Telecommunication has traditionally relied on sight and sound. But what if you could touch someone from afar? Touch Room keeps your loved ones within arm's reach. To start, enter your name and create a Touch Room. Invite others to join, and watch their touch points move about on-screen in real time. When your fingertip meets theirs, your mobile devices vibrate, and you feel the connection. Brought to you by the BETA Group of Goodby Silverstein & Partners in San Francisco. We use technology to find interesting solutions to great problems. What we make is never final—instead we iterate and pivot.

• published: 15 Jul 2013
• views: 12260

Project brief: To celebrate the 25th Game Developers Conference (GDC25), iam8bit Productions was asked to conceive of “a unique experience to engage conference attendees.” While the primary objective was to celebrate the Conference’s 25th anniversary, the more pressing challenge (and one that the conference has faced since its inception) was how to inject a sentiment of fun and whimsy into a conference that is predicated on education and lectures. Finally, in keeping with the branding of the conference, a color palette of CMYK was requested. Paying tribute to the 25th anniversary of the conference, and video games themselves, was as simple as focusing our attention on what is literally the building block of the industry: the pixel. Though the graphics of modern video games have evolved to the point of realism, the pixel and pixilated graphics are synonymous with the golden age of gaming. I had collaborated previously with iam8bit in creating a pixel graphics installation in Berlin for the Pictoplasma conference, so they hired me again to create a mural in the pixel style. However, creating another art installation alone wouldn’t address the objective of creating a unique experience for the attendees. The solution was to design a 20-by-8-foot pixel mural but leave the 5,760 pixels as blank squares with color-coded letters (C, M, Y and K) so the attendees could “paint” the mural themselves over the course of five days. Each attendee would receive a prepackaged 2-inch square pixel in one of the four colors, with Velcro on the back to attach to the mural, bringing in a crowd-sourcing element to build a sense of camaraderie. It was that sociological hook that the client bit into the most, as they needed something that would keep attendees interested the entire week, not just in a momentary sense. Because it was in a centralized location, monitoring and discussing the evolving state of “the pixel wall” became a consistent activity between panel discussions for many people attending the conference. Approach: The client wanted the mural to be completed before the conference ended with minimal interference from our team (at least in the eyes of onlookers). However we realized that this was just as much a sociological experiment as it was an interactive art installation, so we discussed all possible issues that could arise based on behavioral variables. The two primary concerns were lack of participation and misplacement of pixels. Since each person attending only got one “pixel,” the assumption was that some people would be unwilling to contribute their pixel without some sort of vision of the final product, placing more value on their individual pixel contribution once the image started coming together. Whereas one pixel amid a blank canvas was viewed as inconsequential to the bigger picture at the beginning of the week, a few days later, that pixel began to bear more significance. To address this issue, we produced a batch of unpackaged pixels that we could use to augment the progress of the wall as needed, making sure that on each of the five days, approximately 20 percent of the wall was completed. We had a team of at least two monitoring the wall at all times from afar, which had the added bonus of allowing us to do a time-lapse video for the client. The time lapse, capturing 40 hours of activity on the wall from start to finish, allowed for those not in attendance to experience the creation process. Shooting a photo every 20 seconds, the time lapse also allowed attendees that witnessed the experiment firsthand to revisit the experience and see the entire wall assemble itself. The second issue, and the far more interesting one to observe, was the misplacement of the pixels. Game developers by nature are very precise and disciplined individuals, so most of the participants followed the directions perfectly. In fact some went so far as to correct the few rogue pixels or even chastise their fellow conference goers who dared to put their pixel on the wrong color. However, as with any social system, there were a few who decided to color outside the lines so to speak. Halfway through day three, for example (around the two-minute mark in the time lapse), someone rearranged a number of the pixels to form an image of the popular video-game character Super Mario, using the crowd as cover for their act of 8-bit rebellion. In order to facilitate more speculation about the final image, we decided to leave it up for a short while before sending in a team member to redistribute the pixels to proper squares. Paper was chosen as the primary medium because the concept had to involve 20,000-plus people without busting what was a rather limiting budget. By adhering to a basic CMYK color palette, production demands were minimized, allowing a large number of pixels to be created without a huge spend and allowing each individual attendee to get a “piece of the puzzle.” Pixel counts were calculated so tha

• published: 02 Jul 2012
• views: 4253

Telecommunication has traditionally relied on sight and sound. But what if you could touch someone from afar? Touch Room keeps your loved ones within arm's reach. To start, enter your name and create a Touch Room. Invite others to join, and watch their touch points move about on-screen in real time. When your fingertip meets theirs, your mobile devices vibrate, and you feel the connection. Brought to you by the BETA Group of Goodby Silverstein & Partners in San Francisco. We use technology to find interesting solutions to great problems. What we make is never final—instead we iterate and pivot.

