- published: 05 Aug 2013
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The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company.
From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house.
In 1904 the company came under the management of the city and took the name Oper der Stadt Köln, performing exclusively at the Theater am Habsburger Ring from 1906 until World War II, when it was badly damaged by allied bombs. Immediately after the war, the company performed first at the University of Cologne and then in the repaired Glockengasse and Habsburger Ring theatres. Both theatres were eventually torn down, and the company moved into its current opera house which was completed in 1957. The modernist design of the new opera house reflected the repertoire that was to characterise the post-war company which has premiered many new operas (normally one per season) and produced controversial stagings of older works. The company performs approximately 25 different operas on the main stage during its regular season which runs from September to June. It has also performed at the Edinburgh International Festival and the Vienna Festival during the summer months.
Beverly Sills (May 25, 1929 – July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist.
Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was known for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's Lucia di Lammermoor, the title role in Massenet's Manon, Marie in Donizetti's La fille du régiment, the three heroines in Offenbach's Les contes d'Hoffmann, Rosina in Rossini's The Barber of Seville, Violetta in Verdi's La traviata, and most notably Elisabetta in Roberto Devereux.
After retiring from singing in 1980, she became the general manager of the New York City Opera. In 1994, she became the Chairman of Lincoln Center and then, in 2002, of the Metropolitan Opera, stepping down in 2005. Sills lent her celebrity to further her charity work for the prevention and treatment of birth defects.
Keith Jarrett (born May 8, 1945, in Allentown, Pennsylvania) is an American pianist and composer who performs both jazz and classical music.
Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success in jazz, jazz fusion, and classical music; as a group leader and a solo performer. His improvisations draw not only from the traditions of jazz, but from other genres as well, especially Western classical music, gospel, blues, and ethnic folk music.
In 2003, Jarrett received the Polar Music Prize, the first (and to this day only) recipient not to share the prize with a co-recipient, and in 2004 he received the Léonie Sonning Music Prize.
In 2008, he was inducted into the Down Beat Hall of Fame in the magazine's 73rd Annual Readers' Poll.
Jarrett grew up in suburban Allentown, Pennsylvania, with significant early exposure to music. He possessed absolute pitch, and he displayed prodigious musical talents as a young child. He began piano lessons just before his third birthday, and at age five he appeared on a TV talent program hosted by the swing bandleader Paul Whiteman. The young Jarrett gave his first formal piano recital at the age of seven, playing works by composers including Mozart, Bach, Beethoven, and Saint-Saëns, and ending with two of his own compositions. Encouraged especially by his mother, Jarrett took intensive classical piano lessons with a series of teachers, including Eleanor Sokoloff of the Curtis Institute.