Character (Dutch: Karakter) is a 1997 Dutch-Belgian film, based on the best-selling novel by Ferdinand Bordewijk and directed by Mike van Diem. The film won the Academy Award for Best Foreign Language Film at the 70th Academy Awards. The film stars Fedja van Huêt, Jan Decleir, and Betty Schuurman.
In the Netherlands of the 1920s, Dreverhaven (Decleir), a dreaded bailiff, is found dead, with a knife sticking out of his stomach. The obvious suspect is Jacob Willem Katadreuffe (Van Huêt), an ambitious young lawyer who worked his way up from poverty, always managing to overcome Dreverhaven's personal attacks against him. Katadreuffe was seen leaving Dreverhaven's office on the afternoon of the murder. He is arrested and taken to police headquarters, where he reflects back on the story of his long relationship with Dreverhaven, who, police learn, is also Katadreuffe's father.
The story begins when Katadreuffe's taciturn mother, Joba (played by Schuurman), worked as a housekeeper for Dreverhaven. During that time, they had sex only once (it is implied that the encounter was forced upon Joba). She becomes pregnant and leaves her employer to make a living for herself and her son. Time and again, she rejects Dreverhaven's offers by mail of money and marriage.
Character(s) may refer to:
A phenotypic trait, or simply trait, is a distinct variant of a phenotypic characteristic of an organism; it may be either inherited or determined environmentally, but typically occurs as a combination of the two. For example, eye color is a character of an organism, while blue, brown and hazel are traits.
Phenotypic trait is the element the descriptions of individuals and groups of living creatures. Individualized biological variability (biodiversity) of each species and populations of living beings, includes all the components of individual features or individuality and group identity in morphological and anatomical, biochemical and ethological, and every other way, from the level of molecules to living communities and a higher degrees of ecological integration.
Individuals and groups differ among themselves biologically, in practically endless succession of more or less visible elements of their descriptions, which are named as trait, feature, mark, nature, characteristics, character and others. Each of these components is a description of, say, the observational nature, i.e. selected part of our vision or measuring the actual condition of the individual body or group structure.
In mathematics, a character is (most commonly) a special kind of function from a group to a field (such as the complex numbers). There are at least two distinct, but overlapping meanings. Other uses of the word "character" are almost always qualified.
A multiplicative character (or linear character, or simply character) on a group G is a group homomorphism from G to the multiplicative group of a field (Artin 1966), usually the field of complex numbers. If G is any group, then the set Ch(G) of these morphisms forms an abelian group under pointwise multiplication.
This group is referred to as the character group of G. Sometimes only unitary characters are considered (thus the image is in the unit circle); other such homomorphisms are then called quasi-characters. Dirichlet characters can be seen as a special case of this definition.
Multiplicative characters are linearly independent, i.e. if are different characters on a group G then from it follows that .
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Character (Dutch: Karakter) is a 1997 Dutch-Belgian film, based on the best-selling novel by Ferdinand Bordewijk and directed by Mike van Diem. The film won the Academy Award for Best Foreign Language Film at the 70th Academy Awards. The film stars Fedja van Huêt, Jan Decleir, and Betty Schuurman.
In the Netherlands of the 1920s, Dreverhaven (Decleir), a dreaded bailiff, is found dead, with a knife sticking out of his stomach. The obvious suspect is Jacob Willem Katadreuffe (Van Huêt), an ambitious young lawyer who worked his way up from poverty, always managing to overcome Dreverhaven's personal attacks against him. Katadreuffe was seen leaving Dreverhaven's office on the afternoon of the murder. He is arrested and taken to police headquarters, where he reflects back on the story of his long relationship with Dreverhaven, who, police learn, is also Katadreuffe's father.
The story begins when Katadreuffe's taciturn mother, Joba (played by Schuurman), worked as a housekeeper for Dreverhaven. During that time, they had sex only once (it is implied that the encounter was forced upon Joba). She becomes pregnant and leaves her employer to make a living for herself and her son. Time and again, she rejects Dreverhaven's offers by mail of money and marriage.