- published: 16 Nov 2014
- views: 6492
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"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. "Christmas Rappin'" was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label.
Every Christmas, this would sell more copies. After eight years, it went gold. In an interview Kurtis Blow explained, "J.B. Moore wrote the first half of the song, the Christmas part. I did all of the party part, the second half of the song. I wrote all of that on a train ride down to the studio around Christmas time." Kurtis' first album contained the second half of this, a song called "Rappin' Blow, Part 2." The R&B; group Next sampled this on their song "Too Close," which was a huge hit in 1998. It was #1 in the US for 5 weeks.
Kurt Walker better known by his stage name Kurtis Blow, is an American rapper and record producer. He is one of the first commercially successful rappers and the first to sign with a major record label. "The Breaks", a single from his 1980 eponymous debut album, is the first certified gold record rap song.
[Announcer]
'Twas the night before Christmas, when all through the house...
[Kurtis Blow]
Hold it now, wait, hold it! That's played out! Hit it!
Don't you give me all that jive
About things you wrote before I's alive
'Cause this ain't 1823, ain't even 1970
Now I'm the guy named Kurtis Blow and Christmas is one thing I know
So every year, just about this time
I celebrate it with a rhyme
Gonna shake it, gonna bake it, gonna make it good
Gonna rock shock knock it through your neighborhood
Gonna ring it, gonna sing it 'til it's understood
My rap's about to happen like a knee you was slappin'
Or a toe you been tappin' on a hunk of wood
'Bout a red-suited dude, with a friendly attitude
And a sleigh full of goodies for the people on the block
Got a long white beard, maybe looks kind of weird
And if you ever seen him, he could give you quite a shock
Now people let me tell ya about last year
When the dude came flying over here
Well the holly was out, the snow's on the ground,
Folks stayed in to party down
The beat was thumping on the block,
And I was dancing in my socks
And the drummer played at a solid pace
And the taste of the bass was in my face
And the guitar player laid down a heavy layer
of the funky chunky rhythm of the disco beat
And the guy with the 88 started to participate
And I could sure appreciate a sound so sweet
We were all in the mood so we had a little food
And a joke, and a smoke, and a little bit of wine
When I thought I heard a hoof on top of the roof
Could it be or was it me - I was feeling super fine
So I went to the attic where I thought heard the static
On a chance that the prance was somebody breaking in
But the noise on the top was a reindeer clop
Just a tricky St. Nick, and I let the sucka in
He was roly, he was poly, and I said, "Holy moly
You got a lot of whiskers on your chinny-chin-chin"
He allowed, he was proud of the hairy little crowd
On the point of the jaw where the skin should've been
It's cool for a fool throwin' out every yule
For a day on the sleigh when the cold winds blow
So the beard may be weird but I never have it sheared
'Cause it's warm in the storm when it's ten below
I said, "You're right it's cold tonight,
But can you stop for a drop before you go?"
He said, "Why not? If the music's hot,
And I'll chance a dance beneath the mistletoe."
So he went downstairs and forgot his cares
And he rocked the spot and danced like a pro
And every young girl tried to rock his world
But he boogie-oogie-oogied 'til he had to go
And before he went, this fine old gent
Found a gift with a sift through his big red bag
In the top or the bottom, he reached in and got 'em
Had toys for boys, for the girls - glad rags
And the grownups got some presents too
A new TV and a stere-oooh.
A new Seville 'bout as blue as the sky
The best that money couldn't buy
'Cause money could never ever buy the feelin'
The one that comes from not concealin'
The way you feel about your friends
And this is how the story ends
The dude in red's back at the pole
Up North where everything is cold
But if he were right here tonight
He'd say "Merry Christmas! And to all -- a good night!"
- published: 28 Nov 2010
- views: 763821
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is part of the Great American Songbook. Nat King Cole first sang the song in 1953.
Sarrah's accompanied by Quincy Jones (conductor/arranger), Zoot Sims, Jo and Marcel Hrasko, William Boucaya (reeds), Michel Hausser (vibes), Ronnell Bright (piano), Richard Davis, Pierre Michelot (bass), Kenny Clarke (drums) and Pierre Cullaz (guitar). Recorded in Paris, France, July 7, 1958.
Strings
I can only give you love that lasts forever
And a promise to be near each time you call
And the only heart I own for you and you alone
That's all
That's all
I can only give you country walks in springtime
And a hand to hold when leaves begin to fall
And a love whose burning light will warm the winter night
That's all
That's all
There are those, I am sure, who have told you
They would give you the world for a toy
All I have are these arms to enfold you
And a love time can never destroy
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
- published: 03 May 2012
- views: 26564
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
In 1962, The Beatles recorded a rock 'n roll interpretation during their famed Decca audition.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The leaves of brown, came tumbling down,
Remember that September, in the Rain
The sun went out just like a dying ember
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain.
Though spring is here to me it's still September
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain
Though spring is here to me it's still September
That September in the rain
September in the rain
That September in the rain
- published: 29 Dec 2013
- views: 9935
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guitar. Scoring a huge local hit with "I Confess," their early recordings -- exemplified by their 1966 debut album, Breakthrough -- featured first-class original material that gave the sound of Them and the Yardbirds a more commercial, American garage-based, vocal harmony approach. The rest of the '60s saw the band gradually abandoning its roots for middle-of-the-road pop with horns and strings. Continuing to rack up major local hits and minor national ones, they finally cracked the U.S. Top 30 with "Love You So Much" (1968) and "Things I'd Like to Say" (1969). ~ Richie Unterberger, Rovi
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index
- published: 04 Sep 2013
- views: 25760
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."
Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Shedood n' doo shadepe da doop do aah
Shobe ah wow-boo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Sha-ba-ba-da dolya-dol-u-u-u-u bundo bum dwey.
Sha-ba-ba-da dotee dolya dolya dopa dolya doopen doopen doopen de yaw/
Sha ba bom'do bom'do bom'de yaww.
Shadapa dalia now dalia daw dalia daw bezertly ah lovey dar lee can dowee.
Shadapa doop deeeeeee ah-oo-pee-ee-yah-oo-ah-oh-vee- n' -do-wee.
Shabopee-eeeeee ah-oo-pee-ee-ah-ollya-oo-pee- n' -do-wee.
Shabopee-heeee ya-oo-pee-eel-ya-hol- yahoo-vee- n' -- do-wee.
Ooooooooooooooooooooooooooo- waa-hoow-shabolya -hoo-ah-oo-vee-oo-veen hoooo.
Shaboba doya dope dolya da boon do shaba shaba shaba.
Ya dolye oope dolye doope dol-ya-oo-baa dopie oow baa ooya bokoloo.
Sha-ba-ba-da we been do wee ya ve yaaa do-pie do bundo bundo shavo pe doya dope dolya Holya oo-waa.
Hoo howee shoba doya dopa hoo ya hoo ba waba waba dolya dopa.
Wee dodidle m'de daaw shavapa dolya dopen dolya ooba ood you love n'dove ah oo aa.
Ooo badol you do yawww sava do you do sha-va-pa-dew.
Zwawo pedodin do to to you poo pado.
Op to do zoo oo pado padolya.
Do to to to to dado paolya do to to tete tedo pahelya.
Rooto dindo taw baw padodla hoo ya jew pavo bedo poho bedolya do.
Ve ho you do ba dolya do pa do pa do pa dolya daba dopen do shababa-da we ve dopa Wohoho.
Wohohohoohdaada oodon'do.
Shaba wop do wee haa yaya dopin dopin wee you hooo.
Shababa dolya dopa dolya dopi dolya doba dolya dove you.
Shavolya dopi dolya doba dolya dododo.
Shadolya do do do yaho yaho yahobodo.
Shaho ya do do do yaho yaho yaho dodo.
Shafo ya do do do yaho yaho yaho pedo.
Shababa do shababa dolya da de ba dobi.
Ooooo shobo ya shabo ba dodin do waw ba dope doya do be.
Oodendo bendeoo padaben dope dopin dopin dopin de ooo.
Shawaho waho ba weeeeehehe blu-he-he-he-wa-ho.
Saba dope dopin weee-do-hoo-waaaww yaaaaa-lalala haa.
Dope do wee salopi doya dowa hooo.
soo soba doba aaaaa saba do ben do wee soba bo bwe.
Shedood n' doo shadepe da doop do aah
Shobe ah daboo dee you vee.
Shadood n' doo shadepe da doop do aah
Soobe ah daboo dee you dee.
Badood n' doo shadepe da dee do aah
Shobe ah daboo dee you bee.
Shadoba doben weee dobendo dobendo debendo da do dn' do shababada weee dobendo Yobendo yobendo yado bn'do shaba dedede yahoow sha dope dee dope dee dope eee Sadopendoba dopin dopin doaaa
Sopotzo viaa n'dia n'dia n'dia onnda vendo weeeeeeee.
- published: 26 Jul 2011
- views: 18144
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis) quotation from William Shakespeare's Much Ado About Nothing, Act II Scene 1 (1600), where it is spoken by Don Pedro.
Sarah's accompanied on the live album "After Hours" by Ronell Bright (piano), Richard Davis (double bass), Roy Haynes (drums), Thad Jones & Wendell Culley (trumpet), Henry Coker (trombone), and Frank Wess (tenor saxophone). Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records)
Speak low when you speak, love
Our summer day withers away too soon, too soon
Speak low when you speak, love
Our moment is swift, like ships adrift,
we're swept apart, too soon
Speak low, darling, speak low
Love is a spark, lost in the dark too soon, too soon
I feel wherever I go
That tomorrow is near,
tomorrow is here and always too soon
Time is so old and love so brief
Love is pure gold and time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Time is so old and love so brief
Love is pure gold and time a thief
Time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Will you speak low to me, speak love to me too soon
Will you speak low to me, speak love to me and soon
And soon
- published: 21 Jul 2011
- views: 156471
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Sinatra on May 2, 1953 and released on Capitol 2505.
Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, April 24, 1957. (Mercury Records)
The very thought of you makes my heart sing
Like an April breeze on the wings of spring,
And you appear in all your splendor,
My one and only love.
The shadows fall and spread their mystic charms
In the hush of night while you're in my arms.
I feel your lips, so warm and tender,
My one and only love.
The touch of your hand is like heaven,
A heaven that I've never known.
The blush of your cheek whenever you speak
Tells me that you are my own.
You fill my eager heart with such desire.
Ev'ry kiss you give sets my soul on fire.
I give myself in sweet surrender,
I surrender dear
To my one and only love.
- published: 30 Dec 2011
- views: 73625
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of "love for sale": "Old love, new love, every love but true love".
The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling.
"Love for Sale" was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker, with three girlfriends (Waring's Three Girl Friends) as back-up singers, in front of Reuben's, a popular restaurant of the time. As a response to the criticism, the song was transferred from the white Crawford to the African American singer Elisabeth Welch, who sang with back-up singers in a scene set in front of Harlem's Cotton Club.
Despite the fact the song was banned from radio airplay, or perhaps because of it, it became a hit, with Libby Holman's version going to #5 and the "Fred Waring's Pennsylvanians" version going to #14, both in 1931. (All other 1931 recordings of the song were as an instrumental.)
Notable recordings since include Hal Kemp in 1939, Billie Holiday in 1945, Stan Kenton in 1950 (arranged by Pete Rugolo), Joyce Bryant in 1952, Eartha Kitt in the 1950s, Ella Fitzgerald in 1956, and again in 1972 on her Ella Loves Cole album, Tony Bennett in 1957, Miles Davis and Cannonball Adderley for 1958 Miles and Somethin' Else, Anita O'Day in 1959, Dexter Gordon in 1962, Al Hirt on his 1965 album, Live at Carnegie Hall, The Manhattan Transfer in 1976, the German disco group Boney M. in 1977, Donald Byrd on the Love Byrd album in 1981, Elvis Costello live on the remastered Rhino Entertainment CD of his 1981 record Trust. Harvey Fierstein performs a memorable (if interrupted) version in the movie version of his play Torch Song Trilogy. Martin Smith sang the song in the Cole Porter revue A Swell Party - A Celebration of Cole Porter at London's Vaudeville Theatre in 1992. Simply Red led by Mick Hucknall sang this song at the Montreux Jazz Festival in 1992. Harry Connick, Jr. covered it in 1999 on his album Come by Me. Amanda Lear recorded a version in 2006.
Other vocal versions include Mel Torme's, Dinah Washington's, Liza Minnelli's, Diane Schuur's, Dianne Reeves', Cyrille Aimée's and Fine Young Cannibals'. The song has become a jazz standard.
Shirley Valerie Horn (May 1, 1934 -- October 20, 2005) was an American jazz singer and pianist. Horn collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.
Shirley Horn kept for twenty five years the same rhythm section: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) forced her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her. It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from it at the age of 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Shirley is accompanied by Jerome Richardson (flute, woodwind); Frank Wess (flute, tenor sax); Al Cohn (tenor sax); Gerry Mulligan (baritone sax); Joe Newman (trumpet); Kenny Burrell (guitar); Milt Hinton (double bass); Osie Johnson (drums); Gene Orloff (violin); Hank Jones (piano); and Jimmy Jones (piano/arr/cond). Recorded September 13, 15, 1962 in New York City. (Mercury Records)
- published: 19 Jul 2014
- views: 5379
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
Erroll Louis Garner (June 15, 1921 -- January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Allmusic.com calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso".
Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1921, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.
He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member. Garner is credited with having a superb memory of music. After attending a concert by the Russian classical pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall.
Short in stature (5 ft 2 in), Garner performed sitting on multiple telephone directories.] Considering that his small hands could barely span an octave on the piano keyboard, his rapid right-handed octave and chordal passages were all the more amazing. He was also known for his vocalizations while playing, which can be heard on many of his recordings. He helped to bridge the gap for jazz musicians between nightclubs and the concert hall.
Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. His 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former school in Carmel-by-the-Sea, California, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga.
In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums. Because Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others.
Erroll Garner died from a cardiac arrest on January 2, 1977. He is buried in Pittsburgh's Homewood Cemetery.
With Erroll Garner on piano, he's accompanied by Leonard Gaskin (bass) and Charlie Smith (drums). Recorded in New York City, September 8, 1949. (Mercury Records)
This couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
But never, never, again
Again, this couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
- published: 24 Jan 2011
- views: 30475
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah's accompanied by Kirk Stuart (vocals/piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Look at me, Yea yea yea yea yea
I'm as helpless as a kitten up a tree;
Feel like I'm clingin' to a cloud,
I can' t understand how
I get misty, just holding your hand.
Walk my way,
And a thousand violins begin to play,
Might be the sound of your hello, hello
That music I hear,
I get misty, the moment you're near.
Even can't you see that you're leading
You're leading me on?
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
When I wander through this wonderland alone,
Never knowing my right foot from my left
My hat from my glove
I'm too misty, and too much in love.
You can see that you're putting me on
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone,
Heh!... jazz
Never knowing my right foot from my left
My hat from my glove
We're too misty, and too much in love.
We get too misty,
And too much
In... excuse me please love.....
- published: 26 Jul 2011
- views: 5546
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song.
Sarah's accompanied by the arrangements of Bob James. Recorded April 7, 1966. (Mercury Records)
The shadow of your smile
When you are gone
Will color all my dreams
And light the dawn
Look into my eyes, my love, and see
All the lovely things, you are, to me
Our wistful little star
Was far, too high
A teardrop kissed your lips
And so did I
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
The shadow of your smile
The shadow of your smile
- published: 21 Jul 2011
- views: 16645
Mercury Records is a record label operating as a standalone company in the UK and as part of the The Island Def Jam Music Group in the US; both are subsidiaries of Universal Music Group. There is also a Mercury Records in Australia, which is a local artist and repertoire division of Universal Music Australia. In the United States, Universal Music Group Nashville administers the Mercury Records Nashville label.
Mercury Record Corporation was founded in the American city of Chicago in 1945 by Irving Green, Berle Adams and Arthur Talmadge. They were a major force in jazz and blues, classical music, rock and roll, and country music recordings. Early in the label's history, Mercury opened two pressing plants, one in Chicago and the other in St. Louis, Missouri. With the use of automatic presses and providing 24-hour turnaround, they went into direct competition with major recording labels such as Columbia, Decca, and RCA Victor.
By hiring two promoters, Tiny Hill and Jimmy Hilliard, they penetrated the pop market with names such as Frankie Laine, Vic Damone, Tony Fontane and Patti Page.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Mercury_Records
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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80:15Brook Benton - Mercury Records - 1959 - 1964
Brook Benton - Mercury Records - 1959 - 1964 -
8:17Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
Kurtis Blow - Christmas Rappin' (Mercury Records 1979)Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. "Christmas Rappin'" was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label. Every Christmas, this would sell more copies. After eight years, it went gold. In an interview Kurtis Blow explained, "J.B. Moore wrote the first half of the song, the Christmas part. I did all of the party part, the second half of the song. I wrote all of that on a train ride down to the studio around Christmas time." Kurtis' first album contained the second half of this, a song called "Rappin' Blow, Part 2." The R&B; group Next sampled this on their song "Too Close," which was a huge hit in 1998. It was #1 in the US for 5 weeks. Kurt Walker better known by his stage name Kurtis Blow, is an American rapper and record producer. He is one of the first commercially successful rappers and the first to sign with a major record label. "The Breaks", a single from his 1980 eponymous debut album, is the first certified gold record rap song. [Announcer] 'Twas the night before Christmas, when all through the house... [Kurtis Blow] Hold it now, wait, hold it! That's played out! Hit it! Don't you give me all that jive About things you wrote before I's alive 'Cause this ain't 1823, ain't even 1970 Now I'm the guy named Kurtis Blow and Christmas is one thing I know So every year, just about this time I celebrate it with a rhyme Gonna shake it, gonna bake it, gonna make it good Gonna rock shock knock it through your neighborhood Gonna ring it, gonna sing it 'til it's understood My rap's about to happen like a knee you was slappin' Or a toe you been tappin' on a hunk of wood 'Bout a red-suited dude, with a friendly attitude And a sleigh full of goodies for the people on the block Got a long white beard, maybe looks kind of weird And if you ever seen him, he could give you quite a shock Now people let me tell ya about last year When the dude came flying over here Well the holly was out, the snow's on the ground, Folks stayed in to party down The beat was thumping on the block, And I was dancing in my socks And the drummer played at a solid pace And the taste of the bass was in my face And the guitar player laid down a heavy layer of the funky chunky rhythm of the disco beat And the guy with the 88 started to participate And I could sure appreciate a sound so sweet We were all in the mood so we had a little food And a joke, and a smoke, and a little bit of wine When I thought I heard a hoof on top of the roof Could it be or was it me - I was feeling super fine So I went to the attic where I thought heard the static On a chance that the prance was somebody breaking in But the noise on the top was a reindeer clop Just a tricky St. Nick, and I let the sucka in He was roly, he was poly, and I said, "Holy moly You got a lot of whiskers on your chinny-chin-chin" He allowed, he was proud of the hairy little crowd On the point of the jaw where the skin should've been It's cool for a fool throwin' out every yule For a day on the sleigh when the cold winds blow So the beard may be weird but I never have it sheared 'Cause it's warm in the storm when it's ten below I said, "You're right it's cold tonight, But can you stop for a drop before you go?" He said, "Why not? If the music's hot, And I'll chance a dance beneath the mistletoe." So he went downstairs and forgot his cares And he rocked the spot and danced like a pro And every young girl tried to rock his world But he boogie-oogie-oogied 'til he had to go And before he went, this fine old gent Found a gift with a sift through his big red bag In the top or the bottom, he reached in and got 'em Had toys for boys, for the girls - glad rags And the grownups got some presents too A new TV and a stere-oooh. A new Seville 'bout as blue as the sky The best that money couldn't buy 'Cause money could never ever buy the feelin' The one that comes from not concealin' The way you feel about your friends And this is how the story ends The dude in red's back at the pole Up North where everything is cold But if he were right here tonight He'd say "Merry Christmas! And to all -- a good night!" -
3:35Sarah Vaughan - That's All (Mercury Records 1958)
Sarah Vaughan - That's All (Mercury Records 1958)Sarah Vaughan - That's All (Mercury Records 1958)
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is part of the Great American Songbook. Nat King Cole first sang the song in 1953. Sarrah's accompanied by Quincy Jones (conductor/arranger), Zoot Sims, Jo and Marcel Hrasko, William Boucaya (reeds), Michel Hausser (vibes), Ronnell Bright (piano), Richard Davis, Pierre Michelot (bass), Kenny Clarke (drums) and Pierre Cullaz (guitar). Recorded in Paris, France, July 7, 1958. Strings I can only give you love that lasts forever And a promise to be near each time you call And the only heart I own for you and you alone That's all That's all I can only give you country walks in springtime And a hand to hold when leaves begin to fall And a love whose burning light will warm the winter night That's all That's all There are those, I am sure, who have told you They would give you the world for a toy All I have are these arms to enfold you And a love time can never destroy If you're wondering what I'm asking in return, dear You'll be glad to know that my demands are small Say it's me that you'll adore for now and ever more That's all That's all If you're wondering what I'm asking in return, dear You'll be glad to know that my demands are small Say it's me that you'll adore for now and ever more That's all That's all -
2:18Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since. In 1962, The Beatles recorded a rock 'n roll interpretation during their famed Decca audition. Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records) The leaves of brown, came tumbling down, Remember that September, in the Rain The sun went out just like a dying ember That September in the rain To every word of love I've heard you whisper The raindrops seem to play a sweet refrain. Though spring is here to me it's still September That September in the rain To every word of love I've heard you whisper The raindrops seem to play a sweet refrain Though spring is here to me it's still September That September in the rain September in the rain That September in the rain -
2:20New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guitar. Scoring a huge local hit with "I Confess," their early recordings -- exemplified by their 1966 debut album, Breakthrough -- featured first-class original material that gave the sound of Them and the Yardbirds a more commercial, American garage-based, vocal harmony approach. The rest of the '60s saw the band gradually abandoning its roots for middle-of-the-road pop with horns and strings. Continuing to rack up major local hits and minor national ones, they finally cracked the U.S. Top 30 with "Love You So Much" (1968) and "Things I'd Like to Say" (1969). ~ Richie Unterberger, Rovi PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index -
5:44Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989. Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records) Shedood n' doo shadepe da doop do aah Shobe ah wow-boo dee you dee. Shadood n' doo shadepe da doop do aah Shobe ah daboo dee you dee. Shadood n' doo shadepe da doop do aah Shobe ah daboo dee you dee. Sha-ba-ba-da dolya-dol-u-u-u-u bundo bum dwey. Sha-ba-ba-da dotee dolya dolya dopa dolya doopen doopen doopen de yaw/ Sha ba bom'do bom'do bom'de yaww. Shadapa dalia now dalia daw dalia daw bezertly ah lovey dar lee can dowee. Shadapa doop deeeeeee ah-oo-pee-ee-yah-oo-ah-oh-vee- n' -do-wee. Shabopee-eeeeee ah-oo-pee-ee-ah-ollya-oo-pee- n' -do-wee. Shabopee-heeee ya-oo-pee-eel-ya-hol- yahoo-vee- n' -- do-wee. Ooooooooooooooooooooooooooo- waa-hoow-shabolya -hoo-ah-oo-vee-oo-veen hoooo. Shaboba doya dope dolya da boon do shaba shaba shaba. Ya dolye oope dolye doope dol-ya-oo-baa dopie oow baa ooya bokoloo. Sha-ba-ba-da we been do wee ya ve yaaa do-pie do bundo bundo shavo pe doya dope dolya Holya oo-waa. Hoo howee shoba doya dopa hoo ya hoo ba waba waba dolya dopa. Wee dodidle m'de daaw shavapa dolya dopen dolya ooba ood you love n'dove ah oo aa. Ooo badol you do yawww sava do you do sha-va-pa-dew. Zwawo pedodin do to to you poo pado. Op to do zoo oo pado padolya. Do to to to to dado paolya do to to tete tedo pahelya. Rooto dindo taw baw padodla hoo ya jew pavo bedo poho bedolya do. Ve ho you do ba dolya do pa do pa do pa dolya daba dopen do shababa-da we ve dopa Wohoho. Wohohohoohdaada oodon'do. Shaba wop do wee haa yaya dopin dopin wee you hooo. Shababa dolya dopa dolya dopi dolya doba dolya dove you. Shavolya dopi dolya doba dolya dododo. Shadolya do do do yaho yaho yahobodo. Shaho ya do do do yaho yaho yaho dodo. Shafo ya do do do yaho yaho yaho pedo. Shababa do shababa dolya da de ba dobi. Ooooo shobo ya shabo ba dodin do waw ba dope doya do be. Oodendo bendeoo padaben dope dopin dopin dopin de ooo. Shawaho waho ba weeeeehehe blu-he-he-he-wa-ho. Saba dope dopin weee-do-hoo-waaaww yaaaaa-lalala haa. Dope do wee salopi doya dowa hooo. soo soba doba aaaaa saba do ben do wee soba bo bwe. Shedood n' doo shadepe da doop do aah Shobe ah daboo dee you vee. Shadood n' doo shadepe da doop do aah Soobe ah daboo dee you dee. Badood n' doo shadepe da dee do aah Shobe ah daboo dee you bee. Shadoba doben weee dobendo dobendo debendo da do dn' do shababada weee dobendo Yobendo yobendo yado bn'do shaba dedede yahoow sha dope dee dope dee dope eee Sadopendoba dopin dopin doaaa Sopotzo viaa n'dia n'dia n'dia onnda vendo weeeeeeee. -
4:56Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis) quotation from William Shakespeare's Much Ado About Nothing, Act II Scene 1 (1600), where it is spoken by Don Pedro. Sarah's accompanied on the live album "After Hours" by Ronell Bright (piano), Richard Davis (double bass), Roy Haynes (drums), Thad Jones & Wendell Culley (trumpet), Henry Coker (trombone), and Frank Wess (tenor saxophone). Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records) Speak low when you speak, love Our summer day withers away too soon, too soon Speak low when you speak, love Our moment is swift, like ships adrift, we're swept apart, too soon Speak low, darling, speak low Love is a spark, lost in the dark too soon, too soon I feel wherever I go That tomorrow is near, tomorrow is here and always too soon Time is so old and love so brief Love is pure gold and time a thief We're late, darling, we're late The curtain descends, everything ends too soon, too soon I wait, darling, I wait Will you speak low to me, speak love to me and soon Time is so old and love so brief Love is pure gold and time a thief Time a thief We're late, darling, we're late The curtain descends, everything ends too soon, too soon I wait, darling, I wait Will you speak low to me, speak love to me and soon Will you speak low to me, speak love to me too soon Will you speak low to me, speak love to me and soon And soon -
2:55Sarah Vaughan - My One And Only Love (Mercury Records 1957)
Sarah Vaughan - My One And Only Love (Mercury Records 1957)Sarah Vaughan - My One And Only Love (Mercury Records 1957)
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Sinatra on May 2, 1953 and released on Capitol 2505. Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, April 24, 1957. (Mercury Records) The very thought of you makes my heart sing Like an April breeze on the wings of spring, And you appear in all your splendor, My one and only love. The shadows fall and spread their mystic charms In the hush of night while you're in my arms. I feel your lips, so warm and tender, My one and only love. The touch of your hand is like heaven, A heaven that I've never known. The blush of your cheek whenever you speak Tells me that you are my own. You fill my eager heart with such desire. Ev'ry kiss you give sets my soul on fire. I give myself in sweet surrender, I surrender dear To my one and only love. -
