- published: 20 Apr 2015
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The Modern Jazz Quartet was a jazz combo established in 1952 that played a style of jazz influenced by classical music, cool jazz, blues and bebop. The band performed over a forty-year span with only one personnel change. Under John Lewis's leadership they carved their own niche by specializing in elegant, restrained music that used sophisticated counterpoint yet nonetheless retained a strong blues feel. John Lewis firmly believed that J.S. Bach and the blues were compatible, combining classical form with jazz improvisation and polyphony. The band was also noted for its ability to play alongside a variety of other groups. For the majority of their career the group comprised John Lewis (piano and musical director), Milt Jackson (vibraphone), Percy Heath (double bass) and Connie Kay (drums). Initially active into the 1970s, until Jackson quit due to creative disagreement and frustration with their busy touring schedule, the MJQ reformed intermittently into the 1990s.
Jazz is a music genre that originated from African American communities of New Orleans in the United States during the late 19th and early 20th centuries. It emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz spans a period of over a hundred years, encompassing a very wide range of music, making it difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swing note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and African-American styles such as ragtime. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience to the music as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
The Modern could be
John Lewis may refer to:
The Last may refer to:
モダン・ジャズ・カルテット MODERN JAZZ QUARTET: John Lewis (p)/ Milt Jackson (vib)/ Percy Heath (b)/ Connie Kay (ds) Introduction Softly, As In A Morning Sunrise The Cylinder Really True Blues The Golden Striker Odd's Against Tomorrow Jasmine Tree Bags' Groove Django Live At "Nippon Budokan", Tokyo, Japan, October 19 & 20, 1981. Dubbing From LD 130112
copyright disclaimer: images, logos, and music are property of their legitimate owners, and the undersigned does not intend any rights over them All compositions by John Lewis except as indicated "Vendome" - 0:00 "Pyramid (Blues for Junior)" (Ray Brown) -02:32 "It Don't Mean a Thing (If It Ain't Got That Swing)" (Duke Ellington, Irving Mills) - 13:26 "Django" - 18:28 "How High the Moon" (Nancy Hamilton, Morgan Lewis) - 23:06 "Romaine" (Jim Hall) -29:24 Milt Jackson - vibraphone John Lewis - piano Percy Heath - bass Connie Kay - drums Released 1960 Recorded August 22 & 25 and December 21, 1959 and January 15, 1960 Music Inn, Lenox, Massachusetts and Capitol Studios, New York City Genre Jazz Length 37:24 copyright disclaimer: images, log...
Artist: The Modern Jazz Quartet Album: The Last Concert Label: Atlantic Genre: Jazz Year: 1975 Tracks: 01 – Softly, As in a Morning Sunrise 00:00 02 – The . ''The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . 'The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . Modern Jazz Quartet - The Last Concert track 7 of 14.
♣MrNicolasz Jazz Collection♣ [( Django )] From Wikipedia: Django is an album by The Modern Jazz Quartet, first released on LP in 1956. The actual sessions for the LP took place in June 1953, December 1954, and January 1955, and (as label Prestige Records had yet to enter the LP era) were first released on two different ten-inch discs. The first session (consisting of "The Queen's Fancy", "Delauney's Dilemma" and "Autumn In New York") took place in New York, but the subsequent Hackensack, New Jersey, sessions were engineered by Rudy Van Gelder; and eventually the whole album was reissued in 2006 as part of the Rudy Van Gelder Remasters collection. The song "Django" (like the other original material on this album) was composed by the group's pianist and musical dire...
Itzhak Perlman and the MJQ performing a beautiful rendition of George Gershwin's Summertime at the New York Marriott Marquis hotel. Perlman on violin, John Lewis on piano, Milt Jackson on...... Itzhak Perlman and the MJQ performing a beautiful rendition of George Gershwin's Summertime at the New York Marriott Marquis hotel. Perlman on violin, John L... Modern Jazz Quartet - The... "Summertime" by George Gershwin Performed by The Modern Jazz Quartet All credit for the album artowrk and the recording goes to The Modern Jazz Quartet and George Gershwin. Modern Jazz Quartet - The Last Concert track 3 of 14. Modern Jazz Quartet - The Last Concert track 3 of 14. Itzhak Perlman and the MJQ performing a beautiful rendition of George Gershwi MJQ サマータイム Modern Jazz Quartet Summertime MJQ サ...
