- published: 12 Sep 2016
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Éric Serra (born 9 September 1959) is a French musician and composer. He has often worked on films by Luc Besson.
Éric Serra's father Claude was a famous French songwriter in the 1950s and '60s, and, as such, Éric was exposed to music and its production at a young age. His mother died when he was just seven years old. In the early 1980s, Serra met director Luc Besson and was asked to score his first film, Le Dernier Combat (1983). Serra has scored all of Besson's directed films to date, except Angel-A (2005) (scored by Anja Garbarek), and several that Besson has written, such as Wasabi.
In 1995, Éric Serra was chosen to compose the score to the James Bond film GoldenEye, and produced a much more modern-sounding avant-garde soundtrack compared to previous Bond films. It met with mixed reviews from film critics. Serra's score is often criticized by Bond fans, and is considered the farthest departure from a traditional Bond score and, by some, as the most inappropriate in the series history. Others find it highly innovative, with the main problem the lack of the Monty Norman/John Barry traditional theme. The producers later hired John Altman to provide the music for the tank chase in St. Petersburg. Serra's original track for that sequence can still be found on the soundtrack as "A Pleasant Drive in St. Petersburg".
A miracle is an unlikely but beneficial event, often attributed to divine intervention.
Miracle(s), The Miracle(s) or MIRACL may also refer to:
(in date order)
The Symphony No. 96 in D major, Hoboken I/96, was completed by Joseph Haydn in 1791 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 11 March 1791. Although it is the fourth of the so-called twelve London Symphonies (numbers 93–104) by number, it was actually the first one written and performed. It is popularly known as the Miracle Symphony.
It is so called due to the story that, during its premiere, a chandelier fell from the ceiling of the concert hall in which it was performed. The audience managed to dodge the chandelier successfully as they had all crowded to the front for the post-performance applause, and the symphony got its nickname. More careful and recent research suggests that this event did indeed take place but during the premiere of his Symphony No. 102.
The work is in standard four movement form and scored for two flutes, two oboes, two bassoons, two horns, two trumpets, timpani and strings.
"The Miracle" is the fifth and final single from Queen's 1989 studio album of the same name. It was composed by the entire band, though Freddie Mercury and John Deacon were the primary writers. It was released as a single in late November 1989, some six months after the album. It was the last of the singles from that album to be released, and the first 5th single released from any of Queen's albums from EMI.
The sleeve artwork for the single uses the album's artwork inverted with a hologram-like fashion. The B-side of the single is a live version of the song "Stone Cold Crazy", which can be found along with "My Melancholy Blues" from the album News Of The World.
The idea for the song came from Freddie Mercury and John Deacon, who wrote the basic chord structure for the song. All four contributed to the lyrics and musical ideas, and the song was still credited to the entire band because they had agreed to do so during the album recording, regardless of who had been the actual writer. While both Mercury and May regarded this as one of their favourites, Taylor said in the audio commentary of Greatest Video Hits II that although it was not a favourite of his, he respected it as "an incredibly complex track".
Buy on iTunes: Taken from Eric Serra « Jeanne D'Arc (Original Motion Picture Soundtrack) » Extrait de Eric Serra « Jeanne D'Arc (Original Motion Picture Soundtrack) » Production: | Wagram Music
Provided to YouTube by Sony Classical The Miracle of Orleans (Voice) · The London Session Orchestra · Eric Serra The Messenger - The Story of Joan of Arc - Original Motion Picture Soundtrack ℗ 1999 Gaumont Released on: 1999-08-13 Orchestrator: Geoffrey Alexander Associated Performer: The Metro Voices Auto-generated by YouTube.
Provided to YouTube by Wagram Armaturam Dei · Eric Serra Jeanne d'Arc (Original Motion Picture Soundtrack) (Remastered) ℗ Gaumont under exclusive licence to Wagram Music Released on: 2014-04-07 Lyricist: Eric Serra Composer: Eric Serra Auto-generated by YouTube.
Provided to YouTube by Wagram Procession to Orleans · Eric Serra Jeanne d'Arc (Original Motion Picture Soundtrack) (Remastered) ℗ Gaumont under exclusive licence to Wagram Music Released on: 2014-04-07 Lyricist: Eric Serra Composer: Eric Serra Auto-generated by YouTube.
