- published: 18 Nov 2016
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Astrée may refer to:
Le Concert is a 2009 French comedy film by Radu Mihăileanu starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
A former world-famous conductor of the Bolshoi Theatre orchestra, known as "The Maestro," Andrey Simonovich Filipov, had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and is reduced to working as a mere janitor in the theatre where he once conducted, becoming an alcoholic in the process.
While cleaning his boss's office, he intercepts an official invitation from the prestigious Théâtre du Châtelet in Paris to replace a concert of the Los Angeles Philharmonic Orchestra that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old Jewish and Gypsy musicians - who also have been reduced to making a living as movers or taxi drivers - to perform in Paris and complete a performance of Tchaikovsky's Violin Concerto, which was interrupted 30 years earlier by former KGB Agent Ivan Gavrilov, who is enrolled by Filipov in his scheme as the orchestra's manager and is actively and efficiently supporting Filipov's plan, much to the dismay of Aleksandr 'Sasha' Abramovich Grossman (the orchestra's main cellist), because he suspects that Gavrilov has his own agenda for the Paris trip.
Emmanuelle Haïm (French pronunciation: [emanɥɛl aim]) (born in Paris, France, 11 May 1962) is a French harpsichordist and conductor with a particular interest in early music and Baroque music.
Haïm grew up in Paris, and was raised Catholic although her father is Jewish. Her musical education began early, after her father's purchase of a grand piano, and a visit to her family by Zoltán Kocsis when she was age 8. She was also interested in dance as a child, but was diagnosed with a curved spine at age 10, and wore a body corset for 10 years.
Haïm spent 13 years studying at the Conservatoire Supérieur de Musique et de Danse in Paris, where she studied organ with André Isoir. She came to focus on the harpsichord, which she studied with Kenneth Gilbert and Christophe Rousset, and was awarded five first prizes at the Conservatoire. William Christie invited her to work with his ensemble Les Arts Florissants, as a continuo player and musical assistant. On Christie's recommendation, she later worked as a coach and assistant to Simon Rattle, as well as a guest artist with Rattle.
Claudio Giovanni Antonio Monteverdi (Italian: [ˈklaudjo monteˈverdi]; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the change from the Renaissance style of music to that of the Baroque period. He developed two styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque. Monteverdi wrote one of the earliest operas, L'Orfeo, a novel work that is the earliest surviving opera still regularly performed. He is widely recognized as an inventive composer who enjoyed considerable fame in his lifetime.
Claudio Monteverdi was born in 1567 in Cremona, Lombardy. His father was Baldassare Monteverdi, a doctor, apothecary and amateur surgeon. He was the oldest of five children. During his childhood, he was taught by Marc'Antonio Ingegneri, the maestro di cappella at the Cathedral of Cremona. The Maestro’s job was to conduct important worship services in accordance with the liturgy of the Catholic Church. Monteverdi learned about music as a member of the cathedral choir. He also studied at the University of Cremona. His first music was written for publication, including some motets and sacred madrigals, in 1582 and 1583. His first five publications were: Sacrae cantiunculae, 1582 (a collection of miniature motets); Madrigali Spirituali, 1583 (a volume of which only the bass partbook is extant); Canzonette a tre voci, 1584 (a collection of three-voice canzonettes); and the five-part madrigals Book I, 1587, and Book II, 1590. He worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player, then as music director. In 1602, he was working as the court conductor and Vincenzo appointed him master of music on the death of Benedetto Pallavicino.
Emiliano González is the name of:
Actors: Eric Rohmer (director), Marie Rivière (actress), Mary Stephen (editor), Eric Rohmer (writer), Rosette (actress), Jocelyn Quivrin (actor), Enrique González Macho (producer), Alain Libolt (actor), Cécile Cassel (actress), Romeo Julien (miscellaneous crew), Rodolphe Pauly (actor), Serge Renko (actor), Jean-Michel Rey (producer), Pierre-Jean Larroque (costume designer), Philippe Liégeois (producer),
Plot: In an enchanted forest, back in the time of the Druids, the shepherd Céladon and the shepherdess Astrée share a pure and chaste love. Fooled by a suitor, Astrée dismisses Céladon, who throws himself into a river out of despair. She thinks he's dead, but he's been secretly rescued by some nymphs. Faithful to the promise he made to Astrée to never appear before her again, Céladon must overcome many obstacles to break the curse. Mad with love and despair, coveted by the nymphs, surrounded by rivals, and obliged to disguise himself as a woman to be near the one he loves, will he manage to make himself known without breaking his oath? A romance filled with doubt, hazards, and delicious temptations.
