hai kali kali ke lab par..mohammad rafi -belly dance -tulip cheeked -lala rukh لالہ رخ

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• published: 10 Jun 2010
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Enjoy ...Belly dance raqs sharqi رقص شرقي‎ ,Greco-Turkish ,çiftetelli (Greek: τσιφτετέλι).with mohammad rafi song ... Song : hai kali kali ke lab par, tere husn ka fasana.. Movie: Lala Rukh (1958 )Lala-Rukh لالہ رخ means "tulip cheeked" and is an endearment frequently used in Persian poetry. Singer : Mohammad Rafi Music Director: Khaiyyam ., Lyricist: Kaifi Azmi Cast : Shyama, Talat Mehmood,Radhika,Vikram Kapoor Director: Akhtar Siraj, Producer: Film India Corporation, Genre: Romance ,musice ,Drama LYRICS :- hai kali kali ke lab par, tere husn ka fasaanaa mere gulsitan ka sab kuchh, tera sirf muskurana ye khule khule se gesuu, uThe jaise badaliyaa.n sI, ye jhukii jhukI nigaahe.n, gire jaise bijaliyaa.n sI tere naachate kadam me.n hai bahaar kA khazaanaa hai kalii kalii ke lab par, tere husn kaa fasaanaa ... terA jhUmanaa machalanaa, jaise nazar badal badal ke merA dil dha.Dak rahaa hai, tU lachak sambhal sambhalake kahii.n ruk nA jaaye zaalim is mo.D par zamaanaa ABOUT BELLY DANCE :- Belly dance or Bellydance is a Western-coined name for a traditional Middle Eastern dance, especially raqs sharqi (Arabic: رقص شرقي‎). It is sometimes also called Middle Eastern dance or Arabic dance in the West, or by the Greco-Turkish term çiftetelli (Greek: τσιφτετέλι). * Raqs baladi, (Arabic: رقص بلدي‎; literally "dance of country", or "folk" dance) is the folkloric style, danced socially by men and women of all ages in some Middle Eastern countries, usually at festive occasions such as weddings..., see Lallah Rookh. Lalla-Rookh :- This article is about a poem by Thomas Moore. For the last indigenous Tasmanian, nicknamed "Lalla Rooke", see Truganini. For the circus elephant, Lalla Rookh is an Oriental romance by Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the daughter of the Mughal emperor Aurangzeb. The work consists of four narrative poems with a connecting tale in prose. Engaged to the young king of Bactria, Lalla Rookh goes forth to meet him, but falls in love with Feramors, a poet from her entourage. The bulk of the work consists of four interpolated tales sung by the poet: The Veiled Prophet of Khorassan (loosely based upon the story of Al-Muqanna), Paradise and the Peri, The Fire-Worshipers, and The Light of the Harem. When Lalla Rookh enters the palace of her bridegroom she swoons away, but revives at the sound of a familiar voice. She awakes with rapture to find that the poet she loves is none other than the prince to whom she is engaged. The name Lalla Rookh, or Lala-Rukh (Persian: لالہ رخ), means "tulip cheeked" and is an endearment frequently used in Persian poetry.[1] Lalla Rookh was the basis of number of musical settings, including the song I'll Sing Thee Songs of Araby (F Clay/Wills, 1877).[2] It is also the basis of the operas Lalla-Rûkh by Gaspare Spontini, and Feramors by Anton Rubinstein, and an opéra-comique by Félicien David. One of the interpolated tales, Paradise and the Peri, was set as a choral-orchestral work by Robert Schumann. The term "Belly dance" is a misnomer as every part of the body is involved in the dance; the most featured body part in raqs sharqi being the hips. Belly dance takes many different forms depending on country and region, both in costume and dance style;; and new styles have been invented in the West as its popularity has spread globally. NOTE for professional dancers in this genre the spelling as one word, "Bellydance" is preferred as it takes the focus off the word belly. * Raqs sharqi (Arabic: رقص شرقي‎; literally "oriental dance") is the style more familiar to Westerners, performed in restaurants and cabarets around the world. It is more commonly performed by female dancers but is also sometimes danced by men. It is a solo improvisational dance, although students often perform choreographed dances in a group.