Accident (fallacy)

The informal fallacy of accident (also called destroying the exception or a dicto simpliciter ad dictum secundum quid) is a deductively valid but unsound argument occurring in statistical syllogisms (an argument based on a generalization) when an exception to a rule of thumb is ignored. It is one of the thirteen fallacies originally identified by Aristotle in Sophistical Refutations. The fallacy occurs when one attempts to apply a general rule to an irrelevant situation.

For example:

It is easy to construct fallacious arguments by applying general statements to specific incidents that are obviously exceptions.

Generalizations that are weak generally have more exceptions (the number of exceptions to the generalization need not be a minority of cases) and vice versa.

This fallacy may occur when we confuse particulars ("some") for categorical statements ("always and everywhere"). It may be encouraged when no qualifying words like "some", "many", "rarely" etc. are used to mark the generalization.

Accident (2008 film)

Accident is a 2008 Indian Kannada language Suspense Thriller film directed and starring Ramesh Aravind. Rekha Vedavyas appears in a pivotal role. The supporting cast features Pooja Gandhi, Thilak Shekar and Mohan.

Synopsis

The movie is a contemporary take on the life of a couple and their journey through time and how they have to fight the eternal battle of good over evil and how they win with support from a set of dear friends. The protagonist of the film is Sawanth (acted by Ramesh Aravind), a radio jockey. His wife is a teacher and a social worker. On returning from a three week foreign trip, he is shocked to discover that his wife and her co-worker had died in an accident. Sawanth cannot convince himself this is merely an accident and commences an investigation. It is one of the most critically acclaimed films of the decade in Kannada cinema.

Special notes

The movie is produced by Vishishta Productions, which is headed by Mr Raghunath G. This is the third directorial venture of actor-director Ramesh Aravind who had experimented with this film as he had drifted away from his usual genre of comedy films. Rekha Vedavyas had an important role in this film and critics claim that this was her best performance to date. Chocolate hero Tilak played an pivotal role and his performance was also noticed. Pooja Gandhi added star value and contributed to the glamour quotient of the film. Rajendra Karanth excelled in the role of a corrupt minister. Mahesh Kumar played the role of a villain in the film, his performance deserves special mention. Abhishek Venkteshwar, who played Mahesh's assistant (junior artist) in the film, later went ahead to do a lot of amateur/short films. Kiran (Ramesh Aravind's assisatant) played another role in the film.

Accident (1967 film)

Accident is Harold Pinter's 1967 British dramatic film adaptation of the 1965 novel by Nicholas Mosley. Directed by Joseph Losey, it is the second of three collaborations between Pinter and Losey, the others being The Servant (1963) and The Go-Between (1970). At the 1967 Cannes Film Festival it won the award for Grand Prix Spécial du Jury. It also won the prestigious Grand Prix of the Belgian Film Critics Association.

Plot

Stephen, a married Oxford tutor in his forties, has two students: the rich and likeable William, of whom he is fond, and a beautiful, enigmatic Austrian named Anna, whom he secretly covets. William also fancies Anna and hopes to know her better. Stephen, while his wife is away having their third child, looks up an old flame in London and they sleep together. Returning home, he finds that his pushy colleague Charlie has broken in and is using it for sex with Anna. Her tryst discovered, she tells Stephen privately that she is getting engaged to William. Excited at his good fortune, William says he will call round to Stephen's house after a party that night. As William is too drunk to drive, Anna takes the wheel and crashes the car outside Stephen's gate. Upon finding the accident, Stephen pulls Anna from the wreckage and hides her upstairs while he calls the police. When they have gone, he forces himself on her although she is still in shock and then takes her back to her rooms. He comes by in the morning to find a bemused Charlie who cannot prevent Anna from packing to go back to Austria.

Brake

A brake is a mechanical device that inhibits motion by absorbing energy from a moving system. It is used for slowing or stopping a moving vehicle, wheel, axle, or to prevent its motion, most often accomplished by means of friction.

Background

Most brakes commonly use friction between two surfaces pressed together to convert the kinetic energy of the moving object into heat, though other methods of energy conversion may be employed. For example, regenerative braking converts much of the energy to electrical energy, which may be stored for later use. Other methods convert kinetic energy into potential energy in such stored forms as pressurized air or pressurized oil. Eddy current brakes use magnetic fields to convert kinetic energy into electric current in the brake disc, fin, or rail, which is converted into heat. Still other braking methods even transform kinetic energy into different forms, for example by transferring the energy to a rotating flywheel.

Brakes are generally applied to rotating axles or wheels, but may also take other forms such as the surface of a moving fluid (flaps deployed into water or air). Some vehicles use a combination of braking mechanisms, such as drag racing cars with both wheel brakes and a parachute, or airplanes with both wheel brakes and drag flaps raised into the air during landing.

Brake (sheet metal bending)

A brake is a metalworking machine that allows the bending of sheet metal. A cornice brake only allows for simple bends and creases, while a box-and-pan brake also allows one to form box and pan shapes. It is also known as a bending machine or bending brake or in Britain as a sheet metal folder or just a folder.

Description

The brake consists of a flat surface onto which the material is placed, and a clamping bar which will come down and hold the material firmly during the bend. This clamping action may be manual, automatic or operated using a foot pedal. The front, gate-like, plate of the machine is hinged and may be lifted, forcing the material extended over a straight edge to bend to follow the plate.

The bends can be to any angle up to a practical limit of about 120 degrees, somewhat more in the case of a bar folder. If the area to be bent is narrow enough, a sharper bend (e.g., for a hem) can be made by inserting the bend under the clamping bar and lowering it.

Brake (Anderson)

"Brake" is a science fiction short story by Poul Anderson that was first published in 1957 in Astounding Science Fiction and reprinted in the collections Beyond the Beyond (1969) and The Psychotechnic League (1981). As a component of the Psychotechnic League future history / alternate history, "Brake" takes place in 2270, as the civilization built up in the aftermath of the 1958 Third World War is being torn between mutually antagonistic factions, on the verge of collapsing into "the day of genocide and the night of ignorance and tyranny".

As noted by Vernon Blake, the story was written and published within two months of "Marius" and they were clearly written as companion pieces - the dawn and sunset of the same culture (later stories of this Future History would be set in the further future, when a still newer civilization would arise from the ruins of what would be called "The Second Dark Ages").

Marius and Brake are linked by various common themes - one featuring the first appearance of the maquis Stefan Rostomily, the other having the last appearance of Rostomily's cloned "sons"; in one Étienne Fourre appears for the first time, in his heroic effort to restore the shattered world, in the other the memory of Fourre is abused and his legacy is claimed by one of the militant factions busily working to shatter it again. In fact, it is Captain Banning, the story' protagonist, who is Fourre's true heir, bravely striving to preserve, for as long as possible, what Fourre and his companions had built.