4:00Shirley Horn - Love For Sale (Mercury Records 1962)
Shirley Horn - Love For Sale (Mercury Records 1962)Shirley Horn - Love For Sale (Mercury Records 1962)
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of "love for sale": "Old love, new love, every love but true love". The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling. "Love for Sale" was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker, with three girlfriends (Waring's Three Girl Friends) as back-up singers, in front of Reuben's, a popular restaurant of the time. As a response to the criticism, the song was transferred from the white Crawford to the African American singer Elisabeth Welch, who sang with back-up singers in a scene set in front of Harlem's Cotton Club. Despite the fact the song was banned from radio airplay, or perhaps because of it, it became a hit, with Libby Holman's version going to #5 and the "Fred Waring's Pennsylvanians" version going to #14, both in 1931. (All other 1931 recordings of the song were as an instrumental.) Notable recordings since include Hal Kemp in 1939, Billie Holiday in 1945, Stan Kenton in 1950 (arranged by Pete Rugolo), Joyce Bryant in 1952, Eartha Kitt in the 1950s, Ella Fitzgerald in 1956, and again in 1972 on her Ella Loves Cole album, Tony Bennett in 1957, Miles Davis and Cannonball Adderley for 1958 Miles and Somethin' Else, Anita O'Day in 1959, Dexter Gordon in 1962, Al Hirt on his 1965 album, Live at Carnegie Hall, The Manhattan Transfer in 1976, the German disco group Boney M. in 1977, Donald Byrd on the Love Byrd album in 1981, Elvis Costello live on the remastered Rhino Entertainment CD of his 1981 record Trust. Harvey Fierstein performs a memorable (if interrupted) version in the movie version of his play Torch Song Trilogy. Martin Smith sang the song in the Cole Porter revue A Swell Party - A Celebration of Cole Porter at London's Vaudeville Theatre in 1992. Simply Red led by Mick Hucknall sang this song at the Montreux Jazz Festival in 1992. Harry Connick, Jr. covered it in 1999 on his album Come by Me. Amanda Lear recorded a version in 2006. Other vocal versions include Mel Torme's, Dinah Washington's, Liza Minnelli's, Diane Schuur's, Dianne Reeves', Cyrille Aimée's and Fine Young Cannibals'. The song has become a jazz standard. Shirley Valerie Horn (May 1, 1934 -- October 20, 2005) was an American jazz singer and pianist. Horn collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work. Shirley Horn kept for twenty five years the same rhythm section: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection". Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) forced her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her. It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn. A breast cancer survivor, she had been battling diabetes when she died of complications from it at the age of 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C. Shirley is accompanied by Jerome Richardson (flute, woodwind); Frank Wess (flute, tenor sax); Al Cohn (tenor sax); Gerry Mulligan (baritone sax); Joe Newman (trumpet); Kenny Burrell (guitar); Milt Hinton (double bass); Osie Johnson (drums); Gene Orloff (violin); Hank Jones (piano); and Jimmy Jones (piano/arr/cond). Recorded September 13, 15, 1962 in New York City. (Mercury Records) -
2:40Erroll Garner - Again (Mercury Records 1949)
Erroll Garner - Again (Mercury Records 1949)Erroll Garner - Again (Mercury Records 1949)
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts. Erroll Louis Garner (June 15, 1921 -- January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Allmusic.com calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1921, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown. He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member. Garner is credited with having a superb memory of music. After attending a concert by the Russian classical pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall. Short in stature (5 ft 2 in), Garner performed sitting on multiple telephone directories.] Considering that his small hands could barely span an octave on the piano keyboard, his rapid right-handed octave and chordal passages were all the more amazing. He was also known for his vocalizations while playing, which can be heard on many of his recordings. He helped to bridge the gap for jazz musicians between nightclubs and the concert hall. Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. His 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former school in Carmel-by-the-Sea, California, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga. In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums. Because Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others. Erroll Garner died from a cardiac arrest on January 2, 1977. He is buried in Pittsburgh's Homewood Cemetery. With Erroll Garner on piano, he's accompanied by Leonard Gaskin (bass) and Charlie Smith (drums). Recorded in New York City, September 8, 1949. (Mercury Records) This couldn't happen again This is that once in a lifetime This is the thrill divine What's more, this never happened before Though I have prayed for a lifetime That such as you would suddenly be mine Mine to hold as I"m holding you now and yet never so near Mine to have when the now and the here disappear What matters, dear, for when This doesn't happen again We'll have this moment forever But never, never, again Again, this couldn't happen again This is that once in a lifetime This is the thrill divine What's more, this never happened before Though I have prayed for a lifetime That such as you would suddenly be mine Mine to hold as I"m holding you now and yet never so near Mine to have when the now and the here disappear What matters, dear, for when This doesn't happen again We'll have this moment forever -
6:04Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis. Sarah's accompanied by Kirk Stuart (vocals/piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records) Look at me, Yea yea yea yea yea I'm as helpless as a kitten up a tree; Feel like I'm clingin' to a cloud, I can' t understand how I get misty, just holding your hand. Walk my way, And a thousand violins begin to play, Might be the sound of your hello, hello That music I hear, I get misty, the moment you're near. Even can't you see that you're leading You're leading me on? And it's just what I want you to do, Don't you notice how hopelessly I'm lost That's why I'm following you. On my own, When I wander through this wonderland alone, Never knowing my right foot from my left My hat from my glove I'm too misty, and too much in love. You can see that you're putting me on And it's just what I want you to do, Don't you notice how hopelessly I'm lost That's why I'm following you. On my own, Would I wander through this wonderland alone, Heh!... jazz Never knowing my right foot from my left My hat from my glove We're too misty, and too much in love. We get too misty, And too much In... excuse me please love..... -
4:03Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. Sarah's accompanied by the arrangements of Bob James. Recorded April 7, 1966. (Mercury Records) The shadow of your smile When you are gone Will color all my dreams And light the dawn Look into my eyes, my love, and see All the lovely things, you are, to me Our wistful little star Was far, too high A teardrop kissed your lips And so did I Now when I remember spring All the joy that love can bring I will be remembering The shadow of your smile Now when I remember spring All the joy that love can bring I will be remembering The shadow of your smile The shadow of your smile The shadow of your smile -
3:10Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy Razaf. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999. Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records) Every honeybee fills with jealousy When they see you out with me I don't blame them goodness knows My honeysuckle rose When you're passin' by flowers droop and sigh And I know the reason why You're much sweeter goodness knows My honeysuckle rose I don't buy sugar You'll just have to touch my cup Oh yea you're my sugar It's sweet when you stir it up When I'm taking sips from your tasty lips Seems the honey fairly drips You're confection goodness knows My honeysuckle rose Every honeybee fills with jealousy When they see you out with me I don't blame them goodness knows My honeysuckle rose When you're passin' by flowers droop and sigh And I know the reason why You're much sweeter goodness knows My honeysuckle rose I don't buy sugar You'll just have to touch my cup Oh yea you're my sugar It's sweet when you stir it up When I'm taking sips from your tasty lips Seems the honey fairly drips You're confection goodness knows You're my honeysuckle rose You're my sweeter gooness knows 'Cause you're my ever loving honeysuckle rose -
25:18RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury recordsRODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
rodrigo concierto andaluz the romeros san antonio symphony orchestra dir-victor alessandro mercury records 1-tiempo de bolero 2-adagio 3-allegretto original recording by the premiere performers of this works this version by the romeros is better like the recording of the academy of st martin in the fields with the same performers
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Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. "Christmas Rappin'" was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label. Every Christmas, this would sell more copies. After eight years, it went gold. In an interview Kurtis Blow explained, "J.B. Moore wrote the first half of the song, the Christmas part. I did all of the party part, the seco... -
Sarah Vaughan - That's All (Mercury Records 1958)
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is part of the Great American Songbook. Nat King Cole first sang the song in 1953. Sarrah's accompanied by Quincy Jones (conductor/arranger), Zoot Sims, Jo and Marcel Hrasko, William Boucaya (reeds), Michel Hausser (vibes), Ronnell Bright (piano), Richard Davis, Pierre Michelot (bass), Kenny Clarke (drums) and Pierre Cullaz (guitar). Recorded in Paris, France, July 7, 1958. Strings I can only give you love that lasts forever And a promise to be near each time you call And the only heart I own for you and you alone That's all That's all I can only give you country walks in springtime And a hand to hold when leaves begin to fall And... -
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since. In 1962, The Beatles recorded a rock 'n roll interpretation during their famed Decca audition. Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records) The leaves of brown, came tumbling down, Remember that September, in the Rain The sun went out just like a dying ember That September in the rain To every word of love I've heard you whisper The raindrops seem to play a sweet refrain. Though spring is here to me it's still September That September in the rain To every word of lov... -
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guitar. Scoring a huge local hit with "I Confess," their early recordings -- exemplified by their 1966 debut album, Breakthrough -- featured first-class original material that gave the sound of Them and the Yardbirds a more commercial, American garage-based, vocal harmony approach. The rest of the '60s saw the band gradually abandoning its roots for middle-of-the-road pop with horns and strings. Continuing to rack up major local hits and minor national ones, they finally cracked the U.S. Top 30 with "Love You So Much" (1968) and "Things I'd Like to Say" (1969). ~ Richie Unterberger, Rovi PLEASE NOTE: I divided my uploads among multiple... -
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989. Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records) Shedood n' doo shadepe da doop do aah Shobe ah wow-boo dee you dee. Shadood n' doo shadepe da doop do aah Shobe ah daboo dee you dee. Shadood n' doo shadepe da doop do aah Shobe ah daboo dee you dee. Sha-ba-ba-da dolya-dol-u... -
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis) quotation from William Shakespeare's Much Ado About Nothing, Act II Scene 1 (1600), where it is spoken by Don Pedro. Sarah's accompanied on the live album "After Hours" by Ronell Bright (piano), Richard Davis (double bass), Roy Haynes (drums), Thad Jones & Wendell Culley (trumpet), Henry Coker (trombone), and Frank Wess (tenor saxophone). Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records) Sp... -
Sarah Vaughan - My One And Only Love (Mercury Records 1957)
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Sinatra on May 2, 1953 and released on Capitol 2505. Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, April 24, 1957. (Mercury Records) The very thought of you makes my heart sing Like an April breeze on the wings of spring, And you appear in all your splendor, My one and only love. The shadows fall and spread their mystic charms In the hush of night while you're in my arms. I feel your lips, so warm and tender, My one and only love. The touch of your hand is like heaven, A heaven that I've never known. The blush of your cheek whenever you speak Tells me that you are my own. You fill my eager he... -
Shirley Horn - Love For Sale (Mercury Records 1962)
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of "love for sale": "Old love, new love, every love but true love". The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling. "Love for Sale" was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker,... -
Erroll Garner - Again (Mercury Records 1949)
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts. Erroll Louis Garner (June 15, 1921 -- January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Allmusic.com calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an Afri... -
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis. Sarah's accompanied by Kirk Stuart (vocals/piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records) Look at me, Yea yea yea yea yea I'm as helpless as a kitten up a tree; Feel like I'm clingin' to a cloud, I can' t understand how I get misty, just holding your hand. Walk my way, And a thousand violins begin to play, Might be the sound of your hello, hello That music I hear, I get misty, the moment you're near. Even can't you see th... -
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. Sarah's accompanied by the arrangements of Bob James. Recorded April 7, 1966. (Mercury Records) The shadow of your smile When you are gone Will color all my dreams And light the dawn Look into my eyes, my love, and see All the lovely things, you are, to me Our wistful little star Was far, too high A teardrop kissed your l... -
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy Razaf. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999. Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records) Every honeybee fills with jealousy When they see you out with me I don't blame them goodness knows My honeysuckle rose When you're passin' by flowers droop and sigh And I know the reason why You're much sweeter goodness knows My honeysuckle rose I don't buy sugar You'll just have to touch my cup Oh yea you're my sugar It's sweet when you stir it up When I'm taking sips from your tasty lips Seems the honey fairly drips You're confection goodness knows My h... -
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
rodrigo concierto andaluz the romeros san antonio symphony orchestra dir-victor alessandro mercury records 1-tiempo de bolero 2-adagio 3-allegretto original recording by the premiere performers of this works this version by the romeros is better like the recording of the academy of st martin in the fields with the same performers -
Sarah Vaughan - Tenderly (Live from Sweden) Mercury Records 1958
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard. Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records) The evening breeze Caressed the trees,Tenderly The trembling trees Embraced the breezeTenderly Then you and I Came wandering by And lost in a sigh Were we The shore was kissed By sea and mist Tenderly I can't forget How two hearts met Breathlessly Your arms opened wide And closed me inside You took my lips You took my love So te... -
Dinah Washington - Unforgettable (Mercury Records 1959)
Unforgettable is a popular song written by Irving Gordon. The song's original working title was Uncomparable. The music publishing company asked Irving to change it to Unforgettable. The song was published in 1951. The most popular version of the song was recorded by Nat King Cole in 1951, with an arrangement written by Nelson Riddle. A non-orchestrated version of the song recorded in 1952 is featured as a bonus track on the CD reissue of 1955's completely instrumental (save the bonus material) Penthouse Serenade. Cole recorded the tune anew in 1961, in a stereo version of the Riddle arrangement, for the album The Nat King Cole Story. His version of the song was included in its entirety in the 2009 film Watchmen during the Comedian's death scene. In 1991, after Elvis Presley's legendary ... -
Sarah Vaughan - Lost In The Stars (Mercury Records 1956)
"Lost in the Stars" is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year. The title song "Lost in the Stars" enjoyed a measure of popular success, and versions of it were recorded by Anita O'Day, Frank Sinatra, Tony Bennett, Generation Gap, Leonard Nimoy, William Shatner and of course sarah Vaughan and many others. The words, which in the musical are those of the minister Stephen Kumalo at the depth of his desperation, tell how God once "held all the stars in the palm of his hand" "and they ran through his fingers like grains of sand, and one little star fell alone." Kumalo say... -
Sarah Vaughan - Sometimes I'm Happy (Live from Sweden) Mercury Records 1958
"Sometimes I'm Happy (Sometimes I'm Blue)" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was published in 1927 and introduced in the Broadway musical Hit the Deck, starring Stanley Holloway, and opened in April, 1927. The song was performed in the musical by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaughn De Leath on Brunswick Records (catalog number 3608) also had a significant degree of popularity. Sarah's accompanied by ... -
Sarah Vaughan - Detour Ahead (Live @ the London House) Mercury Records 1958
Detour Ahead is a jazz standard with words and music credited to Herb Ellis, John Frigo, and Lou Carter. The song was written in 1947 while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey's orchestra. In 1949 Billie Holiday recorded the song with Tiny Grimes' Sextet. While officially credited to Carter, Frigo, and Ellis, there is no agreement in whether all three composed the song. The original lyrics compare love's progress to a motor trip -- the perfect metaphor in 1950s America. Sarah's accompanied on the live album "After Hours" by Ronell Bright -- piano, Richard Davis -- double bass, Roy Haynes -- drums, Thad Jones -- trumpet, Wendell Culley, Henry Corker -- trombone, and Frank Wess -- tenor saxophone. Recorded live at the Lond... -
Sarah Vaughan - Pennies From Heaven (Mercury Records 1957)
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and words by Johnny Burke. It was introduced by Bing Crosby in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Louis Armstrong, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Arthur Tracy, Big Joe Turner, Frank Sinatra, Stan Getz, Dean Martin, Gene Ammons, The Skyliners (a major hit in 1960), Louis Prima, Legion of Mary, Guy Mitchell, Rose Murphy and many other jazz and popular singers. The 1936 recording by Bing Crosby on Decca Records was inducted into the Grammy Hall of Fame in 2004. Sarah's accompanied by Jimmy Jones (piano); Richard Davis (bass); and Roy Haynes (drums). Recorded February 14, 1957, New York. (Mercury Reco... -
Sarah Vaughan - Baubles, Bangles And Beads (Live from Sweden) Mercury Records 1964
"Baubles, Bangles & Beads" is a popular song from the 1953 musical Kismet, credited to Robert Wright and George Forrest. Like all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his String Quartet in D. The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a bracing harmonic progression from the central major key of one section to the tritone minor key of the following section. J... -
Sarah Vaughanft Hal Mooney & His Orchestra - Comes Love (Mercury Records 1956)
"Comes Love" is a 1939 jazz standard. It was composed by Sam H. Stept, with lyrics by Lew Brown and Charles Tobias. Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, November 2, 1956. (Mercury Records) Comes a rain storm, put your rubbers on your feet Comes a snow storm, you can get a little heat Comes love, nothing can be done Comes a fire, then you'll know just what to do Blow a tire, you can buy another shoe Comes love, nothing can be done Don't try hiding, cause there isn't any use You start sliding when your heart turns on the juice Comes a headache, you can lose it in a day Comes a toothache, see your dentist right away Comes love, nothing can be done That all brother, if you've ever been in love That all brother, you know what I'm s... -
Sarah Vaughan - Mean To Me (Live from Sweden) Mercury Records 1958
"Mean To Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. The song is a popular standard, recorded by many artists. Doris Day recorded a version for the 1955 film Love Me or Leave Me. Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records) You're mean to me Why must you be mean to me? Gee, honey, it seems to me You love to see me cryin' I don't know why I stay home each night Each day you say you'll phone You don't and I'm left alone. Sing the blues and sighin' You treat me coldly each day in the year You always scold me Whenever somebody is near, dear It must be great fun to be mean to me You shouldn't, for can't you see What you mean to me You're m...
Brook Benton - Mercury Records - 1959 - 1964
- Order: Reorder
- Duration: 80:15
- Updated: 16 Nov 2014
- views: 6492
Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
- Order: Reorder
- Duration: 8:17
- Updated: 28 Nov 2010
- views: 763821
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to...
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. "Christmas Rappin'" was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label.
Every Christmas, this would sell more copies. After eight years, it went gold. In an interview Kurtis Blow explained, "J.B. Moore wrote the first half of the song, the Christmas part. I did all of the party part, the second half of the song. I wrote all of that on a train ride down to the studio around Christmas time." Kurtis' first album contained the second half of this, a song called "Rappin' Blow, Part 2." The R&B; group Next sampled this on their song "Too Close," which was a huge hit in 1998. It was #1 in the US for 5 weeks.
Kurt Walker better known by his stage name Kurtis Blow, is an American rapper and record producer. He is one of the first commercially successful rappers and the first to sign with a major record label. "The Breaks", a single from his 1980 eponymous debut album, is the first certified gold record rap song.
[Announcer]
'Twas the night before Christmas, when all through the house...
[Kurtis Blow]
Hold it now, wait, hold it! That's played out! Hit it!
Don't you give me all that jive
About things you wrote before I's alive
'Cause this ain't 1823, ain't even 1970
Now I'm the guy named Kurtis Blow and Christmas is one thing I know
So every year, just about this time
I celebrate it with a rhyme
Gonna shake it, gonna bake it, gonna make it good
Gonna rock shock knock it through your neighborhood
Gonna ring it, gonna sing it 'til it's understood
My rap's about to happen like a knee you was slappin'
Or a toe you been tappin' on a hunk of wood
'Bout a red-suited dude, with a friendly attitude
And a sleigh full of goodies for the people on the block
Got a long white beard, maybe looks kind of weird
And if you ever seen him, he could give you quite a shock
Now people let me tell ya about last year
When the dude came flying over here
Well the holly was out, the snow's on the ground,
Folks stayed in to party down
The beat was thumping on the block,
And I was dancing in my socks
And the drummer played at a solid pace
And the taste of the bass was in my face
And the guitar player laid down a heavy layer
of the funky chunky rhythm of the disco beat
And the guy with the 88 started to participate
And I could sure appreciate a sound so sweet
We were all in the mood so we had a little food
And a joke, and a smoke, and a little bit of wine
When I thought I heard a hoof on top of the roof
Could it be or was it me - I was feeling super fine
So I went to the attic where I thought heard the static
On a chance that the prance was somebody breaking in
But the noise on the top was a reindeer clop
Just a tricky St. Nick, and I let the sucka in
He was roly, he was poly, and I said, "Holy moly
You got a lot of whiskers on your chinny-chin-chin"
He allowed, he was proud of the hairy little crowd
On the point of the jaw where the skin should've been
It's cool for a fool throwin' out every yule
For a day on the sleigh when the cold winds blow
So the beard may be weird but I never have it sheared
'Cause it's warm in the storm when it's ten below
I said, "You're right it's cold tonight,
But can you stop for a drop before you go?"
He said, "Why not? If the music's hot,
And I'll chance a dance beneath the mistletoe."
So he went downstairs and forgot his cares
And he rocked the spot and danced like a pro
And every young girl tried to rock his world
But he boogie-oogie-oogied 'til he had to go
And before he went, this fine old gent
Found a gift with a sift through his big red bag
In the top or the bottom, he reached in and got 'em
Had toys for boys, for the girls - glad rags
And the grownups got some presents too
A new TV and a stere-oooh.
A new Seville 'bout as blue as the sky
The best that money couldn't buy
'Cause money could never ever buy the feelin'
The one that comes from not concealin'
The way you feel about your friends
And this is how the story ends
The dude in red's back at the pole
Up North where everything is cold
But if he were right here tonight
He'd say "Merry Christmas! And to all -- a good night!"
wn.com/Kurtis Blow Christmas Rappin' (Mercury Records 1979)
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this with the help of producers Robert Ford and J.B. Moore. They took it to Mercury Records, who signed Kurtis to a 2-single deal, under the condition that If both singles were successful, he would get an album deal. "Christmas Rappin'" was the first single, and it did very well. The second single was "The Breaks," and it became the first rap song to be certified as a gold record, selling over 500,000 copies. Kurtis got the album deal and became the first rapper signed to a major label.
Every Christmas, this would sell more copies. After eight years, it went gold. In an interview Kurtis Blow explained, "J.B. Moore wrote the first half of the song, the Christmas part. I did all of the party part, the second half of the song. I wrote all of that on a train ride down to the studio around Christmas time." Kurtis' first album contained the second half of this, a song called "Rappin' Blow, Part 2." The R&B; group Next sampled this on their song "Too Close," which was a huge hit in 1998. It was #1 in the US for 5 weeks.
Kurt Walker better known by his stage name Kurtis Blow, is an American rapper and record producer. He is one of the first commercially successful rappers and the first to sign with a major record label. "The Breaks", a single from his 1980 eponymous debut album, is the first certified gold record rap song.
[Announcer]
'Twas the night before Christmas, when all through the house...
[Kurtis Blow]
Hold it now, wait, hold it! That's played out! Hit it!
Don't you give me all that jive
About things you wrote before I's alive
'Cause this ain't 1823, ain't even 1970
Now I'm the guy named Kurtis Blow and Christmas is one thing I know
So every year, just about this time
I celebrate it with a rhyme
Gonna shake it, gonna bake it, gonna make it good
Gonna rock shock knock it through your neighborhood
Gonna ring it, gonna sing it 'til it's understood
My rap's about to happen like a knee you was slappin'
Or a toe you been tappin' on a hunk of wood
'Bout a red-suited dude, with a friendly attitude
And a sleigh full of goodies for the people on the block
Got a long white beard, maybe looks kind of weird
And if you ever seen him, he could give you quite a shock
Now people let me tell ya about last year
When the dude came flying over here
Well the holly was out, the snow's on the ground,
Folks stayed in to party down
The beat was thumping on the block,
And I was dancing in my socks
And the drummer played at a solid pace
And the taste of the bass was in my face
And the guitar player laid down a heavy layer
of the funky chunky rhythm of the disco beat
And the guy with the 88 started to participate
And I could sure appreciate a sound so sweet
We were all in the mood so we had a little food
And a joke, and a smoke, and a little bit of wine
When I thought I heard a hoof on top of the roof
Could it be or was it me - I was feeling super fine
So I went to the attic where I thought heard the static
On a chance that the prance was somebody breaking in
But the noise on the top was a reindeer clop
Just a tricky St. Nick, and I let the sucka in
He was roly, he was poly, and I said, "Holy moly
You got a lot of whiskers on your chinny-chin-chin"
He allowed, he was proud of the hairy little crowd
On the point of the jaw where the skin should've been
It's cool for a fool throwin' out every yule
For a day on the sleigh when the cold winds blow
So the beard may be weird but I never have it sheared
'Cause it's warm in the storm when it's ten below
I said, "You're right it's cold tonight,
But can you stop for a drop before you go?"
He said, "Why not? If the music's hot,
And I'll chance a dance beneath the mistletoe."
So he went downstairs and forgot his cares
And he rocked the spot and danced like a pro
And every young girl tried to rock his world
But he boogie-oogie-oogied 'til he had to go
And before he went, this fine old gent
Found a gift with a sift through his big red bag
In the top or the bottom, he reached in and got 'em
Had toys for boys, for the girls - glad rags
And the grownups got some presents too
A new TV and a stere-oooh.
A new Seville 'bout as blue as the sky
The best that money couldn't buy
'Cause money could never ever buy the feelin'
The one that comes from not concealin'
The way you feel about your friends
And this is how the story ends
The dude in red's back at the pole
Up North where everything is cold
But if he were right here tonight
He'd say "Merry Christmas! And to all -- a good night!"