Buy on iTunes: Taken from Eric Serra « Jeanne D'Arc (Original Motion Picture Soundtrack) » Extrait de Eric Serra « Jeanne D'Arc (Original Motion Picture Soundtrack) » Production: | Wagram Music
Joan of Arc Tribute | Armaturam Dei (Armor of God) · Eric Serra Joan of Arc, a peasant girl living in medieval France, believed that God had chosen her to lead France to victory in its long-running war with England. With no military training, Joan convinced the embattled crown prince Charles of Valois to allow her to lead a French army to the besieged city of Orléans, where it achieved a momentous victory over the English and their French allies, the Burgundians. After seeing the prince crowned King Charles VII, Joan was captured by Anglo-Burgundian forces, tried for witchcraft and heresy and burned at the stake in 1431, at the age of 19. By the time she was officially canonized in 1920, the Maid of Orléans (as she was known) had long been considered one of history’s greatest saints, and ...
Provided to YouTube by Parlophone France Les babylonautes · Eric Serra r x r a ℗ 1997 The X Plorians Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company Composer, Writer: Eric Serra Auto-generated by YouTube.
Provided to YouTube by Sony Classical Procession to Orleans (Voice) · The London Session Orchestra · Eric Serra The Messenger - The Story of Joan of Arc - Original Motion Picture Soundtrack ℗ 1999 Gaumont Released on: 1999-08-13 Orchestrator: Geoffrey Alexander Associated Performer: The Metro Voices Auto-generated by YouTube.
Music Composed By Eric Serra Rollerball Score (2002) I don't own this track and all rights go to their composers and the recording label.
Éric Serra (born 9 September 1959) is a French musician and composer. He has often worked on films by Luc Besson.
Éric Serra's father Claude was a famous French songwriter in the 1950s and '60s, and, as such, Éric was exposed to music and its production at a young age. His mother died when he was just seven years old. In the early 1980s, Serra met director Luc Besson and was asked to score his first film, Le Dernier Combat (1983). Serra has scored all of Besson's directed films to date, except Angel-A (2005) (scored by Anja Garbarek), and several that Besson has written, such as Wasabi.
In 1995, Éric Serra was chosen to compose the score to the James Bond film GoldenEye, and produced a much more modern-sounding avant-garde soundtrack compared to previous Bond films. It met with mixed reviews from film critics. Serra's score is often criticized by Bond fans, and is considered the farthest departure from a traditional Bond score and, by some, as the most inappropriate in the series history. Others find it highly innovative, with the main problem the lack of the Monty Norman/John Barry traditional theme. The producers later hired John Altman to provide the music for the tank chase in St. Petersburg. Serra's original track for that sequence can still be found on the soundtrack as "A Pleasant Drive in St. Petersburg".
I sailed forever, I sailed so far, and now I know just what the
consequences are
I laughed out loudy, while I cried inside
But I didn't haave the strength to say enough of this ride
Like a fool-I believed in a miracle
I wanted to forget, of what I'm not sure
But I found an answer-it seemed to be a perfect cure
Controlled my actions, controlled my thoughts
Controlled my feelings, and now I feel my body rot-like a fool
I believed in the miracle
Twisting and I'm turning-freezing then I'm burning
Laughing then I'm crying-am I living or am I dying
Swearing then I'm praying-don't even know what I'm saying
Happy then so sad-forgiving then so mad
Do you still, do you still believe, do you still believe in,
Do you still believe in miracles?
Pushing then pulling-who am I fooling
A friend then a foe-do I really even know?
Love and then hate
Peace then at war-but what am I fighting for
And you always try to
Keep me-oh so sleepy
So I can't realize-that it's all lies
And the more it takes hold of me-the less chance that I'll ever be free
And even though I don't believe-it's so hard to leave-a miracle-a miracle
Waiting-always hesitating-for that perfect day-that day was yesterday
And the more you're gonna wait-the more of a chance that it will be too
late
How can you afford to wait, you just can't afford to wait
I shed a tear I won't deny it, but just one tear I already cried it