'Double Bass' is featured as a movie character in the following productions:
The Composer (2012)
Actors:
Jessica Hecht (actress),
Alain Azoulay (producer),
Alain Azoulay (actor),
Curt Sletten (actor),
Brett Emanuel (actor),
Jason Ross Levy (actor),
H. Alsuwaidi (composer),
H. Alsuwaidi (writer),
H. Alsuwaidi (director),
Michelle LaRue (actress),
H. Alsuwaidi (producer),
Sean Riggs (actor),
Ross Blakeman (actor),
Manoela Wunder (actress),
Talin Agon (actress),
Genres:
Drama,
Short,
Me and Orson Welles (2008)
Actors:
Richard Linklater (director),
Simon Atherton (miscellaneous crew),
Steve Christian (producer),
Richard Linklater (producer),
Eddie Marsan (actor),
John Sloss (producer),
Jools Holland (actor),
Claire Danes (actress),
Zac Efron (actor),
Chris Wilson (actor),
Michael Brandon (actor),
Greg Bennett (actor),
Garrick Hagon (actor),
Matt Curtis (miscellaneous crew),
Libbie Barr (miscellaneous crew),
Plot: In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets 'Orson Welles' (qv), who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as 'Joseph Cotten (I)' (qv) and 'George Coulouris' (qv). Despite others with official roles as producer 'John Houseman (I)' (qv), this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants, which includes not having a fixed opening date, although the unofficial opening date is in one week's time. In turn, Welles realizes that his name will either be strengthened or ruined in the theater community by this production. Richard is taken under the wing by the production's Jane-of-All-Trades, Sonja Jones. Known as the Ice Queen by the male cast, Sonja deflects much of the unwanted sexual attention by jokingly implying that she and Richard are having a fling, which Richard wants nothing more than to be the truth. As the end of the week and opening night approaches, Richard, having seen Welles' behavior, has to decide if acting in this production is worth it at any cost.
Keywords: 17-year-old, 1930s, actor, actors'-equity-association, actress, ambition, ambulance, ambulance-siren, apology, applause
Genres:
Drama,
Taglines: All's fair in love and theater
Quotes:
Orson Welles: Cinna is Shakespeare's indictment of the intelligentsia. He's a lofty, Byronic figure.
Orson Welles: Where is thou ukulele?::Richard Samuels: I think some asshole... doth... stole it
Orson Welles: Do you know Booth Tarkington's "The Magnificent Ambersons?" Tarkington was a family friend. The character of Eugene, the inventor, is based on my father who died when I was fifteen. My mother when I was nine. "Ambersons" is about how everything gets taken away from you.
Orson Welles: Look at us, Runyon. Me without my story and you without your girl. We can't ever tell what will happen at all, can we? Once I stood in Grand Central Station to say goodbye to a pretty girl. I was wild about her. In fact, we decided we couldn't live without each other, and we were to be married. When we came to say goodbye we knew we wouldn't see each other for almost a year. I thought I couldn't live through it - and she stood there crying. Well, I don't even know where she lives now, or if she is living. If she ever thinks of me at all, she probably imagines I'm still dancing in some ballroom somewhere... Life and money both behave like quicksilver in a nest of cracks. And when they're gone we can't tell where - or what the devil we did with 'em...
John Houseman: This is an infinitely rewarding partnership, Orson. You go around smashing everything, you disenfranchise every friend, every supporter we have. And then I'm left desperately trying to clean up your mess. Because I am the one who ends up making the apologies, making the corrections, and making the ten thousand phone calls...::Orson Welles: And I'm out acting in "The Shadow" and "The March of Time" and every other piece-of-shit radio show in this city, just to pour my money into this son-of-a-bitch theater that you're supposed to be running.::John Houseman: That I'm 'supposed to be running?' I am killing myself trying to run it!
Joseph Cotten: Welcome to quadruple-space, kid.::Richard Samuels: What's quadruple space?::Joseph Cotten: You know in a novel, when the main characters are finally about to shtup? They can't describe it or otherwise they can't print the book. They just go, 'He hugged her hard, and they fell into bed.' Period. Quadruple space.::Norman Lloyd: The next paragraph the sun is rising and the milkman is knocking the bottles together.::Joseph Cotten: All the good stuff happens in the quadruple space.::Norman Lloyd: Fertilizer's hoping to make his next thirty years one long quadruple space.::Joseph Cotten: Forty.
Sonja Jones: Mercury. This is she... Oh, Mr. Ingram, Orson left just two minutes ago... he took an ambulance to beat the traffic... Well, you know, according to Orson there's no law on the books that says you have to be sick to take an ambulance. Of course, that's according to Orson, which probably means it isn't really true but it ought to be...
Richard Samuels: Well, I wish you luck.::Sonja Jones: I won't need luck. I don't believe in luck.::Richard Samuels: I don't think I do anymore, either. It's kind of a relief, isn't it, not believing in luck?::Sonja Jones: I don't want to keep Mr. Selznick, waiting, do I? How do I look?::Richard Samuels: Like a girl who's going to give me one blindingly beautiful parting kiss.
Sonja Jones: Orson wants to stay with me tonight.::Richard Samuels: Stay with you tonight?::Sonja Jones: I'm in no position to refuse.::Richard Samuels: What are you talking about?::Sonja Jones: I have to watch out for myself. That's what my whole life has taught me again and again.
[first lines]::Dr. Mewling: By the year of 1592, Shakespeare was already an actor, and a playwright. Records of how his stage career began have not survived. We do know that in 1594 he joined a theater troupe. Called... anyone remember? Not everyone at once now. The Lord Chamberlain's Men.
12 Tangos - Adios Buenos Aires (2005)
Actors:
Helmut Weber (producer),
Thomas Springer (producer),
Arne Birkenstock (writer),
Jorge Sobral (actor),
Arne Birkenstock (director),
Arne Birkenstock (producer),
Mario E. Levit (producer),
Bernt Hahn (actor),
Anne Urban (miscellaneous crew),
María de la Fuente (actress),
Guillermina Quiroga (miscellaneous crew),
José Libertella (actor),
Luis Borda (actor),
Alfredo Carlino (actor),
Felix Bach (editor),
Genres:
Documentary,
Musical,
Sting ...All This Time (2001)
Actors:
Sting (actor),
Kenneth Shapiro (miscellaneous crew),
Jim Gable (director),
Jeffrey Doe (editor),
Ann Kim (producer),
Emilio Nunez (producer),
Chris Botti (actor),
Scott C. Wilson (editor),
Edna Do Nascimento Silva (miscellaneous crew),
Kipper (actor),
Francesco Colicigno (miscellaneous crew),
Manu Katché (actor),
Christian McBride (actor),
Janice Pendarvis (actress),
Caroline Pham (producer),
Plot: Former frontman for The Police, Sting performs in Italy on this video. In addition to a look behind the scenes, the film contains performances of "Don't Stand So Close to Me," "Every Breath You Take," "Fragile," and over a dozen more favorites from every phase of his lengthy career.
Genres:
Documentary,
Music,
Viva Vivaldi! (2000)
Actors:
Brian Large (director),
Josef d'Bache-Kane (miscellaneous crew),
Colin Wilson (producer),
Cecilia Bartoli (actress),
Andrew Lloyd (editor),
Jane Seymour (producer),
Florence von Gerkan (costume designer),
Yves Rolland (producer),
Giovanni Antonini (actor),
Enrico Onofri (actor),
Christopher Raeburn (miscellaneous crew),
Katia Manceau (editor),
Elena Russo (actress),
Luca Pianca (actor),
Mario Bianchi (actor),
Plot: The spectacular mezzo-soprano Cecilia Bartoli is joined by the ensemble Il Giardino Armonico in a program of baroque music from composer Antonio Vivaldi, "The Red Priest". The concert encompasses arias and instrumental pieces from the oratorio Juditha Triumphans and the operas L'Olimpiade, Tito Manlio, Ottone in Villa, La fida ninfa, Bajazet (Il Tamerlano) and a chilling, passionate performance from Farnace. The ensemble performs Concerto in C major for Flautino (affectionately known as the Penny Whistle), and Concerto in D major for Lute. The predominant portion of music was unknown and specially transcribed from Vivaldi's original manuscripts by musicologist Claudio Osele. The International Film Crew from RM Associates is directed by veteran opera director Brian Large and produced by classical music producer Colin Wilson. The sell-out musical event was presented at the superb art-deco Théatre des Champs-Eysées, Paris in September 2000.