"Concorde" is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection. The album is the first to feature drummer Connie Kay, who replaced Kenny Clarke in 1955. It is also the first Modern Jazz Quartet LP conceived from the beginning as a long playing record; previous MJQ recordings had been released as 78's, 10 inch 33's or reissues of these formats on a 12 inch LP. The liner notes acknowledge the additional playing time of the LP format by asking the listener to regard this album as a performance set "at one of America's leading jazz rooms". ______________________________________________________________...
Video Clip "Fue Dificil" - María José Quintanilla
The unlimited or incalculably great three-dimensional realm or expanse in which all material objects are located and all events occur. The magnificent Modern Jazz Quartet album "SPACE" (Only version on YouTube) "Visitor from Venus" "Visitor from Mars" "Here's That Rainy Day" (Jimmy Van Heusen, Johnny Burke) "Dilemma" (Miljenko Prohaska) "Adagio from Concierto de Aranjuez" (Joaquín Rodrigo) All compositions by John Lewis, except where noted. Released: 1969 Recorded: 1969 England Genre: Jazz Length: 33:27 Label: Apple SAPCOR 10 (UK) / STAO 3360 (US) Producer: John Lewis Milt Jackson - vibraphone John Lewis - piano Percy Heath - bass Connie Kay - drums All rights reserved to the artists.
From http://loronix.net, Laurindo de Almeida and The Modern Jazz Quartet, provided by Laurindo Almeida in the Heart to Loronix http://loronix.blogspot.com
Prestige LP 7029. Sonny plays with the MJQ and his own quartet. Miles Davis plays piano on "I Know"!
モダン・ジャズ・カルテット MODERN JAZZ QUARTET: John Lewis (p)/ Milt Jackson (vib)/ Percy Heath (b)/ Connie Kay (ds) Introduction Softly, As In A Morning Sunrise The Cylinder Really True Blues The Golden Striker Odd's Against Tomorrow Jasmine Tree Bags' Groove Django Live At "Nippon Budokan", Tokyo, Japan, October 19 & 20, 1981. Dubbing From LD 130112
My videos use someone else's content solely for the purposes of criticism and information that is permitted without the consent of the authors / right holders and without payment of remuneration in accordance with the laws of both Russian (st.2147 Civil Code) and the US (Copyright Law of the United States, § 107 ) ". © For any questions regarding copyright issues related to video materials, please contact us via email at copyright: channelfidel@gmail.com
Piano – John Lewis Vibraphone – Milt Jackson Contrabass – Percy Heath Drums – Connie Kay Recorded live 1971 1 Walkin' Stomp 2 The Legendary Profile 3 Willow Weep For Me 4 The Cylinder 5 A Cold Wind Is Blowing 6 Misty Roses 7 The Jasmin Tree 8 Monterey Mist
01 – One Never Knows – 0:00 02 – True Blues – 7:52 03 – Nature Boy – 12:58 04 – The Golden Striker – 19:41 05 – Le Cannet – 24:33 06 – Echoes – 32:20 07 – Rockin' In Rhythm – 37:50 08 – Django – 45:57
Check out the amazing Sabis Jazz Quartet performing at the Community Music School of Springfield. This performance was videotaped by Focus Springfield Community Television on February 10th, 2016 in front of a live audience.
Modern Jazz Quartet play "Bags Groove" composed by Milt Jackson. Milt Jackson: vibes, John Lewis:piano, Percy Heath:bass, Connie Kay:drums. Alexandra Palace,London,1982. Capital Radio Jazz Festival.
Artist: The Modern Jazz Quartet Album: The Last Concert Label: Atlantic Genre: Jazz Year: 1975 Tracks: 01 – Softly, As in a Morning Sunrise 00:00 02 – The . ''The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . 'The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . Modern Jazz Quartet - The Last Concert track 7 of 14.
copyright disclaimer: images, logos, and music are property of their legitimate owners, and the undersigned does not intend any rights over them All compositions by John Lewis except as indicated "Vendome" - 0:00 "Pyramid (Blues for Junior)" (Ray Brown) -02:32 "It Don't Mean a Thing (If It Ain't Got That Swing)" (Duke Ellington, Irving Mills) - 13:26 "Django" - 18:28 "How High the Moon" (Nancy Hamilton, Morgan Lewis) - 23:06 "Romaine" (Jim Hall) -29:24 Milt Jackson - vibraphone John Lewis - piano Percy Heath - bass Connie Kay - drums Released 1960 Recorded August 22 & 25 and December 21, 1959 and January 15, 1960 Music Inn, Lenox, Massachusetts and Capitol Studios, New York City Genre Jazz Length 37:24 copyright disclaimer: images, log...