• published: 15 Jul 2013
• views: 12260

Project brief: To celebrate the 25th Game Developers Conference (GDC25), iam8bit Productions was asked to conceive of “a unique experience to engage conference attendees.” While the primary objective was to celebrate the Conference’s 25th anniversary, the more pressing challenge (and one that the conference has faced since its inception) was how to inject a sentiment of fun and whimsy into a conference that is predicated on education and lectures. Finally, in keeping with the branding of the conference, a color palette of CMYK was requested. Paying tribute to the 25th anniversary of the conference, and video games themselves, was as simple as focusing our attention on what is literally the building block of the industry: the pixel. Though the graphics of modern video games have evolved to the point of realism, the pixel and pixilated graphics are synonymous with the golden age of gaming. I had collaborated previously with iam8bit in creating a pixel graphics installation in Berlin for the Pictoplasma conference, so they hired me again to create a mural in the pixel style. However, creating another art installation alone wouldn’t address the objective of creating a unique experience for the attendees. The solution was to design a 20-by-8-foot pixel mural but leave the 5,760 pixels as blank squares with color-coded letters (C, M, Y and K) so the attendees could “paint” the mural themselves over the course of five days. Each attendee would receive a prepackaged 2-inch square pixel in one of the four colors, with Velcro on the back to attach to the mural, bringing in a crowd-sourcing element to build a sense of camaraderie. It was that sociological hook that the client bit into the most, as they needed something that would keep attendees interested the entire week, not just in a momentary sense. Because it was in a centralized location, monitoring and discussing the evolving state of “the pixel wall” became a consistent activity between panel discussions for many people attending the conference. Approach: The client wanted the mural to be completed before the conference ended with minimal interference from our team (at least in the eyes of onlookers). However we realized that this was just as much a sociological experiment as it was an interactive art installation, so we discussed all possible issues that could arise based on behavioral variables. The two primary concerns were lack of participation and misplacement of pixels. Since each person attending only got one “pixel,” the assumption was that some people would be unwilling to contribute their pixel without some sort of vision of the final product, placing more value on their individual pixel contribution once the image started coming together. Whereas one pixel amid a blank canvas was viewed as inconsequential to the bigger picture at the beginning of the week, a few days later, that pixel began to bear more significance. To address this issue, we produced a batch of unpackaged pixels that we could use to augment the progress of the wall as needed, making sure that on each of the five days, approximately 20 percent of the wall was completed. We had a team of at least two monitoring the wall at all times from afar, which had the added bonus of allowing us to do a time-lapse video for the client. The time lapse, capturing 40 hours of activity on the wall from start to finish, allowed for those not in attendance to experience the creation process. Shooting a photo every 20 seconds, the time lapse also allowed attendees that witnessed the experiment firsthand to revisit the experience and see the entire wall assemble itself. The second issue, and the far more interesting one to observe, was the misplacement of the pixels. Game developers by nature are very precise and disciplined individuals, so most of the participants followed the directions perfectly. In fact some went so far as to correct the few rogue pixels or even chastise their fellow conference goers who dared to put their pixel on the wrong color. However, as with any social system, there were a few who decided to color outside the lines so to speak. Halfway through day three, for example (around the two-minute mark in the time lapse), someone rearranged a number of the pixels to form an image of the popular video-game character Super Mario, using the crowd as cover for their act of 8-bit rebellion. In order to facilitate more speculation about the final image, we decided to leave it up for a short while before sending in a team member to redistribute the pixels to proper squares. Paper was chosen as the primary medium because the concept had to involve 20,000-plus people without busting what was a rather limiting budget. By adhering to a basic CMYK color palette, production demands were minimized, allowing a large number of pixels to be created without a huge spend and allowing each individual attendee to get a “piece of the puzzle.” Pixel counts were calculated so tha

• published: 02 Jul 2012
• views: 4253