- published: 19 Jul 2010
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Don Lamond (August 18, 1920, Oklahoma City - December 23, 2003, Orlando, Florida) was an American jazz drummer.
Lamond attended the Peabody Conservatory in Philadelphia in the early 1940s, and played with Sonny Dunham and Boyd Raeburn at the outset of his career. He took over Dave Tough's spot in Woody Herman's big band First Herd in 1945, where he remained until the group disbanded at the end of 1946. In 1947 he briefly freelanced with musicians including Charlie Parker, and then returned to duty under Herman in his Second Herd, where he remained until its 1949 dissolution. In the 1950s and 1960s Lamond found work as a session musician, recording in a wide variety of styles. He performed and recorded with Stan Getz, Zoot Sims, Johnny Smith, Benny Goodman, Ruby Braff, the Sauter-Finegan Orchestra, Sonny Stitt, Johnny Guarnieri, Jack Teagarden, Quincy Jones, George Russell, and Bob Crosby among others. He recorded as a bandleader in 1962 with a tentet which included Doc Severinsen. Later in the 1960s he played with George Wein's Newport Festival band. In the 1970s he worked with Red Norvo, Maxine Sullivan, and Bucky Pizzarelli, and also put together his own swing group late in the decade, which recorded in 1977 and 1982. He also recorded a quartet album in 1981 with his wife, Terry Lamond, singing. He died in 2003 at age 83.
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame.
Lionel Hampton was born in Louisville, Kentucky, in 1908, and was raised by his grandmother. Shortly after he was born, he and his mother moved to her hometown Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin before he and his family moved to Chicago, Illinois in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off limits because of racial segregation. During the 1920s—while still a teenager—Hampton took xylophone lessons from Jimmy Bertrand and started playing drums. Hampton was raised Roman Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).
Getz was born on February 2, 1927, in Philadelphia, Pennsylvania. His parents were Ukrainian Jews who emigrated from the Kiev area in 1903. The family later moved to New York City for better employment opportunities. Getz worked hard in school, receiving straight As, and finished sixth grade close to the top of his class. Getz's major interest was in musical instruments, and he felt a need to play every instrument in sight. He played a number of them before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Getz instantly fell in love with the saxophone and began practicing eight hours a day.
I was holding an invitation
to meet some danger
around the corner from an evil love affair
Something told me feet get tread
to be moving 'cause
I felt like I weren't going anywhere
I took a walk past the church house
of my family
the one that left me feeling solo and for dead
I was sickly with all those ghosts
floating in my bottle
so I poured them in the pavement and I said
If Jesus is coming, he better come on
If Jesus is coming, he better come on
'cause I'm tired of running
I'll get what's coming
down at the altar of my youth
I snuck in through the oak doors
of the chapel
and I lay my weary body on the pew
red crushed velvet 'neath my halo
I was ready to see his face
and I tell him exactly
what he could do
The sun came shining through
the stained glass.
I must've fallen fast asleep
through the night
then something told me
feet get ready to be moving
'cause I felt like shedding