The Egg

The Egg may refer to:

Music

Film and television

Writing

Theatre

Other uses

See also

Andy Weir

Andy Weir (born June 16, 1972) is an American novelist whose debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott in 2015.

Early life and education

Weir was born and raised in California, the only child of an accelerator physicist father and an electrical-engineer mother who divorced when he was eight. Weir grew up reading classic science fiction such as the works of Arthur C. Clarke and Isaac Asimov. At the age of 15, he began working as a computer programmer for Sandia National Laboratories. He studied computer science at UC San Diego, although he did not graduate. He worked as a programmer for several software companies, including AOL, Palm, MobileIron and Blizzard, where he worked on the video game Warcraft II.

Writing

Weir began writing science fiction in his 20s and published work on his website for years. His first work to gain significant attention was "The Egg", a short story that has been adapted into a number of YouTube videos and a one-act play.

Nigerians

Nigerians or Nigerian people are citizens and/or people with ancestry from Nigeria. Nigeria is composed of multiple ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians derive from over 250 ethnic groups and languages. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the intermixing of the various ethnic and religious groups, especially in Nigeria's cities. The English language is the lingua franca of Nigerians. About 50 percent of Nigerians are Muslims and the other 50 percent are Christians.

Nigerians come from multiple ethnic and religious backgrounds as the creation of Nigeria was the result of a colonial creation by the British Empire that did not correlate with ethnic and religious boundaries.

There have been several major historical states in Nigeria that have influenced Nigerian society via their strong kings and their advanced legal and taxation systems, and the use of religion to legitimize the power of the king and to unite the people. Northern Nigeria has been culturally influenced by Islamic influence including several major historic Islamic states in the region. The Kanem-Bornu Empire and the Sokoto Caliphate were major historical Islamic states in northern Nigeria. Southern Nigeria historically held several powerful states, including the Benin Empire and Oyo Empire, Ife Empire and several other Yoruba states.

Cinema of Nigeria

The cinema of Nigeria, often referred to as Nollywood, consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the colonial era in early 1900s. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age, Video film era and the emerging New Nigerian cinema.

Film as a medium first arrived Nigeria in the late 19th century, in the form of peephole viewing of motion picture devices. These were soon replaced in early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903. The earliest feature film made in Nigeria is the 1926's Palaver produced by Geoffrey Barkas; the film was also the first film ever to feature Nigerian actors in a speaking role As at 1954, mobile cinema vans played to atleast 3.5 million people in Nigeria, and films being produced by the Nigerian Film Unit were screened for free at the 44 available cinemas. The first film entirely copyrighted to the Nigerian Film unit is Fincho (1957) by Sam Zebba; which is also the first Nigerian film to be shot in colour.

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.