- published: 28 Nov 2010
- views: 763821
Sarah Vaughan - That's All (Mercury Records 1958)
- Order: Reorder
- Duration: 3:35
- Updated: 03 May 2012
- views: 26564
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is pa...
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is part of the Great American Songbook. Nat King Cole first sang the song in 1953.
Sarrah's accompanied by Quincy Jones (conductor/arranger), Zoot Sims, Jo and Marcel Hrasko, William Boucaya (reeds), Michel Hausser (vibes), Ronnell Bright (piano), Richard Davis, Pierre Michelot (bass), Kenny Clarke (drums) and Pierre Cullaz (guitar). Recorded in Paris, France, July 7, 1958.
Strings
I can only give you love that lasts forever
And a promise to be near each time you call
And the only heart I own for you and you alone
That's all
That's all
I can only give you country walks in springtime
And a hand to hold when leaves begin to fall
And a love whose burning light will warm the winter night
That's all
That's all
There are those, I am sure, who have told you
They would give you the world for a toy
All I have are these arms to enfold you
And a love time can never destroy
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
wn.com/Sarah Vaughan That's All (Mercury Records 1958)
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haymes. It has been covered by many jazz and blues artists. The song is part of the Great American Songbook. Nat King Cole first sang the song in 1953.
Sarrah's accompanied by Quincy Jones (conductor/arranger), Zoot Sims, Jo and Marcel Hrasko, William Boucaya (reeds), Michel Hausser (vibes), Ronnell Bright (piano), Richard Davis, Pierre Michelot (bass), Kenny Clarke (drums) and Pierre Cullaz (guitar). Recorded in Paris, France, July 7, 1958.
Strings
I can only give you love that lasts forever
And a promise to be near each time you call
And the only heart I own for you and you alone
That's all
That's all
I can only give you country walks in springtime
And a hand to hold when leaves begin to fall
And a love whose burning light will warm the winter night
That's all
That's all
There are those, I am sure, who have told you
They would give you the world for a toy
All I have are these arms to enfold you
And a love time can never destroy
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
If you're wondering what I'm asking in return, dear
You'll be glad to know that my demands are small
Say it's me that you'll adore for now and ever more
That's all
That's all
- published: 03 May 2012
- views: 26564
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
- Order: Reorder
- Duration: 2:18
- Updated: 29 Dec 2013
- views: 9935
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. I...
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
In 1962, The Beatles recorded a rock 'n roll interpretation during their famed Decca audition.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The leaves of brown, came tumbling down,
Remember that September, in the Rain
The sun went out just like a dying ember
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain.
Though spring is here to me it's still September
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain
Though spring is here to me it's still September
That September in the rain
September in the rain
That September in the rain
wn.com/Sarah Vaughan September In The Rain (Live From Sweden) Mercury Records 1958
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
In 1962, The Beatles recorded a rock 'n roll interpretation during their famed Decca audition.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The leaves of brown, came tumbling down,
Remember that September, in the Rain
The sun went out just like a dying ember
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain.
Though spring is here to me it's still September
That September in the rain
To every word of love I've heard you whisper
The raindrops seem to play a sweet refrain
Though spring is here to me it's still September
That September in the rain
September in the rain
That September in the rain
- published: 29 Dec 2013
- views: 9935
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
- Order: Reorder
- Duration: 2:20
- Updated: 04 Sep 2013
- views: 25760
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guit...
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guitar. Scoring a huge local hit with "I Confess," their early recordings -- exemplified by their 1966 debut album, Breakthrough -- featured first-class original material that gave the sound of Them and the Yardbirds a more commercial, American garage-based, vocal harmony approach. The rest of the '60s saw the band gradually abandoning its roots for middle-of-the-road pop with horns and strings. Continuing to rack up major local hits and minor national ones, they finally cracked the U.S. Top 30 with "Love You So Much" (1968) and "Things I'd Like to Say" (1969). ~ Richie Unterberger, Rovi
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index
wn.com/New Colony Six Things I'd Like To Say (Mercury Records 1969)
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit prominently featuring Farfisa organ and a novel (at the time) Leslie guitar. Scoring a huge local hit with "I Confess," their early recordings -- exemplified by their 1966 debut album, Breakthrough -- featured first-class original material that gave the sound of Them and the Yardbirds a more commercial, American garage-based, vocal harmony approach. The rest of the '60s saw the band gradually abandoning its roots for middle-of-the-road pop with horns and strings. Continuing to rack up major local hits and minor national ones, they finally cracked the U.S. Top 30 with "Love You So Much" (1968) and "Things I'd Like to Say" (1969). ~ Richie Unterberger, Rovi
PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index
- published: 04 Sep 2013
- views: 25760
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
- Order: Reorder
- Duration: 5:44
- Updated: 26 Jul 2011
- views: 18144
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."
Nicknamed "Sailor" (f...
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."
Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Shedood n' doo shadepe da doop do aah
Shobe ah wow-boo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Sha-ba-ba-da dolya-dol-u-u-u-u bundo bum dwey.
Sha-ba-ba-da dotee dolya dolya dopa dolya doopen doopen doopen de yaw/
Sha ba bom'do bom'do bom'de yaww.
Shadapa dalia now dalia daw dalia daw bezertly ah lovey dar lee can dowee.
Shadapa doop deeeeeee ah-oo-pee-ee-yah-oo-ah-oh-vee- n' -do-wee.
Shabopee-eeeeee ah-oo-pee-ee-ah-ollya-oo-pee- n' -do-wee.
Shabopee-heeee ya-oo-pee-eel-ya-hol- yahoo-vee- n' -- do-wee.
Ooooooooooooooooooooooooooo- waa-hoow-shabolya -hoo-ah-oo-vee-oo-veen hoooo.
Shaboba doya dope dolya da boon do shaba shaba shaba.
Ya dolye oope dolye doope dol-ya-oo-baa dopie oow baa ooya bokoloo.
Sha-ba-ba-da we been do wee ya ve yaaa do-pie do bundo bundo shavo pe doya dope dolya Holya oo-waa.
Hoo howee shoba doya dopa hoo ya hoo ba waba waba dolya dopa.
Wee dodidle m'de daaw shavapa dolya dopen dolya ooba ood you love n'dove ah oo aa.
Ooo badol you do yawww sava do you do sha-va-pa-dew.
Zwawo pedodin do to to you poo pado.
Op to do zoo oo pado padolya.
Do to to to to dado paolya do to to tete tedo pahelya.
Rooto dindo taw baw padodla hoo ya jew pavo bedo poho bedolya do.
Ve ho you do ba dolya do pa do pa do pa dolya daba dopen do shababa-da we ve dopa Wohoho.
Wohohohoohdaada oodon'do.
Shaba wop do wee haa yaya dopin dopin wee you hooo.
Shababa dolya dopa dolya dopi dolya doba dolya dove you.
Shavolya dopi dolya doba dolya dododo.
Shadolya do do do yaho yaho yahobodo.
Shaho ya do do do yaho yaho yaho dodo.
Shafo ya do do do yaho yaho yaho pedo.
Shababa do shababa dolya da de ba dobi.
Ooooo shobo ya shabo ba dodin do waw ba dope doya do be.
Oodendo bendeoo padaben dope dopin dopin dopin de ooo.
Shawaho waho ba weeeeehehe blu-he-he-he-wa-ho.
Saba dope dopin weee-do-hoo-waaaww yaaaaa-lalala haa.
Dope do wee salopi doya dowa hooo.
soo soba doba aaaaa saba do ben do wee soba bo bwe.
Shedood n' doo shadepe da doop do aah
Shobe ah daboo dee you vee.
Shadood n' doo shadepe da doop do aah
Soobe ah daboo dee you dee.
Badood n' doo shadepe da dee do aah
Shobe ah daboo dee you bee.
Shadoba doben weee dobendo dobendo debendo da do dn' do shababada weee dobendo Yobendo yobendo yado bn'do shaba dedede yahoow sha dope dee dope dee dope eee Sadopendoba dopin dopin doaaa
Sopotzo viaa n'dia n'dia n'dia onnda vendo weeeeeeee.
wn.com/Sarah Vaughan Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."
Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Shedood n' doo shadepe da doop do aah
Shobe ah wow-boo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Shadood n' doo shadepe da doop do aah
Shobe ah daboo dee you dee.
Sha-ba-ba-da dolya-dol-u-u-u-u bundo bum dwey.
Sha-ba-ba-da dotee dolya dolya dopa dolya doopen doopen doopen de yaw/
Sha ba bom'do bom'do bom'de yaww.
Shadapa dalia now dalia daw dalia daw bezertly ah lovey dar lee can dowee.
Shadapa doop deeeeeee ah-oo-pee-ee-yah-oo-ah-oh-vee- n' -do-wee.
Shabopee-eeeeee ah-oo-pee-ee-ah-ollya-oo-pee- n' -do-wee.
Shabopee-heeee ya-oo-pee-eel-ya-hol- yahoo-vee- n' -- do-wee.
Ooooooooooooooooooooooooooo- waa-hoow-shabolya -hoo-ah-oo-vee-oo-veen hoooo.
Shaboba doya dope dolya da boon do shaba shaba shaba.
Ya dolye oope dolye doope dol-ya-oo-baa dopie oow baa ooya bokoloo.
Sha-ba-ba-da we been do wee ya ve yaaa do-pie do bundo bundo shavo pe doya dope dolya Holya oo-waa.
Hoo howee shoba doya dopa hoo ya hoo ba waba waba dolya dopa.
Wee dodidle m'de daaw shavapa dolya dopen dolya ooba ood you love n'dove ah oo aa.
Ooo badol you do yawww sava do you do sha-va-pa-dew.
Zwawo pedodin do to to you poo pado.
Op to do zoo oo pado padolya.
Do to to to to dado paolya do to to tete tedo pahelya.
Rooto dindo taw baw padodla hoo ya jew pavo bedo poho bedolya do.
Ve ho you do ba dolya do pa do pa do pa dolya daba dopen do shababa-da we ve dopa Wohoho.
Wohohohoohdaada oodon'do.
Shaba wop do wee haa yaya dopin dopin wee you hooo.
Shababa dolya dopa dolya dopi dolya doba dolya dove you.
Shavolya dopi dolya doba dolya dododo.
Shadolya do do do yaho yaho yahobodo.
Shaho ya do do do yaho yaho yaho dodo.
Shafo ya do do do yaho yaho yaho pedo.
Shababa do shababa dolya da de ba dobi.
Ooooo shobo ya shabo ba dodin do waw ba dope doya do be.
Oodendo bendeoo padaben dope dopin dopin dopin de ooo.
Shawaho waho ba weeeeehehe blu-he-he-he-wa-ho.
Saba dope dopin weee-do-hoo-waaaww yaaaaa-lalala haa.
Dope do wee salopi doya dowa hooo.
soo soba doba aaaaa saba do ben do wee soba bo bwe.
Shedood n' doo shadepe da doop do aah
Shobe ah daboo dee you vee.
Shadood n' doo shadepe da doop do aah
Soobe ah daboo dee you dee.
Badood n' doo shadepe da dee do aah
Shobe ah daboo dee you bee.
Shadoba doben weee dobendo dobendo debendo da do dn' do shababada weee dobendo Yobendo yobendo yado bn'do shaba dedede yahoow sha dope dee dope dee dope eee Sadopendoba dopin dopin doaaa
Sopotzo viaa n'dia n'dia n'dia onnda vendo weeeeeeee.
- published: 26 Jul 2011
- views: 18144
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
- Order: Reorder
- Duration: 4:56
- Updated: 21 Jul 2011
- views: 156471
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical O...
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis) quotation from William Shakespeare's Much Ado About Nothing, Act II Scene 1 (1600), where it is spoken by Don Pedro.
Sarah's accompanied on the live album "After Hours" by Ronell Bright (piano), Richard Davis (double bass), Roy Haynes (drums), Thad Jones & Wendell Culley (trumpet), Henry Coker (trombone), and Frank Wess (tenor saxophone). Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records)
Speak low when you speak, love
Our summer day withers away too soon, too soon
Speak low when you speak, love
Our moment is swift, like ships adrift,
we're swept apart, too soon
Speak low, darling, speak low
Love is a spark, lost in the dark too soon, too soon
I feel wherever I go
That tomorrow is near,
tomorrow is here and always too soon
Time is so old and love so brief
Love is pure gold and time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Time is so old and love so brief
Love is pure gold and time a thief
Time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Will you speak low to me, speak love to me too soon
Will you speak low to me, speak love to me and soon
And soon
wn.com/Sarah Vaughan Speak Low (Live The London House) Mercury Records 1958
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It was introduced by Mary Martin and Kenny Baker in the Broadway musical One Touch of Venus (1943). The 1944 hit single was by Guy Lombardo and his orchestra, with vocal by Billy Leach. The tune is a jazz standard that has been widely recorded. The opening line is a (slight mis) quotation from William Shakespeare's Much Ado About Nothing, Act II Scene 1 (1600), where it is spoken by Don Pedro.
Sarah's accompanied on the live album "After Hours" by Ronell Bright (piano), Richard Davis (double bass), Roy Haynes (drums), Thad Jones & Wendell Culley (trumpet), Henry Coker (trombone), and Frank Wess (tenor saxophone). Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records)
Speak low when you speak, love
Our summer day withers away too soon, too soon
Speak low when you speak, love
Our moment is swift, like ships adrift,
we're swept apart, too soon
Speak low, darling, speak low
Love is a spark, lost in the dark too soon, too soon
I feel wherever I go
That tomorrow is near,
tomorrow is here and always too soon
Time is so old and love so brief
Love is pure gold and time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Time is so old and love so brief
Love is pure gold and time a thief
Time a thief
We're late, darling, we're late
The curtain descends, everything ends too soon, too soon
I wait, darling, I wait
Will you speak low to me, speak love to me and soon
Will you speak low to me, speak love to me too soon
Will you speak low to me, speak love to me and soon
And soon
- published: 21 Jul 2011
- views: 156471
Sarah Vaughan - My One And Only Love (Mercury Records 1957)
- Order: Reorder
- Duration: 2:55
- Updated: 30 Dec 2011
- views: 73625
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Si...
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Sinatra on May 2, 1953 and released on Capitol 2505.
Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, April 24, 1957. (Mercury Records)
The very thought of you makes my heart sing
Like an April breeze on the wings of spring,
And you appear in all your splendor,
My one and only love.
The shadows fall and spread their mystic charms
In the hush of night while you're in my arms.
I feel your lips, so warm and tender,
My one and only love.
The touch of your hand is like heaven,
A heaven that I've never known.
The blush of your cheek whenever you speak
Tells me that you are my own.
You fill my eager heart with such desire.
Ev'ry kiss you give sets my soul on fire.
I give myself in sweet surrender,
I surrender dear
To my one and only love.
wn.com/Sarah Vaughan My One And Only Love (Mercury Records 1957)
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robert Mellin. The song was published in 1952. It was recorded by Frank Sinatra on May 2, 1953 and released on Capitol 2505.
Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, April 24, 1957. (Mercury Records)
The very thought of you makes my heart sing
Like an April breeze on the wings of spring,
And you appear in all your splendor,
My one and only love.
The shadows fall and spread their mystic charms
In the hush of night while you're in my arms.
I feel your lips, so warm and tender,
My one and only love.
The touch of your hand is like heaven,
A heaven that I've never known.
The blush of your cheek whenever you speak
Tells me that you are my own.
You fill my eager heart with such desire.
Ev'ry kiss you give sets my soul on fire.
I give myself in sweet surrender,
I surrender dear
To my one and only love.
- published: 30 Dec 2011
- views: 73625
Shirley Horn - Love For Sale (Mercury Records 1962)
- Order: Reorder
- Duration: 4:00
- Updated: 19 Jul 2014
- views: 5379
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 perform...
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of "love for sale": "Old love, new love, every love but true love".
The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling.
"Love for Sale" was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker, with three girlfriends (Waring's Three Girl Friends) as back-up singers, in front of Reuben's, a popular restaurant of the time. As a response to the criticism, the song was transferred from the white Crawford to the African American singer Elisabeth Welch, who sang with back-up singers in a scene set in front of Harlem's Cotton Club.
Despite the fact the song was banned from radio airplay, or perhaps because of it, it became a hit, with Libby Holman's version going to #5 and the "Fred Waring's Pennsylvanians" version going to #14, both in 1931. (All other 1931 recordings of the song were as an instrumental.)
Notable recordings since include Hal Kemp in 1939, Billie Holiday in 1945, Stan Kenton in 1950 (arranged by Pete Rugolo), Joyce Bryant in 1952, Eartha Kitt in the 1950s, Ella Fitzgerald in 1956, and again in 1972 on her Ella Loves Cole album, Tony Bennett in 1957, Miles Davis and Cannonball Adderley for 1958 Miles and Somethin' Else, Anita O'Day in 1959, Dexter Gordon in 1962, Al Hirt on his 1965 album, Live at Carnegie Hall, The Manhattan Transfer in 1976, the German disco group Boney M. in 1977, Donald Byrd on the Love Byrd album in 1981, Elvis Costello live on the remastered Rhino Entertainment CD of his 1981 record Trust. Harvey Fierstein performs a memorable (if interrupted) version in the movie version of his play Torch Song Trilogy. Martin Smith sang the song in the Cole Porter revue A Swell Party - A Celebration of Cole Porter at London's Vaudeville Theatre in 1992. Simply Red led by Mick Hucknall sang this song at the Montreux Jazz Festival in 1992. Harry Connick, Jr. covered it in 1999 on his album Come by Me. Amanda Lear recorded a version in 2006.
Other vocal versions include Mel Torme's, Dinah Washington's, Liza Minnelli's, Diane Schuur's, Dianne Reeves', Cyrille Aimée's and Fine Young Cannibals'. The song has become a jazz standard.
Shirley Valerie Horn (May 1, 1934 -- October 20, 2005) was an American jazz singer and pianist. Horn collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.
Shirley Horn kept for twenty five years the same rhythm section: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) forced her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her. It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from it at the age of 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Shirley is accompanied by Jerome Richardson (flute, woodwind); Frank Wess (flute, tenor sax); Al Cohn (tenor sax); Gerry Mulligan (baritone sax); Joe Newman (trumpet); Kenny Burrell (guitar); Milt Hinton (double bass); Osie Johnson (drums); Gene Orloff (violin); Hank Jones (piano); and Jimmy Jones (piano/arr/cond). Recorded September 13, 15, 1962 in New York City. (Mercury Records)
wn.com/Shirley Horn Love For Sale (Mercury Records 1962)
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of "love for sale": "Old love, new love, every love but true love".
The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling.
"Love for Sale" was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker, with three girlfriends (Waring's Three Girl Friends) as back-up singers, in front of Reuben's, a popular restaurant of the time. As a response to the criticism, the song was transferred from the white Crawford to the African American singer Elisabeth Welch, who sang with back-up singers in a scene set in front of Harlem's Cotton Club.
Despite the fact the song was banned from radio airplay, or perhaps because of it, it became a hit, with Libby Holman's version going to #5 and the "Fred Waring's Pennsylvanians" version going to #14, both in 1931. (All other 1931 recordings of the song were as an instrumental.)
Notable recordings since include Hal Kemp in 1939, Billie Holiday in 1945, Stan Kenton in 1950 (arranged by Pete Rugolo), Joyce Bryant in 1952, Eartha Kitt in the 1950s, Ella Fitzgerald in 1956, and again in 1972 on her Ella Loves Cole album, Tony Bennett in 1957, Miles Davis and Cannonball Adderley for 1958 Miles and Somethin' Else, Anita O'Day in 1959, Dexter Gordon in 1962, Al Hirt on his 1965 album, Live at Carnegie Hall, The Manhattan Transfer in 1976, the German disco group Boney M. in 1977, Donald Byrd on the Love Byrd album in 1981, Elvis Costello live on the remastered Rhino Entertainment CD of his 1981 record Trust. Harvey Fierstein performs a memorable (if interrupted) version in the movie version of his play Torch Song Trilogy. Martin Smith sang the song in the Cole Porter revue A Swell Party - A Celebration of Cole Porter at London's Vaudeville Theatre in 1992. Simply Red led by Mick Hucknall sang this song at the Montreux Jazz Festival in 1992. Harry Connick, Jr. covered it in 1999 on his album Come by Me. Amanda Lear recorded a version in 2006.
Other vocal versions include Mel Torme's, Dinah Washington's, Liza Minnelli's, Diane Schuur's, Dianne Reeves', Cyrille Aimée's and Fine Young Cannibals'. The song has become a jazz standard.
Shirley Valerie Horn (May 1, 1934 -- October 20, 2005) was an American jazz singer and pianist. Horn collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.
Shirley Horn kept for twenty five years the same rhythm section: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) forced her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her. It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from it at the age of 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Shirley is accompanied by Jerome Richardson (flute, woodwind); Frank Wess (flute, tenor sax); Al Cohn (tenor sax); Gerry Mulligan (baritone sax); Joe Newman (trumpet); Kenny Burrell (guitar); Milt Hinton (double bass); Osie Johnson (drums); Gene Orloff (violin); Hank Jones (piano); and Jimmy Jones (piano/arr/cond). Recorded September 13, 15, 1962 in New York City. (Mercury Records)
- published: 19 Jul 2014
- views: 5379
Erroll Garner - Again (Mercury Records 1949)
- Order: Reorder
- Duration: 2:40
- Updated: 24 Jan 2011
- views: 30475
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road Ho...
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
Erroll Louis Garner (June 15, 1921 -- January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Allmusic.com calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso".
Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1921, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.
He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member. Garner is credited with having a superb memory of music. After attending a concert by the Russian classical pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall.
Short in stature (5 ft 2 in), Garner performed sitting on multiple telephone directories.] Considering that his small hands could barely span an octave on the piano keyboard, his rapid right-handed octave and chordal passages were all the more amazing. He was also known for his vocalizations while playing, which can be heard on many of his recordings. He helped to bridge the gap for jazz musicians between nightclubs and the concert hall.
Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. His 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former school in Carmel-by-the-Sea, California, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga.
In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums. Because Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others.
Erroll Garner died from a cardiac arrest on January 2, 1977. He is buried in Pittsburgh's Homewood Cemetery.
With Erroll Garner on piano, he's accompanied by Leonard Gaskin (bass) and Charlie Smith (drums). Recorded in New York City, September 8, 1949. (Mercury Records)
This couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
But never, never, again
Again, this couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
wn.com/Erroll Garner Again (Mercury Records 1949)
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newman, the words by Dorcas Cochran. It first appeared in the movie Road House (1948), sung by Ida Lupino An instrumental rendition was used in the movie "Pickup on South Street" (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
Erroll Louis Garner (June 15, 1921 -- January 2, 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Allmusic.com calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso".
Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1921, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.
He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member. Garner is credited with having a superb memory of music. After attending a concert by the Russian classical pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall.
Short in stature (5 ft 2 in), Garner performed sitting on multiple telephone directories.] Considering that his small hands could barely span an octave on the piano keyboard, his rapid right-handed octave and chordal passages were all the more amazing. He was also known for his vocalizations while playing, which can be heard on many of his recordings. He helped to bridge the gap for jazz musicians between nightclubs and the concert hall.
Garner's first recordings were made in late 1944 at the apartment of Timme Rosenkrantz; these were subsequently issued as the five-volume Overture to Dawn series on Blue Note Records. His recording career advanced in the late 1940s when several sides such as "Fine and Dandy" and "Sweet 'n' Lovely" were cut. His 1955 live album Concert by the Sea was a best-selling jazz album in its day and features Eddie Calhoun on bass and Denzil Best on drums. This recording of a performance at the Sunset Center, a former school in Carmel-by-the-Sea, California, was made using relatively primitive sound equipment, but for George Avakian the decision to release the recording was easy. Other works include 1951's Long Ago and Far Away and 1974's Magician, both of which see Garner perform a number of classic standards. Often the trio was expanded to add Latin percussion, usually a conga.
In 1964, Garner appeared in the UK on the music series Jazz 625 broadcast on the BBC's new second channel. The programme was hosted by Steve Race, who introduced Garner's trio with Eddie Calhoun on bass and Kelly Martin on drums. Because Garner could not write down his musical ideas, he used to record them on tape, to be later transcribed by others.
Erroll Garner died from a cardiac arrest on January 2, 1977. He is buried in Pittsburgh's Homewood Cemetery.
With Erroll Garner on piano, he's accompanied by Leonard Gaskin (bass) and Charlie Smith (drums). Recorded in New York City, September 8, 1949. (Mercury Records)
This couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
But never, never, again
Again, this couldn't happen again
This is that once in a lifetime
This is the thrill divine
What's more, this never happened before
Though I have prayed for a lifetime
That such as you would suddenly be mine
Mine to hold as I"m holding you now and yet never so near
Mine to have when the now and the here disappear
What matters, dear, for when
This doesn't happen again
We'll have this moment forever
- published: 24 Jan 2011
- views: 30475
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
- Order: Reorder
- Duration: 6:04
- Updated: 26 Jul 2011
- views: 5546
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tu...
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah's accompanied by Kirk Stuart (vocals/piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Look at me, Yea yea yea yea yea
I'm as helpless as a kitten up a tree;
Feel like I'm clingin' to a cloud,
I can' t understand how
I get misty, just holding your hand.
Walk my way,
And a thousand violins begin to play,
Might be the sound of your hello, hello
That music I hear,
I get misty, the moment you're near.
Even can't you see that you're leading
You're leading me on?
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
When I wander through this wonderland alone,
Never knowing my right foot from my left
My hat from my glove
I'm too misty, and too much in love.
You can see that you're putting me on
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone,
Heh!... jazz
Never knowing my right foot from my left
My hat from my glove
We're too misty, and too much in love.
We get too misty,
And too much
In... excuse me please love.....
wn.com/Sarah Vaughan Ft Kirk Stewart Misty (Live In Copenhagen) Mercury Records 1963
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah's accompanied by Kirk Stuart (vocals/piano), Charles "Buster" Williams (bass), Georges Hughes (drums), and Quincy Jones (conducter). Recorded live in Copenhagen July 18-21, 1963. (Mercury Records)
Look at me, Yea yea yea yea yea
I'm as helpless as a kitten up a tree;
Feel like I'm clingin' to a cloud,
I can' t understand how
I get misty, just holding your hand.
