Klungkung Palace,
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The Klungkung Palace is a historical building complex situated in
Semarapura, the capital of the
Klungkung Regency (kabupaten) on Bali, Indonesia. The palace (puri) was erected at the end of the
17th century, but largely destroyed during the
Dutch colonial conquest in
1908.
Today the basic remains of the palace are the court of justice, the
Kertha Gosa Pavilion, and the main gate that bears the date
Saka 1622 (
AD 1700).
Within the old palace compound is also a floating pavilion,
Bale Kambing, which was added in the
1940s. The descendants of the rajas that once ruled
Klungkung today live in
Puri Agung, a residence to the west of the old palace, which was built after 1929.
The origins of the palace
The Klungkung kingdom was considered to be the highest and most important of the nine kingdoms of
Bali from the late 17th century to 1908. It was the heir of the old
Gelgel kingdom, which had dominated the island since long but had broken up in the late 17th century. In 1686 (or, in another version, 1710),
Dewa Agung Jambe I, a prince descending from the old Rajas of Gelgel, moved to Klungkung (also known as Semarapura) and built a new palace or puri. Although he did not have the prerogatives of his Gelgel forbears, the new palace maintained a degree of prestige and precedence on the politically fragmented island. The palace was built in square form, being roughly
150 meters on each side with the main gate to the north. It was divided in several blocks with various ritual and practical functions. The complex displayed a deep symbolism according to a fixed structural pattern.
The
Kerta Gosa
The city was known at that time for its arts, painting, dance and music.
At the end of the
18th century, the Kerta Gosa
Pavilion, also spelt Kertha Gosa or Kertha
Ghosa, the hall of justice, was erected in the north-eastern corner of the palace compound. It typified the Klungkung style of architecture and painting. Because the Kerta Gosa was the court of the high king of Bali, cases on the island which could not be resolved were transferred to this site. Three Brahmana priests presided over the court. The convicts (as well as visitors today) were able to view the ceiling which depicted different punishments in the afterlife, the results of karma, while they were awaiting sentencing.
The ceiling paintings of the Kerta Gosa are one of the outstanding examples of the Kamasan (or
Wayang) style.The paintings were probably originally done in the middle of the nineteenth century, and renewed in
1918, 1933 and
1963, with individual panels repaired in the
1980s and
1990s. Leading artists of Kamasan village such as Kaki Rambut, Pan Seken,
Mangku Mura and Nyoman
Mandra have been responsible for the repaintings in the twentieth century. The main paintings depict the story of
Bima in heaven and hell, but other stories depicted are the Tantri, the
Garuda story, and scenes predicting the portents of earthquakes (Palindon).
Early history
The descendants of the first king, Dewa Agung Jambe (r. 1686-c. 1722), ruled under varying fortunes for more than two centuries. They were always known by the title Dewa Agung. Dewa Agung Gede alias Surawirya ( rc 1722-1736) allied with the influential king of
Mengwi and performed an expedition to
Java together with him.[5] After his death in 1736, internal fighting broke out between his two sons Dewa Agung Gede (Jr.) and Dewa Agung Made. The former called in help from the Karangasem kingdom, but was defeated. The victor Dewa Agung Made was succeeded by a mentally ill son, Dewa Agung Sakti (r. before 1769-end of 18th century). His wife fled to Karangasem where her son Dewa Agung Putra I was brought up. In about the end of the 18th century his Karangasem helpers established him on the throne of Klungkung. Dewa Agung Putra I appears to have been a strong leader but fell in a minor war in
Bangli in 1809. He left a son, Dewa Agung Putra II (r. 1814-1850) and a daughter and co-regent, Dewa Agung Istri Kanya.
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- published: 28 Feb 2014
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