Poco

Poco is a Southern California country rock band originally formed by Richie Furay, Jim Messina and Rusty Young. Formed following the demise of Buffalo Springfield in 1968, Poco was part of the first wave of the West Coast country rock genre. The title of their first album, Pickin' Up the Pieces, is a reference to the break-up of Buffalo Springfield. Throughout the years Poco has performed in various groupings, and is still active as of 2015.

History

Inception

During recording of Buffalo Springfield's third and final album, Last Time Around, lead singers Stephen Stills, Neil Young and Richie Furay each recorded songs without the other members present. One of Furay's solo efforts was the country-influenced ballad "Kind Woman", which he recorded with the help of producer/engineer/bassist Jim Messina and pedal steel guitarist Rusty Young.

When Buffalo Springfield split up, Furay, Messina and Young decided to start their own group oriented toward such songs. Its original lineup was Furay (vocals and rhythm guitar), Messina (lead guitar, vocals, producer), Rusty Young (pedal steel guitar, banjo, dobro, guitar, mandolin and vocals), George Grantham (drums and vocals) and Randy Meisner (bass and vocals). The group was signed to a recording contract with Epic Records, which acquired the rights to Furay from the Springfield's Atlantic Records label in return for those to Graham Nash of The Hollies (who was moving to Atlantic as part of forming Crosby, Stills & Nash). Originally, the new group was named "Pogo", after the Pogo comic strip character, but was changed when its creator, Walt Kelly, objected and threatened to sue.

JoJo's Bizarre Adventure

JoJo's Bizarre Adventure (Japanese: ジョジョの奇妙な冒険, Hepburn: JoJo no Kimyō na Bōken) is a Japanese manga series written and illustrated by Hirohiko Araki. It was originally serialized in Weekly Shōnen Jump from 1986 to 2004, before being transferred to the monthly seinen magazine Ultra Jump in 2005. The current story arc, JoJolion, started in 2011. JoJo's Bizarre Adventure is currently Shueisha's second largest manga series with its chapters collected into 115 tankōbon volumes and counting (only Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo, with over 190, has more).

A six-volume original video animation adaptation of the later half of the series' third story arc was released from 1993 to 1994 by studio A.P.P.P., followed by another seven-volume series covering earlier parts of the arc from 2000 to 2002. A.P.P.P. also produced a theatrical film of the first arc in 2007. In 2012, an anime television series produced by David Production began broadcast on Tokyo MX, and covered the first two story arcs of the manga in 26 episodes. A second 48-episode season covering the third arc was broadcast in 2014 and 2015.

Poco (disambiguation)

Poco is an American country rock band formed in 1968.

Poco or POCO may also refer to:

List of MÄR characters

This is a list of characters in the MÄR series developed and designed by Nobuyuki Anzai.

Team MÄR

Ginta Toramizu

(虎水ギンタ Toramizu Ginta)
Voiced by: Motoko Kumai (Japanese), Spike Spencer (English)

Babbo

(バッボ)
Voiced by: Banjou Ginga (Japanese), Michael McConnohie (English)

Babbo is a unique ÄRM that was first wielded by Phantom and is later wielded by Ginta. He resembles a metal kendama. He contained the soul of the previous Elder of Caldia.

Babbo has many forms:

Loco (Apache)

Loco (1823–1905 or 1909) was a Copper Mines Mimbreño Apache chief.

Name

It is unknown whence Loco received his name. One theory suggests that he was named for the fact that he was "'crazy' enough to trust the white men." Another theory says that he got his name from his actions at a battle against the Mexicans, where he supposedly braved gunfire in order to save an injured warrior.

Time as chief

Unlike the militant Geronimo and the proud but aware Victorio, Loco was an advocate for peace. After the death of Cuchillo Negro, chief of the Warm Springs Tchihende, (1857) and Mangas Coloradas, chief of the Copper Mines Tchihende, (1863), the Copper Mines Mimbreños and the Warm Springs Mimbreños, under Pindah's pressure, were forced to leave the Pinos Altos area, near Santa Rita del Cobre, and try to concentrate in the Ojo Caliente area both of the tribe's bands; after Delgadito's death (1864) the Copper Mines Tchihende Loco, along with the Warm Springs Tchihende Victorio (who, already chosen as his son-in-law by Mangas Coloradas, was preferred to the older Nana), became the chiefs. The Mimbreños accepted to settle in a reservation, before at Ojo Caliente and later at Cañada Alamosa, but the Mimbreño reservation was abolished, and Victorio's and Loco's people was sent to the Mescalero reservation at Tularosa. When the Government stated to deport the Mimbreños to San Carlos, in 1877 Victorio and Loco led back their people to Ojo Caliente, but, in 1878, 9th Cavalry was sent to bring them back to San Carlos. Victorio took again the warpath, but Loco was arrested. Loco didn't join Victorio in his last war in 1879-1880, remaining in the San Carlos reservation. In 1882, when a party of Apaches including Geronimo forced Loco to leave for Mexico, Loco instead waged guerilla warfare against the Chiricahuas. In 1886, Loco went to Washington, D.C. to negotiate; however, like Geronimo, he was made prisoner and sent to Florida.

Loco (composition)

Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004 at the Ravinia Festival by the Chicago Symphony Orchestra.

Composition

Loco has a duration of roughly 8 minutes and is composed in a single movement. Higdon described her inspiration for the piece in the score program notes, writing:

Instrumentation

The work is scored for an orchestra comprising two flutes, piccolo, three oboes, three clarinets, two bassoons, contrabassoon, four French horns, three trumpets, three trombones, tuba, piano, timpani, three percussionists, and strings.

Reception

Jeremy Eichler of The Boston Globe described Loco as "a gleaming and rambunctious curtain-raiser". Scott Cantrell of The Dallas Morning News similarly called it "seven minutes of high-energy scurries, clatters, chatters, jabs, chugs and fanfares." Andrew Druckenbrod of the Pittsburgh Post-Gazette wrote, "This piece imitates a "fast-moving train," and it roared into the hall. The fanfare-like work filled every nook and cranny with rhythmic pulsing and walls of sound." He added: