Light Yagami
Light Yagami (Japanese: 夜神 月, Hepburn: Yagami Raito) is a fictional character and the protagonist of the manga series Death Note, created by Tsugumi Ohba and Takeshi Obata. He is a bored young genius who finds the Death Note dropped by the Shinigami Ryuk by pure chance. Using the notebook, which allows its owner to kill anyone simply by knowing their name and face, Light becomes a mass-murderer known as Kira (キラ) in an attempt to create and rule a utopia cleansed of criminals, with him at the helm as a "god".
In the anime adaptation, he is voiced by Mamoru Miyano in the Japanese version and by Brad Swaile in the English; in the live-action film series, he is portrayed by Tatsuya Fujiwara, in the TV drama, he is portrayed by Masataka Kubota and, in the American film, he will be portrayed by Nat Wolff.
Creation and conception
Tsugumi Ohba, the story writer of Death Note, said that his editor suggested the family name "Yagami" for Light. Ohba said that he did not feel "too concerned" about the meaning of the name (the Kanji for "Yagami" are "night" and "god"); he said that after he created the final scene in the manga he "liked" that the final scene created "deeper significance" in the name, of Kira worshippers worshipping him at night under the light of the moon.
Light (novel)
Light is a science fiction novel by M. John Harrison published in 2002. It received the James Tiptree, Jr. Award and a BSFA nomination in 2002, and was shortlisted for the Arthur C. Clarke Award in 2003.
Overview
The book centres on the lives of three individuals — the physicist (and serial killer) Michael Kearney, on the verge of a breakthrough in theoretical physics sometime in 1999; Seria Mau Genlicher, the cybernetically-altered female pilot of a "K-ship", and the ex-space pilot and adventurer Ed Chianese. Seria Mau and Ed's stories take place in the year 2400 AD.
The lives of these three individuals are linked in many ways, though most tangibly by the presence of a mysterious creature called The Shrander, who appears in many guises to all three characters throughout the novel (with anagrammatic names of Sandra Shen and Dr. Haends). They are also linked by the Kefahuchi Tract, a space-time anomaly described as "a singularity without an event horizon", an object of awe and wonder that has been the ruin of many civilisations attempting to decode its mysteries.
Window
A window is an opening in a wall, door, roof or vehicle that allows the passage of light and, if not closed or sealed, air and sound.
Modern windows are usually glazed or covered in some other transparent or translucent material. Windows are held in place by frames. Many glazed windows may be opened, to allow ventilation, or closed, to exclude inclement weather. Windows often have a latch or similar mechanism to lock the window shut.
Types include the eyebrow window, fixed windows, single-hung and double-hung sash windows, horizontal sliding sash windows, casement windows, awning windows, hopper windows, tilt and slide windows (often door-sized), tilt and turn windows, transom windows, sidelight windows, jalousie or louvered windows, clerestory windows, skylights, roof windows, roof lanterns, bay windows, oriel windows, thermal, or Diocletian, windows, picture windows, emergency exit windows, stained glass windows, French windows, and double- and triple paned windows.
The Romans were the first known to use glass for windows, a technology likely first produced in Roman Egypt, in Alexandria ca. 100 AD. Paper windows were economical and widely used in ancient China, Korea and Japan. In England, glass became common in the windows of ordinary homes only in the early 17th century whereas windows made up of panes of flattened animal horn were used as early as the 14th century. Modern-style floor-to-ceiling windows became possible only after the industrial plate glass making processes were perfected.
Future (disambiguation)
The future is the time after the present.
Future or The Future may also refer to:
Companies
Awards
Music
Film and television
Futures contract
In finance, a futures contract (more colloquially, futures) is a standardized forward contract which can be easily traded between parties other than the two initial parties to the contract. The parties initially agree to buy and sell an asset for a price agreed upon today (the forward price) with delivery and payment occurring at a future point, the delivery date. Because it is a function of an underlying asset, a futures contract is a derivative product.
Contracts are negotiated at futures exchanges, which act as a marketplace between buyers and sellers. The buyer of a contract is said to be long position holder, and the selling party is said to be short position holder. As both parties risk their counterparty walking away if the price goes against them, the contract may involve both parties lodging a margin of the value of the contract with a mutually trusted third party. For example, in gold futures trading, the margin varies between 2% and 20% depending on the volatility of the spot market.
Future (The Seeds album)
Future is the third studio album by Los Angeles rock band, the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
Background
The Seeds moved into 1967 as an established band with national hits, including "Pushin' Too Hard", and two albums solidifying their individual sound. With their new manager, Tim Hudoson, and a knack for outlandish live performances, the band's public profile was at an all time high. The band went into recording sessions hoping to capitalize on their past success, and create a more sophisticated sound.
Recording sessions began in Gold Star Studios as early as November 3, 1966, but the majority of studio work was completed in 1967. The first recorded track, "Travel With Your Mind", was the only one complete in 1966, and was a contrast to the future developments. The project was complete on June 6, 1967 with the final track being "March of the Flower Children". The Seeds, mostly under the direction of Sky Saxon utilized orchestrations, and classical instruments in a psychedelic format. Compared to past material, the band established a complexity in their instrumentals as there were more overdubbing involved in the process. Each individual song took an obviously increased amount of takes to find cohesion with the overdubbing. Saxon had embraced the psychedelic scene in the band's own take on the genre, and infused it with their own sound. New instruments more prominent in Future recordings including the piano, trumphet, and percussion.
Scratch (horse)
Scratch, also known as Scratch II (foaled 1947) was a French Thoroughbred racehorse and sire best known for winning the Prix du Jockey Club and the classic St Leger Stakes in 1950. Scratch won the Solario Stakes in England as a two-year-old and emerged as one of the best of a very strong generation of French-trained colts in the following year. He won the Prix de Guiche and Prix Greffulhe in the early part of the year and then defeated the year's outstanding three-year-old colt Tantieme in the Prix du Jockey Club. In the autumn of 1950 he won the St Leger by defeating Vieux Manoir, who had beaten him in the Grand Prix de Paris. He won the Prix Jean Prat as a four-year-old before being retired to stud where he had an unremarkable record as a sire of winners in Europe and South America.
Background
Scratch was a chestnut horse with a white star and a white sock on his right hind leg bred by his owner Marcel Boussac. He was sired by Pharis, the undefeated winner of the 1939 Grand Prix de Paris. Scratch's dam Orlamonde was an unsuccessful racehorse but produced several other winners including Damno, who won the Prix d'Arenberg. Orlamonde's dam Naic was a half sister of the Prix du Jockey Club winner Ramus and also produced the Grand Prix de Deauville winner Jock. Scratch was sent into training with Charles Semblat at Chantilly.