Walk my way,
And a thousand violins begin to play,
Might be the sound of your hello, hello
That music I hear,
I get misty, the moment you're near.
Even can't you see that you're leading
You're leading me on?
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
When I wander through this wonderland alone,
Never knowing my right foot from my left
My hat from my glove
I'm too misty, and too much in love.
You can see that you're putting me on
And it's just what I want you to do,
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone,
Heh!... jazz
Never knowing my right foot from my left
My hat from my glove
We're too misty, and too much in love.
We get too misty,
And too much
In... excuse me please love.....
- published: 26 Jul 2011
- views: 5546
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
- Order: Reorder
- Duration: 4:03
- Updated: 21 Jul 2011
- views: 16645
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by ...
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song.
Sarah's accompanied by the arrangements of Bob James. Recorded April 7, 1966. (Mercury Records)
The shadow of your smile
When you are gone
Will color all my dreams
And light the dawn
Look into my eyes, my love, and see
All the lovely things, you are, to me
Our wistful little star
Was far, too high
A teardrop kissed your lips
And so did I
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
The shadow of your smile
The shadow of your smile
wn.com/Sarah Vaughan The Shadow Of Your Smile (Mercury Records 1966)
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song.
Sarah's accompanied by the arrangements of Bob James. Recorded April 7, 1966. (Mercury Records)
The shadow of your smile
When you are gone
Will color all my dreams
And light the dawn
Look into my eyes, my love, and see
All the lovely things, you are, to me
Our wistful little star
Was far, too high
A teardrop kissed your lips
And so did I
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
Now when I remember spring
All the joy that love can bring
I will be remembering
The shadow of your smile
The shadow of your smile
The shadow of your smile
- published: 21 Jul 2011
- views: 16645
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
- Order: Reorder
- Duration: 3:10
- Updated: 02 Jan 2014
- views: 8149
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy Razaf. Waller's 1934 recording was inducted in the Grammy Hall of Fame...
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy Razaf. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999.
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Every honeybee fills with jealousy
When they see you out with me
I don't blame them goodness knows
My honeysuckle rose
When you're passin' by flowers droop and sigh
And I know the reason why
You're much sweeter goodness knows
My honeysuckle rose
I don't buy sugar
You'll just have to touch my cup
Oh yea you're my sugar
It's sweet when you stir it up
When I'm taking sips from your tasty lips
Seems the honey fairly drips
You're confection goodness knows
My honeysuckle rose
Every honeybee fills with jealousy
When they see you out with me
I don't blame them goodness knows
My honeysuckle rose
When you're passin' by flowers droop and sigh
And I know the reason why
You're much sweeter goodness knows
My honeysuckle rose
I don't buy sugar
You'll just have to touch my cup
Oh yea you're my sugar
It's sweet when you stir it up
When I'm taking sips from your tasty lips
Seems the honey fairly drips
You're confection goodness knows
You're my honeysuckle rose
You're my sweeter gooness knows
'Cause you're my ever loving honeysuckle rose
wn.com/Sarah Vaughan Honeysuckle Rose (Sweden From Sweden) Mercury Records 1964
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy Razaf. Waller's 1934 recording was inducted in the Grammy Hall of Fame in 1999.
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Every honeybee fills with jealousy
When they see you out with me
I don't blame them goodness knows
My honeysuckle rose
When you're passin' by flowers droop and sigh
And I know the reason why
You're much sweeter goodness knows
My honeysuckle rose
I don't buy sugar
You'll just have to touch my cup
Oh yea you're my sugar
It's sweet when you stir it up
When I'm taking sips from your tasty lips
Seems the honey fairly drips
You're confection goodness knows
My honeysuckle rose
Every honeybee fills with jealousy
When they see you out with me
I don't blame them goodness knows
My honeysuckle rose
When you're passin' by flowers droop and sigh
And I know the reason why
You're much sweeter goodness knows
My honeysuckle rose
I don't buy sugar
You'll just have to touch my cup
Oh yea you're my sugar
It's sweet when you stir it up
When I'm taking sips from your tasty lips
Seems the honey fairly drips
You're confection goodness knows
You're my honeysuckle rose
You're my sweeter gooness knows
'Cause you're my ever loving honeysuckle rose
- published: 02 Jan 2014
- views: 8149
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
- Order: Reorder
- Duration: 25:18
- Updated: 11 Feb 2013
- views: 10688
rodrigo
concierto andaluz
the romeros
san antonio symphony orchestra
dir-victor alessandro
mercury records
1-tiempo de bolero
2-adagio
3-allegretto
original ...
rodrigo
concierto andaluz
the romeros
san antonio symphony orchestra
dir-victor alessandro
mercury records
1-tiempo de bolero
2-adagio
3-allegretto
original recording by the premiere performers of this works
this version by the romeros is better like
the recording of the academy of st martin in the fields with the same performers
wn.com/Rodrigo Concierto Andaluz (The Romeros) ( Best Version) Mercury Records
rodrigo
concierto andaluz
the romeros
san antonio symphony orchestra
dir-victor alessandro
mercury records
1-tiempo de bolero
2-adagio
3-allegretto
original recording by the premiere performers of this works
this version by the romeros is better like
the recording of the academy of st martin in the fields with the same performers
- published: 11 Feb 2013
- views: 10688
Sarah Vaughan - Tenderly (Live from Sweden) Mercury Records 1958
- Order: Reorder
- Duration: 2:35
- Updated: 29 Dec 2013
- views: 2773
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, ...
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The evening breeze
Caressed the trees,Tenderly
The trembling trees
Embraced the breezeTenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
wn.com/Sarah Vaughan Tenderly (Live From Sweden) Mercury Records 1958
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The evening breeze
Caressed the trees,Tenderly
The trembling trees
Embraced the breezeTenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
- published: 29 Dec 2013
- views: 2773
Dinah Washington - Unforgettable (Mercury Records 1959)
- Order: Reorder
- Duration: 2:50
- Updated: 17 Jan 2014
- views: 2882
Unforgettable is a popular song written by Irving Gordon. The song's original working title was Uncomparable. The music publishing company asked Irving to chang...
Unforgettable is a popular song written by Irving Gordon. The song's original working title was Uncomparable. The music publishing company asked Irving to change it to Unforgettable. The song was published in 1951.
The most popular version of the song was recorded by Nat King Cole in 1951, with an arrangement written by Nelson Riddle. A non-orchestrated version of the song recorded in 1952 is featured as a bonus track on the CD reissue of 1955's completely instrumental (save the bonus material) Penthouse Serenade. Cole recorded the tune anew in 1961, in a stereo version of the Riddle arrangement, for the album The Nat King Cole Story. His version of the song was included in its entirety in the 2009 film Watchmen during the Comedian's death scene.
In 1991, after Elvis Presley's legendary musical director Joe Guercio had the idea, Cole's 1961 recording of the song was edited and remixed to create a duet with his daughter, Natalie, which won three awards at the Grammy Awards of 1992: Song of the Year, Record of the Year and Best Traditional Pop Vocal Performance.
Nat Cole's original recording was inducted into the Grammy Hall of Fame in 2000.
Dinah's accompanied by Belford Hendricks (arranger, conductor), Nat Goodman (conductor), Rene Hall (guitar), Barney Kessel (guitar), Ernie Freeman (piano), Red Callender (bass), and Earl Palmer (drums). Recorded August, 1959. (Mercury Records)
(Unforgettable that's what you are)
Unforgettable
That's what you are
Unforgettable
Tho' near or far
Like a song of love that clings to me
Ooh how the thought of you does things to me
Never before has someone been more
Unforgettable ooh in every way
And forever more, I intend to stay
That's why darling it's incredible
That someone so unforgettable
Thinks that I am unforgettable too
Please won't you think that I am
Unforgettable to
wn.com/Dinah Washington Unforgettable (Mercury Records 1959)
Unforgettable is a popular song written by Irving Gordon. The song's original working title was Uncomparable. The music publishing company asked Irving to change it to Unforgettable. The song was published in 1951.
The most popular version of the song was recorded by Nat King Cole in 1951, with an arrangement written by Nelson Riddle. A non-orchestrated version of the song recorded in 1952 is featured as a bonus track on the CD reissue of 1955's completely instrumental (save the bonus material) Penthouse Serenade. Cole recorded the tune anew in 1961, in a stereo version of the Riddle arrangement, for the album The Nat King Cole Story. His version of the song was included in its entirety in the 2009 film Watchmen during the Comedian's death scene.
In 1991, after Elvis Presley's legendary musical director Joe Guercio had the idea, Cole's 1961 recording of the song was edited and remixed to create a duet with his daughter, Natalie, which won three awards at the Grammy Awards of 1992: Song of the Year, Record of the Year and Best Traditional Pop Vocal Performance.
Nat Cole's original recording was inducted into the Grammy Hall of Fame in 2000.
Dinah's accompanied by Belford Hendricks (arranger, conductor), Nat Goodman (conductor), Rene Hall (guitar), Barney Kessel (guitar), Ernie Freeman (piano), Red Callender (bass), and Earl Palmer (drums). Recorded August, 1959. (Mercury Records)
(Unforgettable that's what you are)
Unforgettable
That's what you are
Unforgettable
Tho' near or far
Like a song of love that clings to me
Ooh how the thought of you does things to me
Never before has someone been more
Unforgettable ooh in every way
And forever more, I intend to stay
That's why darling it's incredible
That someone so unforgettable
Thinks that I am unforgettable too
Please won't you think that I am
Unforgettable to
- published: 17 Jan 2014
- views: 2882
Sarah Vaughan - Lost In The Stars (Mercury Records 1956)
- Order: Reorder
- Duration: 3:42
- Updated: 27 Nov 2013
- views: 3933
"Lost in the Stars" is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Pa...
"Lost in the Stars" is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year.
The title song "Lost in the Stars" enjoyed a measure of popular success, and versions of it were recorded by Anita O'Day, Frank Sinatra, Tony Bennett, Generation Gap, Leonard Nimoy, William Shatner and of course sarah Vaughan and many others. The words, which in the musical are those of the minister Stephen Kumalo at the depth of his desperation, tell how God once "held all the stars in the palm of his hand" "and they ran through his fingers like grains of sand, and one little star fell alone." Kumalo says that God sought and found the little lost star and "stated and promised he'd take special care so it wouldn't get lost again." But at times he thinks that God has forgotten his promise and that "we're lost out here in the stars."
Sarah's accompanied by Hal Mooney & His Studio Orchestra. Recorded in New York, November 1, 1956. (Mercury Records)
Before Lord God made the sea or the land
He held all the stars in the palm of his hand
And they ran through his fingers like grains of sand
And one little star fell alone
Then the Lord God hunted through the wide night air
For the little dark star on the wind down there
And he stated his promised he'll takes special care
So it wouldn't get lost no more
Now a man don't mind if the stars get dim
And the clouds blow over and darkens him
So long as the Lord God's watching over them
Keeping track, how it all goes on
But I've been walking through the night and the day
Till my eyes get weary and my head turns gray
And sometimes it seems maybe God's gone away
Forgetting his promise and the word he'd say
And we're lost out here in the stars
Little stars, big stars, blowing through the night
And we're lost out here in the stars
Little stars, big stars, blowing through the night
And we're lost out here in the stars
wn.com/Sarah Vaughan Lost In The Stars (Mercury Records 1956)
"Lost in the Stars" is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel Cry, the Beloved Country (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year.
The title song "Lost in the Stars" enjoyed a measure of popular success, and versions of it were recorded by Anita O'Day, Frank Sinatra, Tony Bennett, Generation Gap, Leonard Nimoy, William Shatner and of course sarah Vaughan and many others. The words, which in the musical are those of the minister Stephen Kumalo at the depth of his desperation, tell how God once "held all the stars in the palm of his hand" "and they ran through his fingers like grains of sand, and one little star fell alone." Kumalo says that God sought and found the little lost star and "stated and promised he'd take special care so it wouldn't get lost again." But at times he thinks that God has forgotten his promise and that "we're lost out here in the stars."
Sarah's accompanied by Hal Mooney & His Studio Orchestra. Recorded in New York, November 1, 1956. (Mercury Records)
Before Lord God made the sea or the land
He held all the stars in the palm of his hand
And they ran through his fingers like grains of sand
And one little star fell alone
Then the Lord God hunted through the wide night air
For the little dark star on the wind down there
And he stated his promised he'll takes special care
So it wouldn't get lost no more
Now a man don't mind if the stars get dim
And the clouds blow over and darkens him
So long as the Lord God's watching over them
Keeping track, how it all goes on
But I've been walking through the night and the day
Till my eyes get weary and my head turns gray
And sometimes it seems maybe God's gone away
Forgetting his promise and the word he'd say
And we're lost out here in the stars
Little stars, big stars, blowing through the night
And we're lost out here in the stars
Little stars, big stars, blowing through the night
And we're lost out here in the stars
- published: 27 Nov 2013
- views: 3933
Sarah Vaughan - Sometimes I'm Happy (Live from Sweden) Mercury Records 1958
- Order: Reorder
- Duration: 1:44
- Updated: 28 Dec 2013
- views: 5059
"Sometimes I'm Happy (Sometimes I'm Blue)" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was published in 1...
"Sometimes I'm Happy (Sometimes I'm Blue)" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was published in 1927 and introduced in the Broadway musical Hit the Deck, starring Stanley Holloway, and opened in April, 1927. The song was performed in the musical by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaughn De Leath on Brunswick Records (catalog number 3608) also had a significant degree of popularity.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
Sometimes I'm happy, sometimes I'm blue.
My disposition depends on you.
I never mind the rain from the sky
If I can find the sun in your eyes.
Sometimes I love you, sometimes I hate you.
But when I hate you, it's 'cause I love you.
That's how I am
So what can I do?
I'm happy when I'm with you.
Sometimes I'm happy, sometimes I'm blue.
My disposition depends on you.
I never mind the rain from the sky
If I can find the sun in your eyes.
Sometimes I love you, sometimes I hate you.
But when I hate you, it's 'cause I love you.
That's how I am
So what can I do?
I'm always happy
So very happy
Im always happy when I'm with you
wn.com/Sarah Vaughan Sometimes I'm Happy (Live From Sweden) Mercury Records 1958
"Sometimes I'm Happy (Sometimes I'm Blue)" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was published in 1927 and introduced in the Broadway musical Hit the Deck, starring Stanley Holloway, and opened in April, 1927. The song was performed in the musical by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaughn De Leath on Brunswick Records (catalog number 3608) also had a significant degree of popularity.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
Sometimes I'm happy, sometimes I'm blue.
My disposition depends on you.
I never mind the rain from the sky
If I can find the sun in your eyes.
Sometimes I love you, sometimes I hate you.
But when I hate you, it's 'cause I love you.
That's how I am
So what can I do?
I'm happy when I'm with you.
Sometimes I'm happy, sometimes I'm blue.
My disposition depends on you.
I never mind the rain from the sky
If I can find the sun in your eyes.
Sometimes I love you, sometimes I hate you.
But when I hate you, it's 'cause I love you.
That's how I am
So what can I do?
I'm always happy
So very happy
Im always happy when I'm with you
- published: 28 Dec 2013
- views: 5059
Sarah Vaughan - Detour Ahead (Live @ the London House) Mercury Records 1958
- Order: Reorder
- Duration: 5:35
- Updated: 21 Jul 2011
- views: 9953
Detour Ahead is a jazz standard with words and music credited to Herb Ellis, John Frigo, and Lou Carter.
The song was written in 1947 while Carter, Ellis and F...
Detour Ahead is a jazz standard with words and music credited to Herb Ellis, John Frigo, and Lou Carter.
The song was written in 1947 while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey's orchestra. In 1949 Billie Holiday recorded the song with Tiny Grimes' Sextet.
While officially credited to Carter, Frigo, and Ellis, there is no agreement in whether all three composed the song.
The original lyrics compare love's progress to a motor trip -- the perfect metaphor in 1950s America.
Sarah's accompanied on the live album "After Hours" by Ronell Bright -- piano, Richard Davis -- double bass, Roy Haynes -- drums, Thad Jones -- trumpet, Wendell Culley, Henry Corker -- trombone, and Frank Wess -- tenor saxophone. Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records)
wn.com/Sarah Vaughan Detour Ahead (Live The London House) Mercury Records 1958
Detour Ahead is a jazz standard with words and music credited to Herb Ellis, John Frigo, and Lou Carter.
The song was written in 1947 while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey's orchestra. In 1949 Billie Holiday recorded the song with Tiny Grimes' Sextet.
While officially credited to Carter, Frigo, and Ellis, there is no agreement in whether all three composed the song.
The original lyrics compare love's progress to a motor trip -- the perfect metaphor in 1950s America.
Sarah's accompanied on the live album "After Hours" by Ronell Bright -- piano, Richard Davis -- double bass, Roy Haynes -- drums, Thad Jones -- trumpet, Wendell Culley, Henry Corker -- trombone, and Frank Wess -- tenor saxophone. Recorded live at the London House in Chicago, Illinois, March 7, 1958. (Mercury Records)
- published: 21 Jul 2011
- views: 9953
Sarah Vaughan - Pennies From Heaven (Mercury Records 1957)
- Order: Reorder
- Duration: 3:11
- Updated: 23 Jul 2011
- views: 7175
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and words by Johnny Burke. It was introduced by Bing Crosby in the 1936 film...
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and words by Johnny Burke. It was introduced by Bing Crosby in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Louis Armstrong, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Arthur Tracy, Big Joe Turner, Frank Sinatra, Stan Getz, Dean Martin, Gene Ammons, The Skyliners (a major hit in 1960), Louis Prima, Legion of Mary, Guy Mitchell, Rose Murphy and many other jazz and popular singers.
The 1936 recording by Bing Crosby on Decca Records was inducted into the Grammy Hall of Fame in 2004.
Sarah's accompanied by Jimmy Jones (piano); Richard Davis (bass); and Roy Haynes (drums). Recorded February 14, 1957, New York. (Mercury Records)
Every time it rains, it rains pennies from heaven
Don't you know each cloud contains pennies from heaven?
You'll find your fortune's falling all over town
Be sure that your umbrella is upside down
Trade them for a package of sunshine and flowers
If you want the things you love, you must
You must have showers
So when you hear it thunder, don't run under a tree
They'll be pennies from heaven for you and me
Every time it rains, it rains pennies from heaven
Don't you know each cloud contains pennies from heaven?
You'll find your fortune's falling all over the town
Be sure that your umbrella is upside down
Trade them for a package of sunshine and flowers
If you want the things you love, you must
You must have showers
So, when you hear it thunder, don't run under a tree
They'll be pennies from heaven for you and me
They'll be pennies from heaven for you and me
They'll be pennies from heaven for you and me
wn.com/Sarah Vaughan Pennies From Heaven (Mercury Records 1957)
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and words by Johnny Burke. It was introduced by Bing Crosby in the 1936 film of the same name. It was recorded in the same year by Billie Holiday and afterwards performed by Louis Armstrong, Tony Bennett, Dinah Washington, Clark Terry, Frances Langford, Arthur Tracy, Big Joe Turner, Frank Sinatra, Stan Getz, Dean Martin, Gene Ammons, The Skyliners (a major hit in 1960), Louis Prima, Legion of Mary, Guy Mitchell, Rose Murphy and many other jazz and popular singers.
The 1936 recording by Bing Crosby on Decca Records was inducted into the Grammy Hall of Fame in 2004.
Sarah's accompanied by Jimmy Jones (piano); Richard Davis (bass); and Roy Haynes (drums). Recorded February 14, 1957, New York. (Mercury Records)
Every time it rains, it rains pennies from heaven
Don't you know each cloud contains pennies from heaven?
You'll find your fortune's falling all over town
Be sure that your umbrella is upside down
Trade them for a package of sunshine and flowers
If you want the things you love, you must
You must have showers
So when you hear it thunder, don't run under a tree
They'll be pennies from heaven for you and me
Every time it rains, it rains pennies from heaven
Don't you know each cloud contains pennies from heaven?
You'll find your fortune's falling all over the town
Be sure that your umbrella is upside down
Trade them for a package of sunshine and flowers
If you want the things you love, you must
You must have showers
So, when you hear it thunder, don't run under a tree
They'll be pennies from heaven for you and me
They'll be pennies from heaven for you and me
They'll be pennies from heaven for you and me
- published: 23 Jul 2011
- views: 7175
Sarah Vaughan - Baubles, Bangles And Beads (Live from Sweden) Mercury Records 1964
- Order: Reorder
- Duration: 3:09
- Updated: 01 Jan 2014
- views: 11527
"Baubles, Bangles & Beads" is a popular song from the 1953 musical Kismet, credited to Robert Wright and George Forrest. Like all the music in that show, the me...
"Baubles, Bangles & Beads" is a popular song from the 1953 musical Kismet, credited to Robert Wright and George Forrest. Like all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his String Quartet in D. The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a bracing harmonic progression from the central major key of one section to the tritone minor key of the following section. Jazz players and singers have enjoyed the musical challenges of this song for decades.
The best-selling version of the song was recorded by Peggy Lee in 1954. Other versions were recorded that year by Lu Ann Simms, Georgia Gibbs, and Frank Sinatra. The Kirby Stone Four re-make hit the Billboard Top 100 in 1958 and remains a favorite on adult standard stations. (Eumir) Deodato recorded an instrumental in a hit LP of 1973.
But the most curious version is that one that mixed the scherzo of Borodin's string quartet No. 2 with this piece of music, arranged by the Argentine Ernesto Acher under the name Borodin, Bangles & Beads in 1987 on his album "Juegos"
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Baubles, bangles, hear how they jing, jinga-linga
Baubles, bangles, bright shiny beads
Sparkles, spangles, my heart will sing, singa-linga
Wearin' baubles, bangles and beads
I'm just a glitter and gleam so
Make somebody dream so that
Maybe he may buy me a ring, ringa-linga
I've heard that's where it leads
Wearin' baubles, bangles, and beads
Baubles, bangles, hear how they jing, jinga-linga
Baubles, bangles, bright, shiny beads
Sparkles, spangles, my heart will sing, singa-linga
Wearin' baubles, bangles, and beads
I'm just glitter and gleam so
Make somebody dream so that
Maybe a he may, buy me a ring, ringa-linga
I've heard that that's where it leads
Wearin' baubles and bangles, sparkles, spangles
Loads and loads of baubles, just give me those bangles
I gotta have sparkels, bangles and beads
wn.com/Sarah Vaughan Baubles, Bangles And Beads (Live From Sweden) Mercury Records 1964
"Baubles, Bangles & Beads" is a popular song from the 1953 musical Kismet, credited to Robert Wright and George Forrest. Like all the music in that show, the melody was based on works by Alexander Borodin, in this case the second theme of the second movement of his String Quartet in D. The "Kismet" setting maintains the original's 3/4 waltz rhythm; pop music settings change the rhythm to a moderate four-beat accompaniment. Jazz musicians are especially drawn to the song's beguiling melody and advanced harmonic structure. The familiar AA'BA+Coda structure of the song is energized by a key change up a major third interval for every section; the transition is marked by a bracing harmonic progression from the central major key of one section to the tritone minor key of the following section. Jazz players and singers have enjoyed the musical challenges of this song for decades.
The best-selling version of the song was recorded by Peggy Lee in 1954. Other versions were recorded that year by Lu Ann Simms, Georgia Gibbs, and Frank Sinatra. The Kirby Stone Four re-make hit the Billboard Top 100 in 1958 and remains a favorite on adult standard stations. (Eumir) Deodato recorded an instrumental in a hit LP of 1973.
But the most curious version is that one that mixed the scherzo of Borodin's string quartet No. 2 with this piece of music, arranged by the Argentine Ernesto Acher under the name Borodin, Bangles & Beads in 1987 on his album "Juegos"
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Baubles, bangles, hear how they jing, jinga-linga
Baubles, bangles, bright shiny beads
Sparkles, spangles, my heart will sing, singa-linga
Wearin' baubles, bangles and beads
I'm just a glitter and gleam so
Make somebody dream so that
Maybe he may buy me a ring, ringa-linga
I've heard that's where it leads
Wearin' baubles, bangles, and beads
Baubles, bangles, hear how they jing, jinga-linga
Baubles, bangles, bright, shiny beads
Sparkles, spangles, my heart will sing, singa-linga
Wearin' baubles, bangles, and beads
I'm just glitter and gleam so
Make somebody dream so that
Maybe a he may, buy me a ring, ringa-linga
I've heard that that's where it leads
Wearin' baubles and bangles, sparkles, spangles
Loads and loads of baubles, just give me those bangles
I gotta have sparkels, bangles and beads
- published: 01 Jan 2014
- views: 11527
Sarah Vaughanft Hal Mooney & His Orchestra - Comes Love (Mercury Records 1956)
- Order: Reorder
- Duration: 2:38
- Updated: 06 Aug 2011
- views: 21789
"Comes Love" is a 1939 jazz standard. It was composed by Sam H. Stept, with lyrics by Lew Brown and Charles Tobias.
Sarah's accompanied by Hal Mooney and His S...
"Comes Love" is a 1939 jazz standard. It was composed by Sam H. Stept, with lyrics by Lew Brown and Charles Tobias.
Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, November 2, 1956. (Mercury Records)
Comes a rain storm, put your rubbers on your feet
Comes a snow storm, you can get a little heat
Comes love, nothing can be done
Comes a fire, then you'll know just what to do
Blow a tire, you can buy another shoe
Comes love, nothing can be done
Don't try hiding, cause there isn't any use
You start sliding when your heart turns on the juice
Comes a headache, you can lose it in a day
Comes a toothache, see your dentist right away
Comes love, nothing can be done
That all brother, if you've ever been in love
That all brother, you know what I'm speaking of
Comes a nightmare, you can always stay awake
Comes depression, you may get another break
Comes love, nothing can be done
Nothing can be done
Nothing can be done
Nothing can be done
Be done
wn.com/Sarah Vaughanft Hal Mooney His Orchestra Comes Love (Mercury Records 1956)
"Comes Love" is a 1939 jazz standard. It was composed by Sam H. Stept, with lyrics by Lew Brown and Charles Tobias.
