- published: 20 Feb 2013
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In computational linguistics, word-sense disambiguation (WSD) is an open problem of natural language processing, which governs the process of identifying which sense of a word (i.e. meaning) is used in a sentence, when the word has multiple meanings (polysemy). The solution to this problem impacts other computer-related writing, such as discourse, improving relevance of search engines, anaphora resolution, coherence, inference et cetera.
Research has progressed steadily to the point where WSD systems achieve sufficiently high levels of accuracy on a variety of word types and ambiguities. A rich variety of techniques have been researched, from dictionary-based methods that use the knowledge encoded in lexical resources, to supervised machine learning methods in which a classifier is trained for each distinct word on a corpus of manually sense-annotated examples, to completely unsupervised methods that cluster occurrences of words, thereby inducing word senses. Among these, supervised learning approaches have been the most successful algorithms to date.
Junior Wells (December 9, 1934 – January 15, 1998), born Amos Wells Blakemore Jr., was an American Chicago blues vocalist, harmonica player, and recording artist. Wells, who was best known for his performances and recordings with Muddy Waters, Earl Hooker, and Buddy Guy, also performed with Bonnie Raitt, The Rolling Stones, and Van Morrison.
Junior Wells was born in Memphis, Tennessee, United States, and raised in West Memphis, Arkansas, though other sources report that his birth was in West Memphis. Initially taught by his cousin, Junior Parker, and Sonny Boy Williamson II, Wells learned how to play the harmonica by the age of seven with surprising skill. He moved to Chicago in 1948 with his mother after her divorce and began sitting in with local musicians at house parties and taverns. Wild and rebellious but needing an outlet for his talents, he began performing with The Aces (guitarist brothers Dave and Louis Myers and drummer Fred Below) and developed a more modern amplified harmonica style influenced by Little Walter. In 1952, he made his first recordings, when he replaced Little Walter in Muddy Waters' band and appeared on one of Muddy's sessions for Chess Records in 1952. His first recordings as a band leader were made in the following year for States Records. In the later 1950s and early 1960s he also recorded singles for Chief Records and its Profile Records subsidiary, including "Messin' with the Kid", "Come on in This House", and "It Hurts Me Too", which would remain in his repertoire throughout his career. His 1960 Profile single "Little by Little" (written by Chief owner and producer Mel London) reached #23 in the Billboard R&B chart, making it the first of two Wells' singles to enter the chart.