Sérgio Dias Baptista (b. December 1, 1951 in São Paulo), is a Brazilian rock musician, composer and guitar player. He is best known for his work with the band Os Mutantes in the late 60s and 70s. In 2010 Sergio Dias collaborated with the band Tahiti Boy and the Palmtree Family in a project called "We are the Lilies".

Os Mutantes

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Arnaldo Dias Baptista (Portuguese pronunciation: [aɾˈnawdu baˈtʃistɐ], born July 6, 1948 in São Paulo) is a Brazilian rock musician and composer.

Born from a lyric singer father and a pianist mother (Clarisse Leite), Arnaldo studied classic piano from 1955 to 1959, double bass from 1962 to 1963, and acoustic guitar from 1963 to 1965. In 1966 he formed the influential Os Mutantes band with his brother Sérgio Dias and Rita Lee, where he played bass, keyboards and sang. Os Mutantes played a key role in the Tropicalismo movement. Arnaldo left the band in 1973 due to fights with the other members of the band and the excessive use of LSD. In 1974 he tried to work as a musical producer, with no success. This motivated him to try a solo career, and in the same year, he released the album Lóki, which is considered his best work.

Arnaldo recorded two albums with the band Patrulha do Espaço between 1977 and 1978, and later resumed his solo career. In 2006, Os Mutantes reunited without Rita Lee, and Arnaldo plays with his brother Sérgio and the drummer Dinho Leme once more, 33 years after leaving the band. in 2007 Arnaldo left the band again to take care of personal projects. Nowadays, Arnaldo lives with his wife Lucinha Barbosa, in the city of Juiz de Fora, where he spends most of his time painting, singing and writing songs. After the reunion of Os Mutantes, and its great importance in Brazilian rock music, Arnaldo's career seems to have a new perspective.

Antônio Gonçalves Dias (Portuguese pronunciation: [ɡõˈsawvis ˈdʒiɐs]; August 10, 1823 — November 3, 1864) was a Brazilian Romantic poet, playwright and linguist. A major exponent of the Brazilian Romanticism and of the literary tradition known as "Indianism", he is famous for writing the poem "Canção do exílio", arguably the most well-known poem of the Brazilian literature, the short epic poem I-Juca-Pirama, and many other nationalist and patriotic poems that would later give him the title of national poet of Brazil. He was also an avid researcher of the Brazilian indigenous languages and folklore.

He is the patron of the 15th chair of the Brazilian Academy of Letters.

Antônio Gonçalves Dias was born in Caxias on August 10, 1823, to Portuguese João Manuel Gonçalves Dias and cafuza Vicência Ferreira. After completing his studies in Latin, French and Philosophy, he went in 1838 to Portugal to earn a degree in Law at the University of Coimbra. There, he got in contact with the Romantic ideals and wrote his critically acclaimed poem "Canção do exílio". He graduated in 1845 and returned to Brazil in the same year. He goes to Rio de Janeiro, living there until 1854. There, he wrote the drama Leonor de Mendonça in 1846 and his first poetry book, Primeiros Cantos, in 1847.

Gal Costa (born Maria da Graça Costa Penna Burgos on September 26, 1945, in Salvador, Bahia) is a Brazilian singer of popular music.

Gal Costa was born on September 26, 1945, in the city of Salvador, the state capital of the state of Bahia, Brazil. Her mother, Mariah Costa Penna (deceased 1993) spent hours listening to classical music during her pregnancy in hopes that Gal would be interested in music. Gal's father, Arnaldo Burgos (deceased 1960), died when Gal was 15 years old and the two would never meet.

At the age of 10, Gal befriended sisters, Sandra and Andréia Gadelha, the future spouses of singer-songwriters Gilberto Gil and Caetano Veloso, respectively. At 14, she first listened to João Gilberto's "Chega de Saudade" on the radio and became interested in Bossa Nova. She then went on to work as a clerk on Salvador's main record store to get closer to music. At 18, she was introduced to Caetano Veloso by Andréa Gadelha, engaging with him in a deep friendship that still lasts.

Costa debuted her professional career on the night of August 22, 1964 on the concert Nós, por exemplo, where she performed alongside Veloso, Gil, Maria Bethânia and Tom Zé, among others. The concert inaugurated the Vila Velha Theatre in her hometown. During the same year, she also performed in Nova Bossa Velha, Velha Bossa Nova, at the same place and with the same singing partners. She then left Salvador to live in the house of her cousin Nívea in Rio de Janeiro, following the footsteps of Bethânia, whose concert, Opinião, had become a huge hit on the town.