モダン・ジャズ・カルテット MODERN JAZZ QUARTET: John Lewis (p)/ Milt Jackson (vib)/ Percy Heath (b)/ Connie Kay (ds) Introduction Softly, As In A Morning Sunrise The Cylinder Really True Blues The Golden Striker Odd's Against Tomorrow Jasmine Tree Bags' Groove Django Live At "Nippon Budokan", Tokyo, Japan, October 19 & 20, 1981. Dubbing From LD 130112
♣MrNicolasz Jazz Collection♣ [( Django )] From Wikipedia: Django is an album by The Modern Jazz Quartet, first released on LP in 1956. The actual sessions for the LP took place in June 1953, December 1954, and January 1955, and (as label Prestige Records had yet to enter the LP era) were first released on two different ten-inch discs. The first session (consisting of "The Queen's Fancy", "Delauney's Dilemma" and "Autumn In New York") took place in New York, but the subsequent Hackensack, New Jersey, sessions were engineered by Rudy Van Gelder; and eventually the whole album was reissued in 2006 as part of the Rudy Van Gelder Remasters collection. The song "Django" (like the other original material on this album) was composed by the group's pianist and musical dire...
The unlimited or incalculably great three-dimensional realm or expanse in which all material objects are located and all events occur. The magnificent Modern Jazz Quartet album "SPACE" (Only version on YouTube) "Visitor from Venus" "Visitor from Mars" "Here's That Rainy Day" (Jimmy Van Heusen, Johnny Burke) "Dilemma" (Miljenko Prohaska) "Adagio from Concierto de Aranjuez" (Joaquín Rodrigo) All compositions by John Lewis, except where noted. Released: 1969 Recorded: 1969 England Genre: Jazz Length: 33:27 Label: Apple SAPCOR 10 (UK) / STAO 3360 (US) Producer: John Lewis Milt Jackson - vibraphone John Lewis - piano Percy Heath - bass Connie Kay - drums All rights reserved to the artists.
Artist: The Modern Jazz Quartet Album: The Last Concert Label: Atlantic Genre: Jazz Year: 1975 Tracks: 01 – Softly, As in a Morning Sunrise 00:00 02 – The . ''The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . 'The Last Concert'' is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 . Modern Jazz Quartet - The Last Concert track 7 of 14.
"Concorde" is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection. The album is the first to feature drummer Connie Kay, who replaced Kenny Clarke in 1955. It is also the first Modern Jazz Quartet LP conceived from the beginning as a long playing record; previous MJQ recordings had been released as 78's, 10 inch 33's or reissues of these formats on a 12 inch LP. The liner notes acknowledge the additional playing time of the LP format by asking the listener to regard this album as a performance set "at one of America's leading jazz rooms". ______________________________________________________________...
The previously unreleased Modern Jazz Quartet performance from the 1963 Monterey Jazz Festival was first issued in this 1998 CD. The MJQ (vibraphonist Milt Jackson, pianist John Lewis, bassist Percy Heath and drummer Connie Kay) is heard in typically fine form performing a few standards (including "Mean To Me" and "Bags' Groove"), and a couple of obscurities (Ray Brown's "Pyramid" and Lewis' "Winter Tale") before an appreciative audience. The MJQ always had a timeless sound; their 1963 program does not differ stylistically much from 1958 or 1968, but neither does it sound dated. Easily recommended to fans of the classic group...(Scott Yanow;AllMusic) _______________________________________________________________________________________________ Tracklist: 01.Pyramid (Blues for Junior) (R...
My videos use someone else's content solely for the purposes of criticism and information that is permitted without the consent of the authors / right holders and without payment of remuneration in accordance with the laws of both Russian (st.2147 Civil Code) and the US (Copyright Law of the United States, § 107 ) ". © For any questions regarding copyright issues related to video materials, please contact us via email at copyright: channelfidel@gmail.com
John Lewis - Piano.... Milt Jackson - Vibraphone.... Percy Heath - Bass.... Connie Kay - Drums.... .................................................................................... 1. "The Golden Striker" 2. "If I Were Eve" 3. "Winter Tale" 4. "Lonely Woman" ...................................................................................... Recorded - May 16, 1962.... ....................................................................................... FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a...