Keywords: exclamation-point-in-title, punctuation-in-title
Genres:
Music,
Samotári (2000)
Actors:
Danijel Hocevar (producer),
Jaroslav Kucera (producer),
Frantisek Nemec (actor),
Hana Maciuchová (actress),
Jirí Machácek (actor),
Jan Nemejovský (actor),
Jana Gýrová (actress),
Tatiana Vilhelmová (actress),
Ivan Trojan (actor),
Jakub Kohák (actor),
Emma Cerná (actress),
Jan P. Muchow (composer),
Jan P. Muchow (actor),
David Matásek (actor),
Jitka Schneiderová (actress),
Plot: Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of matchmaker and occasionally helps to put together some of his friends. He helps to separate his friend Hanka from Peter, an announcer for an independent radio station who tries to capture "real" life by recording the moments from "reality" and playing them over the air. Vesna, came to Prague from Macedonia because it is according to her the best place for UFOs to land, but her real reason for coming is somewhat different... Hanka is followed by the crazy Ondrej, until then a respected brain surgeon, and married with two kids. Through him she meets Jacob, who uses copious amounts of weed in order to be constructive in this gloomy world. On the other hand, this destroys his short-term memory - and he forgets that he already has a girlfriend. The disappointed Hanka runs to her parents, only to find some twenty-odd Japanese tourists watching her parents eat their dinner...
Keywords: overalls
Genres:
Comedy,
Taglines: Come to laugh at yourself.
Quotes:
Jakub: [Talking into the camera] I get high because the world is cruel and people are lonely. I work so I can buy drugs that make people seem kind, friendly, free and beautiful. Trouble is, these drugs caused me to hurt someone. So it doesn't make sense for me to do them anymore. I've had it with drugs. I'm giving up weed. [Raises his joint, looks at it, then looks back at the camera] This is my last joint. I'm not even going to finish it. [Throws joint at the floor, and then walks away. After a moment, he returns to pick up the joint, and smokes it again]
The Talented Mr. Ripley (1999)
Actors:
Frank Slaten (actor),
Stefania Rocca (actress),
James Rebhorn (actor),
Sergio Rubini (actor),
Renato Scarpa (actor),
Gwyneth Paltrow (actress),
Philip Seymour Hoffman (actor),
Gianfranco Barra (actor),
Philip Baker Hall (actor),
Matt Damon (actor),
Jack Davenport (actor),
Jude Law (actor),
Ivano Marescotti (actor),
Sydney Pollack (producer),
Cate Blanchett (actress),
Plot: The 1950s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party. When the wealthy father of a recent Princeton grad chats Tom up, Tom pretends to know the son and is soon offered $1,000 to go to Italy to convince Dickie Greenleaf to return home. In Italy, Tom attaches himself to Dickie and to Marge, Dickie's cultured fiancée, pretending to love jazz and harboring homoerotic hopes as he soaks in luxury. Besides lying, Tom's talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf's privileges his own.
Keywords: 1950s, affection, american-abroad, american-express, anger, aristocrat, assumed-identity, bank-account, based-on-book, based-on-novel
Genres:
Crime,
Drama,
Music,
Thriller,
Taglines: How far would you go to become someone else. Everybody should have one talent... what's yours? It's better to be a fake somebody than a real nobody.
Quotes:
Tom Ripley: I always thought it would be better, to be a fake somebody... than a real nobody.
Peter: Sorry, I'm completely lost.::Tom Ripley: I know. I'm lost, too. I'm going to be stuck in the basement, aren't I, that's my, that's my... terrible, and alone, and dark, and I've lied about who I am, and where I am, and now no-one will ever find me.::Peter: What do you mean... lied about who you are?::Tom Ripley: I always thought it'd be better to be a fake somebody than a real nobody.::Peter: What are you talking about? You're not a nobody. That's the last thing you are.
Freddie Miles: In fact the only thing that looks like Dickie is you.::Tom Ripley: Hardly.::Freddie Miles: Have you done something to your hair?::Tom Ripley: Freddie, do you have something you'd like to say?::Freddie Miles: What? I think I'm saying it. Something's going on. He's either converted to Christianity... or to something else.::Tom Ripley: I suggest you ask Dickie that yourself. Otello's is on delle Croce, just off the Corso.::Freddie Miles: Is it on "delle Croce, just off the Corso?" You're a quick study, aren't you? Last time you didn't know your ass from your elbow, now you're giving me directions. That's not fair, you probably do know your ass from your elbow. I'll see you.
[first lines]::Tom Ripley: If I could just go back... if I could rub everything out... starting with myself.
Dickie Greenleaf: Everybody should have one talent, what's yours?::Tom Ripley: Forging signatures, telling lies... impersonating practically anybody.::Dickie Greenleaf: That's three, nobody should have more than one talent.
Tom Ripley: [imitating Dickie's father] "Oh yes, Jazz... it's just insolent noise."::Dickie Greenleaf: I feel like he's here. Horrible. Like the old bastard is here right now! [pause in disbelief, Dickie moves in to hold Tom's hand] Brilliant. How do you know him ?
Dickie Greenleaf: You know, without the glasses you're not even ugly.
Meredith: [sheepish] I'm sorry, I wouldn't have made a joke if...::Tom Ripley: [cuts her off] Don't be sorry. I've never been happier. I feel like I've been handed a new life.
Tom Ripley: You're the brother I never had. I'm the brother you never had. I would do anything for you, Dickie.
Tom Ripley: First of all I know there's something. That evening when we played chess for instance it was obvious.::Dickie Greenleaf: What evening?::Tom Ripley: Oh sure, no, no, it's too dangerous for you to take on. Oh, no, no, we're brothers. Hey. And then you do this sordid thing with Marge. Fucking her on the boat while we all have to listen. Which was excruciating, by the way! And you follow your cock around and now you're getting married! I'm bewildered, forgive me. You're lying to Marge and then you're getting married to her. You're knocking up Silvana. You're ruining everybody. You wanna play the sax, you wanna play the drums. What is it, Dickie? What do you actually play?::Dickie Greenleaf: Who are you? Huh? Some third class mooch? Who are you? Who are you to say anything to me? I really, really don't want to be on this boat with you right now. I can't move without you moving. Gives me the creeps. [enraged by his on-the-fly suspicions] You give me the creeps!
Voyages (1999)
Actors:
Liliane Rovère (actress),
Olivia Bruynoghe (miscellaneous crew),
Maurice Chevit (actor),
Emmanuelle Castro (editor),
Mosko Alkalai (actor),
Laetitia Gonzalez (producer),
Lew Rywin (producer),
Bénédicte Darblay (miscellaneous crew),
Yael Fogiel (producer),
Emmanuel Finkiel (writer),
Vladimir Friedman (actor),
Emmanuel Finkiel (director),
Patrick Lizana (actor),
Isaac Sharry (actor),
Natan Cogan (actor),
Genres:
Drama,
Un héros très discret (1996)
Actors:
Nadia Barentin (actress),
Danièle Lebrun (actress),
Jean-Louis Trintignant (actor),
Marc Marder (actor),
Yves Verhoeven (actor),
Sandrine Kiberlain (actress),
Bruno Putzulu (actor),
Philippe Duclos (actor),
Albert Dupontel (actor),
Philippe Nahon (actor),
François Berléand (actor),
Mathieu Kassovitz (actor),
François Levantal (actor),
Caroline de Vivaise (costume designer),
Alexandre Desplat (composer),
Plot: Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator. He leaves his wife and goes to Paris. Gradually he inveigles himself with the resistance movement. They trust him and he helps them trace collaborators.
