Al Cohn (November 24, 1925 – February 15, 1988) was an American jazz saxophonist and arranger and composer.
Alvin Gilbert Cohn was born in Brooklyn, New York. He was initially known in the 1940s for playing in Woody Herman's Second Herd as one of the Four Brothers, along with Zoot Sims, Stan Getz, and Serge Chaloff. Unlike the better known tenors Sims and Getz, Cohn contributed arrangements to the Herman band. Cohn had a reputation as a lyrical flowing soloist.[citation needed]
After leaving the Herman group Cohn went on to play with a variety of other musicians, but his best-known association was his long-term partnership with fellow Herman veteran tenor player Sims, beginning with the quintet they co-led in 1956. They continued to play together sporadically until the death of Sims. The high point of their recorded output can be found on You 'n' Me, a collection of standards and original compositions released on Mercury Records in 1960.[citation needed] The two also played on some of author Jack Kerouac's recordings. The rhythm section on their 1950s recordings included Mose Allison on piano.
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz. He organized at least fifty recording sessions as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk.
As his career progressed, Coltrane and his music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane, and their son Ravi Coltrane is also a saxophonist. Coltrane influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history. He received many posthumous awards and recognitions, including canonization by the African Orthodox Church as Saint John William Coltrane. In 2007, Coltrane was awarded the Pulitzer Prize Special Citation for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."
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