1.The Golden Striker Interview with John Lewis 4:58 2. If I Were Eve 11:30 3.Winter Tale 16:30 4.Lonely Woman 23:57 5.Lyon's Head 29:00 6.Billie's Bounce 34:20 7.Django 39:19 Tracks 1-4 San Fransisco May 16, 1962 John Lewis-Piano, Milt Jackson-VIbes, Percy heath-Bass, Connie Kay-Drums Track 5 Monterey, California September 21,1975 John Lewis-Piano and sextet feat. Svend Asmussen-Violin 6. Monterey, September 21,1975 John Lewis, Bill Evans, Marian McPartland & Patrice Rushen-Piano Eddie Gomez-Bass Paul Motian-Drums 7. Berlin October 30, 1965 Niels-Henning Orsted Pederson-Bass, Connie Kay-Drums
In this collaboration with Quoted Studios, Jazz at Lincoln Center unearths an old conversation with pianist John Lewis in which he discusses the MJQ's origins and how the band's success got in the way of his ongoing gig with Ella FItzgerald. Purchase "The Music of John Lewis" from Amazon: http://ow.ly/UWdg309Kpnl Purchase "The Music of John Lewis" from iTunes: http://ow.ly/AdBj309KpZt Few captured the sleek, swinging sophistication of jazz better than pianist, composer, and bandleader John Lewis, who had a long, deep, personal relationship with Jazz at Lincoln Center. “He used to always call our program a miracle,” says Wynton Marsalis. “He used to always say, ‘Keep that miracle going.’” In 2013, when the Jazz at Lincoln Center Orchestra with Wynton Marsalis set out to honor the legac...
In this clip from www.artistshousemusic.org - The 4th Master class in the fall series featured two of the incredible Heath Brothers, Percy and Jimmy. The third brother Albert was not attending that day. Coming from a musical family and known as one of the first families of jazz, the Philadelphia brothers are known for their impeccable compositions, arrangements and love of bebop. Each brother became musically successful in their own right and played with many of the bebop pioneers such as the Dizzy Gillespie Big Band. The rhythm section became known as the famous Modern Jazz Quartet after Percy succeeded Ray Brown, launching a 43 year career. Jimmy also played with Gillespie, exchanging his alto sax for a tenor and is a talented composer-arranger. Throughout the master class, you can sense...
In a video interview done backstage at the 2014 Newport Jazz Festival, pianist Aaron Diehl talks about his involvement with the archive of John Lewis, co-founder of the Modern Jazz Quartet. Diehl talks about what he learned from delving into Lewis' music.
THE GREAT QUARTET Chicago 1982 [no label, 1CD] Live at the Chicago Kool Jazz Festival, Petrillo Music Shell, Grant Park, Chicago, IL; September 4, 1982. Broadcast on KLCC-FM in Eugene. Ex FM stereo. Freddie Hubbard-Trumpet, McCoy Tyner-Piano, Ron Carter-Bass, Tony Williams-Drums. "Wow! Sounds like a rock concert or something!" I do not own the rights to this music or image. Indeed The Great Quartet were crowd pleasers. Everyone took their turn to solo. The fans behaved boisterously like at a rock concert. That spurred everyone on stage to play furiously. This show with a Monk cover, the classic Black Orpheus theme - Manha de Carnaval, Gershwin’s I Can’t Get Started and the impressive Tyner composition, Inner Glimpse, is exemplary of old jazz - cool but conservative.
Billy Taylor's Jazz Counterpoint presents John Lewis. Born in LaGrange, Illinois and raised in Albuquerque, New Mexico, he learned classical music and piano from his mother starting at the age of seven. He continued his musical training at the University of New Mexico and also studied anthropology. He served in the Army in World War II. While stationed in France on a three-year tour of duty, he met and performed with Kenny Clarke. Clarke was an early developer of the bop style and Lewis composed and arranged for a band he and Clarke organized. Lewis returned from service in 1945 and resumed his university studies. In the fall however, he went to New York where he found work in 52nd Street clubs with Allen Eager, Hot Lips Page and others. After that year, he joined Dizzy Gillespie's bop-st...