Keywords: 1940s, anti-hero, based-on-novel, con-man, french-resistance, lie, paris-france, satire, world-war-two
Genres:
Comedy,
Drama,
Taglines: Les vies les plus belles sont celles qu'on invente.
The Zone (1995)
Actors:
Barry Zetlin (writer),
Balázs Galkó (actor),
Steve Bulen (miscellaneous crew),
Jimmie Haskell (composer),
Barry Zetlin (director),
Dan Castellaneta (miscellaneous crew),
Márta Bakó (actress),
Ben Gazzara (actor),
Kathleen Gati (actress),
Barry Zetlin (actor),
Robert Davi (actor),
József Székhelyi (actor),
Douglas Salkin (miscellaneous crew),
Andrea Flesch (costume designer),
Géza Kaszás (actor),
Plot: Former Gulf War hero Rowdy Welles (Davi) is framed for murder by unscrupulous CIA boss Dick Althorp (Gazzara). As his price of freedom, Welles is ordered to undertake a deadly mission to destroy a nuclear processing plant in a foreign nation, owned by dangerous tyrant Lothar Krasna (Godunov).
Keywords: black-stockings, erotica, female-nudity, flight, independent-film, nudity, nylon, sex
Genres:
Action,
Drama,
Thriller,
Taglines: Murder, The Mafia, and Mikaela.
-
Instrument: Double Bass
In this film, Michael Fuller introduces his instrument - the double bass.
To learn more about the double bass visit http://www.philharmonia.co.uk/explore/instruments/double_bass
Why not download our iPad app The Orchestra to learn even more? Visit www.philharmonia.co.uk/app for more information.
"Have you seen the app called 'The Orchestra'? It is astonishing. For somebody who can't read music
-
Canon in D - Double Bass
For the Score visit my website http://teseoguitar.com/arrangements-and-transcriptions/index.html J. Pachelbel - Canon in D - transcription and adaptation in A for Double Bass Ensemble By Francesco Tesei - New Fan Page https://www.facebook.com/pages/Teseoguitar-bass/369321689870077 - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
-
Gorillaz-Double Bass
Artist: Gorillaz
Album: Gorillaz
Song: 09 "Double Bass"
WARNING:
PARENTAL ADVISORY! EXPLICIT LYRICS! THIS IS NOT THE CLEAN VERSION! ALBUM WISE!!! NOT SONG WISE!!
This video is for listening purposes only. I did not create the song nor the album art. All credit goes to Gorillaz and it's creators.
-
Gorillaz - Double Bass - Gorillaz
Double Bass taken from the 2001 album Gorillaz including the singles Clint Eastwood, 19-2000, Rock the House and Tomorrow Comes Today.
-
Vanhal - Double Bass Concerto in D Major
Rinat Ibragimov, principal double bass of the London Symphony Orchestra together with Catherine Edwards, performs Jan Křtitel Vaňhal's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the Viennese Tu
-
Czardas by Vittorio Monti for double bass and guitar
Buy the music to Czardas here: http://laurenpiercebasslessons.com/sheet-music-purchase-3/
Lauren Pierce, double bass
Andrew McMillan, guitar
Audio by Joey Golan
Video by Daniel Parr
Solar Way Studio
Arrangement by Jeffrey Bradetich
Website: www.laurenpiercebass.com
-
Double Bass - Tricky (Original Mix)
Support on Beatport:https://pro.beatport.com/track/tricky-original-mix/6379989
● Connect with tribemusicLive :
Facebook: https://www.facebook.com/TribeMusicTV
SoundCloud → https://soundcloud.com/tribe-music-radio
Twitter → https://twitter.com/tribemusicTV
Google+ → https://plus.google.com/+Tribe-music
Youtube → https://www.youtube.com/user/tribemusicLIVE
Submit your promo/demo →tribemusiclive@gm
-
Pirates Of The Caribbean - Double Bass Solo
Pirates Of The Caribbean - Double Bass Solo - Plays Francesco Tesei
-
Easy Double Bass Grooves That Sound Hard - Drum Lesson
The Ultimate Toolbox To Jumpstart Your Drumming:
http://www.Drumeo.com/ultimate-toolbox/
Click here for the sheet music!
http://www.Drumeo.com/blog/double-bass-grooves/
Aaron Edgar is here today to provide you with a handful of double bass grooves that sound difficult but are actually super simple to play. The great thing is they're all based around a similar left foot pattern - allowing you to
-
Ultimate Drum Lessons - Double Bass Drumming - Mike Portnoy
-
Strange Double Bass Foot Technique explained!
The Double Bass Drum Pedal on Amazon.com: http://www.amazon.com/dp/B001U7RQBS/?tag=wg_drums-20
Das Kickpad auf Amazon.de: http://www.amazon.de/dp/B0002F77PE/?tag=httpswwwyo023-21
Facebook: https://www.facebook.com/NechtanDrummer
Twitter: https://twitter.com/WanjaDrums
Aletrun: https://www.facebook.com/AletrunMetal
If you are from USA, you can now buy my drum equipment on my Amazon.com-aStore: http
-
Adam Ben Ezra - AWESOME UPRIGHT BASS SOLO | BassTheWorld.com
http://adambenezra.com /// more bass videos: http://www.youtube.com/user/basstheworldbyvideo // This video is dedicated to the channel of Adam Ben Ezra, an israeli bassist and multi-instrumentalist, who's known for a couple of amazing cover videos on YouTube. I'd go so far to say there's no one like Adam on our beloved video platform. His style is not only unique and entertaining, but also virtuou
-
Double Bass - Ego (Original Mix)
Buy on Beatport: http://www.beatport.com/release/ego/1373526
Artist: Double Bass
Track: Ego (Original Mix)
Label: Night Beat Records
Genre: House
Find us on:
www.tribe-music.com
www.facebook.com/TribeMusicTV
soundcloud.com/tribe-music-radio
twitter.com/tribemusicTV
DISCLAIMER: The sole purpose of this Youtube channel is to provide viewers with fresh new music and promote the work of the artist
-
How To Play Double Bass Perfectly In Tune Without Having To Think About It (Lesson 1/12)
http://upright.becomeabassist.com/get-effortless-intonation for the FREE 12 part Effortless Intonation series designed to help bass players play perfectly in tune - every time.
Get the drone from this video here:
http://bit.ly/104jcdv
Why Should You Play In Tune?
1. When you play in tune, the whole of the band will sound great, but if you're playing with bad intonation, you will make everyone
-
Giovanni Bottesini Concerto for Double Bass No 2 in B Minor
Principal Double Bass of the LSO, Rinat Ibragimov, performs Bottesini's Concerto for Double Bass No 2 in B Minor on an original 3 stringed period instrument by Antonio Gagliano.
For this recording Rinat uses Pirastro Eudoxa Solo strings.
Rinat is accompanied by Catherine Edwards on the piano.
Watch Rinat discuss Bottesini's work and this recording here:
http://youtu.be/xtPhsSTKD9Q
-
Coldplay Viva la Vida for Double Bass Quartet - Jason Scott Phillips
Sheet music: http://www.mediafire.com/download.php?j4e4ppygj5vjdoa
The fourth and final piece of my junior double bass recital on April 27, 2012, at the UNT Recital Hall. From left to right: Jason Scott Phillips, Will Coppoc, Gilberto Guajardo, and Chris Lettie.
