- published: 13 Mar 2013
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Catch-22 is a satirical novel by the American author Joseph Heller. He began writing it in 1953; the novel was first published in 1961. It is frequently cited as one of the greatest literary works of the twentieth century. It uses a distinctive non-chronological third-person omniscient narration, describing events from the points of view of different characters. The separate storylines are out of sequence so that the timeline develops along with the plot.
The novel is set during World War II, from 1942 to 1944. It mainly follows the life of Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier. Most of the events in the book occur while the fictional 256th Squadron is based on the island of Pianosa, in the Mediterranean Sea, west of Italy. The novel looks into the experiences of Yossarian and the other airmen in the camp, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home.
The novel's title refers to a plot device that is repeatedly invoked in the story. Catch-22 starts as a set of paradoxical requirements whereby airmen mentally unfit to fly did not have to do so, but could not actually be excused. By the end of the novel it is invoked as the explanation for many unreasonable restrictions. The phrase "Catch-22" has since entered the English language, referring to a type of unsolvable logic puzzle sometimes called a double bind. According to the novel, people who were crazy were not obliged to fly missions; but anyone who applied to stop flying was showing a rational concern for his safety and, therefore, was sane.
Year 22 (XXII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Agrippa and Galba (or, less frequently, year 775 Ab urbe condita). The denomination 22 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
I read you like an autograph...you love the spotlight
You shoot me like a photograph...you get me uptight
You're gunnin' for me every day...go straight for the heart
Say you want me--you push me away...say it tears you apart
You're on the inside...I'm on the outside
Don't matter whose side...you take the other side
I can see you walkin' down the aisle...you're thinkin' long-range
I've seen you work the miracle mile for loose change
You can have it anyway you want...your fancy dinners in the restaurants
Even though they leave you hungry inside, it's a free ride
You show your bad side...it's so undignified
Get off your back-side...you're talkin' suicide
Go and be what you wanna be
Sink your time and your hooks in me
You can hold me down--take me 'round and 'round and 'round
You catch me when I'm 'bout to fall...but you leave me there
What really matters doesn't matter at all...you don't care
It's hard to figure in your life...it's a roundabout
You're makin' it so hard to give in...but you won't let me out
You take the right side...I'm on the wrong side