'Sold Out: The Underground Economy of Supreme Resellers': Full-Length
On Monday, the first part of
Sold Out hit the Internet. The subsequent parts rolled out over the rest of the week, but if you've been patiently waiting to take
...
On Monday, the first part of
Sold Out hit the Internet. The subsequent parts rolled out over the rest of the week, but if you've been patiently waiting to take in the entire project in one sitting, your day has come.
Above you'll find the full-length cut of Sold Out, with all four parts edited into a single cohesive whole.
If you need a reminder about the story unfolding, here's
Complex Style's associate editor Karizza
Sanchez:
In
1994,
James Jebbia opened the first
Supreme location in a small storefront on
Lafayette Street in
New York. At the time, Supreme was a brand for skaters by skaters—even the design for the shop was more open so skaters could come right in with their skateboards. But today, 21 years later, Supreme is a legendary streetwear brand that’s cultivated a cult following well beyond that original fan base. Continuing to release product in tightly controlled, limited amounts, the brand is as big as it wants to be in New York,
Los Angeles, and
London; a titan in
Japan—arguably its largest market.
Complex has covered Supreme for well over a decade (Complex was founded in
2002). Most of it was from afar; we wrote about releases or lookbooks. But for the last year or so, our Complex
News team has been reporting from the Lafayette Street shop to cover in-store launches. Every story was the same:
Lines snaked around the block, kids camped out for hours or days, sometimes even in subfreezing temperatures, just to get any Supreme item. Each Thursday drop was chaos. In
April 2014, the
NYPD canceled the Supreme x
Nike Air Foamposite One in-store launch at the
NYC flagship after a riot nearly broke out earlier that day.
But there was something much bigger here. We learned that many were in line to purchase gear that they’d later flip online for big profits, selling apparel and other items for as much as 1,200 percent above retail value. “We started to get to know these people and realized there was a business here and real money to be made,” explains
Emily Oberg, Complex Editorial
Producer and one of the directors of this documentary. While the reselling market is hardly new, and people have been selling Supreme online for years, it’s yet to be the focus of serious investigation—until now.
Chief Content Officer:
Noah Callahan-Bever
Executive Producer:
Marc Fernandez
Director of
Video Production:
Justin Lundstrom
Producers: Emily Oberg,
Davy Gomez,
Cornell Brown,
Ross Scarano
Associate Producers:
Xavier Andrews,
Olga Encarnacion
Directors: Davy Gomez, Emily Oberg
Writer: Emily Oberg,
James Harris
Editor & Cinematographer Davy Gomez
Tokyo Cinematographer:
David Allen
Los Angeles Cinematographer:
Natalie Edgar
London Cinematographer: Beatriz Sastre
Drone Operator: Gladimir Nym
Colorist Courtney Feemster
Music Supervisor: Emily Oberg
Graphics:
Brent Rollins,
Jonathan Fouabi
Animation: Chi Chuang
Researchers:
Kajal Patel, Asim Ismael
Sound Mixer:
Speedy Morman
Production Assistants: Kajal Patel,
John Tashiro, Marques
Leonard
Footage Courtesy of:
Mass Appeal,
Flatbush Zombies,
NBC News,
Freshness Mag, RB Umali, Yu-Ming Wu
Barbara Kruger "
Untitled" (I shop therefore I am)
1987
Courtesy:
Mary Boone Gallery, New York
Featured Guests
Executive Editor, HighSnobiety
Jeff Carvalho
FMR Deputy Style Editor, COMPLEX Style Jian DeLeon
Fashion Editor, COMPLEX Style
Matthew Henson
Stylist
Racks Hogan
Founder, Maekan
Eugene Kan
FMR Editor-in-Chief, four pins
Lawrence Schlossman
Supreme
Security Charles Scotti
Writer
Glenn O'Brien
Reseller
Andre, @SoleStreetSneakerCo
Reseller @CopVsDrop
Reseller @Kickz_N_Preme
Reseller Methikan
Reseller @Sole_Possession_
Reseller @Sole_Reserve
Collector @SolePremeCon
Special Thanks: "
Donnie Kwak, Lawrence Schlossman, Glenn O'Brien, Gavin
Bond, Raf
Moses, Kevin Paz,
Keith Cecere,
Lucas Wisenthal, Leland
Ware,
Alexis Quintero,
Lori Mason,
Andrew Gordon, Rickey Mindlin"
Subscribe to Complex for More:
http://goo.gl/PJeLOl
Check out more of Complex here:
http://www.complex.com
https://twitter.com/ComplexMag
https://www.facebook.com/complex
https://www.instagram.com/complex/
https://plus.google.com/+complex/
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new
America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
wn.com/'Sold Out The Underground Economy Of Supreme Resellers' Full Length
On Monday, the first part of
Sold Out hit the Internet. The subsequent parts rolled out over the rest of the week, but if you've been patiently waiting to take in the entire project in one sitting, your day has come.
Above you'll find the full-length cut of Sold Out, with all four parts edited into a single cohesive whole.
If you need a reminder about the story unfolding, here's
Complex Style's associate editor Karizza
Sanchez:
In
1994,
James Jebbia opened the first
Supreme location in a small storefront on
Lafayette Street in
New York. At the time, Supreme was a brand for skaters by skaters—even the design for the shop was more open so skaters could come right in with their skateboards. But today, 21 years later, Supreme is a legendary streetwear brand that’s cultivated a cult following well beyond that original fan base. Continuing to release product in tightly controlled, limited amounts, the brand is as big as it wants to be in New York,
Los Angeles, and
London; a titan in
Japan—arguably its largest market.
Complex has covered Supreme for well over a decade (Complex was founded in
2002). Most of it was from afar; we wrote about releases or lookbooks. But for the last year or so, our Complex
News team has been reporting from the Lafayette Street shop to cover in-store launches. Every story was the same:
Lines snaked around the block, kids camped out for hours or days, sometimes even in subfreezing temperatures, just to get any Supreme item. Each Thursday drop was chaos. In
April 2014, the
NYPD canceled the Supreme x
Nike Air Foamposite One in-store launch at the
NYC flagship after a riot nearly broke out earlier that day.
But there was something much bigger here. We learned that many were in line to purchase gear that they’d later flip online for big profits, selling apparel and other items for as much as 1,200 percent above retail value. “We started to get to know these people and realized there was a business here and real money to be made,” explains
Emily Oberg, Complex Editorial
Producer and one of the directors of this documentary. While the reselling market is hardly new, and people have been selling Supreme online for years, it’s yet to be the focus of serious investigation—until now.
Chief Content Officer:
Noah Callahan-Bever
Executive Producer:
Marc Fernandez
Director of
Video Production:
Justin Lundstrom
Producers: Emily Oberg,
Davy Gomez,
Cornell Brown,
Ross Scarano
Associate Producers:
Xavier Andrews,
Olga Encarnacion
Directors: Davy Gomez, Emily Oberg
Writer: Emily Oberg,
James Harris
Editor & Cinematographer Davy Gomez
Tokyo Cinematographer:
David Allen
Los Angeles Cinematographer:
Natalie Edgar
London Cinematographer: Beatriz Sastre
Drone Operator: Gladimir Nym
Colorist Courtney Feemster
Music Supervisor: Emily Oberg
Graphics:
Brent Rollins,
Jonathan Fouabi
Animation: Chi Chuang
Researchers:
Kajal Patel, Asim Ismael
Sound Mixer:
Speedy Morman
Production Assistants: Kajal Patel,
John Tashiro, Marques
Leonard
Footage Courtesy of:
Mass Appeal,
Flatbush Zombies,
NBC News,
Freshness Mag, RB Umali, Yu-Ming Wu
Barbara Kruger "
Untitled" (I shop therefore I am)
1987
Courtesy:
Mary Boone Gallery, New York
Featured Guests
Executive Editor, HighSnobiety
Jeff Carvalho
FMR Deputy Style Editor, COMPLEX Style Jian DeLeon
Fashion Editor, COMPLEX Style
Matthew Henson
Stylist
Racks Hogan
Founder, Maekan
Eugene Kan
FMR Editor-in-Chief, four pins
Lawrence Schlossman
Supreme
Security Charles Scotti
Writer
Glenn O'Brien
Reseller
Andre, @SoleStreetSneakerCo
Reseller @CopVsDrop
Reseller @Kickz_N_Preme
Reseller Methikan
Reseller @Sole_Possession_
Reseller @Sole_Reserve
Collector @SolePremeCon
Special Thanks: "
Donnie Kwak, Lawrence Schlossman, Glenn O'Brien, Gavin
Bond, Raf
Moses, Kevin Paz,
Keith Cecere,
Lucas Wisenthal, Leland
Ware,
Alexis Quintero,
Lori Mason,
Andrew Gordon, Rickey Mindlin"
Subscribe to Complex for More:
http://goo.gl/PJeLOl
Check out more of Complex here:
http://www.complex.com
https://twitter.com/ComplexMag
https://www.facebook.com/complex
https://www.instagram.com/complex/
https://plus.google.com/+complex/
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new
America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
- published: 18 Dec 2015
- views: 208956
Pat And Jen - FLEEING THE COMPLEX (ESCAPE LIKE A BOSS!)