Lyrics:
I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
-
A Double Bass Story - Calin Wultur Workshop, Romania
Making Double Basses and orchestral string instruments at the Calin Wultur Workshop in Romania. Calin Wultur Instruments are distributed worldwide exclusively by JR Music Supply, LLC. http://www.jrmusicsupply.com
-
Dittersdorf - Double Bass Concerto
Rinat Ibragimov, principal double bass of the London Symphony Orchestra, together with Catherine Edwards, performs Carl Ditters von Dittersdorf's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the
-
220 to 270 BPM Double Bass Drumming (HD)
Hi there,
I haven't been able to play drums for 2 weeks and will be able to play again in one week only, but I managed to record this video in which I play along with the metronome some beats that are, most of the time, heard in Death Metal music. So, I played at different speeds between 220BPM and 270BPM. I can't reach 280BPM. If Some one have some advice to give, it will be much appreciated. :)
-
Standing Posture & Setting Double Bass Height. Beginner Upright Bass Lesson: (L#5)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this beginners lesson I teach you everything you need to know, before you actually start playing. If the double bass
-
The James Bond Theme - Double Bass Solo
DescrizioneThe James Bond Theme - Double Bass Solo - Plays Francesco Tesei - New Fan Page https://www.facebook.com/Teseoguitar - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
-
How to Play Bebop Solos on the Double Bass (L#33)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this video lesson I teach you how to play bebop style solos on the double bass. When improvising jazz musicians often
-
The Elephant by Camille Saint-Saens double bass solo
A performance and tutorial of "The Elephant" by Camille Saint Saen from the Carnival of the Animals. Performed by Barry Lieberman, former Assistant Principal bass of the Los Angeles Philharmonic. Performed on a 17th century Maggini once owned by the famous Stuart Knussen, Principal bass of the London Symphony. Bow by Reid Hudson of Victoria Canada. For more on the Maggini please visit Barry Lie
Instrument: Double Bass
In this film, Michael Fuller introduces his instrument - the double bass.
To learn more about the double bass visit http://www.philharmonia.co.uk/explore/inst...
In this film, Michael Fuller introduces his instrument - the double bass.
To learn more about the double bass visit http://www.philharmonia.co.uk/explore/instruments/double_bass
Why not download our iPad app The Orchestra to learn even more? Visit www.philharmonia.co.uk/app for more information.
"Have you seen the app called 'The Orchestra'? It is astonishing. For somebody who can't read music to learn how an orchestra functions, to be able to see from the perspective of a flute or a second violin, is really enlightening." - Sir John Eliot Gardiner, quoted in an interview by Richard Fairman, Financial Times, February 2014
The Philharmonia's Principal Bass's Chair is endowed by The Zvi and Ofra Meitar Family Fund.
For more information on Chair Endowments, please visit: http://www.philharmonia.co.uk/support/individual/chair_endowment
wn.com/Instrument Double Bass
In this film, Michael Fuller introduces his instrument - the double bass.
To learn more about the double bass visit http://www.philharmonia.co.uk/explore/instruments/double_bass
Why not download our iPad app The Orchestra to learn even more? Visit www.philharmonia.co.uk/app for more information.
"Have you seen the app called 'The Orchestra'? It is astonishing. For somebody who can't read music to learn how an orchestra functions, to be able to see from the perspective of a flute or a second violin, is really enlightening." - Sir John Eliot Gardiner, quoted in an interview by Richard Fairman, Financial Times, February 2014
The Philharmonia's Principal Bass's Chair is endowed by The Zvi and Ofra Meitar Family Fund.
For more information on Chair Endowments, please visit: http://www.philharmonia.co.uk/support/individual/chair_endowment
- published: 07 Jul 2014
- views: 175895
Canon in D - Double Bass
For the Score visit my website http://teseoguitar.com/arrangements-and-transcriptions/index.html J. Pachelbel - Canon in D - transcription and adaptation in A f...
For the Score visit my website http://teseoguitar.com/arrangements-and-transcriptions/index.html J. Pachelbel - Canon in D - transcription and adaptation in A for Double Bass Ensemble By Francesco Tesei - New Fan Page https://www.facebook.com/pages/Teseoguitar-bass/369321689870077 - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
wn.com/Canon In D Double Bass
For the Score visit my website http://teseoguitar.com/arrangements-and-transcriptions/index.html J. Pachelbel - Canon in D - transcription and adaptation in A for Double Bass Ensemble By Francesco Tesei - New Fan Page https://www.facebook.com/pages/Teseoguitar-bass/369321689870077 - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
- published: 02 Nov 2013
- views: 207737
Gorillaz-Double Bass
Artist: Gorillaz
Album: Gorillaz
Song: 09 "Double Bass"
WARNING:
PARENTAL ADVISORY! EXPLICIT LYRICS! THIS IS NOT THE CLEAN VERSION! ALBUM WISE!!! NOT SONG...
Artist: Gorillaz
Album: Gorillaz
Song: 09 "Double Bass"
WARNING:
PARENTAL ADVISORY! EXPLICIT LYRICS! THIS IS NOT THE CLEAN VERSION! ALBUM WISE!!! NOT SONG WISE!!
This video is for listening purposes only. I did not create the song nor the album art. All credit goes to Gorillaz and it's creators.
wn.com/Gorillaz Double Bass
Artist: Gorillaz
Album: Gorillaz
Song: 09 "Double Bass"
WARNING:
PARENTAL ADVISORY! EXPLICIT LYRICS! THIS IS NOT THE CLEAN VERSION! ALBUM WISE!!! NOT SONG WISE!!
This video is for listening purposes only. I did not create the song nor the album art. All credit goes to Gorillaz and it's creators.
- published: 29 Apr 2007
- views: 1503250
Gorillaz - Double Bass - Gorillaz
Double Bass taken from the 2001 album Gorillaz including the singles Clint Eastwood, 19-2000, Rock the House and Tomorrow Comes Today....
Double Bass taken from the 2001 album Gorillaz including the singles Clint Eastwood, 19-2000, Rock the House and Tomorrow Comes Today.
wn.com/Gorillaz Double Bass Gorillaz
Double Bass taken from the 2001 album Gorillaz including the singles Clint Eastwood, 19-2000, Rock the House and Tomorrow Comes Today.
- published: 12 Feb 2015
- views: 65300
Vanhal - Double Bass Concerto in D Major
Rinat Ibragimov, principal double bass of the London Symphony Orchestra together with Catherine Edwards, performs Jan Křtitel Vaňhal's Double Bass Concerto, ori...
Rinat Ibragimov, principal double bass of the London Symphony Orchestra together with Catherine Edwards, performs Jan Křtitel Vaňhal's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the Viennese Tuning that would have been in vogue at the time of its composition.
Rinat plays a d-bass by Matheus Albany, a gift from his colleague and friend Alexander Stepanov. He uses Pirastro Eudoxa strings.
Watch Rinat's performance of Karl Ditters von Ditterdorf's bass concerto here:
http://www.youtube.com/watch?v=PNYuRbsSJYw
wn.com/Vanhal Double Bass Concerto In D Major
Rinat Ibragimov, principal double bass of the London Symphony Orchestra together with Catherine Edwards, performs Jan Křtitel Vaňhal's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the Viennese Tuning that would have been in vogue at the time of its composition.
Rinat plays a d-bass by Matheus Albany, a gift from his colleague and friend Alexander Stepanov. He uses Pirastro Eudoxa strings.
Watch Rinat's performance of Karl Ditters von Ditterdorf's bass concerto here:
http://www.youtube.com/watch?v=PNYuRbsSJYw
- published: 01 Apr 2011
- views: 732312
Czardas by Vittorio Monti for double bass and guitar
Buy the music to Czardas here: http://laurenpiercebasslessons.com/sheet-music-purchase-3/
Lauren Pierce, double bass
Andrew McMillan, guitar
Audio by Joey Gol...
