- published: 10 Jul 2019
- views: 311423
Éric Serra (born 9 September 1959) is a French musician and composer. He has often worked on films by Luc Besson.
Éric Serra's father Claude was a famous French songwriter in the 1950s and '60s, and, as such, Éric was exposed to music and its production at a young age. His mother died when he was just seven years old. In the early 1980s, Serra met director Luc Besson and was asked to score his first film, Le Dernier Combat (1983). Serra has scored all of Besson's directed films to date, except Angel-A (2005) (scored by Anja Garbarek), and several that Besson has written, such as Wasabi.
In 1995, Éric Serra was chosen to compose the score to the James Bond film GoldenEye, and produced a much more modern-sounding avant-garde soundtrack compared to previous Bond films. It met with mixed reviews from film critics. Serra's score is often criticized by Bond fans, and is considered the farthest departure from a traditional Bond score and, by some, as the most inappropriate in the series history. Others find it highly innovative, with the main problem the lack of the Monty Norman/John Barry traditional theme. The producers later hired John Altman to provide the music for the tank chase in St. Petersburg. Serra's original track for that sequence can still be found on the soundtrack as "A Pleasant Drive in St. Petersburg".
Taken from the Original Motion Picture Soundtrack "Anna", music by Eric Serra (Le Grand Bleu, Le Cinquième Elément, Léon...) and directed by Luc Besson ✅ Stream the OST here → https://idol.lnk.to/Anna 👉 Subscribe: http://bit.ly/1Sb2dFX Titre : I Am Criminal Interprète : Mitivaï Serra Compositeur : Eric Serra Auteurs : Jawahine Zentar / Luc Besson / Eric Serra Editeur : Maltazard Publishing Producteur titre : X-Plorians under exclusive licence to Europa Corp. Producteur clip : Europa Corp.
The Big Blue Overture remix by Maud Geffray maintenant disponible : https://EricSerra.lnk.to/MaudGeffrayRemixID Coffret collector Grand Bleu: https://EricSerra.lnk.to/LeGrandBleuCollectorID The Big Blue overture by Maud Geffray out now: https://EricSerra.lnk.to/MaudGeffrayRemixID The Big Blue Box: https://EricSerra.lnk.to/LeGrandBleuCollectorID Eric Serra Youtube: http://po.st/QR8wJx Instagram: https://www.instagram.com/ericserraofficial/ Facebook: http://po.st/KIlq7T Maud Geffray Youtube : https://www.youtube.com/channel/UCh5av5-PkosqvrNMDqGUrCQ Instagram : https://www.instagram.com/maudgeffray/?hl=fr Facebook : https://www.facebook.com/maudgeffray75/ Production & Vocals by Maud Geffray Additionnal production & Mix by Lucien Krampf Mastering by Alex Gopher
Multi-instrumentiste aux influences exigeantes et diverses (Jaco Pastorius, John McLaughlin, Jeff Beck), Eric Serra se fait, très jeune, un nom de compositeur en travaillant aux côtés de Jacques Higelin, Didier Lockwood, et évidemment le réalisateur et producteur Luc Besson, dont il devient le compositeur attitré dès 1979. A ses côtés, il remporte 4 Victoires de la meilleure musique de film et un César pour sa mythique bande originale du Grand Bleu. Connu à l’international, Eric Serra parvient néanmoins à cultiver une très plaisante discrétion et demeure fidèle à sa propre musique qu’il aime jouer en live avec son groupe de jazz-fusion, qui a acquis ses lettres de noblesse. Ce soir, Eric Serra est de retour au Triton, accompagné d’une équipe renouvelée. Si bien entouré, Eric Serra apparaît...
