully and Reazy
Renegade, they're among the best tracks on the album.
Opener "I
Don't Play About My Paper" is especially satisfying, pairing an incendiary hook with a Rick Ross verse that might be the album's best. Not since
My Beautiful Dark Twisted Fantasy's "
Devil In A
Red Dress" has Rozay stood out in a crowded tracklist with vivid bars like this:
"Rich nigga rituals, Rolls Royces and residuals
Residue in my residence,
Revenue was so plentiful
Rumors Rozay still be runnin' with all you criminals
Ransom notes and repercussions follow my ridicule"
- published: 29 Oct 2015
- views: 4306