Buy the music to Czardas here: http://laurenpiercebasslessons.com/sheet-music-purchase-3/
Lauren Pierce, double bass
Andrew McMillan, guitar
Audio by Joey Golan
Video by Daniel Parr
Solar Way Studio
Arrangement by Jeffrey Bradetich
Website: www.laurenpiercebass.com
wn.com/Czardas By Vittorio Monti For Double Bass And Guitar
Buy the music to Czardas here: http://laurenpiercebasslessons.com/sheet-music-purchase-3/
Lauren Pierce, double bass
Andrew McMillan, guitar
Audio by Joey Golan
Video by Daniel Parr
Solar Way Studio
Arrangement by Jeffrey Bradetich
Website: www.laurenpiercebass.com
- published: 09 Oct 2014
- views: 129885
Double Bass - Tricky (Original Mix)
Support on Beatport:https://pro.beatport.com/track/tricky-original-mix/6379989
● Connect with tribemusicLive :
Facebook: https://www.facebook.com/TribeMusicTV
...
Support on Beatport:https://pro.beatport.com/track/tricky-original-mix/6379989
● Connect with tribemusicLive :
Facebook: https://www.facebook.com/TribeMusicTV
SoundCloud → https://soundcloud.com/tribe-music-radio
Twitter → https://twitter.com/tribemusicTV
Google+ → https://plus.google.com/+Tribe-music
Youtube → https://www.youtube.com/user/tribemusicLIVE
Submit your promo/demo →tribemusiclive@gmail.com
wn.com/Double Bass Tricky (Original Mix)
Support on Beatport:https://pro.beatport.com/track/tricky-original-mix/6379989
● Connect with tribemusicLive :
Facebook: https://www.facebook.com/TribeMusicTV
SoundCloud → https://soundcloud.com/tribe-music-radio
Twitter → https://twitter.com/tribemusicTV
Google+ → https://plus.google.com/+Tribe-music
Youtube → https://www.youtube.com/user/tribemusicLIVE
Submit your promo/demo →tribemusiclive@gmail.com
- published: 16 Mar 2015
- views: 60018
Pirates Of The Caribbean - Double Bass Solo
Pirates Of The Caribbean - Double Bass Solo - Plays Francesco Tesei...
Pirates Of The Caribbean - Double Bass Solo - Plays Francesco Tesei
wn.com/Pirates Of The Caribbean Double Bass Solo
Pirates Of The Caribbean - Double Bass Solo - Plays Francesco Tesei
- published: 27 Jan 2015
- views: 107587
Easy Double Bass Grooves That Sound Hard - Drum Lesson
The Ultimate Toolbox To Jumpstart Your Drumming:
http://www.Drumeo.com/ultimate-toolbox/
Click here for the sheet music!
http://www.Drumeo.com/blog/double-bass...
The Ultimate Toolbox To Jumpstart Your Drumming:
http://www.Drumeo.com/ultimate-toolbox/
Click here for the sheet music!
http://www.Drumeo.com/blog/double-bass-grooves/
Aaron Edgar is here today to provide you with a handful of double bass grooves that sound difficult but are actually super simple to play. The great thing is they're all based around a similar left foot pattern - allowing you to apply this to any groove you play by even using the hi hats as well. Here are a few more lesson we've done with Aaron that I'm sure you'll love:
Making Ordinary Drum Beats Extraordinary: https://www.youtube.com/watch?v=3IuVw9zEpEE
Danny Carey's Tools of the Trade: https://www.youtube.com/watch?v=-Emut0-LYJE
Benny Greb's Benniest Grooves: https://www.youtube.com/watch?v=GjBVimtffaY
wn.com/Easy Double Bass Grooves That Sound Hard Drum Lesson
The Ultimate Toolbox To Jumpstart Your Drumming:
http://www.Drumeo.com/ultimate-toolbox/
Click here for the sheet music!
http://www.Drumeo.com/blog/double-bass-grooves/
Aaron Edgar is here today to provide you with a handful of double bass grooves that sound difficult but are actually super simple to play. The great thing is they're all based around a similar left foot pattern - allowing you to apply this to any groove you play by even using the hi hats as well. Here are a few more lesson we've done with Aaron that I'm sure you'll love:
Making Ordinary Drum Beats Extraordinary: https://www.youtube.com/watch?v=3IuVw9zEpEE
Danny Carey's Tools of the Trade: https://www.youtube.com/watch?v=-Emut0-LYJE
Benny Greb's Benniest Grooves: https://www.youtube.com/watch?v=GjBVimtffaY
- published: 11 Feb 2016
- views: 2844
Strange Double Bass Foot Technique explained!
The Double Bass Drum Pedal on Amazon.com: http://www.amazon.com/dp/B001U7RQBS/?tag=wg_drums-20
Das Kickpad auf Amazon.de: http://www.amazon.de/dp/B0002F77PE/?ta...
The Double Bass Drum Pedal on Amazon.com: http://www.amazon.com/dp/B001U7RQBS/?tag=wg_drums-20
Das Kickpad auf Amazon.de: http://www.amazon.de/dp/B0002F77PE/?tag=httpswwwyo023-21
Facebook: https://www.facebook.com/NechtanDrummer
Twitter: https://twitter.com/WanjaDrums
Aletrun: https://www.facebook.com/AletrunMetal
If you are from USA, you can now buy my drum equipment on my Amazon.com-aStore: http://astore.amazon.com/httpswwwy01d5-20
Mein Equipment auf Amazon.de: http://astore.amazon.de/httpswwwyo023-21
Finally a video that explains the mysterious foot technique that many have asked about. If you have a question, leave a comment.
There also is a new video online about blast beats (up to 280bpm!): https://www.youtube.com/watch?v=2RlqvRcbl_4
Also check out my brothers artist page: http://www.artists.de/Micha_Bela_Groeger.html
In this video I do not use triggers, its all just the sound from the camera microphone.
I use a Pearl Demon Drive double pedal.
My pedal settings:
- spring tension is on maximum
- footboard is on the longboard position
- direct drive adjustment is on position "H" (heavy feel)
- beater holder is on position "B" (power)
- footboard angle adjustment is a little bit lower than the initial setting (about 1mm on the gauge)
- beater angle is on initial setting
- distance between beater holder and center of the beater head is about 13.5cm
- I use Sonor beaters and with all this settings the distance between beater and drumhead is about 13cm
If the Demon Drive is not your first pedal I would highly recommand to put the settings as close as possible to how your old pedal was set up. If the Demon Drive IS your first pedal I would recommand to start with lower spring tension and greater distance between beater and head.
I hope I didnt miss something!
If you need an English manual to understand everything you can get it here:
http://www.pearleurope.com/upl/1/default/doc/P-3000D_manual.pdf
wn.com/Strange Double Bass Foot Technique Explained
The Double Bass Drum Pedal on Amazon.com: http://www.amazon.com/dp/B001U7RQBS/?tag=wg_drums-20
Das Kickpad auf Amazon.de: http://www.amazon.de/dp/B0002F77PE/?tag=httpswwwyo023-21
Facebook: https://www.facebook.com/NechtanDrummer
Twitter: https://twitter.com/WanjaDrums
Aletrun: https://www.facebook.com/AletrunMetal
If you are from USA, you can now buy my drum equipment on my Amazon.com-aStore: http://astore.amazon.com/httpswwwy01d5-20
Mein Equipment auf Amazon.de: http://astore.amazon.de/httpswwwyo023-21
Finally a video that explains the mysterious foot technique that many have asked about. If you have a question, leave a comment.
There also is a new video online about blast beats (up to 280bpm!): https://www.youtube.com/watch?v=2RlqvRcbl_4
Also check out my brothers artist page: http://www.artists.de/Micha_Bela_Groeger.html
In this video I do not use triggers, its all just the sound from the camera microphone.
