- published: 06 May 2010
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The term 135 (ISO 1007) was introduced by Kodak in 1934 as a designation for the cartridge for 35 mm film, specifically for still photography. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 828, 126, 110, and APS, it remains so today.
135 camera film always comes perforated with Kodak Standard perforations.
The size of the 135 film frame has been adopted by many high-end digital single-lens reflex cameras, referred to as full-frame digital SLRs.
Individual rolls of 135 film are enclosed in single-spool, light-tight, metal cassettes to allow cameras to be loaded in daylight. The film is clipped or taped to a spool and exits via a slot lined with flocking. The end of the film is cut on one side to form a leader. It has the same dimensions and perforation pitch as 35 mm movie print film (also called "long pitch", KS-1870, whereas 35mm professional motion picture camera films are always "short pitch", BH-1866).
Year 135 (CXXXV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Lupercus and Atilianus (or, less frequently, year 888 Ab urbe condita). The denomination 135 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.
Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer.
Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.