Sarah's accompanied by Hal Mooney and His Studio Orchestra. Recorded in New York, November 2, 1956. (Mercury Records)
Comes a rain storm, put your rubbers on your feet
Comes a snow storm, you can get a little heat
Comes love, nothing can be done
Comes a fire, then you'll know just what to do
Blow a tire, you can buy another shoe
Comes love, nothing can be done
Don't try hiding, cause there isn't any use
You start sliding when your heart turns on the juice
Comes a headache, you can lose it in a day
Comes a toothache, see your dentist right away
Comes love, nothing can be done
That all brother, if you've ever been in love
That all brother, you know what I'm speaking of
Comes a nightmare, you can always stay awake
Comes depression, you may get another break
Comes love, nothing can be done
Nothing can be done
Nothing can be done
Nothing can be done
Be done
- published: 06 Aug 2011
- views: 21789
Sarah Vaughan - Mean To Me (Live from Sweden) Mercury Records 1958
- Order: Reorder
- Duration: 2:09
- Updated: 29 Dec 2013
- views: 19211
"Mean To Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. The song is a popular standard, recorded by many artists....
"Mean To Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. The song is a popular standard, recorded by many artists. Doris Day recorded a version for the 1955 film Love Me or Leave Me.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
You're mean to me
Why must you be mean to me?
Gee, honey, it seems to me
You love to see me cryin'
I don't know why
I stay home each night
Each day you say you'll phone
You don't and I'm left alone.
Sing the blues and sighin'
You treat me coldly each day in the year
You always scold me
Whenever somebody is near, dear
It must be great fun to be mean to me
You shouldn't, for can't you see
What you mean to me
You're mean to me
Why must you be mean to me?
Gee, honey, it seems to me
You love to see me cryin'
I stay home each night
When you say you phone
You don't and I'm left alone.
Sing the blues and sighin'
You treat me coldly each day in the year
You always scold me
Whenever somebody is near, dear
It must be great fun to be mean to me
Gee honey why can't you see
What you mean to me
Can't you see what you mean to me
wn.com/Sarah Vaughan Mean To Me (Live From Sweden) Mercury Records 1958
"Mean To Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. The song is a popular standard, recorded by many artists. Doris Day recorded a version for the 1955 film Love Me or Leave Me.
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
You're mean to me
Why must you be mean to me?
Gee, honey, it seems to me
You love to see me cryin'
I don't know why
I stay home each night
Each day you say you'll phone
You don't and I'm left alone.
Sing the blues and sighin'
You treat me coldly each day in the year
You always scold me
Whenever somebody is near, dear
It must be great fun to be mean to me
You shouldn't, for can't you see
What you mean to me
You're mean to me
Why must you be mean to me?
Gee, honey, it seems to me
You love to see me cryin'
I stay home each night
When you say you phone
You don't and I'm left alone.
Sing the blues and sighin'
You treat me coldly each day in the year
You always scold me
Whenever somebody is near, dear
It must be great fun to be mean to me
Gee honey why can't you see
What you mean to me
Can't you see what you mean to me
- published: 29 Dec 2013
- views: 19211
-
Sunday nights be like
David Sanborn - Sax, Hiram Bullock - Guitar, Marcus Miller - Bass, Rob Wasserman - Upright Bass, Philiippe Saisse - Keyboards, Music video by Bon Jovi performing Saturday Night Gave Me Sunday Morning. (C) 2015 Mercury Records, a Division of UMG Recordings, Inc. Stay amazing. Karen Souza provides a taste of what's to come with a preview of her new album. As first single released, Everyday Is Like Sunday is an amazing version of an . You're invited to the party of the year! Find out what happened to Kathy Beth Terry in the official music video for Katy Perry's “Last Friday Night (T.G.I.F.)” featuring . -
KAIYABA by Lydia Njogu
Title: KAIYABA Artiste: Lydia Njogu Audio: Mercury Records Nairobi Dir: Mike Ji/Xperience Presentation/Juja -uKikuyu Gospel- -
Dusty Springfield "It's Over"
"It's Over," written by Jimmie Rodgers and first recorded by him in 1966, was recorded by Dusty Springfield in London in March 1968, but remained unreleased until 1999 when it was included as a bonus track on the CD release of Dusty’s U.S. album, The Look of Love on Mercury Records/Universal Music. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain. -
My Jealous Eyes - Patti Page with Jack Rael and his Orchestra - Mercury Records 70070
Lyrics in the [Closed Captions] Mercury Records 70070 Recorded on December 19, 1952. There's quite a bit of spindle mark damage since the flip side was so popular. Learn more about the record here: http://rapturerecords.tumblr.com/post/97994800522/song-my-jealous-eyes-the-doggie-in-the-window Listen to the flip side "The Doggie in the Window" here: https://youtu.be/ZHbzn8LApi8 -Technical Info- Recorded using the Numark PT-01 with a 78 diamond needle. RIAA removed and re-equalized using Audacity and the "78rpm playback curves" wiki page (Mercury) -
Young Jessie with Robert "Bumps" Blackwell's Orchestra - Big Chief (King of love) [MERCURY]
Mr. Young Jessie sings Big Chief, an absoulute floorfiller issued in 1962 for Mercury records. Produced and backed by Robert "Bumps" Blackwell and his Orchestra. -
Take me home (for the animals) -- original song by Second Coming on Mercury Records
The anthem for homeless animals. -
I'm Gonna Make You Love Me (c) 1966 Mercury Records
THE FELLAS cover Diana Ross & The Supremes and The Temptations version of 'I'm Gonna Make You Love me, originally recorded by Dee Dee Warwick in 1966 at BB King Blues sold-out performance with Joe Rivera III and Donald "Baby Ray" Moyer on lead vocals on Feb 6, 2016. From The Lenny Mays LMS Show -
PRESSINGS COMPARISON: Allman Brothers Band at Fillmore East Mercury box set (2014) Vs. MFSL (2015)
Here are two recent (as of this video's release date) reissues of one of the best live rock albums ever produced, The Allman Brothers Band at Fillmore East. In 2014, Mercury Records released a 4-LP box set called "The 1971 Fillmore East Recordings" including material not present in the original album (the 6-CD box set has the complete concert recordings). In 2015, Mobile Fidelity Sound Lab released its version of the original album. Here you can hear both releases playing "Whipping Post" and decide which one you like the most. Enjoy! Numark TTXUSB turntable - Nagaoka MP-500 phono cartridge - ART DJPRE II phono stage preamp - Vinyl record vinilo LP -
Runaground | Cover by Eksteen Jacobsz [(C) 1998 Mercury Records Limited]
(C) 1998 Mercury Records Limited. For every woman you will leave an open door You find yourself thinking why can't I have more? You say there's nothing you can do You tried your best, but you were only being you Oh, no, she's gone Back wherever she came from You watched her go Your reaction is far too slow Runaground, runaground, runaground You don't know what you've got until you've lost it all Might I suggest you find a softer place to fall You take for granted all the riches of your world You may have oysters, but you'll never find a pearl Oh, no, she's gone Back wherever she came from You watched her go Your reaction is far too slow Oh, no, she's gone Back wherever she came from You watched her go Your reaction is far too slow Runaground, runaground, runaground Runaground, runag... -
popcornsound - JUNE VALLI - looking at the world (mercury records)
DJ L.E (Erwin) PoPcornsound - ORIGINAL VINYL from my own collection* Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, -
Mercury Records Eddy Howard I feel the same about you
I created this video with the YouTube Video Editor (https://www.youtube.com/editor) Eddy Howard & His Orchestra – A Penny A Kiss - A Penny A Hug / I Still Feel the Same about You Label: Mercury – 5567 Released: 1951 Genre: Jazz Style: Big Band A: A Penny A Kiss - A Penny A Hug Composers Kaye-Care Vocals Eddy Howard & trio B: I Still Feel the Same about You Composers Manning & Reid Charted 02/17/1951. Peaked at #14 U.S. Billboard Edward Evan Duncan "Eddy" Howard (September 12, 1914 – May 23, 1963) was an American vocalist and bandleader who was popular during the 1940s and 1950s. -
-
Dinah Washington – “Ol Santa” (Mercury) 1959
Written by Clyde Otis. Arranged by Belford Hendricks Dinah Washington was with Mercury Records from the early 50s through to the time of her tragic passing in 1963. Although primarily a jazz singer she took a serious run at the Hot-100 as the 50s were winding down, scoring with “What A Difference A Day Makes” (#8, 1959) and one of two duets with Brook Benton, “Baby (You’ve Got What It Takes)” (#5, 1960). This would appear to have been Dinah’s only Christmas recording; a situation she would have remedied had she been with us a little longer. She passed in December, 1963. Right in the middle of that chart run, Dinah released this Christmas 45, written by another great, Clyde Otis. As a record producer, Clyde was there for Brook Benton’s “It’s Just A Matter Of Time”, Sarah Vaughan’s “Broke... -
SUNP0009 Shane teaches Love roller coaster by the Ohio Players on Mercury Records
I teach how to sing multiple parts to a song with the Ohio Players Love Roller coaster put out by Mercury Records. -
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records]
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records] Follow me on Youtube: https://www.youtube.com/channel/UCH8FMgaVWPfw_tOwcKwRXgw Follow me on SoundCloud: https://soundcloud.com/iuseppeiello Follow me on Facebook: https://www.facebook.com/GiuseppeAiellofreeRecordings -
Del Royals Feat: Willie Johnson - Some Kind Of Wonderful - Mercury: 73012 DJ
a flawless 1970 PROMO. Pleading lead vocal is cradled by piano notes on the intro but then his teammates vocals join in, lifting the session yet another notch. The pairing of the rich voices, the strings and the lone piano notes works so very well! Del Royals Feat: Willie Johnson Mercury: 73012 DJ Artist Del Royals Feat: Willie Johnson Label Mercury: 73012 DJ Format 45 A side Some Kind Of Wonderful B side Same: 2,36 Mono Version Year 70 City new york, n.y. Tracklisting Written And Produced By Larry Weiss Arranged By Tony Camillo £ 50.00 @ http://www.raresoulman.co.uk/d/94981/DEL_ROYALS_feat:_WILLIE_JOHNSON https://www.facebook.com/JohnManshipRecords/ https://www.facebook.com/groups/JohnManship/ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "... -
Hypnotronic Man in MERCURY 77
This song was released as a seven inch lathe cut in a run of 22 as a part of The 77 part 3 from Woody Records! on Black Friday Record Store Day 2015! This song was also Originally Featured as a digital release by the artist! -
-
Johnny Mathis – “The Little Drummer Boy” (Mercury) 1963
Written by Harry Simeone, Henry Onorati and Katherine Davis. Arranged by Don Costa and produced by Global Records, Inc. Johnny Mathis left Columbia Records in 1963 after a solid six year chart run and joined Mercury. Obviously aware of the quality and selling power of his Christmas recordings, Mercury had Johnny record a Christmas album almost as soon as he landed at the label. “The Sounds Of Christmas” was released in October 1963 and included the two tracks issued on this 45, “The Little Drummer Boy” / “Have Reindeer Will Travel”. “The Little Drummer Boy” was originally issued in 1958 by the Harry Simeone Chorale and reached #13 on the Hot-100. Many versions have followed as the song gravitated to being a Christmas staple. -
Aleks - Mercury Space Program [Shimmering Moods Records]
First guest mix by Olesia Elfa is now online! https://soundcloud.com/machinefunksavantage/machine-funk-guest-mix-1-olesia-elfa Join us on Facebook: https://www.facebook.com/MachineFunkSavantage Support the artist! https://shimmeringmoodsrecords.bandcamp.com/album/frame-of-reference http://www.deejay.de/SHMCD013_-_Aleks_-_Frame_Of_Reference__208978 http://www.decks.de/t/aleks-frame_of_reference/c6c-jg http://de.juno.co.uk/products/aleks-frame-of-reference/594142-01/ Album: Frame Of Reference [SHMCD013] Title: Aleks - CR Label: Shimmering Moods Records Release Date: 30/11/2015 -
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Errol Garner Don't Blame Me Mercury DJ Records 78 1032 1946
-
Errol Garner Blue Skies Mercury DJ Records 78 1032 1946
Sunday nights be like
- Order: Reorder
- Duration: 1:05
- Updated: 29 Mar 2016
- views: 0
David Sanborn - Sax, Hiram Bullock - Guitar, Marcus Miller - Bass, Rob Wasserman - Upright Bass, Philiippe Saisse - Keyboards,
Music video by Bon Jovi perfor...
David Sanborn - Sax, Hiram Bullock - Guitar, Marcus Miller - Bass, Rob Wasserman - Upright Bass, Philiippe Saisse - Keyboards,
Music video by Bon Jovi performing Saturday Night Gave Me Sunday Morning. (C) 2015 Mercury Records, a Division of UMG Recordings, Inc.
Stay amazing.
Karen Souza provides a taste of what's to come with a preview of her new album. As first single released, Everyday Is Like Sunday is an amazing version of an .
You're invited to the party of the year! Find out what happened to Kathy Beth Terry in the official music video for Katy Perry's “Last Friday Night (T.G.I.F.)” featuring .
wn.com/Sunday Nights Be Like
David Sanborn - Sax, Hiram Bullock - Guitar, Marcus Miller - Bass, Rob Wasserman - Upright Bass, Philiippe Saisse - Keyboards,
Music video by Bon Jovi performing Saturday Night Gave Me Sunday Morning. (C) 2015 Mercury Records, a Division of UMG Recordings, Inc.
Stay amazing.
Karen Souza provides a taste of what's to come with a preview of her new album. As first single released, Everyday Is Like Sunday is an amazing version of an .
You're invited to the party of the year! Find out what happened to Kathy Beth Terry in the official music video for Katy Perry's “Last Friday Night (T.G.I.F.)” featuring .
- published: 29 Mar 2016
- views: 0
KAIYABA by Lydia Njogu
- Order: Reorder
- Duration: 3:13
- Updated: 29 Mar 2016
- views: 3
Title: KAIYABA
Artiste: Lydia Njogu
Audio: Mercury Records Nairobi
Dir: Mike Ji/Xperience Presentation/Juja
-uKikuyu Gospel-
Title: KAIYABA
Artiste: Lydia Njogu
Audio: Mercury Records Nairobi
Dir: Mike Ji/Xperience Presentation/Juja
-uKikuyu Gospel-
wn.com/Kaiyaba By Lydia Njogu
Title: KAIYABA
Artiste: Lydia Njogu
Audio: Mercury Records Nairobi
Dir: Mike Ji/Xperience Presentation/Juja
-uKikuyu Gospel-
- published: 29 Mar 2016
- views: 3
Dusty Springfield "It's Over"
- Order: Reorder
- Duration: 2:36
- Updated: 28 Mar 2016
- views: 65
"It's Over," written by Jimmie Rodgers and first recorded by him in 1966, was recorded by Dusty Springfield in London in March 1968, but remained unreleased unt...
"It's Over," written by Jimmie Rodgers and first recorded by him in 1966, was recorded by Dusty Springfield in London in March 1968, but remained unreleased until 1999 when it was included as a bonus track on the CD release of Dusty’s U.S. album, The Look of Love on Mercury Records/Universal Music. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain.
wn.com/Dusty Springfield It's Over
"It's Over," written by Jimmie Rodgers and first recorded by him in 1966, was recorded by Dusty Springfield in London in March 1968, but remained unreleased until 1999 when it was included as a bonus track on the CD release of Dusty’s U.S. album, The Look of Love on Mercury Records/Universal Music. I do not own the right to the song, audio, or images contained in this video. The sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education not for monetary gain.
- published: 28 Mar 2016
- views: 65
My Jealous Eyes - Patti Page with Jack Rael and his Orchestra - Mercury Records 70070
- Order: Reorder
- Duration: 3:02
- Updated: 24 Mar 2016
- views: 3
Lyrics in the [Closed Captions]
Mercury Records 70070
Recorded on December 19, 1952.
There's quite a bit of spindle mark damage since the flip side was so po...
Lyrics in the [Closed Captions]
Mercury Records 70070
Recorded on December 19, 1952.
There's quite a bit of spindle mark damage since the flip side was so popular.
Learn more about the record here:
http://rapturerecords.tumblr.com/post/97994800522/song-my-jealous-eyes-the-doggie-in-the-window
Listen to the flip side "The Doggie in the Window" here:
https://youtu.be/ZHbzn8LApi8
-Technical Info-
Recorded using the Numark PT-01 with a 78 diamond needle.
RIAA removed and re-equalized using Audacity and the "78rpm playback curves" wiki page (Mercury)
wn.com/My Jealous Eyes Patti Page With Jack Rael And His Orchestra Mercury Records 70070
Lyrics in the [Closed Captions]
Mercury Records 70070
Recorded on December 19, 1952.
There's quite a bit of spindle mark damage since the flip side was so popular.
Learn more about the record here:
http://rapturerecords.tumblr.com/post/97994800522/song-my-jealous-eyes-the-doggie-in-the-window
Listen to the flip side "The Doggie in the Window" here:
https://youtu.be/ZHbzn8LApi8
-Technical Info-
Recorded using the Numark PT-01 with a 78 diamond needle.
RIAA removed and re-equalized using Audacity and the "78rpm playback curves" wiki page (Mercury)
- published: 24 Mar 2016
- views: 3
Young Jessie with Robert "Bumps" Blackwell's Orchestra - Big Chief (King of love) [MERCURY]
- Order: Reorder
- Duration: 2:38
- Updated: 28 Feb 2016
- views: 40
Mr. Young Jessie sings Big Chief, an absoulute floorfiller issued in 1962 for Mercury records.
Produced and backed by Robert "Bumps" Blackwell and his Orchestra...
Mr. Young Jessie sings Big Chief, an absoulute floorfiller issued in 1962 for Mercury records.
Produced and backed by Robert "Bumps" Blackwell and his Orchestra.
wn.com/Young Jessie With Robert Bumps Blackwell's Orchestra Big Chief (King Of Love) Mercury
Mr. Young Jessie sings Big Chief, an absoulute floorfiller issued in 1962 for Mercury records.
Produced and backed by Robert "Bumps" Blackwell and his Orchestra.
- published: 28 Feb 2016
- views: 40
Take me home (for the animals) -- original song by Second Coming on Mercury Records
- Order: Reorder
- Duration: 3:39
- Updated: 26 Feb 2016
- views: 64
The anthem for homeless animals.
The anthem for homeless animals.
wn.com/Take Me Home (For The Animals) Original Song By Second Coming On Mercury Records
The anthem for homeless animals.
- published: 26 Feb 2016
- views: 64
I'm Gonna Make You Love Me (c) 1966 Mercury Records
- Order: Reorder
- Duration: 3:09
- Updated: 15 Feb 2016
- views: 11
THE FELLAS cover Diana Ross & The Supremes and The Temptations version of 'I'm Gonna Make You Love me, originally recorded by Dee Dee Warwick in 1966 at BB Kin...
THE FELLAS cover Diana Ross & The Supremes and The Temptations version of 'I'm Gonna Make You Love me, originally recorded by Dee Dee Warwick in 1966 at BB King Blues sold-out performance with Joe Rivera III and Donald "Baby Ray" Moyer on lead vocals on Feb 6, 2016. From The Lenny Mays LMS Show
wn.com/I'm Gonna Make You Love Me (C) 1966 Mercury Records
THE FELLAS cover Diana Ross & The Supremes and The Temptations version of 'I'm Gonna Make You Love me, originally recorded by Dee Dee Warwick in 1966 at BB King Blues sold-out performance with Joe Rivera III and Donald "Baby Ray" Moyer on lead vocals on Feb 6, 2016. From The Lenny Mays LMS Show
- published: 15 Feb 2016
- views: 11
PRESSINGS COMPARISON: Allman Brothers Band at Fillmore East Mercury box set (2014) Vs. MFSL (2015)
- Order: Reorder
- Duration: 23:47
- Updated: 03 Feb 2016
- views: 374
Here are two recent (as of this video's release date) reissues of one of the best live rock albums ever produced, The Allman Brothers Band at Fillmore East. In ...
Here are two recent (as of this video's release date) reissues of one of the best live rock albums ever produced, The Allman Brothers Band at Fillmore East. In 2014, Mercury Records released a 4-LP box set called "The 1971 Fillmore East Recordings" including material not present in the original album (the 6-CD box set has the complete concert recordings). In 2015, Mobile Fidelity Sound Lab released its version of the original album. Here you can hear both releases playing "Whipping Post" and decide which one you like the most. Enjoy!
Numark TTXUSB turntable - Nagaoka MP-500 phono cartridge - ART DJPRE II phono stage preamp - Vinyl record vinilo LP
wn.com/Pressings Comparison Allman Brothers Band At Fillmore East Mercury Box Set (2014) Vs. Mfsl (2015)
Here are two recent (as of this video's release date) reissues of one of the best live rock albums ever produced, The Allman Brothers Band at Fillmore East. In 2014, Mercury Records released a 4-LP box set called "The 1971 Fillmore East Recordings" including material not present in the original album (the 6-CD box set has the complete concert recordings). In 2015, Mobile Fidelity Sound Lab released its version of the original album. Here you can hear both releases playing "Whipping Post" and decide which one you like the most. Enjoy!
Numark TTXUSB turntable - Nagaoka MP-500 phono cartridge - ART DJPRE II phono stage preamp - Vinyl record vinilo LP
- published: 03 Feb 2016
- views: 374
Runaground | Cover by Eksteen Jacobsz [(C) 1998 Mercury Records Limited]
- Order: Reorder
- Duration: 4:02
- Updated: 28 Jan 2016
- views: 83
(C) 1998 Mercury Records Limited.
For every woman you will leave an open door
You find yourself thinking why can't I have more?
You say there's nothing you can...
(C) 1998 Mercury Records Limited.
For every woman you will leave an open door
You find yourself thinking why can't I have more?
You say there's nothing you can do
You tried your best, but you were only being you
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Runaground, runaground, runaground
You don't know what you've got until you've lost it all
Might I suggest you find a softer place to fall
You take for granted all the riches of your world
You may have oysters, but you'll never find a pearl
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Runaground, runaground, runaground
Runaground, runaground, runaground
She's moving on, the love has gone
You left the door wide open
She's moving on, the just has gone
This anger's felt, not spoken
It got too old, was too controlled
Could have gone on forever
The love has gone, she's moving on
When she said now you never
Runaground, runaground, runaground
Runaground, runaground, runaground
Runaground, runaground, runaground
Runaground, runaground, runaground
Oh, no
wn.com/Runaground | Cover By Eksteen Jacobsz (C) 1998 Mercury Records Limited
(C) 1998 Mercury Records Limited.
For every woman you will leave an open door
You find yourself thinking why can't I have more?
You say there's nothing you can do
You tried your best, but you were only being you
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Runaground, runaground, runaground
You don't know what you've got until you've lost it all
Might I suggest you find a softer place to fall
You take for granted all the riches of your world
You may have oysters, but you'll never find a pearl
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Oh, no, she's gone
Back wherever she came from
You watched her go
Your reaction is far too slow
Runaground, runaground, runaground
Runaground, runaground, runaground
She's moving on, the love has gone
You left the door wide open
She's moving on, the just has gone
This anger's felt, not spoken
It got too old, was too controlled
Could have gone on forever
The love has gone, she's moving on
When she said now you never
Runaground, runaground, runaground
Runaground, runaground, runaground
Runaground, runaground, runaground
Runaground, runaground, runaground
Oh, no
- published: 28 Jan 2016
- views: 83
popcornsound - JUNE VALLI - looking at the world (mercury records)
- Order: Reorder
- Duration: 2:41
- Updated: 27 Jan 2016
- views: 136
DJ L.E (Erwin) PoPcornsound - ORIGINAL VINYL from my own collection*
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fa...
DJ L.E (Erwin) PoPcornsound - ORIGINAL VINYL from my own collection*
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit,
wn.com/Popcornsound June Valli Looking At The World (Mercury Records)
DJ L.E (Erwin) PoPcornsound - ORIGINAL VINYL from my own collection*
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit,
- published: 27 Jan 2016
- views: 136
Mercury Records Eddy Howard I feel the same about you
- Order: Reorder
- Duration: 3:23
- Updated: 23 Jan 2016
- views: 13
I created this video with the YouTube Video Editor (https://www.youtube.com/editor)
Eddy Howard & His Orchestra – A Penny A Kiss - A Penny A Hug / I Still Fee...
I created this video with the YouTube Video Editor (https://www.youtube.com/editor)
Eddy Howard & His Orchestra – A Penny A Kiss - A Penny A Hug / I Still Feel the Same about You
Label: Mercury – 5567
Released: 1951
Genre: Jazz
Style: Big Band
A: A Penny A Kiss - A Penny A Hug
Composers Kaye-Care
Vocals Eddy Howard & trio
B: I Still Feel the Same about You
Composers Manning & Reid
Charted 02/17/1951. Peaked at #14 U.S. Billboard
Edward Evan Duncan "Eddy" Howard (September 12, 1914 – May 23, 1963) was an American vocalist and bandleader who was popular during the 1940s and 1950s.
wn.com/Mercury Records Eddy Howard I Feel The Same About You
I created this video with the YouTube Video Editor (https://www.youtube.com/editor)
Eddy Howard & His Orchestra – A Penny A Kiss - A Penny A Hug / I Still Feel the Same about You
Label: Mercury – 5567
Released: 1951
Genre: Jazz
Style: Big Band
A: A Penny A Kiss - A Penny A Hug
Composers Kaye-Care
Vocals Eddy Howard & trio
B: I Still Feel the Same about You
Composers Manning & Reid
Charted 02/17/1951. Peaked at #14 U.S. Billboard
Edward Evan Duncan "Eddy" Howard (September 12, 1914 – May 23, 1963) was an American vocalist and bandleader who was popular during the 1940s and 1950s.
- published: 23 Jan 2016
- views: 13
Kissin at the Drive-In 1958 Mercury Records
- Order: Reorder
- Duration: 2:36
- Updated: 12 Jan 2016
- views: 103
Dinah Washington – “Ol Santa” (Mercury) 1959
- Order: Reorder
- Duration: 2:39
- Updated: 31 Dec 2015
- views: 18
Written by Clyde Otis. Arranged by Belford Hendricks
Dinah Washington was with Mercury Records from the early 50s through to the time of her tragic passing in ...