I use a Pearl Demon Drive double pedal.
My pedal settings:
- spring tension is on maximum
- footboard is on the longboard position
- direct drive adjustment is on position "H" (heavy feel)
- beater holder is on position "B" (power)
- footboard angle adjustment is a little bit lower than the initial setting (about 1mm on the gauge)
- beater angle is on initial setting
- distance between beater holder and center of the beater head is about 13.5cm
- I use Sonor beaters and with all this settings the distance between beater and drumhead is about 13cm
If the Demon Drive is not your first pedal I would highly recommand to put the settings as close as possible to how your old pedal was set up. If the Demon Drive IS your first pedal I would recommand to start with lower spring tension and greater distance between beater and head.
I hope I didnt miss something!
If you need an English manual to understand everything you can get it here:
http://www.pearleurope.com/upl/1/default/doc/P-3000D_manual.pdf
- published: 18 Feb 2013
- views: 751476
Adam Ben Ezra - AWESOME UPRIGHT BASS SOLO | BassTheWorld.com
http://adambenezra.com /// more bass videos: http://www.youtube.com/user/basstheworldbyvideo // This video is dedicated to the channel of Adam Ben Ezra, an isra...
http://adambenezra.com /// more bass videos: http://www.youtube.com/user/basstheworldbyvideo // This video is dedicated to the channel of Adam Ben Ezra, an israeli bassist and multi-instrumentalist, who's known for a couple of amazing cover videos on YouTube. I'd go so far to say there's no one like Adam on our beloved video platform. His style is not only unique and entertaining, but also virtuous with a good portion of humor. Besides that, he has an amazing sense for good quality video and sound recording. But well... just watch :)
The tune is a new original composition by Adam Ben Ezra called "Can't Stop Running", dedicated to BassTheWorld.com fans.
Buy it here: http://adambenezra.bandcamp.com/track/cant-stop-running
Transcription of this song: https://adambenezra.bandcamp.com/album/transcription-cant-stop-running
Adam on Facebook: http://facebook.com/adambenezra
Adam on YouTube: http://youtube.com/adambenezra
visit: http://basstheworld.com/ on
Facebook http://www.facebook.com/basstheworldcom
Twitter http://twitter.com/#!/basstheworldcom
Thanks for watching and best wishes from the BTW HQ in Germany :)
Gregor
PS: If you like this video, don't miss to like it or even put it to your favorites
aaaaaaaand of course... SUBSCRIBE :)
here: http://www.youtube.com/subscription_center?add_user=basstheworldbyvideo
wn.com/Adam Ben Ezra Awesome Upright Bass Solo | Basstheworld.Com
http://adambenezra.com /// more bass videos: http://www.youtube.com/user/basstheworldbyvideo // This video is dedicated to the channel of Adam Ben Ezra, an israeli bassist and multi-instrumentalist, who's known for a couple of amazing cover videos on YouTube. I'd go so far to say there's no one like Adam on our beloved video platform. His style is not only unique and entertaining, but also virtuous with a good portion of humor. Besides that, he has an amazing sense for good quality video and sound recording. But well... just watch :)
The tune is a new original composition by Adam Ben Ezra called "Can't Stop Running", dedicated to BassTheWorld.com fans.
Buy it here: http://adambenezra.bandcamp.com/track/cant-stop-running
Transcription of this song: https://adambenezra.bandcamp.com/album/transcription-cant-stop-running
Adam on Facebook: http://facebook.com/adambenezra
Adam on YouTube: http://youtube.com/adambenezra
visit: http://basstheworld.com/ on
Facebook http://www.facebook.com/basstheworldcom
Twitter http://twitter.com/#!/basstheworldcom
Thanks for watching and best wishes from the BTW HQ in Germany :)
Gregor
PS: If you like this video, don't miss to like it or even put it to your favorites
aaaaaaaand of course... SUBSCRIBE :)
here: http://www.youtube.com/subscription_center?add_user=basstheworldbyvideo
- published: 05 Jul 2012
- views: 1257391
Double Bass - Ego (Original Mix)
Buy on Beatport: http://www.beatport.com/release/ego/1373526
Artist: Double Bass
Track: Ego (Original Mix)
Label: Night Beat Records
Genre: House
Find us on:...
Buy on Beatport: http://www.beatport.com/release/ego/1373526
Artist: Double Bass
Track: Ego (Original Mix)
Label: Night Beat Records
Genre: House
Find us on:
www.tribe-music.com
www.facebook.com/TribeMusicTV
soundcloud.com/tribe-music-radio
twitter.com/tribemusicTV
DISCLAIMER: The sole purpose of this Youtube channel is to provide viewers with fresh new music and promote the work of the artist(s). The channel was created for personal enjoyment and we do not take credit or make money from the artists work. We try to add download links to Beatport/iTunes/Juno etc. where possible to help promote the sale of the artists work. Please feel free to contact us if you are unhappy with any particular video upload and we will be happy to take it down, rather than reporting the whole group as this will take away people's enjoyment of other videos across the channel. Thank You***
wn.com/Double Bass Ego (Original Mix)
Buy on Beatport: http://www.beatport.com/release/ego/1373526
Artist: Double Bass
Track: Ego (Original Mix)
Label: Night Beat Records
Genre: House
Find us on:
www.tribe-music.com
www.facebook.com/TribeMusicTV
soundcloud.com/tribe-music-radio
twitter.com/tribemusicTV
DISCLAIMER: The sole purpose of this Youtube channel is to provide viewers with fresh new music and promote the work of the artist(s). The channel was created for personal enjoyment and we do not take credit or make money from the artists work. We try to add download links to Beatport/iTunes/Juno etc. where possible to help promote the sale of the artists work. Please feel free to contact us if you are unhappy with any particular video upload and we will be happy to take it down, rather than reporting the whole group as this will take away people's enjoyment of other videos across the channel. Thank You***
- published: 25 Sep 2014
- views: 47458
How To Play Double Bass Perfectly In Tune Without Having To Think About It (Lesson 1/12)
http://upright.becomeabassist.com/get-effortless-intonation for the FREE 12 part Effortless Intonation series designed to help bass players play perfectly in tu...
http://upright.becomeabassist.com/get-effortless-intonation for the FREE 12 part Effortless Intonation series designed to help bass players play perfectly in tune - every time.
Get the drone from this video here:
http://bit.ly/104jcdv
Why Should You Play In Tune?
1. When you play in tune, the whole of the band will sound great, but if you're playing with bad intonation, you will make everyone else you're playing with sound bad - no matter how good they sound. You want your intonation to enhance the music, not distract people from it.
2. "Good intonation is the best kind of amplification" - When you play in tune, your bass will be more resonant and you (and everyone else) will be able to hear you more clearly and precisely.
3. Playing in tune is one of the most desirable traits in a good bass player! A bass player who plays in tune will get more gigs, as well as better paying gigs, (!) play with better musicians and have a better reputation than someone who has bad intonation. PLAY IN TUNE!
How Do You Fix Bad Intonation? (Two bad ways, one good way)
Being in tune means that the frequency, or pitch that you are playing is complementary to the other frequencies going on around you. Your job is to match the frequency of the other musicians you are playing with. There is one good way to do this, and lots of bad ones. I'll talk about the bad ones first.
1. Shift your whole hand - This is a very inefficient way of correcting intonation. It also puts extra strain on the small muscles in the hand, as well as sounding 'amateurish' when you're slipping and sliding around.
2. Expand or contract your hand - Very bad news! Please don't do this! It puts a crazy amount of pressure on some very small muscles in your hand which can lead to injury. If you injure yourself, you might have to stop playing completely, and I don't want that for you! I'm sure you don't either.