Keywords: 17th-century, 5th-century, assumed-identity, assumed-voice, attempted-suicide, based-on-literary, based-on-novel, character-name-in-title, countryside, cross-dressingActors: Thierry Lhermitte (actor), Gérard Jugnot (actor), Francis Lemaire (actor), Alessandro Haber (actor), Ticky Holgado (actor), Michel Blanc (actor), Daniel Gélin (actor), Martin Lamotte (actor), Alain Chabat (actor), Ennio Fantastichini (actor), Dominique Farrugia (actor), Christian Clavier (actor), Laurent Gamelon (actor), Roland Giraud (actor), Angelo Orlando (actor),
Genres: Comedy,Court métrage pensé par l'agence de publicité FCB Paris et produit par Satellite My Love, pour l’association ASTRÉE qui lutte contre toutes les solitudes, à tous les âges de la vie. La solitude peut frapper n’importe qui, 6 millions de Français en souffrent chaque jour. Depuis 30 ans, l’association ASTRÉE accompagne ces Français pour les sortir de cet isolement. L’association Astrée est reconnue d’utilité publique par décret du 4 juin 2015. Crédits : Agence de publicité : FCB Paris Production : Satellite My Love Réalisateur : Julien Rotterman Scénaristes : Coralie Protat & Julien Rotterman Comédiennes : Candice Réjasse & Nathalie Dodivers Producteurs : Alain Dib & Omar Cabbabé Responsables Agence : Nathalie Cogis & Caroline Bourqui Directeur de la production : Andy Standley Directeur de ...
Le Concert d’Astrée Emmanuelle Haïm / art director Magdalena Kožená / mezzo-soprán Program: Podvedená – zrazená Médea / Médée trahie Francouzské dvorské písně, kantáty a instrumentální skladby 17. a 18. století / French court songs, cantates and instrumentals from 17. to 18. century. Jean-Baptiste Bésard: Ma belle, si ton âme Michel Lambert: Vos mespris chaque jour Ombre de mon amant Marin Marais : Svita na cizokrajný způsob (Marche Tartare – Sarabande – La Tartarine) Jean-Philippe Rameau: Tristes apprêts (árie Télaïre z opery Castor et Pollux) Marin Marais : 2. suita g moll (Prélude – Sarabande – Gigue – Gavotte – Plainte – Passacaille) Marc Antoine Charpentier: Quel prix de mon amour (árie z opery Médée) Jean-Marie Leclair: 2. hudební osvěžení (Ouverture – Sarabande – Badinage – Ch...
Une Fête Baroque / Ein Barock-Fest Baroque Festival of Voices - Live from Paris with Le Concert d'Astrée & Emmanuelle Haïm Composers: Händel, Rameau, Lully, Purcell Jean-Philippe Rameau (1683 - 1764) 01. Les Indes galantes : Les Sauvages - Danse du Calumet de la Paix et duo Forêtspaisibles 02. Hippolyte et Aricie - Acte IV : Quelle plainte en ces lieux m'appelle? 03. Dardanus : Acte IV: Ritournelle (gracieusement, un peu gai) 04. Dardanus : Calme des sens 05. Dardanus : Tambourins 06. Hippolyte et Aricie - Acte V : Rossignols amoureux (La bergère) 07. Hippolyte et Aricie - Acte IV : A la chasse, à la chasse 08. Dardanus - Acte IV : Voici les tristes lieux... Monstre affreux,monstre redoutable 09. Platée - Acte II : Formons les plus brillants concerts...Aux langueurs d'Apollon (La folie) ...