Written by Clyde Otis. Arranged by Belford Hendricks
Dinah Washington was with Mercury Records from the early 50s through to the time of her tragic passing in 1963. Although primarily a jazz singer she took a serious run at the Hot-100 as the 50s were winding down, scoring with “What A Difference A Day Makes” (#8, 1959) and one of two duets with Brook Benton, “Baby (You’ve Got What It Takes)” (#5, 1960).
This would appear to have been Dinah’s only Christmas recording; a situation she would have remedied had she been with us a little longer. She passed in December, 1963.
Right in the middle of that chart run, Dinah released this Christmas 45, written by another great, Clyde Otis. As a record producer, Clyde was there for Brook Benton’s “It’s Just A Matter Of Time”, Sarah Vaughan’s “Broken Hearted Melody” and Timi Yuro’s “Hurt” among many other hits.
wn.com/Dinah Washington – “Ol Santa” (Mercury) 1959
Written by Clyde Otis. Arranged by Belford Hendricks
Dinah Washington was with Mercury Records from the early 50s through to the time of her tragic passing in 1963. Although primarily a jazz singer she took a serious run at the Hot-100 as the 50s were winding down, scoring with “What A Difference A Day Makes” (#8, 1959) and one of two duets with Brook Benton, “Baby (You’ve Got What It Takes)” (#5, 1960).
This would appear to have been Dinah’s only Christmas recording; a situation she would have remedied had she been with us a little longer. She passed in December, 1963.
Right in the middle of that chart run, Dinah released this Christmas 45, written by another great, Clyde Otis. As a record producer, Clyde was there for Brook Benton’s “It’s Just A Matter Of Time”, Sarah Vaughan’s “Broken Hearted Melody” and Timi Yuro’s “Hurt” among many other hits.
- published: 31 Dec 2015
- views: 18
SUNP0009 Shane teaches Love roller coaster by the Ohio Players on Mercury Records
- Order: Reorder
- Duration: 7:00
- Updated: 30 Dec 2015
- views: 110
I teach how to sing multiple parts to a song with the Ohio Players Love Roller coaster put out by Mercury Records.
I teach how to sing multiple parts to a song with the Ohio Players Love Roller coaster put out by Mercury Records.
wn.com/Sunp0009 Shane Teaches Love Roller Coaster By The Ohio Players On Mercury Records
I teach how to sing multiple parts to a song with the Ohio Players Love Roller coaster put out by Mercury Records.
- published: 30 Dec 2015
- views: 110
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records]
- Order: Reorder
- Duration: 4:54
- Updated: 26 Dec 2015
- views: 46
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records]
Follow me on Youtube:
https://www.youtube.com/channel/UCH8FMgaVWPf...
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records]
Follow me on Youtube:
https://www.youtube.com/channel/UCH8FMgaVWPfw_tOwcKwRXgw
Follow me on SoundCloud:
https://soundcloud.com/iuseppeiello
Follow me on Facebook:
https://www.facebook.com/GiuseppeAiellofreeRecordings
wn.com/Giuseppe Aiello Freddie Mercury I Want To Break Free (Original Edit Mix) Free. Records
Giuseppe Aiello & Freddie Mercury - I Want To Break Free (Original Edit Mix)[free. Records]
Follow me on Youtube:
https://www.youtube.com/channel/UCH8FMgaVWPfw_tOwcKwRXgw
Follow me on SoundCloud:
https://soundcloud.com/iuseppeiello
Follow me on Facebook:
https://www.facebook.com/GiuseppeAiellofreeRecordings
- published: 26 Dec 2015
- views: 46
Del Royals Feat: Willie Johnson - Some Kind Of Wonderful - Mercury: 73012 DJ
- Order: Reorder
- Duration: 2:42
- Updated: 22 Dec 2015
- views: 99
a flawless 1970 PROMO. Pleading lead vocal is cradled by piano notes on the intro but then his teammates vocals join in, lifting the session yet another notch. ...
a flawless 1970 PROMO. Pleading lead vocal is cradled by piano notes on the intro but then his teammates vocals join in, lifting the session yet another notch. The pairing of the rich voices, the strings and the lone piano notes works so very well!
Del Royals Feat: Willie Johnson
Mercury: 73012 DJ
Artist
Del Royals Feat: Willie Johnson
Label
Mercury: 73012 DJ
Format
45
A side
Some Kind Of Wonderful
B side
Same: 2,36 Mono Version
Year
70
City
new york, n.y.
Tracklisting
Written And Produced By Larry Weiss
Arranged By Tony Camillo
£ 50.00 @ http://www.raresoulman.co.uk/d/94981/DEL_ROYALS_feat:_WILLIE_JOHNSON
https://www.facebook.com/JohnManshipRecords/
https://www.facebook.com/groups/JohnManship/
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
WE WANT WHAT YOU DON'T WANT - Great website credit or cash offer for you unwanted vinyl.
We are looking for clean at least Ex+ vinyl in ALL genres.
Especially Northern Soul, Punk, Ska & Reggae, 50s British Rock N' Roll, Freakbeat, Jazz, Progressive Rock etc etc.
Let us know whatcha got...generous Web Site credits or cash offer awaits - so why not freshen up your collection the painless way.
John Manship Records
www.raresoulman.co.uk
Tel: +44 (0) 1664 464991
Email: info@raresoulman.co.uk
http://www.facebook.com/groups/320839131343147/ Beat Ballad Heaven
videos and artwork by Paul Royle - https://www.facebook.com/paul.royle.18
Del Royals Feat: Willie Johnson - Some Kind Of Wonderful - Mercury: 73012 DJ
wn.com/Del Royals Feat Willie Johnson Some Kind Of Wonderful Mercury 73012 Dj
a flawless 1970 PROMO. Pleading lead vocal is cradled by piano notes on the intro but then his teammates vocals join in, lifting the session yet another notch. The pairing of the rich voices, the strings and the lone piano notes works so very well!
Del Royals Feat: Willie Johnson
Mercury: 73012 DJ
Artist
Del Royals Feat: Willie Johnson
Label
Mercury: 73012 DJ
Format
45
A side
Some Kind Of Wonderful
B side
Same: 2,36 Mono Version
Year
70
City
new york, n.y.
Tracklisting
Written And Produced By Larry Weiss
Arranged By Tony Camillo
£ 50.00 @ http://www.raresoulman.co.uk/d/94981/DEL_ROYALS_feat:_WILLIE_JOHNSON
https://www.facebook.com/JohnManshipRecords/
https://www.facebook.com/groups/JohnManship/
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.
WE WANT WHAT YOU DON'T WANT - Great website credit or cash offer for you unwanted vinyl.
We are looking for clean at least Ex+ vinyl in ALL genres.
Especially Northern Soul, Punk, Ska & Reggae, 50s British Rock N' Roll, Freakbeat, Jazz, Progressive Rock etc etc.
Let us know whatcha got...generous Web Site credits or cash offer awaits - so why not freshen up your collection the painless way.
John Manship Records
www.raresoulman.co.uk
Tel: +44 (0) 1664 464991
Email: info@raresoulman.co.uk
http://www.facebook.com/groups/320839131343147/ Beat Ballad Heaven
videos and artwork by Paul Royle - https://www.facebook.com/paul.royle.18
Del Royals Feat: Willie Johnson - Some Kind Of Wonderful - Mercury: 73012 DJ
- published: 22 Dec 2015
- views: 99
Hypnotronic Man in MERCURY 77
- Order: Reorder
- Duration: 4:39
- Updated: 19 Dec 2015
- views: 27
This song was released as a seven inch lathe cut in a run of 22 as a part of The 77 part 3 from Woody Records! on Black Friday Record Store Day 2015! This song ...
This song was released as a seven inch lathe cut in a run of 22 as a part of The 77 part 3 from Woody Records! on Black Friday Record Store Day 2015! This song was also Originally Featured as a digital release by the artist!
wn.com/Hypnotronic Man In Mercury 77
This song was released as a seven inch lathe cut in a run of 22 as a part of The 77 part 3 from Woody Records! on Black Friday Record Store Day 2015! This song was also Originally Featured as a digital release by the artist!
- published: 19 Dec 2015
- views: 27
I'M GONNA BE A FOOL NEXT MONDAY - KITTY WHITE - Mercury
- Order: Reorder
- Duration: 2:10
- Updated: 18 Dec 2015
- views: 97
Johnny Mathis – “The Little Drummer Boy” (Mercury) 1963
- Order: Reorder
- Duration: 3:13
- Updated: 12 Dec 2015
- views: 103
Written by Harry Simeone, Henry Onorati and Katherine Davis. Arranged by Don Costa and produced by Global Records, Inc.
Johnny Mathis left Columbia Records in ...
Written by Harry Simeone, Henry Onorati and Katherine Davis. Arranged by Don Costa and produced by Global Records, Inc.
Johnny Mathis left Columbia Records in 1963 after a solid six year chart run and joined Mercury. Obviously aware of the quality and selling power of his Christmas recordings, Mercury had Johnny record a Christmas album almost as soon as he landed at the label. “The Sounds Of Christmas” was released in October 1963 and included the two tracks issued on this 45, “The Little Drummer Boy” / “Have Reindeer Will Travel”.
“The Little Drummer Boy” was originally issued in 1958 by the Harry Simeone Chorale and reached #13 on the Hot-100. Many versions have followed as the song gravitated to being a Christmas staple.
wn.com/Johnny Mathis – “The Little Drummer Boy” (Mercury) 1963
Written by Harry Simeone, Henry Onorati and Katherine Davis. Arranged by Don Costa and produced by Global Records, Inc.
Johnny Mathis left Columbia Records in 1963 after a solid six year chart run and joined Mercury. Obviously aware of the quality and selling power of his Christmas recordings, Mercury had Johnny record a Christmas album almost as soon as he landed at the label. “The Sounds Of Christmas” was released in October 1963 and included the two tracks issued on this 45, “The Little Drummer Boy” / “Have Reindeer Will Travel”.
“The Little Drummer Boy” was originally issued in 1958 by the Harry Simeone Chorale and reached #13 on the Hot-100. Many versions have followed as the song gravitated to being a Christmas staple.
- published: 12 Dec 2015
- views: 103
Aleks - Mercury Space Program [Shimmering Moods Records]
- Order: Reorder
- Duration: 6:13
- Updated: 10 Dec 2015
- views: 484
First guest mix by Olesia Elfa is now online! https://soundcloud.com/machinefunksavantage/machine-funk-guest-mix-1-olesia-elfa
Join us on Facebook: https://www....
First guest mix by Olesia Elfa is now online! https://soundcloud.com/machinefunksavantage/machine-funk-guest-mix-1-olesia-elfa
Join us on Facebook: https://www.facebook.com/MachineFunkSavantage
Support the artist!
https://shimmeringmoodsrecords.bandcamp.com/album/frame-of-reference
http://www.deejay.de/SHMCD013_-_Aleks_-_Frame_Of_Reference__208978
http://www.decks.de/t/aleks-frame_of_reference/c6c-jg
http://de.juno.co.uk/products/aleks-frame-of-reference/594142-01/
Album: Frame Of Reference [SHMCD013]
Title: Aleks - CR
Label: Shimmering Moods Records
Release Date: 30/11/2015
wn.com/Aleks Mercury Space Program Shimmering Moods Records
First guest mix by Olesia Elfa is now online! https://soundcloud.com/machinefunksavantage/machine-funk-guest-mix-1-olesia-elfa
Join us on Facebook: https://www.facebook.com/MachineFunkSavantage
Support the artist!
https://shimmeringmoodsrecords.bandcamp.com/album/frame-of-reference
http://www.deejay.de/SHMCD013_-_Aleks_-_Frame_Of_Reference__208978
http://www.decks.de/t/aleks-frame_of_reference/c6c-jg
http://de.juno.co.uk/products/aleks-frame-of-reference/594142-01/
Album: Frame Of Reference [SHMCD013]
Title: Aleks - CR
Label: Shimmering Moods Records
Release Date: 30/11/2015
- published: 10 Dec 2015
- views: 484
THE TOPICS Giving Up MERCURY RECORDS 1973
- Order: Reorder
- Duration: 4:13
- Updated: 10 Dec 2015
- views: 81
THE TOPICS Giving Up MERCURY RECORDS 1973
https://www.youtube.com/channel/UC2BOdxu6H0VNCDbKvukm5Ew?view_as=public
ujima wanduta
THE TOPICS Giving Up MERCURY RECORDS 1973
https://www.youtube.com/channel/UC2BOdxu6H0VNCDbKvukm5Ew?view_as=public
ujima wanduta
wn.com/The Topics Giving Up Mercury Records 1973
Errol Garner Don't Blame Me Mercury DJ Records 78 1032 1946
- Order: Reorder
- Duration: 3:02
- Updated: 03 Dec 2015
- views: 11
- published: 03 Dec 2015
- views: 11
Errol Garner Blue Skies Mercury DJ Records 78 1032 1946
- Order: Reorder
- Duration: 2:57
- Updated: 03 Dec 2015
- views: 41
- published: 03 Dec 2015
- views: 41
-
Mark Rae at Piccadilly Records Manchester "Mercury Rising" DJ mix
Mark Rae "Mercury Rising" Piccadilly Manchester instore DJ mix to celebrate the release of the new Rae & Christian artist album "Mercury Rising" Available to buy now on iTunes: http://www.itunes.com/nighttimestories Late Night Tales Webshop: http://goo.gl/HyYIZ Listen on Spotify: http://goo.gl/Q98T7d -
Blur - Live Denver Mercury Cafe February 1st 1996 - Virgin Records official promo video
Intermission / Popscene / Tracy Jacks / It Could Be You / Charmless Man / End Of A Century / Oily Water / Mr. Robinson's Quango / Jubilee / To The End / She's So High / Globe Alone / Advert / Bank Holiday / Supa Shoppa / Country House / Girls & Boys / He Thought Of Cars / Stereotypes / This Is A Low / Parklife / The Universal -
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) (Bear Family Records GmbH) [Full Album]
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) Released 2011-08-19 on Bear Family Records GmbH 1. 00:00:00 EDDIE BOND & HIS STOMPERS ROCKIN’ DADDY 2. 00:02:02 SLEEPY LaBEEF ALL THE TIME 3. 00:03:54 JIMMY EDWARDS LOVE BUG CRAWL 4. 00:05:56 BILLY WALLACE & THE BAMA DRIFTERS THAT’S MY REWARD 5. 00:08:21 JOHNNY ‘T’ TALLEY (I’VE CHANGED MY) WILD MIND 6. 00:10:22 ROY MOSS YOU’RE MY BIG BABY NOW 7. 00:12:45 EDDIE BOND & HIS STOMPERS SLIP SLIP SLIPPIN’-IN 8. 00:14:54 GEORGE & EARL DONE GONE 9. 00:17:08 CURTIS GORDON DRAGGIN’ 10. 00:18:57 BILLY WALLACE & THE BAMA DRIFTERS WHAT’LL I DO 11. 00:20:53 ROY MOSS YOU DON’T KNOW MY MIND 12. 00:23:08 Rudy Grayzell LET’S GET WILD 13. 00:25:56 EDDIE BOND & HIS STOMPERS FLIP FLOP MAMA 14. 00:28:04 ROYCE PORTER YES I DO 15. 00:30:17 THOMAS WAYNE YOU’... -
The Stanley Brothers - The Mercury Sessions
The Stanley Brothers - The Mercury Sessions 01. 0:00:00 (SAY) WON'T YOU BE MINE 02. 0:02:49 THIS WEARY HEART YOU STOLE AWAY 03. 0:05:29 I'M LONESOME WITHOUT YOU 04. 0:08:01 OUR LAST GOODBYE (TAKE 4) 05. 0:10:41 POISON LIES 06 0:13:23. DICKSON COUNTY BREAKDOWN (INSTR.) 07. 0:15:39 I LONG TO SEE THE OLD FOLKS 08. 0:18:45 A VOICE FROM ON HIGH 09. 0:21:21 MEMORIES OF MOTHER 10. 0:23:43 COULD YOU LOVE ME (ONE MORE TIME) 11. 0:26:21 NOBODY'S LOVE IS LIKE MINE 12. 0:28:49 I JUST GOT WISE 13. 0:31:25 BLUE MOON OF KENTUCKY 14. 0:33:41 CLOSE BY 15. 0:35:49 CALLING FROM HEAVEN 16. 0:38:07 HARBOR LOVE 17. 0:40:27 HARD TIMES (INSTR.) 18. 0:43:13 BABY GIRL 19. 0:45:35 SAY YOU'LL TAKE ME BACK 20. 0:47:35 I WORSHIP YOU 21. 0:50:03 YOU'RE STILL ON MY MIND 22. 0:52:07 I HEAR MY SAVIOR... -
Timothy Walker Part one: Medicinal mercury in the Early Modern Portuguese records
Please note that the content of this talk should be regarded as an unpublished draft presentation. This material is subject to copyright. Please contact the speaker for permission to cite this material. twalker (at) umassd.edu This talk presents and explicates rare information regarding circumstances and techniques for the application of medicinal mercury in the Portuguese medical context during the seventeenth and eighteenth centuries. Through the use of images of Portuguese medical texts, and translated excerpts of those texts, the talk will provide insight into how early modern Portuguese practitioners employed mercury to treat various ailments. Of interest, too, will be that these remedies were developed at several disparate locations throughout the Portuguese imperial world, and of... -
Clifford Brown & Max Roach Mercury Record 4
-
Def Leppard: Hysteria (full album)
Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August 1987 through Mercury Records and reissued on 1 January 2000. It is the band's best-selling album to date, selling over 20 million copies worldwide, including 12 million in the US, and spawning seven hit singles. The album charted at #1 on both the Billboard 200 and the UK Albums Chart. Track Listing: 01. Women 5:41 02. Rocket 6:34 03. Animal 4:02 04. Love Bites 5:46 05. Pour Some Sugar on Me 4:25 06. Armageddon It 5:21 07. Gods of War 6:33 08. Don't Shoot Shotgun 4:19 09. Run Riot 4:39 10. Hysteria 5:49 11. Excitable... -
Losing Sleep (2009) - Parachute iTunes Deluxe Edition FULL ALBUM
No copyright infringement intended. All rights belong to Parachute and Mercury Records. Track List 0:00 All That I Am 4:17 Back Again 7:23 She (For Liz) 10:31 The Mess I Made 14:23 She Is Love 16:50 Ghost 20:32 Under Control 24:53 Blame It On Me 28:20 Words Meat Heartbeats 31:38 The New Year 35:53 She Is Love (Full Band Version) 38:59 Strange World [Bonus Track] 42:48 Be Here [Bonus Track] 46:41 Losing Sleep [Bonus Track] 50:23 All That I Am (Acoustic) [Bonus Track] 53:57 Under Control (Live) [Bonus Track] -
45 rpm records of easy listening music played on my Webster Chicago phonograph
This video was made to just play a small program of music for your listening pleasure, so sit back and enjoy, the tunes are "Why", by Nat King Cole Capitol records "The Hawaiian Wedding Song" by Andy Williams Cadence records "Suddenly" by Les Baxter Capitol records "Was That The Human Thing To Do" by Don Cornell RCA Victor records A Special extended 45 rpm RCA Victor record with selection announcements by Tony Martin RCA Victor records "Carioca" by Tony Martin RCA Victor records "Cotton Candy" by Al Hirt RCA Victor records "Tango Of Roses" by Carmen Cavallaro Decca records "Blue Tears" by Jerry Vale Columbia records "The Time Has Come" by Ed Ames RCA Victor records "Swingin` Sweethearts", by David Carroll Mercury records "Hawaiian War Chant" by Tomy Dorsey And His Orches... -
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 (One Day Music) [Full Album]
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 Released 2015-04-17 on One Day Music Download on iTunes: https://geo.itunes.apple.com/album/id-1?uo=6&app;=itunes&at;=10ldAw&ct;=YTAT5060259820281 Download on Google Play: https://play.google.com/store/search?q=Various+Artists+A+Taste+of+Honey%3A+Gems+from+the+Mercury+Vaults+1962&c;=music&PAffiliateID;=100l3VM 1. 00:00:00 Clyde McPhatter Lover Please 2. 00:01:59 George Barnes Spooky 3. 00:04:24 Johnny Preston Kissin' Tree 4. 00:06:12 Jivin' Gene Genie Bom Beanie 5. 00:08:40 Leroy Van Dyke If a Woman Answers (Hang up the Phone) 6. 00:11:00 Dolly Parton It's Sure Gonna Hurt 7. 00:13:18 Little Richard He Got What He Wanted (But He Lost What He Had) 8. 00:16:00 Brook Benton Walk on the Wild Side 9. 00:18:34 Charles Aznavour You'... -
Facing the animal (1997)
Facing the Animal es el décimo álbum de estudio del guitarrista Yngwie Malmsteen, lanzado el 23 de febrero de 1997 a través de Pony Canyon (Japón) y Mercury Records (Estados Unidos). Aunque acreditado a Malmsteen, "Air on a Theme" es un arreglo del segundo movimiento (Largo) de "Piccolo Concerto in C Major (RV443)" de Antonio Vivaldi, mientras que "Braveheart" contiene un riff de Gary Moore "Over the Hills and Far Away". Facing the Animal cuenta una de las últimas actuaciones del baterista Cozy Powell antes de su muerte en abril de 1998. Lista de temas: 1) 00:00 Braveheart 2) 05:20 Facing the Animal 3) 09:59 Enemy 4) 14:54 Sacrifice 5) 19:15 Like an Angel – For April 6) 25:05 My Resurrection 7) 29:56 Another Time 8) 35:01 Heathens from the North 9) 38:43 Alone in Paradise ... -
The Mission UK - Gods Own Medicine 1986
is the debut studio album by the English gothic rock band The Mission. It was released in November 1986 through by the Phonogram label Mercury Records. The original LP version contains 10 songs.[1] The CD and cassette versions had the songs '"Blood Brother" and "Island in the Stream" added. 1. "Wasteland" 5:42 2. "Bridges Burning" 4:08 3. "Garden of Delight (Hereafter)" 3:42 4. "Stay With Me" 4:37 5. "Blood Brother" 5:16 6. "Let Sleeping Dogs Die" 5:53 7. "Sacrilege" 4:45 8. "Dance on Glass" 5:10 9. "And the Dance Goes On" 4:10 10. "Severina" ... -
Big Mama Thornton - The Way It Is - Full Vinyl Album
1970 Mercury Records live album recorded in L.A. Side 1: 1. [0:00] Little Red Rooster 2. [7:55] One Black Rat 3. [11:39] Rock Me Baby 4. [16:46] Wade In The Water Side 2: 1. [22:16] Sweet Little Angel 2. [28:56] Medley: Baby Please Don't Go/Got My Mojo Workin' 3. [34:40] Watermelon Man 4. [39:09] Don't Need No Doctor -
The Paddingtons - First Comes First (Full Album)
Mercury Records (2005) 1 Some Old Girl 00:00 2 First Comes First 03:04 3 50 2 A £ 06:00 4 Worse For Wear 09:05 5 Loser 11:40 6 Panic Attack 13:50 7 Tommy's Disease 17:20 8 Stop Breathing 20:50 9 Alright In The Morning 23:10 10 21 26:19 11 Sorry 28:49 -
ABC - Beauty Stab [Full Album]
Release Date: 1983 Genre: New Romantic Format: Vinyl LP, Album, Stereo Country: US Label: Mercury Records Catalog Number: 814 661-1 M-1 Condition: Mild wear is evident in places. Tracklisting: A1. That Was Then But This is Now 0:00 A2. Love's a Dangerous Language 03:34 A3. If I Ever Thought You'd Be Lonely 07:14 A4. Power of Persuasion 11:09 A5. Beauty Stab 14:41 A6. By Default By Design 16:48 B1. Hey Citizen! 20:56 B2. King Money 24:52 B3. Bite the Hand 28:54 B4. Unzip 32:01 B5. S.O.S. 34:51 B6. United Kingdom 39:40 'Beauty Stab. Produced by ABC and Gary Langan. ABC are: Martin Fry - Vocals, Stephen Singleton - Alto Saxophone, Mark White, Guitar, Piano, Synthesiser. Assisted by: Andy Newmark - Drums, Alan Spenner - Bass Guitar, Howie Casey - Tenor and Baritone Saxophones. Added a... -
DEBUSSY La Mer (I, II, III) Paul PARAY & Detroit Symphony (1955 stereo)
World's first stereophonic recording of The Sea on December 4, 1955, in Old Orchestra Hall, Detroit, on 3-track 1/2-inch tape, using one Schoeps M201 and two Neumann U-47 microphones. Thanks to the Mercury Records engineers: David Hall, Wilma Cozart, C. Robert Fine. First 3- to 2-channel conversion from original tapes for Mercury CD 434 343-2 by Wilma Cozart Fine (1994). Claude Debussy, La Mer (1905) Trois esquisses symphoniques - Three symphonic sketches I - De l'aube à midi sur la mer - From dawn till noon on the sea 0:01 II - Le jeu des vagues - Play of the waves 8:21 III - Dialogue du vent et de la mer - Dialogue of the wind and the sea 14:30 Paul Paray conducting the Detroit Symphony Orchestra 1955 Mercury stereo recording Paintings of William Turner and Claude Monet Drawings by ... -
KOOL & THE GANG - Greatest Hits & More - Full Album (1988)
Greatest Hits & More - Everything Is Kool & The Gang : 1988 - With Eumir Deodato Producer - Mercury Records TrackList 00:00 - Rags To Riches 05:27 - Strong 10:51 - Money And Power 15:36 - Stone Love 20:09 - Joanna 24:31 - Too Hot 29:33 - Fresh (Mark Berry Remix) 35:58 - Jungle Boogie (Club Remix) 41:51 - Holliwood Swinging (Club Remix) 48:09 - Funky Stuff (Club Remix) 53:14 - Open Sesame (Club Remix) 59:01 - Cherish 1:03:22 - Celebration Polygram Inc. -
Pete Rugolo - Percussion at work (1958) Full vinyl LP
Released in 1958 by Mercury Records. Expand to view this album in its entirety. . . A1) Artistry in percussion 0:00 A2) Fugue for rhythm section 4:09 A3) 1 & 4 8:21 A4) Chorale for brass, piano and bongo 13:04 A5) Interplay for drums, brass 16:11 B1) Funky drums 18:46 B2) Drummerama 23:48 B3) Bongo riff 26:21 B4) Percussion at work 30:06 -
Exuma - Exuma (1970) [Full Album]
Released in 1970 on Mercury Records. Track Listing 1. Exuma, The Obeah Man (0:00) 2. Dambala (6:23) 3. Mama Loi, Papa Loi (12:04) 4. Junkanoo (16:40) 5. Seance In The Sixth Fret (20:07) 6. You Don't Know What's Going On (27:25) 7. The Vision (31:00) -
George Jones' Greatest Hits Vol. II - Full Vinyl Album
Mercury Records High Fidelity vinyl album released in 1965. SIDE 1: 1. [0:00] Eskimo Pie 2. [2:30] Money To Burn 3. [5:08] Just One More 4. [7:51] Aching, Breaking Heart 5. [10:40] Wandering Soul 6. [13:04] Big Harlan Taylor SIDE 2: 1. [15:06] Seasons Of My Heart 2. [18:04] You're Still On My Mind 3. [20:42] If I Don't Love You, Baby (Grits Ain't Groceries) 4. [22:38] When My Heart Hurts No More 5. [24:44] Cup Of Loneliness 6, [27:23] Tarnished Angel
Mark Rae at Piccadilly Records Manchester "Mercury Rising" DJ mix
- Order: Reorder
- Duration: 28:39
- Updated: 12 Nov 2013
- views: 7219
Mark Rae "Mercury Rising" Piccadilly Manchester instore DJ mix to celebrate the release of the new Rae & Christian artist album "Mercury Rising"
Available to ...