3. Use your whole arm to correct bad intonation. This is the absolute best way to correct bad intonation. It uses very few of the small hand muscles, and more of the muscles in your forearm, bicep and shoulder. These muscles are a lot stronger than the small muscles in your hand, so use them to correct rotten notes when they happen. Here's how:
If you come up sharp (too high), drop your elbow, and pivot on your finger. As it rolls back, the note will drop ever so slightly. Just go as far as you need to get it in tune.
If you come up flat (too low), just do the opposite. Just raise your elbow and pivot forward on your finger. The note will sharpen up nicely!
Share this video with all your bass-playing friends and head over to:
http://becomeabassist.com/effortless-intonation
for all the videos, drones, practice tools and exercises. It's totally FREE! There are 12 videos with almost 5 and half hours of play-a-longs and practice materials - and you can download them all to your computer and use them forever.
Cheers,
Luke
http://becomeabassist.com/effortless-intonation
wn.com/How To Play Double Bass Perfectly In Tune Without Having To Think About It (Lesson 1 12)
http://upright.becomeabassist.com/get-effortless-intonation for the FREE 12 part Effortless Intonation series designed to help bass players play perfectly in tune - every time.
Get the drone from this video here:
http://bit.ly/104jcdv
Why Should You Play In Tune?
1. When you play in tune, the whole of the band will sound great, but if you're playing with bad intonation, you will make everyone else you're playing with sound bad - no matter how good they sound. You want your intonation to enhance the music, not distract people from it.
2. "Good intonation is the best kind of amplification" - When you play in tune, your bass will be more resonant and you (and everyone else) will be able to hear you more clearly and precisely.
3. Playing in tune is one of the most desirable traits in a good bass player! A bass player who plays in tune will get more gigs, as well as better paying gigs, (!) play with better musicians and have a better reputation than someone who has bad intonation. PLAY IN TUNE!
How Do You Fix Bad Intonation? (Two bad ways, one good way)
Being in tune means that the frequency, or pitch that you are playing is complementary to the other frequencies going on around you. Your job is to match the frequency of the other musicians you are playing with. There is one good way to do this, and lots of bad ones. I'll talk about the bad ones first.
1. Shift your whole hand - This is a very inefficient way of correcting intonation. It also puts extra strain on the small muscles in the hand, as well as sounding 'amateurish' when you're slipping and sliding around.
2. Expand or contract your hand - Very bad news! Please don't do this! It puts a crazy amount of pressure on some very small muscles in your hand which can lead to injury. If you injure yourself, you might have to stop playing completely, and I don't want that for you! I'm sure you don't either.
3. Use your whole arm to correct bad intonation. This is the absolute best way to correct bad intonation. It uses very few of the small hand muscles, and more of the muscles in your forearm, bicep and shoulder. These muscles are a lot stronger than the small muscles in your hand, so use them to correct rotten notes when they happen. Here's how:
If you come up sharp (too high), drop your elbow, and pivot on your finger. As it rolls back, the note will drop ever so slightly. Just go as far as you need to get it in tune.
If you come up flat (too low), just do the opposite. Just raise your elbow and pivot forward on your finger. The note will sharpen up nicely!
Share this video with all your bass-playing friends and head over to:
http://becomeabassist.com/effortless-intonation
for all the videos, drones, practice tools and exercises. It's totally FREE! There are 12 videos with almost 5 and half hours of play-a-longs and practice materials - and you can download them all to your computer and use them forever.
Cheers,
Luke
http://becomeabassist.com/effortless-intonation
- published: 12 Feb 2015
- views: 19547
Giovanni Bottesini Concerto for Double Bass No 2 in B Minor
Principal Double Bass of the LSO, Rinat Ibragimov, performs Bottesini's Concerto for Double Bass No 2 in B Minor on an original 3 stringed period instrument by ...
Principal Double Bass of the LSO, Rinat Ibragimov, performs Bottesini's Concerto for Double Bass No 2 in B Minor on an original 3 stringed period instrument by Antonio Gagliano.
For this recording Rinat uses Pirastro Eudoxa Solo strings.
Rinat is accompanied by Catherine Edwards on the piano.
Watch Rinat discuss Bottesini's work and this recording here:
http://youtu.be/xtPhsSTKD9Q
wn.com/Giovanni Bottesini Concerto For Double Bass No 2 In B Minor
Principal Double Bass of the LSO, Rinat Ibragimov, performs Bottesini's Concerto for Double Bass No 2 in B Minor on an original 3 stringed period instrument by Antonio Gagliano.
For this recording Rinat uses Pirastro Eudoxa Solo strings.
Rinat is accompanied by Catherine Edwards on the piano.
Watch Rinat discuss Bottesini's work and this recording here:
http://youtu.be/xtPhsSTKD9Q
- published: 12 Jan 2012
- views: 945854
Coldplay Viva la Vida for Double Bass Quartet - Jason Scott Phillips
Sheet music: http://www.mediafire.com/download.php?j4e4ppygj5vjdoa
The fourth and final piece of my junior double bass recital on April 27, 2012, at the UNT Rec...
Sheet music: http://www.mediafire.com/download.php?j4e4ppygj5vjdoa
The fourth and final piece of my junior double bass recital on April 27, 2012, at the UNT Recital Hall. From left to right: Jason Scott Phillips, Will Coppoc, Gilberto Guajardo, and Chris Lettie.
Lyrics:
I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemies eyes
Listen as the crowd would sing:
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt, and pillars of sand
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
Once you know there was never, never an honest word
That was when I ruled the world
(Ohhh)
It was the wicked and wild wind
Blew down the doors to let me in.
Shattered windows and the sound of drums
People could not believe what I'd become
Revolutionaries Wait
For my head on a silver plate
Just a puppet on a lonely string
Oh who would ever want to be king?
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
I know Saint Peter won't call my name
Never an honest word
And that was when I ruled the world
(Ohhhhh Ohhh Ohhh)
Hear Jerusalem bells are ringings
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
I know Saint Peter will call my name
Never an honest word
But that was when I ruled the world
Oooooh Oooooh Oooooh
wn.com/Coldplay Viva La Vida For Double Bass Quartet Jason Scott Phillips
Sheet music: http://www.mediafire.com/download.php?j4e4ppygj5vjdoa
The fourth and final piece of my junior double bass recital on April 27, 2012, at the UNT Recital Hall. From left to right: Jason Scott Phillips, Will Coppoc, Gilberto Guajardo, and Chris Lettie.
Lyrics:
I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemies eyes
Listen as the crowd would sing:
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt, and pillars of sand
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
Once you know there was never, never an honest word
That was when I ruled the world
(Ohhh)
It was the wicked and wild wind
Blew down the doors to let me in.
Shattered windows and the sound of drums
People could not believe what I'd become
Revolutionaries Wait
For my head on a silver plate
Just a puppet on a lonely string
Oh who would ever want to be king?
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
I know Saint Peter won't call my name
Never an honest word
And that was when I ruled the world
(Ohhhhh Ohhh Ohhh)
Hear Jerusalem bells are ringings
Roman Cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can not explain
I know Saint Peter will call my name
Never an honest word
But that was when I ruled the world
Oooooh Oooooh Oooooh
- published: 26 May 2012
- views: 33655
A Double Bass Story - Calin Wultur Workshop, Romania
Making Double Basses and orchestral string instruments at the Calin Wultur Workshop in Romania. Calin Wultur Instruments are distributed worldwide exclusively b...
Making Double Basses and orchestral string instruments at the Calin Wultur Workshop in Romania. Calin Wultur Instruments are distributed worldwide exclusively by JR Music Supply, LLC. http://www.jrmusicsupply.com
wn.com/A Double Bass Story Calin Wultur Workshop, Romania
Making Double Basses and orchestral string instruments at the Calin Wultur Workshop in Romania. Calin Wultur Instruments are distributed worldwide exclusively by JR Music Supply, LLC. http://www.jrmusicsupply.com
- published: 21 Aug 2014
- views: 2211
Dittersdorf - Double Bass Concerto
Rinat Ibragimov, principal double bass of the London Symphony Orchestra, together with Catherine Edwards, performs Carl Ditters von Dittersdorf's Double Bass Co...
