Nothing Sacred

Nothing Sacred or Nothing's Sacred or Nothing Is Sacred may refer to:

Books

Film and TV

Music

Albums

Songs

Nothing Sacred (play)

Nothing Sacred is a play by Canadian playwright George F. Walker, written as a stage adaptation of Ivan Turgenev's novel Fathers and Sons.

The play received its first production at Toronto, Ontario's CentreStage in the 1987-88 season, under the direction of Bill Glassco. The original cast included Michael Riley as Arkady, Robert Bockstael as Bazarov, David Fox as Nikolai, Richard Monette as Pavel, Peter Blais as Viktor, Diane D'Aquila as Anna and Beverley Cooper as Fedosya.

The play was published in book form by Coach House Press in 1988. It won the Governor General's Award for English-language drama at the 1988 Governor General's Awards, the 1988 Dora Mavor Moore Award for Outstanding New Play and the 1989 Floyd S. Chalmers Canadian Play Award. The production garnered nine Dora Mavor Moore Award nominations overall, including acting nods for Riley, D'Aquila and Blais.

It was also one of Walker's most widely-produced plays in the United States, with productions in Los Angeles, Chicago, Seattle, San Francisco and Washington, D.C. in the 1988-89 season alone. The Los Angeles production, at the Mark Taper Forum, included Tom Hulce in its cast; a 1992 production at the Atlantic Theater Company in New York City included Larry Bryggman.

Nothing Sacred (David Allan Coe album)

Nothing Sacred is the eleventh studio album by American country musician David Allan Coe. Released in 1978, it is Coe's fourth independent album, after Penitentiary Blues, Requiem for a Harlequin and Buckstone County Prison.

Nothing Sacred was noted for its profane and sexually explicit lyrics, and was released solely by mail order.

History

In the late 1970s, Coe lived in Key West, Florida, and Shel Silverstein played his album Freakin' at the Freakers Ball for Coe, who proceeded to play a series of his own comedic songs. Silverstein encouraged him to record the songs, leading to the production of this album.Nothing Sacred was released as a mail order-only release, initially advertised in the back pages of the biker magazine Easyriders; another album of similar material, Underground Album, followed in 1982.

Lyrics

The lyrics of Nothing Sacred are profane, often sexually explicit and describe an orgy in Nashville's Centennial Park and sex with pornographic film star Linda Lovelace. The album also contains songs insulting Jimmy Buffett and Anita Bryant.

Japan Pavilion at Epcot

The Japan Pavilion is a Japan-themed pavilion that is part of the World Showcase, within Epcot at Walt Disney World Resort in Florida. Its location is between The American Adventure and Moroccan Pavilions.

History

The Japan Pavilion is one of the original World Showcase pavilions and had been in planning since the late 1970s. Many attractions have been proposed for the pavilion and one show building was built, but left unused. Meet the World was one planned attraction and was a clone of the attraction Meet the World that was once at Tokyo Disneyland. But because management thought that the Japanese film's omission of World War II might upset many Veterans, it was dropped. The show was so close to opening that the show building and rotating platform was built, but not used.

For years, Imagineers have considered building an indoor roller coaster attraction based on Matterhorn Bobsleds from Disneyland but themed to Japan's Mount Fuji inside a replica of Mount Fuji. At one point, Godzilla or a large lizard attacking guests in their cars was considered. Fujifilm originally wanted to sponsor the ride in the early 1990s, but Kodak, a major Epcot sponsor, convinced Disney to decline the sponsorship. Luckily, the Matterhorn derived design elements survived to be incorporated into Expedition Everest at Disney's Animal Kingdom Park. Another proposed attraction was a walk-through version of "Circle-Vision", in which guests would board and walk through a Shinkansen (bullet train) and look through windows (actually film screens) that showcase Japan's changing landscapes. The train would have shaken and moved like a train traveling through the countryside.

Japan in Gulliver’s Travels

Japan is referred to in Gulliver's Travels, the satire by Jonathan Swift.

Part III of the book has the account of Lemuel Gulliver's visit to Japan, the only real location visited by him. It is used as a venue for Swift's satire on the actions of Dutch traders to that land. His description reflects the state of European knowledge of the country in the 17th and early 18th centuries, and the tensions due to commercial rivalry between the English and the Dutch at that time.

Description

Japan is shown on the map at the beginning of part III, which also shows the island of "Yesso" (i.e. Hokkaido), "Stats island" (Iturup) and "Companys Land" (Urup) to the north. The map also marks the Vries Strait and Cape Patience, though this is shown on the northeast coast of Yesso, rather than as part of Sakhalin, which was little known in Swift’s time. On the island of Japan itself the map shows "Nivato" (Nagato), Yedo, "Meaco" (Kyoto), Inaba and "Osacca" (Osaka)

The text describes Gulliver's journey from Luggnagg, which took fifteen days, and his landing at "Xamoschi" (i.e. Shimosa} which lies "on the western part of a narrow strait leading northward into a long arm of the sea, on the northwest part of which Yedo, the metropolis stands". This description matches the geography of Tokyo Bay, except that Shimosa is on the north, rather than the western shore of the bay.

Japan (Buronson manga)

Japan (ジャパン) is a Japanese manga written by Buronson (author of Fist of the North Star) and illustrated by Kentaro Miura (author of Berserk). It was published in the Hakusensha magazine Young Animal in 1992 and licensed in English by Dark Horse Comics and released on August 24, 2005.

Plot

A yakuza, in love with a TV reporter, comes to Barcelona, Spain, where she's making a reportage on what's the foreigners' idea of the Japanese people, and how Japanese people see themselves; during her speech, she makes a parallel between modern day Japan and the ancient Carthage, saying that the Carthaginians were wiped out by the Romans because of the same attitude Japanese people have nowadays, and because economic superiority brings war, and in the end loses to military strength. Suddenly there's an earthquake, and the ghosts of the Carthaginians bring the group (the two yakuza, the TV reporter and some university students) to the future, when the sea level has increased and all the islands which compose the Japanese archipelago have been submerged; the Japanese people have thus emigrated in the other countries, and they're now scattered around the world, and in particular in Europe, where after the cataclysm a dictatorship has been established, they've become slaves and bandits. Japan is long gone, and Japanese people are lost and oppressed; but among the newcomers, desperate of what they learn, the yakuza, who mostly wishes to protect the woman he dearly loves, has a dream: Japan can be refounded, if the Japanese people come together to fight for it.