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- published: 30 Dec 2015
- views: 244413
Pusha T Talks 'Darkest Before Dawn' And If He'd Sign Lil Wayne
For a specific generation, it feels like we've known
Pusha T our whole lives, which is a testament to his longevity in the rap game. For almost two decades, he'
...
For a specific generation, it feels like we've known
Pusha T our whole lives, which is a testament to his longevity in the rap game. For almost two decades, he's been making villainous street music with a focus on lyrical dexterity. And that's exactly what his latest project,
Darkest Before Dawn:
The Prelude, brings to the table.
As an appetizer before his forthcoming
King Push album, Darkest Before Dawn makes a strong case for Pusha's claim to the rap throne (a title that gels nicely with his new role as president of
G.O.O.D. Music).
Complex News with Pusha about his new responsibilities, his thoughts on the current rap landscape, and his mission with this album.
As president of his label, Pusha explains that it's just a more formal acknowledgment of what he's already been doing: focusing on the music, the brand, and how it all connects to fans. Pusha assures fans that G.O.O.D. hasn't faltered, despite the minimal amount of releases, saying, "G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.
O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music."
Switching into artist mode, Push explains that Darkest Before Dawn is "the polar opposite of what's going on in music right now." He says that the goal with this album is to separate himself from the pack by providing a lyrically powerful album amid the climate of melody driven rap. He spoke at length about getting Roc-A-Fella legend
Beanie Sigel on the album, saying "I couldn't get [another] writer that good. I need somebody who is gonna be that level." Providing the sonic foundation of the project are titans like
Timbaland, Puffy, Kanye,
J. Cole, The-Dream, and more.
Teetering between artist and president, Pusha discusses the climate of the rap industry. Echoing his lyrics from "Crutches,
Cross, Caskets" he calls other rappers victims: "I just feel like—man, you know, musically and in the music industry right now, I hear a lot of complaining.
People just have wild issues. I guess it's a different breed." This type of commentary aligns with Push's recent comments about being the "last rap superhero."
Subscribe to Complex for More:
http://goo.gl/PJeLOl
Check out more of Complex here:
http://www.complex.com
https://twitter.com/ComplexMag
https://www.facebook.com/complex
https://www.instagram.com/complex/
https://plus.google.com/+complex/
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new
America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
wn.com/Pusha T Talks 'Darkest Before Dawn' And If He'd Sign Lil Wayne
For a specific generation, it feels like we've known
Pusha T our whole lives, which is a testament to his longevity in the rap game. For almost two decades, he's been making villainous street music with a focus on lyrical dexterity. And that's exactly what his latest project,
Darkest Before Dawn:
The Prelude, brings to the table.
As an appetizer before his forthcoming
King Push album, Darkest Before Dawn makes a strong case for Pusha's claim to the rap throne (a title that gels nicely with his new role as president of
G.O.O.D. Music).
Complex News with Pusha about his new responsibilities, his thoughts on the current rap landscape, and his mission with this album.
As president of his label, Pusha explains that it's just a more formal acknowledgment of what he's already been doing: focusing on the music, the brand, and how it all connects to fans. Pusha assures fans that G.O.O.D. hasn't faltered, despite the minimal amount of releases, saying, "G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.
O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music."
Switching into artist mode, Push explains that Darkest Before Dawn is "the polar opposite of what's going on in music right now." He says that the goal with this album is to separate himself from the pack by providing a lyrically powerful album amid the climate of melody driven rap. He spoke at length about getting Roc-A-Fella legend
Beanie Sigel on the album, saying "I couldn't get [another] writer that good. I need somebody who is gonna be that level." Providing the sonic foundation of the project are titans like
Timbaland, Puffy, Kanye,
J. Cole, The-Dream, and more.
Teetering between artist and president, Pusha discusses the climate of the rap industry. Echoing his lyrics from "Crutches,
Cross, Caskets" he calls other rappers victims: "I just feel like—man, you know, musically and in the music industry right now, I hear a lot of complaining.
People just have wild issues. I guess it's a different breed." This type of commentary aligns with Push's recent comments about being the "last rap superhero."
Subscribe to Complex for More:
http://goo.gl/PJeLOl
Check out more of Complex here:
http://www.complex.com
https://twitter.com/ComplexMag
https://www.facebook.com/complex
https://www.instagram.com/complex/
https://plus.google.com/+complex/
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new
America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
- published: 17 Dec 2015
- views: 78191