Le Concert d'Astrée & Emmanuelle Haïm "Zefiro torna" aus "Scherzi musicali" - Claudio Monteverdi Solisten: Emiliano Gonzalez Toro (Tenor) & Topi Lehtipuu (Tenor) Ausschnitt aus der Sendung "Gala Monteverdi" des Senders ARTE vom 07.08.2016 (Aufzeichnung aus dem Jahr 2014) Das Théâtre des Champs-Elysées präsentiert eine ganz besondere Hommage an Claudio Monteverdi. Begleitet vom Barockensemble Le Concert d'Astrée unter Leitung von Emmanuelle Haïm interpretieren große Opernsänger Auszüge aus den bekanntesten Werken des italienischen Komponisten. Die Tenöre Rolando Villazón, Topi Lehtipuu und Emiliano Gonzalez Toro, die Mezzosopranistin Magdalena Kozena, die Sopranistinnen Katherine Watson und Lenneke Ruiten, der Countertenor Pascal Bertin sowie der Bass Nahuel Di Pierro - eine beeindruckend...
CD avalaible on : http://bit.ly/LamentiCD With: Rolando Villazon, Patrizia Ciofi, Natalie Dessay, Veronique Gens, Joyce DiDonato, Marie-Nicole Lemieux, Laurent Naouri, Philippe Jaroussky, Christopher Purves, Topi Lehtipuu, Simon Wall Emmanuelle Haim follows her 2006 recording of Monteverdis Combattimento di Tancredi e Clorinda with an unusual and inventive programme on the theme of the Lamento, the literary and dramatic form that found its seventeenth-century musical archetype in Monteverdis celebrated Lamento dArianna. ________________________________________ More information: http://bit.ly/LamentiCD http://www.leconcertdastree.fr/ http://www.natalie-dessay.com/ http://www.emiclassics.com http://www.emiclassics.de ________________________________________
New album released early November 2014. http://smarturl.it/messiah-haim Following several acclaimed albums of Handel’s operatic and choral masterpieces, French harpsichordist and conductor Emmanuelle Haïm at last brings her fresh, expressive approach to Messiah. Joining her on a musically and spiritually uplifting journey for this long-awaited recording is Haïm’s own choir and period-instrument orchestra, Le Concert d’Astrée, with four of the UK’s finest Handelian singers (Lucy Crowe, Tim Mead, Andrew Staples, Christopher Purves).
From the acclaimed album on Erato. http://smarturl.it/messiah-haim Following several recordings of Handel’s operatic and choral masterpieces, French harpsichordist and conductor Emmanuelle Haïm at last brings her fresh, expressive approach to Messiah. Joining her on a musically and spiritually uplifting journey for this long-awaited recording is Haïm’s own choir and period-instrument orchestra, Le Concert d’Astrée, with four of the UK’s finest Handelian singers (Lucy Crowe, Tim Mead, Andrew Staples, Christopher Purves).
Claudio Monteverdi O dolor o martir, monologue d’Iro (Le Retour d’Ulysse dans sa patrie) Emiliano Gonzalez Toro, ténor Le Concert d’Astrée : Laura Monica Pustilnik, archiluth / Lynda Sayce, théorbe / Nora Roll, lirone / Atsushi Sakaï, viole de gambe / Emmanuelle Haïm, clavecins, orgue et direction Extrait du deuxième volet du triptyque enregistré en public au Studio 104 le samedi 11 mars 2017 en compagnie du très charismatique Rolando Villazon et présenté par Elsa Boublil : Métamorphoses et Variations en tous genres ! https://www.francemusique.fr/emissions/musique-emoi/les-metamorphoses-de-rolando-villazon-32776
Aimless drives through countless summer nights.
There’s nothing left to do. I’ll never get bored with you.
It’s so cold out tonight, but I don’t mind.
There must be somewhere we can go tonight.
Don’t you remember
those nights just driving through the suburbs,
singing songs we loved?
More now than ever,
I’m feeling like it’s been too long
and so I wrote a song hoping that you would sing along.
Late at night, don’t wanna let the sun rise.
There’s something wrong, this place is dead.
I’m tired of living inside my head. We never could slow down.
Won’t you forget about how much you hate this town tonight?
Don’t you remember? Or has it been too long?
Won’t you remember, just for tonight?
Sadly I know, some things are worse than being alone,
but this empty seat beside me never fails to remind me.
And I know some things are worse than being alone,
but I just wanted to know… won’t you come back home?
Sadly I know, some things are worse than being alone,
but this empty seat beside me never fails to remind me.
And I know some things are worse than being alone,