BBtv online: http://tv.boingboing.net. BBtv's UK music correspondent Russell Porter interviews British modern "post-jazz" group Portico Quartet about the eclectic influences behind their sound -- and how it felt to be nominated for this year's Mercury Prize. Here are previous BBtv episodes with music features from Russell. Listen to Portico Quartet at Last.fm, and you can pick up their new album Knee Deep in the North Sea (just released a few weeks ago!) on iTunes or Amazon.
Live recording from 1999 John Lewis - piano John Aaron Lewis - For Ellington Watch the whole concert here: https://www.youtube.com/watch?v=FCZlBMWAd4E&list;=PLDOx7nx0z2hhlGxj1L5be2Uyu1I82tham John Aaron Lewis (May 3, 1920 – March 29, 2001) was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet. He was co-founder and long-time leader of the legendary Modern Jazz Quartet, celebrated his eightieth birthday in 2000. Since the early 1950s, he made jazz history with the group and played a major role in gaining acceptance for jazz, even among lovers of ’serious’ music. His ability to blend classical forms with jazz improvisations makes his the kind of music that transcends all barriers. After MJQ disbanded, John Lewis con...
November 12, 1956 Stadthalle, Freiburg, the former West Germany Birdland All-Stars in Europe 1 Miles Davis with the René Urtreger Trio: Miles Davis (tpt); René Urtreger (p); Pierre Michelot (b); Christian Garros (d); 2 Miles Davis with Lester Young and the Modern Jazz Quartet: Lester Young (ts); Milt Jackson (vb); John Lewis (p); Percy Heath (b); Connie Kay (d); * add The Kurt Edelhagen Orchestra: Siegfried Ackhammer (tpt); Conny Jackel (tpt); Klaus Mitschele (tpt); Rolfe Schneebiegel (tpt); Hanne Wilfert (tpt); Werner Betz (tb); Otto Bredl (tb); Helmut Hauck (tb); Heinz Hermannsdorfer (tb); Helmut Reinhardt (as); Franz Von Klenck (as); Bubi Aderhold (ts); Paul Martin (ts); Helmut Brandt (bs); Johnny Feigl (bs); Werner Drexler (d); Kurt Edelhagen (cond) Tune Up (M. Davis) -1 What's Ne...
Darius Jones Quartet Lisle Ellis: Bass Angelica Sanchez: Piano and Wurlitzer Jason Nazary: Drums Darius Jones: Alto Sax and Composition, with artist interview. PointofDeparture.org’s Ed Hazell writes, “alto saxophonist Darius Jones delivers one of the most impressive debuts in recent memory, displaying a remarkably well-developed concept and individual sound. Jones has a big, fleshy, lived-in tone, with a vibrato that owes as much to Johnny Hodges as it does to Albert Ayler. It’s defiant, vulnerable, proud, and weary; there is laughter and sobbing in it.” Jason Crane, host of The Jazz Session and columnist at PopDose.com, adds, “For his debut statement, 31-year-old Jones wanted to tell his story. To talk about what it means to be poor and black and struggling and intelligent in this day...
Roy Haynes is a jazz legend of the first order. In a career spanning 7 decades, Roy has helped to write the story of modern jazz, drumming with Charlie Parker, Bud Powell, Thelonious Monk, John Coltrane and just about everyone else. Chick's groundbreaking 1968 album Now He Sings, Now He Sobs was his first encounter with Roy, and they've been working steadily ever since, right through the 2010 tour of the Freedom Band.
I can honestly say that bassist, composer, and now educator Robert Hurst has taken “the road less traveled” as quoted by poet Robert Frost in his long and illustrious career. At a time when most jazz musicians focus intently on their career as a leader, many work hard and endlessly on their craft. On the other hand, Robert is wearing many shoes and those shoes include roles that are pretty much in sync with his calling, both on the bandstand as a leader as well as an educator. In 2008, Robert took on the the position of Associate Professor of Music at The University of Michigan in Ann Arbor, Michigan. This Detroit, Michigan native felt it was the right time to come back home, while guiding and teaching up-and-coming musicians and students their role in jazz music. As a child, his paren...