Mark Rae "Mercury Rising" Piccadilly Manchester instore DJ mix to celebrate the release of the new Rae & Christian artist album "Mercury Rising"
Available to buy now on iTunes: http://www.itunes.com/nighttimestories
Late Night Tales Webshop: http://goo.gl/HyYIZ
Listen on Spotify: http://goo.gl/Q98T7d
wn.com/Mark Rae At Piccadilly Records Manchester Mercury Rising Dj Mix
Mark Rae "Mercury Rising" Piccadilly Manchester instore DJ mix to celebrate the release of the new Rae & Christian artist album "Mercury Rising"
Available to buy now on iTunes: http://www.itunes.com/nighttimestories
Late Night Tales Webshop: http://goo.gl/HyYIZ
Listen on Spotify: http://goo.gl/Q98T7d
- published: 12 Nov 2013
- views: 7219
Blur - Live Denver Mercury Cafe February 1st 1996 - Virgin Records official promo video
- Order: Reorder
- Duration: 102:45
- Updated: 05 Mar 2013
- views: 22972
Intermission / Popscene / Tracy Jacks / It Could Be You / Charmless Man / End Of A Century / Oily Water / Mr. Robinson's Quango / Jubilee / To The End / She's S...
Intermission / Popscene / Tracy Jacks / It Could Be You / Charmless Man / End Of A Century / Oily Water / Mr. Robinson's Quango / Jubilee / To The End / She's So High / Globe Alone / Advert / Bank Holiday / Supa Shoppa / Country House / Girls & Boys / He Thought Of Cars / Stereotypes / This Is A Low / Parklife / The Universal
wn.com/Blur Live Denver Mercury Cafe February 1St 1996 Virgin Records Official Promo Video
Intermission / Popscene / Tracy Jacks / It Could Be You / Charmless Man / End Of A Century / Oily Water / Mr. Robinson's Quango / Jubilee / To The End / She's So High / Globe Alone / Advert / Bank Holiday / Supa Shoppa / Country House / Girls & Boys / He Thought Of Cars / Stereotypes / This Is A Low / Parklife / The Universal
- published: 05 Mar 2013
- views: 22972
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) (Bear Family Records GmbH) [Full Album]
- Order: Reorder
- Duration: 63:00
- Updated: 07 Jan 2015
- views: 836
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury)
Released 2011-08-19 on Bear Family Records GmbH
1. 00:00:00 EDDIE BOND & HIS STOMPERS ROCKIN’ DADDY
2....
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury)
Released 2011-08-19 on Bear Family Records GmbH
1. 00:00:00 EDDIE BOND & HIS STOMPERS ROCKIN’ DADDY
2. 00:02:02 SLEEPY LaBEEF ALL THE TIME
3. 00:03:54 JIMMY EDWARDS LOVE BUG CRAWL
4. 00:05:56 BILLY WALLACE & THE BAMA DRIFTERS THAT’S MY REWARD
5. 00:08:21 JOHNNY ‘T’ TALLEY (I’VE CHANGED MY) WILD MIND
6. 00:10:22 ROY MOSS YOU’RE MY BIG BABY NOW
7. 00:12:45 EDDIE BOND & HIS STOMPERS SLIP SLIP SLIPPIN’-IN
8. 00:14:54 GEORGE & EARL DONE GONE
9. 00:17:08 CURTIS GORDON DRAGGIN’
10. 00:18:57 BILLY WALLACE & THE BAMA DRIFTERS WHAT’LL I DO
11. 00:20:53 ROY MOSS YOU DON’T KNOW MY MIND
12. 00:23:08 Rudy Grayzell LET’S GET WILD
13. 00:25:56 EDDIE BOND & HIS STOMPERS FLIP FLOP MAMA
14. 00:28:04 ROYCE PORTER YES I DO
15. 00:30:17 THOMAS WAYNE YOU’RE THE ONE THAT DONE IT
16. 00:32:16 BILLY WALLACE BURNING THE WIND
17. 00:34:05 CURTIS GORDON MOBILE, ALABAMA
18. 00:36:04 ROY MOSS CORRINE, CORRINA
19. 00:38:09 EDDIE BOND & HIS STOMPERS BOPPIN’ BONNIE
20. 00:40:14 JOHNNY ‘T’ TALLEY LONESOME TRAIN
21. 00:42:28 BING DAY I CAN’T HELP IT
22. 00:44:23 BILLY WALLACE & THE BAMA DRIFTERS MEAN, MISTREATIN’ BABY
23. 00:46:50 GEORGE & EARL BETTER, STOP, LOOK AND LISTEN
24. 00:48:39 JACKIE CRAY MAYBELLE
25. 00:50:43 CURTIS GORDON SITTING ON TOP OF THE WORLD
26. 00:52:37 DON JOHNSTON BORN TO LOVE ONE WOMAN
27. 00:54:33 CONNIE DYCUS ROCK-A-BYE BABY ROCK
28. 00:56:28 JOHNNY JAY SUGAR DOLL
29. 00:58:29 ROY MOSS YOU NEARLY LOSE YOUR MIND
30. 01:00:30 THE HI-LITERS DANCE ME TO DEATH (vocal: JOE FRANKLIN)
Volume eleven of 'That'll Flat Git It!' features 30 treasures from Mercury Records Rockabilly vault, including gems from Rudy Grayzell, Sleepy LaBeef, Eddie Bond, and many more.
© 2011 Bear Family Records
℗ 2011 Bear Family Records .
This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first.
wn.com/Various Artists That'LL Flat Git It, Vol. 11 (Mercury) (Bear Family Records Gmbh) Full Album
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury)
Released 2011-08-19 on Bear Family Records GmbH
1. 00:00:00 EDDIE BOND & HIS STOMPERS ROCKIN’ DADDY
2. 00:02:02 SLEEPY LaBEEF ALL THE TIME
3. 00:03:54 JIMMY EDWARDS LOVE BUG CRAWL
4. 00:05:56 BILLY WALLACE & THE BAMA DRIFTERS THAT’S MY REWARD
5. 00:08:21 JOHNNY ‘T’ TALLEY (I’VE CHANGED MY) WILD MIND
6. 00:10:22 ROY MOSS YOU’RE MY BIG BABY NOW
7. 00:12:45 EDDIE BOND & HIS STOMPERS SLIP SLIP SLIPPIN’-IN
8. 00:14:54 GEORGE & EARL DONE GONE
9. 00:17:08 CURTIS GORDON DRAGGIN’
10. 00:18:57 BILLY WALLACE & THE BAMA DRIFTERS WHAT’LL I DO
11. 00:20:53 ROY MOSS YOU DON’T KNOW MY MIND
12. 00:23:08 Rudy Grayzell LET’S GET WILD
13. 00:25:56 EDDIE BOND & HIS STOMPERS FLIP FLOP MAMA
14. 00:28:04 ROYCE PORTER YES I DO
15. 00:30:17 THOMAS WAYNE YOU’RE THE ONE THAT DONE IT
16. 00:32:16 BILLY WALLACE BURNING THE WIND
17. 00:34:05 CURTIS GORDON MOBILE, ALABAMA
18. 00:36:04 ROY MOSS CORRINE, CORRINA
19. 00:38:09 EDDIE BOND & HIS STOMPERS BOPPIN’ BONNIE
20. 00:40:14 JOHNNY ‘T’ TALLEY LONESOME TRAIN
21. 00:42:28 BING DAY I CAN’T HELP IT
22. 00:44:23 BILLY WALLACE & THE BAMA DRIFTERS MEAN, MISTREATIN’ BABY
23. 00:46:50 GEORGE & EARL BETTER, STOP, LOOK AND LISTEN
24. 00:48:39 JACKIE CRAY MAYBELLE
25. 00:50:43 CURTIS GORDON SITTING ON TOP OF THE WORLD
26. 00:52:37 DON JOHNSTON BORN TO LOVE ONE WOMAN
27. 00:54:33 CONNIE DYCUS ROCK-A-BYE BABY ROCK
28. 00:56:28 JOHNNY JAY SUGAR DOLL
29. 00:58:29 ROY MOSS YOU NEARLY LOSE YOUR MIND
30. 01:00:30 THE HI-LITERS DANCE ME TO DEATH (vocal: JOE FRANKLIN)
Volume eleven of 'That'll Flat Git It!' features 30 treasures from Mercury Records Rockabilly vault, including gems from Rudy Grayzell, Sleepy LaBeef, Eddie Bond, and many more.
© 2011 Bear Family Records
℗ 2011 Bear Family Records .
This is officially licensed content, not a copyright infringement. If you should have any objections, please get in touch with finetunes first.
- published: 07 Jan 2015
- views: 836
The Stanley Brothers - The Mercury Sessions
- Order: Reorder
- Duration: 120:35
- Updated: 03 Mar 2015
- views: 53964
The Stanley Brothers - The Mercury Sessions
01. 0:00:00 (SAY) WON'T YOU BE MINE
02. 0:02:49 THIS WEARY HEART YOU STOLE AWAY
03. 0:05:29 I'M LONESOME WITHOUT...
The Stanley Brothers - The Mercury Sessions
01. 0:00:00 (SAY) WON'T YOU BE MINE
02. 0:02:49 THIS WEARY HEART YOU STOLE AWAY
03. 0:05:29 I'M LONESOME WITHOUT YOU
04. 0:08:01 OUR LAST GOODBYE (TAKE 4)
05. 0:10:41 POISON LIES
06 0:13:23. DICKSON COUNTY BREAKDOWN (INSTR.)
07. 0:15:39 I LONG TO SEE THE OLD FOLKS
08. 0:18:45 A VOICE FROM ON HIGH
09. 0:21:21 MEMORIES OF MOTHER
10. 0:23:43 COULD YOU LOVE ME (ONE MORE TIME)
11. 0:26:21 NOBODY'S LOVE IS LIKE MINE
12. 0:28:49 I JUST GOT WISE
13. 0:31:25 BLUE MOON OF KENTUCKY
14. 0:33:41 CLOSE BY
15. 0:35:49 CALLING FROM HEAVEN
16. 0:38:07 HARBOR LOVE
17. 0:40:27 HARD TIMES (INSTR.)
18. 0:43:13 BABY GIRL
19. 0:45:35 SAY YOU'LL TAKE ME BACK
20. 0:47:35 I WORSHIP YOU
21. 0:50:03 YOU'RE STILL ON MY MIND
22. 0:52:07 I HEAR MY SAVIOR CALLING
23. 0:54:17 JUST A LITTLE TALK WITH JESUS
24. 0:56:35 SO BLUE
25. 0:58:59 OUR LAST GOODBYE
26. 0:61:39 YOU'D BETTER GET RIGHT
27. 0:64:05 TRAGIC LOVE
28. 0:66:35 LONESOME AND BLUE
29. 0:68:53 ORANGE BLOSSOM SPECIAL
30. 0:71:23 CLINCH MOUNTAIN BLUES (INSTR.)
31. 0:73:25 BIG TILDA (INSTR.)
32. 0:75:31 WILL HE WAIT A LITTLE LONGER
33. 0:77:53 ANGEL BAND
34. 0:80:11 THE CRY FROM THE CROSS
35. 0:83:03 WHO WILL CALL YOU SWEETHEART
36. 0:85:59 I'M LOST, I'LL NEVER FIND THE WAY
37. 0:87:59 LET ME WALK, LORD, BY YOUR SIDE
38. 0:90:53 A LONESOME NIGHT
39. 0:93:45 THE FLOOD
40. 0:96:57 FLING DING (INSTRUMENTAL)
41. 0:99:05 I'LL NEVER GROW TIRED OF YOU
42. 1:01:17 LOVING YOU TOO WELL
43. 1:03:29 DAYBREAK IN DIXIE (INSTR.)
44. 1:05:31 IF THAT'S THE WAY YOU FEEL
45. 1:08:03 A LIFE OF SORROW
46. 1:10:37 I'D RATHER BE FORGOTTON
47. 1:12:59 NO SCHOOL BUS IN HEAVEN
48. 1:15:51 MEET ME TONIGHT
49. 1:18:27 NOBODY'S BUSINESS
The Stanley Brothers: Carter Stanley (vocals, guitar); Ralph Stanley (vocals, banjo).Recorded between 1953 & 1958. Includes liner notes by Mary Katherine Aldin.Personnel: Carter Stanley (vocals, guitar); Ralph Stanley (vocals, banjo); Bill Lowe, Curley Lambert (vocals, mandolin); Ralph Mayo (vocals, fiddle); John Shuffler, George Shuffler (vocals); Charlie Cline (guitar); Roy Wiggins (steel guitar); Darrell "Pee Wee" Lambert, Jimmy Williams , Bill Napier (mandolin); Chubby Wise, Joe Meadows, Howard Forrester, Art Stamper, Benny Martin (fiddle) 1953 to 1958,
wn.com/The Stanley Brothers The Mercury Sessions
The Stanley Brothers - The Mercury Sessions
01. 0:00:00 (SAY) WON'T YOU BE MINE
02. 0:02:49 THIS WEARY HEART YOU STOLE AWAY
03. 0:05:29 I'M LONESOME WITHOUT YOU
04. 0:08:01 OUR LAST GOODBYE (TAKE 4)
05. 0:10:41 POISON LIES
06 0:13:23. DICKSON COUNTY BREAKDOWN (INSTR.)
07. 0:15:39 I LONG TO SEE THE OLD FOLKS
08. 0:18:45 A VOICE FROM ON HIGH
09. 0:21:21 MEMORIES OF MOTHER
10. 0:23:43 COULD YOU LOVE ME (ONE MORE TIME)
11. 0:26:21 NOBODY'S LOVE IS LIKE MINE
12. 0:28:49 I JUST GOT WISE
13. 0:31:25 BLUE MOON OF KENTUCKY
14. 0:33:41 CLOSE BY
15. 0:35:49 CALLING FROM HEAVEN
16. 0:38:07 HARBOR LOVE
17. 0:40:27 HARD TIMES (INSTR.)
18. 0:43:13 BABY GIRL
19. 0:45:35 SAY YOU'LL TAKE ME BACK
20. 0:47:35 I WORSHIP YOU
21. 0:50:03 YOU'RE STILL ON MY MIND
22. 0:52:07 I HEAR MY SAVIOR CALLING
23. 0:54:17 JUST A LITTLE TALK WITH JESUS
24. 0:56:35 SO BLUE
25. 0:58:59 OUR LAST GOODBYE
26. 0:61:39 YOU'D BETTER GET RIGHT
27. 0:64:05 TRAGIC LOVE
28. 0:66:35 LONESOME AND BLUE
29. 0:68:53 ORANGE BLOSSOM SPECIAL
30. 0:71:23 CLINCH MOUNTAIN BLUES (INSTR.)
31. 0:73:25 BIG TILDA (INSTR.)
32. 0:75:31 WILL HE WAIT A LITTLE LONGER
33. 0:77:53 ANGEL BAND
34. 0:80:11 THE CRY FROM THE CROSS
35. 0:83:03 WHO WILL CALL YOU SWEETHEART
36. 0:85:59 I'M LOST, I'LL NEVER FIND THE WAY
37. 0:87:59 LET ME WALK, LORD, BY YOUR SIDE
38. 0:90:53 A LONESOME NIGHT
39. 0:93:45 THE FLOOD
40. 0:96:57 FLING DING (INSTRUMENTAL)
41. 0:99:05 I'LL NEVER GROW TIRED OF YOU
42. 1:01:17 LOVING YOU TOO WELL
43. 1:03:29 DAYBREAK IN DIXIE (INSTR.)
44. 1:05:31 IF THAT'S THE WAY YOU FEEL
45. 1:08:03 A LIFE OF SORROW
46. 1:10:37 I'D RATHER BE FORGOTTON
47. 1:12:59 NO SCHOOL BUS IN HEAVEN
48. 1:15:51 MEET ME TONIGHT
49. 1:18:27 NOBODY'S BUSINESS
The Stanley Brothers: Carter Stanley (vocals, guitar); Ralph Stanley (vocals, banjo).Recorded between 1953 & 1958. Includes liner notes by Mary Katherine Aldin.Personnel: Carter Stanley (vocals, guitar); Ralph Stanley (vocals, banjo); Bill Lowe, Curley Lambert (vocals, mandolin); Ralph Mayo (vocals, fiddle); John Shuffler, George Shuffler (vocals); Charlie Cline (guitar); Roy Wiggins (steel guitar); Darrell "Pee Wee" Lambert, Jimmy Williams , Bill Napier (mandolin); Chubby Wise, Joe Meadows, Howard Forrester, Art Stamper, Benny Martin (fiddle) 1953 to 1958,
- published: 03 Mar 2015
- views: 53964
Timothy Walker Part one: Medicinal mercury in the Early Modern Portuguese records
- Order: Reorder
- Duration: 26:46
- Updated: 22 Oct 2013
- views: 117
Please note that the content of this talk should be regarded as an unpublished draft presentation. This material is subject to copyright. Please contact the sp...
Please note that the content of this talk should be regarded as an unpublished draft presentation. This material is subject to copyright. Please contact the speaker for permission to cite this material.
twalker (at) umassd.edu
This talk presents and explicates rare information regarding circumstances and techniques for the application of medicinal mercury in the Portuguese medical context during the seventeenth and eighteenth centuries. Through the use of images of Portuguese medical texts, and translated excerpts of those texts, the talk will provide insight into how early modern Portuguese practitioners employed mercury to treat various ailments. Of interest, too, will be that these remedies were developed at several disparate locations throughout the Portuguese imperial world, and often drew upon, and blended, indigenous medical substances from the region where each remedy originated.
In considering the use of mercury in South Asian medicine, medical scholars have noted that, from the sixteenth century onwards, much of the intra-Asian (and global) mercury trade was conducted through Portuguese merchants and agents. This presentation will assert that, rather analogous to the contemporary emerald trade from South America to the Mideast and Asia [see Kris Lane, Colour of Paradise: The Emerald in the Age of Gunpowder Empires (Yale, 2010)], Portuguese merchants and shippers had unique access both to mercury at the commodity's main sources in Spain and Peru, but also to developed, established Estado da Índia trade routes throughout the eastern hemisphere.
Most of the information presented is excerpted from two little-known eighteenth-century Portuguese primary sources: a Jesuit compilation medical and apothecary guide in manuscript, and a published physician's treatise regarding fevers and other illnesses encountered during a posting of nearly a decade in Angola.
• Anonymous, Colecção de Varias Receitas e Segredos Particulares das Principais Boticas da Nossa Companhia de Portugal, da India, de Macao e do Brazil (1766, Archivum Romanum Societatis Iesu [ARSI]; Rome, Italy)
• José Pinto de Azeredo, Ensaios sobre algumas enfermidades de Angola (Lisbon: Regia Officina Typografica, 1799).
wn.com/Timothy Walker Part One Medicinal Mercury In The Early Modern Portuguese Records
Please note that the content of this talk should be regarded as an unpublished draft presentation. This material is subject to copyright. Please contact the speaker for permission to cite this material.
twalker (at) umassd.edu
This talk presents and explicates rare information regarding circumstances and techniques for the application of medicinal mercury in the Portuguese medical context during the seventeenth and eighteenth centuries. Through the use of images of Portuguese medical texts, and translated excerpts of those texts, the talk will provide insight into how early modern Portuguese practitioners employed mercury to treat various ailments. Of interest, too, will be that these remedies were developed at several disparate locations throughout the Portuguese imperial world, and often drew upon, and blended, indigenous medical substances from the region where each remedy originated.
In considering the use of mercury in South Asian medicine, medical scholars have noted that, from the sixteenth century onwards, much of the intra-Asian (and global) mercury trade was conducted through Portuguese merchants and agents. This presentation will assert that, rather analogous to the contemporary emerald trade from South America to the Mideast and Asia [see Kris Lane, Colour of Paradise: The Emerald in the Age of Gunpowder Empires (Yale, 2010)], Portuguese merchants and shippers had unique access both to mercury at the commodity's main sources in Spain and Peru, but also to developed, established Estado da Índia trade routes throughout the eastern hemisphere.
Most of the information presented is excerpted from two little-known eighteenth-century Portuguese primary sources: a Jesuit compilation medical and apothecary guide in manuscript, and a published physician's treatise regarding fevers and other illnesses encountered during a posting of nearly a decade in Angola.
• Anonymous, Colecção de Varias Receitas e Segredos Particulares das Principais Boticas da Nossa Companhia de Portugal, da India, de Macao e do Brazil (1766, Archivum Romanum Societatis Iesu [ARSI]; Rome, Italy)
• José Pinto de Azeredo, Ensaios sobre algumas enfermidades de Angola (Lisbon: Regia Officina Typografica, 1799).
- published: 22 Oct 2013
- views: 117
Clifford Brown & Max Roach Mercury Record 4
- Order: Reorder
- Duration: 40:27
- Updated: 13 Jun 2015
- views: 87
- published: 13 Jun 2015
- views: 87
Def Leppard: Hysteria (full album)
- Order: Reorder
- Duration: 62:50
- Updated: 23 Mar 2014
- views: 150321
Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August 1987 through Mercury Records and reissued on 1 January 2000. It is th...
Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August 1987 through Mercury Records and reissued on 1 January 2000. It is the band's best-selling album to date, selling over 20 million copies worldwide, including 12 million in the US, and spawning seven hit singles. The album charted at #1 on both the Billboard 200 and the UK Albums Chart.
Track Listing:
01. Women 5:41
02. Rocket 6:34
03. Animal 4:02
04. Love Bites 5:46
05. Pour Some Sugar on Me 4:25
06. Armageddon It 5:21
07. Gods of War 6:33
08. Don't Shoot Shotgun 4:19
09. Run Riot 4:39
10. Hysteria 5:49
11. Excitable 4:10
12. Love and Affection 4:35
Total length:62:32
All songs written and composed by Steve Clark, Phil Collen, Joe Elliott, Mutt Lange and Rick Savage.
Feel free to comment and don't forget to subscribe to my YouTUBE channel.
wn.com/Def Leppard Hysteria (Full Album)
Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August 1987 through Mercury Records and reissued on 1 January 2000. It is the band's best-selling album to date, selling over 20 million copies worldwide, including 12 million in the US, and spawning seven hit singles. The album charted at #1 on both the Billboard 200 and the UK Albums Chart.
Track Listing:
01. Women 5:41
02. Rocket 6:34
03. Animal 4:02
04. Love Bites 5:46
05. Pour Some Sugar on Me 4:25
06. Armageddon It 5:21
07. Gods of War 6:33
08. Don't Shoot Shotgun 4:19
09. Run Riot 4:39
10. Hysteria 5:49
11. Excitable 4:10
12. Love and Affection 4:35
Total length:62:32
All songs written and composed by Steve Clark, Phil Collen, Joe Elliott, Mutt Lange and Rick Savage.
Feel free to comment and don't forget to subscribe to my YouTUBE channel.
- published: 23 Mar 2014
- views: 150321
Losing Sleep (2009) - Parachute iTunes Deluxe Edition FULL ALBUM
- Order: Reorder
- Duration: 58:01
- Updated: 26 Feb 2014
- views: 180493
No copyright infringement intended.
All rights belong to Parachute and Mercury Records.
Track List
0:00 All That I Am
4:17 Back Again
7:23 She (For Liz)
10:31 ...
No copyright infringement intended.
All rights belong to Parachute and Mercury Records.
Track List
0:00 All That I Am
4:17 Back Again
7:23 She (For Liz)
10:31 The Mess I Made
14:23 She Is Love
16:50 Ghost
20:32 Under Control
24:53 Blame It On Me
28:20 Words Meat Heartbeats
31:38 The New Year
35:53 She Is Love (Full Band Version)
38:59 Strange World [Bonus Track]
42:48 Be Here [Bonus Track]
46:41 Losing Sleep [Bonus Track]
50:23 All That I Am (Acoustic) [Bonus Track]
53:57 Under Control (Live) [Bonus Track]
wn.com/Losing Sleep (2009) Parachute Itunes Deluxe Edition Full Album
No copyright infringement intended.
All rights belong to Parachute and Mercury Records.
Track List
0:00 All That I Am
4:17 Back Again
7:23 She (For Liz)
10:31 The Mess I Made
14:23 She Is Love
16:50 Ghost
20:32 Under Control
24:53 Blame It On Me
28:20 Words Meat Heartbeats
31:38 The New Year
35:53 She Is Love (Full Band Version)
38:59 Strange World [Bonus Track]
42:48 Be Here [Bonus Track]
46:41 Losing Sleep [Bonus Track]
50:23 All That I Am (Acoustic) [Bonus Track]
53:57 Under Control (Live) [Bonus Track]
- published: 26 Feb 2014
- views: 180493
45 rpm records of easy listening music played on my Webster Chicago phonograph
- Order: Reorder
- Duration: 46:52
- Updated: 13 Aug 2012
- views: 5596
This video was made to just play a small program of music for your listening pleasure, so sit back and enjoy, the tunes are
"Why", by Nat King Cole Capitol rec...
