Going-to future is a term used to describe an English sentence structure referring to the future, making use of the verb phrase to be going to. The verb "go" can also be used to indicate the future in some other languages.

The going to future originated by the extension of the spatial sense of the verb 'go' to a temporal sense (a common change - the same phenomenon can be seen in the preposition before). The original construction involved physical movement with an intention, such as I am going [outside] to harvest the crop. The location later became unnecessary, and the expression was reinterpreted to represent a near future.

The colloquial form gonna is a relaxed pronunciation of going to. For example, "This is gonna be awesome!". Other variants in different forms of English are gon and a, thus, a phrase like "You're going to like it" could also be said as "You're gonna like it", "You gonna like it", "You 'gon like it" or even "You 'a like it"^{[citation needed]}. This now forms a clear separation of the locative and temporal senses of the expression: while "I am gonna swim" is syntactically similar, a sentence like "I am gonna the beach" is not.

Die usually refers to the cessation of life.

Die may also refer to:

In music, the term note has two primary meanings:

Notes are the "atoms" of much Western music: discretizations of musical phenomena that facilitate performance, comprehension, and analysis.

The term "note" can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch," or "the piece begins with two repetitions of the same note." In the former case, one uses "note" to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch.

Two notes with fundamental frequencies in a ratio of any power of two (e.g. half, twice, or four times) are perceived as very similar. Because of that, all notes with these kinds of relations can be grouped under the same pitch class. In traditional music theory pitch classes are represented by the first seven letters of the Latin alphabet (A, B, C, D, E, F and G) (some countries use other names as in the table below). The eighth note, or octave is given the same name as the first, but has double its frequency. The name octave is also used to indicate the span of notes having a frequency ratio of two. To differentiate two notes that have the same pitch class but fall into different octaves, the system of scientific pitch notation combines a letter name with an Arabic numeral designating a specific octave. For example, the now-standard tuning pitch for most Western music, 440 Hz, is named a′ or A4. There are two formal ways to define each note and octave, the Helmholtz system and the Scientific pitch notation.