Vocalist Claude McKnight is a member and founder of one of the most successful gospel vocal groups here and abroad. The Acapella unit Take 6 along with other members the sextet have kept Christ central in their music and ministry. Take 6 has fused and blended both spirituals and gospel music with soul, jazz, pop, and modern R & B; while staying focused on maintaining God’s word to music fans all over the world. The sextet features vocalists Mark Kibble, Claude McKnight, Dr. Cedric Dent, David Thomas, Joey Kibble, and Alvin Chea. The group has made an impact on the music scene for 30 years and has used music as a ministry to reaching the word of God to music fans all over the world. At a time where most gospel singers have made their “cross-over” to R & B and the Pop charts to expand t...
During the mid-1950’s a musical innovator was making waves in jazz music by playing the organ. Jimmy Smith had sonically taken the Hammond B-3 and played with either a quartet or trio that changed and gave way for how blues, gospel, soul, and jazz music was played forever. Although the organ trio wasn’t nothing new at the time, Jimmy took what heard from his influences like Wild Bill Davis, Count Basie, and Fats Waller and did some heavy woodshedding in 1955 after he bought his first Hammond organ. Smith decided to rent some warehouse space and set up shop for a year in New York City. In that year he’d transform himself with sound and work ethic that was unparalleled for its time in its time. One night Alfred Lion, president of Blue Note Records, saw Jimmy play at a nightclub in Philadelph...
If I were to describe vocalist Rene Marie, it would be she's a constant work in the making. Her latest disc "Voice of My Beautiful Country" reflects both her depth and interpretation of music she performs. Also, how she doesn't like to be categorized in a box musically. She eloquently performs music ranging from Dave Brubeck's "Strange Meadow Lark" to Jefferson Airplane's "White Rabbit" to The Temptation's "Just My Imagination." In what would be her seventh recording project, and her first on the Motema Record label, Rene was bold and courageous to record a suite that would be hailed as both controversial and artistically innovative. The "Voice of My Beautiful Country Suite" is her rendition and take on four major American anthems and reworked to a new and modern form of American music. R...
Jairo Moreno’s work addresses the production of knowledge of music and the sonic in modernity. He has written a major study of the history of listening in early modern and modern music theory and analysis, Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (Indiana University Press, 2004). He has also published on jazz performance poetics, the politics of aesthesis, and Latin-American popular music in the U.S during the long 20 th century. His current project is entitled Syncopated Modernities: Musical Latin Americanisms in the U.S., 1978-2008 , an archival, critical, and ethnographic study of music’s precarious share in political practices during late capitalism. Moreno received the Society for American Music 2005...
About "La Mission" Growing up in the Mission district of San Francisco, Che Rivera (Benjamin Bratt) has always had to be tough to survive. He's a powerful man respected throughout the Mission barrio for his masculinity and his strength, as well as for his hobby building beautiful lowrider cars. A reformed inmate and recovering alcoholic, Che has worked hard to redeem his life and do right by his pride and joy: his only son, Jes, whom he has raised on his own after the death of his wife. Che's path to redemption is tested, however, when he discovers Jes is gay. To survive his neighborhood, Che has always lived with his fists. To survive as a complete man, he'll have to embrace a side of himself he's never shown. MARK KILIAN biography Born and raised in South Africa, Mark came to the USA ...
During the mid-1970’s the New York City jazz scene was divided between the Be-Bop and Fusion and musician David Murray arrived and changed the music scene drastically. The Berkeley, California native took his love for playing and was one of the musical pioneers of the “Loft-Jazz” movement where he and other musicians rented out empty office and living space and invited people to hear them play. Murray always fused elements of modern jazz with avant-garde and big band whether in his compositions or the many music ensembles he’s formed or performed throughout his career. The Grammy-Award Nominee is a Guggenheim Fellowship awardee and was named musician of the 1980’s by the Village Voice. David is the founding member of the World Saxophone Quartet that featured the late Julius Hemphill, Oliv...
A New Paradise
There’s a war now in Heaven
You can see it too
I want to change everything
I want something new
But please don’t send me away
My dream is not fulfilled
All I wanted was to sing
Just wanted to build
A new Paradise
Out of sight from your eyes
My troubles are ending
A new Paradise
Or a Hell in disguise
Is what I’m demanding
All alone in the darkness
I am waiting for you
Ready to cross the line
To a different truth
I do not like this void
I’m falling through
But I’m waiting to see a sign
Waiting to get to ...
A new Paradise
Out of sight from your eyes
My troubles are ending
A new Paradise
Or a Hell in disguise