Joan Tower (born September 6, 1938) is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by the New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, two string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely-performed Petroushskates.
Born in New Rochelle, New York, in 1938, Tower moved to the South American nation of Bolivia when she was nine years old, an experience which she credits for making rhythm an integral part of her work. For the next decade Tower's talent in music, particularly on the piano, grew rapidly due to her father's insistence that she benefit from consistent musical training. Tower's relationship with her mineralogist father is visible in many aspects of her work, most specifically her "mineral works" including Black Topaz (1976) and Silver Ladders (1986). She returned to the United States as a young woman to study music, first at Bennington College, in Vermont, and then at Columbia University where she studied under Otto Luening, Jack Beeson, and Vladimir Ussachevsky and was awarded her doctorate in composition in 1968.
(Elmore James, Morris Levy, Clarence Lewis)
Well, I'm a stranger here
And I just blowed in your town
Well, I'm a stranger here
And I just blowed in your town
Just because I'm a stranger
Everybody wants to dog me around
Well, I'm going back now south
If I have wear ninety nine pair of shoes
Well, I'm going back now south
If I have wear ninety nine pair of shoes
Then I won't be no more stranger
I won't have no more stranger's blues
Well, sometime I wonder
Do my good gal know I'm here?
Well, sometime I wonder
Do my good gal know I'm here?
Well, if she do
She sure don't seem to care
Joan Tower (born September 6, 1938) is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by the New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, two string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely-performed Petroushskates.
Born in New Rochelle, New York, in 1938, Tower moved to the South American nation of Bolivia when she was nine years old, an experience which she credits for making rhythm an integral part of her work. For the next decade Tower's talent in music, particularly on the piano, grew rapidly due to her father's insistence that she benefit from consistent musical training. Tower's relationship with her mineralogist father is visible in many aspects of her work, most specifically her "mineral works" including Black Topaz (1976) and Silver Ladders (1986). She returned to the United States as a young woman to study music, first at Bennington College, in Vermont, and then at Columbia University where she studied under Otto Luening, Jack Beeson, and Vladimir Ussachevsky and was awarded her doctorate in composition in 1968.
WorldNews.com | 19 Jun 2019
The Guardian | 19 Jun 2019
WorldNews.com | 20 Jun 2019
WorldNews.com | 19 Jun 2019
WorldNews.com | 20 Jun 2019
Hot Air | 19 Jun 2019
WorldNews.com | 19 Jun 2019