- published: 11 Sep 2014
- views: 43
In motion pictures, an intertitle (also known as a title card) is a piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action, at various points, generally to convey character dialogue, or descriptive narrative material related to, but not necessarily covered by, the material photographed.
Intertitles were a mainstay of silent films once they became of sufficient length and detail to necessitate dialogue and/or narration to make sense of the enacted or documented events.
In modern film, intertitles are used to supply an epigraph, such as a poem, or to distinguish various "acts" of a film or multimedia production by use as a title card. However, they are most commonly used as part of a historical drama's epilogue to explain what happened to the depicted characters and events after the conclusion of the story proper.
The development of the soundtrack slowly eliminated their utility as a narrative device (they were common for providing narration, but not dialogue, well into the 1930s), but they are occasionally still used as an artistic device. For instance, intertitles were used as a gimmick in Frasier. The BBC's drama Threads uses them to give location, date and information on distant events beyond Sheffield. Law & Order use them to give only the location of the upcoming scene. Guy Maddin is a modern filmmaker known for recreating the style of older films, and uses intertitles appropriately. Some locally produced shows, such as quiz bowl game shows, use animated variations of intertitles to introduce the next round.
gone under two times.
I've been struck dumb by a voice that
speaks from deep
beneath the cold black water.
It's twice as clear as heaven,
and twice as loud as reason.
It's deep and rich like silt on a riverbed
and just as undisturbing.
the currents mouth below me opens up around me.
suggests and beckons all while swallowing.
It surrounds and drowns and sweeps me away.
But I'm so comfortable...Too comfortable.
shut up shut up shut up shut up
shut up shut up shut up shut up
you're saturating me
So how could I let this bring me
back to my knees again again again
under for the third time.
I've been baptized by your voice.
it screams from deep beneath the endless water.
and it's half as high as heaven
and half as clear as reason.
it's cold and and black like silt on the riverbed.
But I'm so comfortable.
Far too comfortable.
Why don't you kill me,
I'm weak and numb and insignificant,
and I'm back on my knees.
lost in euphoria.
I'm back down. I'm in the undertow.
I'm helpless and awake in the undertow.
I'll die within your undertow.
It seems there's no other way out of this undertow.