Rinat Ibragimov, principal double bass of the London Symphony Orchestra, together with Catherine Edwards, performs Carl Ditters von Dittersdorf's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the Viennese Tuning that would have been in vogue at the time of its composition.
Rinat plays a d-bass by Matheus Albany, a gift from his colleague and friend Alexander Stepanov. He uses Pirastro Eudoxa strings.
Watch Rinat's performance of Vanhal's bass concerto here:
http://www.youtube.com/watch?v=Dt-bNf6h0tI
wn.com/Dittersdorf Double Bass Concerto
Rinat Ibragimov, principal double bass of the London Symphony Orchestra, together with Catherine Edwards, performs Carl Ditters von Dittersdorf's Double Bass Concerto, originally written in Es Major but performed here a semitone lower.
This popular piece of double bass repertoire is commonly called for in auditions, and here Rinat demonstrates its performance using the original bass part and the Viennese Tuning that would have been in vogue at the time of its composition.
Rinat plays a d-bass by Matheus Albany, a gift from his colleague and friend Alexander Stepanov. He uses Pirastro Eudoxa strings.
Watch Rinat's performance of Vanhal's bass concerto here:
http://www.youtube.com/watch?v=Dt-bNf6h0tI
- published: 01 Apr 2011
- views: 300889
220 to 270 BPM Double Bass Drumming (HD)
Hi there,
I haven't been able to play drums for 2 weeks and will be able to play again in one week only, but I managed to record this video in which I play alo...
Hi there,
I haven't been able to play drums for 2 weeks and will be able to play again in one week only, but I managed to record this video in which I play along with the metronome some beats that are, most of the time, heard in Death Metal music. So, I played at different speeds between 220BPM and 270BPM. I can't reach 280BPM. If Some one have some advice to give, it will be much appreciated. :)
Should you have some question about the settings of pedals or of my drum module for triggering, I will be delighted to answer, of course.
I use :
Axis Longboard Pedals
Axis E-kits Triggers
Alesis DM5
Paiste Cymbals
! Born To Blast !
wn.com/220 To 270 Bpm Double Bass Drumming (Hd)
Hi there,
I haven't been able to play drums for 2 weeks and will be able to play again in one week only, but I managed to record this video in which I play along with the metronome some beats that are, most of the time, heard in Death Metal music. So, I played at different speeds between 220BPM and 270BPM. I can't reach 280BPM. If Some one have some advice to give, it will be much appreciated. :)
Should you have some question about the settings of pedals or of my drum module for triggering, I will be delighted to answer, of course.
I use :
Axis Longboard Pedals
Axis E-kits Triggers
Alesis DM5
Paiste Cymbals
! Born To Blast !
- published: 23 Mar 2013
- views: 522819
Standing Posture & Setting Double Bass Height. Beginner Upright Bass Lesson: (L#5)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sh...
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this beginners lesson I teach you everything you need to know, before you actually start playing. If the double bass height is wrong, or you are not standing correctly, you will never be able to align your hands and play with good technique. The bass is such a large instrument that you really want to be comfortable and relaxed when playing. This lesson should help you achieve that.
Spend the time now to make sure you give yourself the best start possible.
Geoff Chalmers
wn.com/Standing Posture Setting Double Bass Height. Beginner Upright Bass Lesson (L 5)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this beginners lesson I teach you everything you need to know, before you actually start playing. If the double bass height is wrong, or you are not standing correctly, you will never be able to align your hands and play with good technique. The bass is such a large instrument that you really want to be comfortable and relaxed when playing. This lesson should help you achieve that.
Spend the time now to make sure you give yourself the best start possible.
Geoff Chalmers
- published: 18 Aug 2013
- views: 27619
The James Bond Theme - Double Bass Solo
DescrizioneThe James Bond Theme - Double Bass Solo - Plays Francesco Tesei - New Fan Page https://www.facebook.com/Teseoguitar - SUBSCRIBE! http://www.youtube....
DescrizioneThe James Bond Theme - Double Bass Solo - Plays Francesco Tesei - New Fan Page https://www.facebook.com/Teseoguitar - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
wn.com/The James Bond Theme Double Bass Solo
DescrizioneThe James Bond Theme - Double Bass Solo - Plays Francesco Tesei - New Fan Page https://www.facebook.com/Teseoguitar - SUBSCRIBE! http://www.youtube.com/user/teseoguitar?sub_confirmation=1
- published: 23 Mar 2015
- views: 25309
How to Play Bebop Solos on the Double Bass (L#33)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sh...
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this video lesson I teach you how to play bebop style solos on the double bass. When improvising jazz musicians often use previously learned melodies, phrases and ideas as they construct their solos. Having these lines to work with is an essential part of your development as a jazz musician.
To give you an example in this lesson I deconstruct the solo from one of my original compositions, 'Blues For Double Bass'. In the video I show you how to play it and explain the concept I used, as well as explain how you can use similar ideas in your own improvising. These lines sound great on the double bass and are a lot of fun to play!
I hope you enjoy the lesson and if you have any questions, feedback or lesson requests please leave a comment under the video.
wn.com/How To Play Bebop Solos On The Double Bass (L 33)
http://www.discoverdoublebass.com for free, HD video, double bass lessons. Plus,to get free, exclusive, educational resources including scale backing tracks, sheet music and an Ebook subscribe to my email newsletter at http://www.discoverdoublebass.com/home/bass-player-toolbox/
In this video lesson I teach you how to play bebop style solos on the double bass. When improvising jazz musicians often use previously learned melodies, phrases and ideas as they construct their solos. Having these lines to work with is an essential part of your development as a jazz musician.
To give you an example in this lesson I deconstruct the solo from one of my original compositions, 'Blues For Double Bass'. In the video I show you how to play it and explain the concept I used, as well as explain how you can use similar ideas in your own improvising. These lines sound great on the double bass and are a lot of fun to play!
I hope you enjoy the lesson and if you have any questions, feedback or lesson requests please leave a comment under the video.
- published: 24 Apr 2014
- views: 49022
The Elephant by Camille Saint-Saens double bass solo
A performance and tutorial of "The Elephant" by Camille Saint Saen from the Carnival of the Animals. Performed by Barry Lieberman, former Assistant Principal b...
A performance and tutorial of "The Elephant" by Camille Saint Saen from the Carnival of the Animals. Performed by Barry Lieberman, former Assistant Principal bass of the Los Angeles Philharmonic. Performed on a 17th century Maggini once owned by the famous Stuart Knussen, Principal bass of the London Symphony. Bow by Reid Hudson of Victoria Canada. For more on the Maggini please visit Barry Lieberman and the Maggini.
Are you interested in studying at the University of Washington in Seattle? We offer undergraduate and graduate degrees in performance. Please contact Prof Lieberman at dbass@uw.edu or call 206.685.9112 for more information.
wn.com/The Elephant By Camille Saint Saens Double Bass Solo
A performance and tutorial of "The Elephant" by Camille Saint Saen from the Carnival of the Animals. Performed by Barry Lieberman, former Assistant Principal bass of the Los Angeles Philharmonic. Performed on a 17th century Maggini once owned by the famous Stuart Knussen, Principal bass of the London Symphony. Bow by Reid Hudson of Victoria Canada. For more on the Maggini please visit Barry Lieberman and the Maggini.
Are you interested in studying at the University of Washington in Seattle? We offer undergraduate and graduate degrees in performance. Please contact Prof Lieberman at dbass@uw.edu or call 206.685.9112 for more information.
- published: 06 Dec 2013
- views: 107170