[Extended version] Link to the picture in the video: http://farm3.static.flickr.com/2239/1637661482_652b9a3db5.jpg
THE 5th ELEMENT SOUNDTRACK available here : - iTunes : https://itunes.apple.com/fr/album/le-cinquieme-element-original/id880112503?app=itunes - Spotify : https://open.spotify.com/album/2lu45Ke3MthVaAW6BPNH8x - Deezer : http://www.deezer.com/album/7830493 Discover the great Eric Serra's classics remastered. Get all Eric Serra's news on his facebook page : http://po.st/KIlq7T Subscribe on Youtube for more videos : http://po.st/QR8wJx BANDE ORIGINALE LE 5ème ELEMENT Redécouvrez les plus grands classiques d'Eric Serra remasterisés. Retrouvez toute l'actualité d'Eric Serra sur sa page Facebook : http://po.st/KIlq7T Abonnez-vous sur Youtube pour plus de vidéos : http://po.st/QR8wJx
Buy on iTunes: Taken from Eric Serra « Le Grand Bleu (Original Motion Picture Soundtrack) » Extrait de Eric Serra « Le Grand Bleu (Original Motion Picture Soundtrack) » Production: | Wagram Music
Pour son Audition à l’aveugle, Gemma a choisi un titre de la BO du 5ème élément : "The Diva Dance Opera". Un choix qui ne sera malheureusement pas payant puisqu'aucun des coachs ne s’est retourné sur sa voix. 🎤Voir les commentaires des coachs : 🎤 Découvrez toujours plus de contenus inédits : http://bit.ly/TheVoice_100inedits 🎤 Abonnez-vous à la chaîne : http://bit.ly/1OdKCbY 🎤 Revoir toutes les performances de la saison : http://bit.ly/TheVoiceFRS7 The Voice : La Plus Belle Voix est une émission de télévision française de télé-crochet musical diffusée sur TF1 tous les samedis à 21h. Des chanteurs expérimentés ou novices tentent de séduire le public et les 4 coachs, Florent Pagny, Mika, Zazie et Pascal Obispo lors d’auditions à l’aveugle, de battle et de primes. Présentée par ...
Éric Serra (born 9 September 1959) is a French musician and composer. He has often worked on films by Luc Besson.
Éric Serra's father Claude was a famous French songwriter in the 1950s and '60s, and, as such, Éric was exposed to music and its production at a young age. His mother died when he was just seven years old. In the early 1980s, Serra met director Luc Besson and was asked to score his first film, Le Dernier Combat (1983). Serra has scored all of Besson's directed films to date, except Angel-A (2005) (scored by Anja Garbarek), and several that Besson has written, such as Wasabi.
In 1995, Éric Serra was chosen to compose the score to the James Bond film GoldenEye, and produced a much more modern-sounding avant-garde soundtrack compared to previous Bond films. It met with mixed reviews from film critics. Serra's score is often criticized by Bond fans, and is considered the farthest departure from a traditional Bond score and, by some, as the most inappropriate in the series history. Others find it highly innovative, with the main problem the lack of the Monty Norman/John Barry traditional theme. The producers later hired John Altman to provide the music for the tank chase in St. Petersburg. Serra's original track for that sequence can still be found on the soundtrack as "A Pleasant Drive in St. Petersburg".
Diane, I am hot and I am cold
And hard and swollen, come relieve me
Kneel down beneath me
Tear me open and release me
Drop your jaws, slide on to me
Baby, slide on
I'm being taken, half way swallowed
Hair is up now, cheeks are hollow
I feel lifted, she is gifted
My legs trembled, my hand's drifted
Behind her head
I think that I might be in love
She'll give in and she'll get on it
Once she knows how bad I want it
And she'll turn herself around
My hands clamp tight around her shoulders
With one arm she'll push off the wall
And I'll bend that body over
I know once I ride up in her
She completely melts around me
She gets wetter than Seattle
Her lakes deep enough to drown me
Every man needs a Diane
Every man needs a Diane
Every man needs a Diane
Every man needs a Diane
I bit her bottom lip, she pulled my head down
Her stomach quivered, when I moved my tongue around
First the outside, around the edges
Below the belt, then behind the hedges
Then the inside, I pull her open
One hand's positioned, the other hand's groping
A slender neck, a heaving chest
Her thighs grip tighter
She tears at my flesh
I think that I might be in love
She'll give in and she'll get on it
Once she knows how bad I want it
And when she starts to come around
I push her up against the wall
I can feel my insides tightening up
I can't feel my limbs at all
I ride her harder 'til she's caving in
My blood pumps through my veins
My heart beats against her back
And then I scream out "What a shame"
Every man can't have a Diane
Every man don't know a Diane
Every man can't have a Diane