This video was made to just play a small program of music for your listening pleasure, so sit back and enjoy, the tunes are
"Why", by Nat King Cole Capitol records
"The Hawaiian Wedding Song" by Andy Williams Cadence records
"Suddenly" by Les Baxter Capitol records
"Was That The Human Thing To Do" by Don Cornell RCA Victor records
A Special extended 45 rpm RCA Victor record with selection announcements by Tony Martin RCA Victor records
"Carioca" by Tony Martin RCA Victor records
"Cotton Candy" by Al Hirt RCA Victor records
"Tango Of Roses" by Carmen Cavallaro Decca records
"Blue Tears" by Jerry Vale Columbia records
"The Time Has Come" by Ed Ames RCA Victor records
"Swingin` Sweethearts", by David Carroll Mercury records
"Hawaiian War Chant" by Tomy Dorsey And His Orchestra RCA Victor records
"This Land" by Mario Lanza RCA Victor records
"The Urchin Of Venice" Richard Hayman, his harmonica and his orchestra Mercury records
"Knee Deep In The Blues" by Guy Mitchell with Ray Conniff`s orchestra Columbia records
wn.com/45 Rpm Records Of Easy Listening Music Played On My Webster Chicago Phonograph
This video was made to just play a small program of music for your listening pleasure, so sit back and enjoy, the tunes are
"Why", by Nat King Cole Capitol records
"The Hawaiian Wedding Song" by Andy Williams Cadence records
"Suddenly" by Les Baxter Capitol records
"Was That The Human Thing To Do" by Don Cornell RCA Victor records
A Special extended 45 rpm RCA Victor record with selection announcements by Tony Martin RCA Victor records
"Carioca" by Tony Martin RCA Victor records
"Cotton Candy" by Al Hirt RCA Victor records
"Tango Of Roses" by Carmen Cavallaro Decca records
"Blue Tears" by Jerry Vale Columbia records
"The Time Has Come" by Ed Ames RCA Victor records
"Swingin` Sweethearts", by David Carroll Mercury records
"Hawaiian War Chant" by Tomy Dorsey And His Orchestra RCA Victor records
"This Land" by Mario Lanza RCA Victor records
"The Urchin Of Venice" Richard Hayman, his harmonica and his orchestra Mercury records
"Knee Deep In The Blues" by Guy Mitchell with Ray Conniff`s orchestra Columbia records
- published: 13 Aug 2012
- views: 5596
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 (One Day Music) [Full Album]
- Order: Reorder
- Duration: 182:07
- Updated: 07 Jan 2016
- views: 216
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962
Released 2015-04-17 on One Day Music
Download on iTunes: https://geo.itunes.apple.com/albu...
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962
Released 2015-04-17 on One Day Music
Download on iTunes: https://geo.itunes.apple.com/album/id-1?uo=6&app;=itunes&at;=10ldAw&ct;=YTAT5060259820281
Download on Google Play: https://play.google.com/store/search?q=Various+Artists+A+Taste+of+Honey%3A+Gems+from+the+Mercury+Vaults+1962&c;=music&PAffiliateID;=100l3VM
1. 00:00:00 Clyde McPhatter Lover Please
2. 00:01:59 George Barnes Spooky
3. 00:04:24 Johnny Preston Kissin' Tree
4. 00:06:12 Jivin' Gene Genie Bom Beanie
5. 00:08:40 Leroy Van Dyke If a Woman Answers (Hang up the Phone)
6. 00:11:00 Dolly Parton It's Sure Gonna Hurt
7. 00:13:18 Little Richard He Got What He Wanted (But He Lost What He Had)
8. 00:16:00 Brook Benton Walk on the Wild Side
9. 00:18:34 Charles Aznavour You've Got to Learn
10. 00:22:04 George Jones Achin', Breakin' Heart
11. 00:24:53 The Platters More Than You Know
12. 00:26:59 Bobby Scott I Gotta Run
13. 00:29:22 Patti Page Go on Home
14. 00:31:53 James O'Gwynn You're Getting All over Me
15. 00:34:00 Young Jessie Be Bop Country Boy
16. 00:36:31 The Chanteers She's Coming Home
17. 00:38:47 Merle Kilgore Lover's Hell
18. 00:40:46 Ray Stevens Ahab the Arab
19. 00:44:20 Clyde McPhatter Stop
20. 00:46:23 Jimmie Skinner I Know You're Married (But I Love You Still)
21. 00:48:24 Ike Clanton Sugar Plum
22. 00:50:30 Billy Eckstine Guilty
23. 00:53:37 Damita Jo Tennessee Waltz
24. 00:56:07 Paul Peek Young Hearts
25. 00:58:08 Quincy Jones A Taste of Honey
26. 01:00:44 Dolly Parton The Love You Gave
27. 01:02:54 Johnny Preston Let's Leave It That Way
28. 01:05:13 Clyde McPhatter Little Bitty Pretty One
29. 01:07:30 Brook Benton Still Waters Run Deep
30. 01:10:06 The Chanteers I Waited
31. 01:12:30 George Jones Waltz of the Angels
32. 01:15:14 The Platters It's Magic
33. 01:17:46 Michael Allen A Boy with a Dream
34. 01:20:12 Ike Clanton The Champ
35. 01:22:13 Leroy Van Dyke I Sat Back and Let It Happen
36. 01:24:30 The Tides Midnight Limbo
37. 01:26:59 Patti Page The Boys Night Out
38. 01:28:53 Merle Kilgore Ain't Nothin' but a Man
39. 01:30:40 Darrell McCall Dear One
40. 01:32:52 David Carroll Little Pixie
41. 01:34:48 Jimmie Skinner One Dead Man Ago
42. 01:36:41 Wally Wiggins Little Old Lady That Lived in a Shoe
43. 01:38:38 Clyde McPhatter I Do Believe
44. 01:40:34 James O'Gwynn My Name Is Mud
45. 01:42:59 Claude Gray You Take the Table (And I'll Take the Chairs)
46. 01:45:41 Dinah Washington Cold, Cold Heart
47. 01:49:02 Ray Stevens Furthermore
48. 01:51:16 Merv Griffin House of Horrors
49. 01:53:23 Brook Benton Hit Record
50. 01:56:01 Tommy Jackson Sally Goodin'
51. 01:58:15 George Jones When My Heart Hurts No More
52. 02:00:23 The Platters Heartbreak
53. 02:02:26 Patti Page Let's Cry Together
54. 02:04:50 Clyde McPhatter Maybe
55. 02:07:27 Dinah Washington I Want to Be Loved
56. 02:10:20 Quincy Jones On the Street Where You Live
57. 02:12:51 George McCannon Shy Boy
58. 02:15:02 Jerry Modine A Stranger to Me
59. 02:16:48 Ike Clanton Makin' Up
60. 02:18:50 Charles Aznavour You've Let Yourself Go
61. 02:22:32 Johnny Preston Let the Big Boss Man (Pull You Through)
62. 02:24:23 Brook Benton Lie to Me
63. 02:26:33 Leroy Van Dyke Black Cloud
64. 02:28:48 Little Richard Do You Care
65. 02:31:38 Merle Kilgore A Girl Named Liz
66. 02:33:56 David Atkinson I Love a Fool
67. 02:37:03 Patti Page Every Time I Hear Your Name
68. 02:39:19 George Jones I Want to Be Where You're Gonna Be
69. 02:41:13 The Chanteers Just a Little Boy
70. 02:43:51 Shirley Horn Do It Again
71. 02:46:48 Ray Stevens Saturday Night at the Movies
72. 02:49:24 Clyde McPhatter The Best Man Cried
73. 02:52:13 Art Farmer Raincheck
74. 02:55:55 Billy Eckstine Till There Was You
75. 02:59:13 Rusty Draper Tongue Tied over You
Mercury Records was founded in 1945 and originally only signed black artists. By 1962, the year of our compilation they had recruited a host of new artists of all hues which made Mercury the dominant force in jazz, blues, rock 'n' roll and pop in the US. These artists included Little Richard, Dolly Parton, Jivin' Gene and Clyde McPhatter.
© 2015 One Day Music
℗ 2015 One Day Music
wn.com/Various Artists A Taste Of Honey Gems From The Mercury Vaults 1962 (One Day Music) Full Album
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962
Released 2015-04-17 on One Day Music
Download on iTunes: https://geo.itunes.apple.com/album/id-1?uo=6&app;=itunes&at;=10ldAw&ct;=YTAT5060259820281
Download on Google Play: https://play.google.com/store/search?q=Various+Artists+A+Taste+of+Honey%3A+Gems+from+the+Mercury+Vaults+1962&c;=music&PAffiliateID;=100l3VM
1. 00:00:00 Clyde McPhatter Lover Please
2. 00:01:59 George Barnes Spooky
3. 00:04:24 Johnny Preston Kissin' Tree
4. 00:06:12 Jivin' Gene Genie Bom Beanie
5. 00:08:40 Leroy Van Dyke If a Woman Answers (Hang up the Phone)
6. 00:11:00 Dolly Parton It's Sure Gonna Hurt
7. 00:13:18 Little Richard He Got What He Wanted (But He Lost What He Had)
8. 00:16:00 Brook Benton Walk on the Wild Side
9. 00:18:34 Charles Aznavour You've Got to Learn
10. 00:22:04 George Jones Achin', Breakin' Heart
11. 00:24:53 The Platters More Than You Know
12. 00:26:59 Bobby Scott I Gotta Run
13. 00:29:22 Patti Page Go on Home
14. 00:31:53 James O'Gwynn You're Getting All over Me
15. 00:34:00 Young Jessie Be Bop Country Boy
16. 00:36:31 The Chanteers She's Coming Home
17. 00:38:47 Merle Kilgore Lover's Hell
18. 00:40:46 Ray Stevens Ahab the Arab
19. 00:44:20 Clyde McPhatter Stop
20. 00:46:23 Jimmie Skinner I Know You're Married (But I Love You Still)
21. 00:48:24 Ike Clanton Sugar Plum
22. 00:50:30 Billy Eckstine Guilty
23. 00:53:37 Damita Jo Tennessee Waltz
24. 00:56:07 Paul Peek Young Hearts
25. 00:58:08 Quincy Jones A Taste of Honey
26. 01:00:44 Dolly Parton The Love You Gave
27. 01:02:54 Johnny Preston Let's Leave It That Way
28. 01:05:13 Clyde McPhatter Little Bitty Pretty One
29. 01:07:30 Brook Benton Still Waters Run Deep
30. 01:10:06 The Chanteers I Waited
31. 01:12:30 George Jones Waltz of the Angels
32. 01:15:14 The Platters It's Magic
33. 01:17:46 Michael Allen A Boy with a Dream
34. 01:20:12 Ike Clanton The Champ
35. 01:22:13 Leroy Van Dyke I Sat Back and Let It Happen
36. 01:24:30 The Tides Midnight Limbo
37. 01:26:59 Patti Page The Boys Night Out
38. 01:28:53 Merle Kilgore Ain't Nothin' but a Man
39. 01:30:40 Darrell McCall Dear One
40. 01:32:52 David Carroll Little Pixie
41. 01:34:48 Jimmie Skinner One Dead Man Ago
42. 01:36:41 Wally Wiggins Little Old Lady That Lived in a Shoe
43. 01:38:38 Clyde McPhatter I Do Believe
44. 01:40:34 James O'Gwynn My Name Is Mud
45. 01:42:59 Claude Gray You Take the Table (And I'll Take the Chairs)
46. 01:45:41 Dinah Washington Cold, Cold Heart
47. 01:49:02 Ray Stevens Furthermore
48. 01:51:16 Merv Griffin House of Horrors
49. 01:53:23 Brook Benton Hit Record
50. 01:56:01 Tommy Jackson Sally Goodin'
51. 01:58:15 George Jones When My Heart Hurts No More
52. 02:00:23 The Platters Heartbreak
53. 02:02:26 Patti Page Let's Cry Together
54. 02:04:50 Clyde McPhatter Maybe
55. 02:07:27 Dinah Washington I Want to Be Loved
56. 02:10:20 Quincy Jones On the Street Where You Live
57. 02:12:51 George McCannon Shy Boy
58. 02:15:02 Jerry Modine A Stranger to Me
59. 02:16:48 Ike Clanton Makin' Up
60. 02:18:50 Charles Aznavour You've Let Yourself Go
61. 02:22:32 Johnny Preston Let the Big Boss Man (Pull You Through)
62. 02:24:23 Brook Benton Lie to Me
63. 02:26:33 Leroy Van Dyke Black Cloud
64. 02:28:48 Little Richard Do You Care
65. 02:31:38 Merle Kilgore A Girl Named Liz
66. 02:33:56 David Atkinson I Love a Fool
67. 02:37:03 Patti Page Every Time I Hear Your Name
68. 02:39:19 George Jones I Want to Be Where You're Gonna Be
69. 02:41:13 The Chanteers Just a Little Boy
70. 02:43:51 Shirley Horn Do It Again
71. 02:46:48 Ray Stevens Saturday Night at the Movies
72. 02:49:24 Clyde McPhatter The Best Man Cried
73. 02:52:13 Art Farmer Raincheck
74. 02:55:55 Billy Eckstine Till There Was You
75. 02:59:13 Rusty Draper Tongue Tied over You
Mercury Records was founded in 1945 and originally only signed black artists. By 1962, the year of our compilation they had recruited a host of new artists of all hues which made Mercury the dominant force in jazz, blues, rock 'n' roll and pop in the US. These artists included Little Richard, Dolly Parton, Jivin' Gene and Clyde McPhatter.
© 2015 One Day Music
℗ 2015 One Day Music
- published: 07 Jan 2016
- views: 216
Facing the animal (1997)
- Order: Reorder
- Duration: 64:05
- Updated: 18 Aug 2015
- views: 8313
Facing the Animal es el décimo álbum de estudio del guitarrista Yngwie Malmsteen, lanzado el 23 de febrero de 1997 a través de Pony Canyon (Japón) y Mercury Rec...
Facing the Animal es el décimo álbum de estudio del guitarrista Yngwie Malmsteen, lanzado el 23 de febrero de 1997 a través de Pony Canyon (Japón) y Mercury Records (Estados Unidos). Aunque acreditado a Malmsteen, "Air on a Theme" es un arreglo del segundo movimiento (Largo) de "Piccolo Concerto in C Major (RV443)" de Antonio Vivaldi, mientras que "Braveheart" contiene un riff de Gary Moore "Over the Hills and Far Away". Facing the Animal cuenta una de las últimas actuaciones del baterista Cozy Powell antes de su muerte en abril de 1998.
Lista de temas:
1) 00:00 Braveheart
2) 05:20 Facing the Animal
3) 09:59 Enemy
4) 14:54 Sacrifice
5) 19:15 Like an Angel – For April
6) 25:05 My Resurrection
7) 29:56 Another Time
8) 35:01 Heathens from the North
9) 38:43 Alone in Paradise
10) 43:18 End of My Rope
11) 47:45 Only the Strong
12) 53:53 Poison in Your Veins
13) 58:19 Air on a Theme
14) 01:00:07 Casting pearls
wn.com/Facing The Animal (1997)
Facing the Animal es el décimo álbum de estudio del guitarrista Yngwie Malmsteen, lanzado el 23 de febrero de 1997 a través de Pony Canyon (Japón) y Mercury Records (Estados Unidos). Aunque acreditado a Malmsteen, "Air on a Theme" es un arreglo del segundo movimiento (Largo) de "Piccolo Concerto in C Major (RV443)" de Antonio Vivaldi, mientras que "Braveheart" contiene un riff de Gary Moore "Over the Hills and Far Away". Facing the Animal cuenta una de las últimas actuaciones del baterista Cozy Powell antes de su muerte en abril de 1998.
Lista de temas:
1) 00:00 Braveheart
2) 05:20 Facing the Animal
3) 09:59 Enemy
4) 14:54 Sacrifice
5) 19:15 Like an Angel – For April
6) 25:05 My Resurrection
7) 29:56 Another Time
8) 35:01 Heathens from the North
9) 38:43 Alone in Paradise
10) 43:18 End of My Rope
11) 47:45 Only the Strong
12) 53:53 Poison in Your Veins
13) 58:19 Air on a Theme
14) 01:00:07 Casting pearls
- published: 18 Aug 2015
- views: 8313
The Mission UK - Gods Own Medicine 1986
- Order: Reorder
- Duration: 57:24
- Updated: 20 Aug 2015
- views: 12412
is the debut studio album by the English gothic rock band The Mission. It was released in November 1986 through by the Phonogram label Mercury Records. The orig...
is the debut studio album by the English gothic rock band The Mission. It was released in November 1986 through by the Phonogram label Mercury Records. The original LP version contains 10 songs.[1] The CD and cassette versions had the songs '"Blood Brother" and "Island in the Stream" added.
1. "Wasteland" 5:42
2. "Bridges Burning" 4:08
3. "Garden of Delight (Hereafter)" 3:42
4. "Stay With Me" 4:37
5. "Blood Brother" 5:16
6. "Let Sleeping Dogs Die" 5:53
7. "Sacrilege" 4:45
8. "Dance on Glass" 5:10
9. "And the Dance Goes On" 4:10
10. "Severina" 4:15
11. "Love Me to Death" 4:38
12. "Island in a Stream" 5:25
wn.com/The Mission UK Gods Own Medicine 1986
is the debut studio album by the English gothic rock band The Mission. It was released in November 1986 through by the Phonogram label Mercury Records. The original LP version contains 10 songs.[1] The CD and cassette versions had the songs '"Blood Brother" and "Island in the Stream" added.
1. "Wasteland" 5:42
2. "Bridges Burning" 4:08
3. "Garden of Delight (Hereafter)" 3:42
4. "Stay With Me" 4:37
5. "Blood Brother" 5:16
6. "Let Sleeping Dogs Die" 5:53
7. "Sacrilege" 4:45
8. "Dance on Glass" 5:10
9. "And the Dance Goes On" 4:10
10. "Severina" 4:15
11. "Love Me to Death" 4:38
12. "Island in a Stream" 5:25
- published: 20 Aug 2015
- views: 12412
Big Mama Thornton - The Way It Is - Full Vinyl Album
- Order: Reorder
- Duration: 47:38
- Updated: 25 May 2015
- views: 11959
1970 Mercury Records live album recorded in L.A.
Side 1:
1. [0:00] Little Red Rooster
2. [7:55] One Black Rat
3. [11:39] Rock Me Baby
4. [16:46] Wade In The...
1970 Mercury Records live album recorded in L.A.
Side 1:
1. [0:00] Little Red Rooster
2. [7:55] One Black Rat
3. [11:39] Rock Me Baby
4. [16:46] Wade In The Water
Side 2:
1. [22:16] Sweet Little Angel
2. [28:56] Medley: Baby Please Don't Go/Got My Mojo Workin'
3. [34:40] Watermelon Man
4. [39:09] Don't Need No Doctor
wn.com/Big Mama Thornton The Way It Is Full Vinyl Album
1970 Mercury Records live album recorded in L.A.
Side 1:
1. [0:00] Little Red Rooster
2. [7:55] One Black Rat
3. [11:39] Rock Me Baby
4. [16:46] Wade In The Water
Side 2:
1. [22:16] Sweet Little Angel
2. [28:56] Medley: Baby Please Don't Go/Got My Mojo Workin'
3. [34:40] Watermelon Man
4. [39:09] Don't Need No Doctor
- published: 25 May 2015
- views: 11959
The Paddingtons - First Comes First (Full Album)
- Order: Reorder
- Duration: 33:42
- Updated: 11 Sep 2013
- views: 6911
Mercury Records (2005)
1 Some Old Girl 00:00
2 First Comes First 03:04
3 50 2 A £ 06:00
4 Worse For Wear 09:05
5 Loser 11:40
6 Panic A...
Mercury Records (2005)
1 Some Old Girl 00:00
2 First Comes First 03:04
3 50 2 A £ 06:00
4 Worse For Wear 09:05
5 Loser 11:40
6 Panic Attack 13:50
7 Tommy's Disease 17:20
8 Stop Breathing 20:50
9 Alright In The Morning 23:10
10 21 26:19
11 Sorry 28:49
wn.com/The Paddingtons First Comes First (Full Album)
Mercury Records (2005)
1 Some Old Girl 00:00
2 First Comes First 03:04
3 50 2 A £ 06:00
4 Worse For Wear 09:05
5 Loser 11:40
6 Panic Attack 13:50
7 Tommy's Disease 17:20
8 Stop Breathing 20:50
9 Alright In The Morning 23:10
10 21 26:19
11 Sorry 28:49
- published: 11 Sep 2013
- views: 6911
ABC - Beauty Stab [Full Album]
- Order: Reorder
- Duration: 43:09
- Updated: 10 Mar 2014
- views: 27034
Release Date: 1983
Genre: New Romantic
Format: Vinyl LP, Album, Stereo
Country: US
Label: Mercury Records
Catalog Number: 814 661-1 M-1
Condition: Mild we...
Release Date: 1983
Genre: New Romantic
Format: Vinyl LP, Album, Stereo
Country: US
Label: Mercury Records
Catalog Number: 814 661-1 M-1
Condition: Mild wear is evident in places.
Tracklisting:
A1. That Was Then But This is Now 0:00
A2. Love's a Dangerous Language 03:34
A3. If I Ever Thought You'd Be Lonely 07:14
A4. Power of Persuasion 11:09
A5. Beauty Stab 14:41
A6. By Default By Design 16:48
B1. Hey Citizen! 20:56
B2. King Money 24:52
B3. Bite the Hand 28:54
B4. Unzip 32:01
B5. S.O.S. 34:51
B6. United Kingdom 39:40
'Beauty Stab. Produced by ABC and Gary Langan. ABC are: Martin Fry - Vocals, Stephen Singleton - Alto Saxophone, Mark White, Guitar, Piano, Synthesiser. Assisted by: Andy Newmark - Drums, Alan Spenner - Bass Guitar, Howie Casey - Tenor and Baritone Saxophones. Added assistance: Adrian Brett - Recorder, David Theodore - Oboe, Louis Jardim - Percussion. Strings arranged by ABC with David Bedford. Assistant engineers: Bob Kraushaar @ Sarm Studios East and West, Keith Nixon @ Townhouse Studios, John Kurlander @ Abbey Road Studios. Recording took place throughout August, September and October 1983.
Album sleeve designed by ABC with Keith Breeden. Photography by Gered Mankowitz ABC are managed by Robert Warr for Partisan Management Ltd. and in North America by Bill Gerber for Lookout Management Inc. Very special thanks to Kevin Maloney and Carol Singleton. All songs written and arranged by Fry, Singleton, White. Lyrics reproduced by kind permission of Neutron Music/10 Music Ltd.
ABC charter club-c/o Neutron Records, PO Box 92, Sheffield S1 1LP. For reply send sae or international reply coupon.'
wn.com/Abc Beauty Stab Full Album
Release Date: 1983
Genre: New Romantic
Format: Vinyl LP, Album, Stereo
Country: US
Label: Mercury Records
Catalog Number: 814 661-1 M-1
Condition: Mild wear is evident in places.
Tracklisting:
A1. That Was Then But This is Now 0:00
A2. Love's a Dangerous Language 03:34
A3. If I Ever Thought You'd Be Lonely 07:14
A4. Power of Persuasion 11:09
A5. Beauty Stab 14:41
A6. By Default By Design 16:48
B1. Hey Citizen! 20:56
B2. King Money 24:52
B3. Bite the Hand 28:54
B4. Unzip 32:01
B5. S.O.S. 34:51
B6. United Kingdom 39:40
'Beauty Stab. Produced by ABC and Gary Langan. ABC are: Martin Fry - Vocals, Stephen Singleton - Alto Saxophone, Mark White, Guitar, Piano, Synthesiser. Assisted by: Andy Newmark - Drums, Alan Spenner - Bass Guitar, Howie Casey - Tenor and Baritone Saxophones. Added assistance: Adrian Brett - Recorder, David Theodore - Oboe, Louis Jardim - Percussion. Strings arranged by ABC with David Bedford. Assistant engineers: Bob Kraushaar @ Sarm Studios East and West, Keith Nixon @ Townhouse Studios, John Kurlander @ Abbey Road Studios. Recording took place throughout August, September and October 1983.
Album sleeve designed by ABC with Keith Breeden. Photography by Gered Mankowitz ABC are managed by Robert Warr for Partisan Management Ltd. and in North America by Bill Gerber for Lookout Management Inc. Very special thanks to Kevin Maloney and Carol Singleton. All songs written and arranged by Fry, Singleton, White. Lyrics reproduced by kind permission of Neutron Music/10 Music Ltd.
ABC charter club-c/o Neutron Records, PO Box 92, Sheffield S1 1LP. For reply send sae or international reply coupon.'
- published: 10 Mar 2014
- views: 27034
DEBUSSY La Mer (I, II, III) Paul PARAY & Detroit Symphony (1955 stereo)
- Order: Reorder
- Duration: 22:31
- Updated: 31 Dec 2013
- views: 2197
World's first stereophonic recording of The Sea on December 4, 1955, in Old Orchestra Hall, Detroit, on 3-track 1/2-inch tape, using one Schoeps M201 and two Ne...
World's first stereophonic recording of The Sea on December 4, 1955, in Old Orchestra Hall, Detroit, on 3-track 1/2-inch tape, using one Schoeps M201 and two Neumann U-47 microphones. Thanks to the Mercury Records engineers: David Hall, Wilma Cozart, C. Robert Fine.
First 3- to 2-channel conversion from original tapes for Mercury CD 434 343-2 by Wilma Cozart Fine (1994).
Claude Debussy, La Mer (1905)
Trois esquisses symphoniques - Three symphonic sketches
I - De l'aube à midi sur la mer - From dawn till noon on the sea 0:01
II - Le jeu des vagues - Play of the waves 8:21
III - Dialogue du vent et de la mer - Dialogue of the wind and the sea 14:30
Paul Paray conducting the Detroit Symphony Orchestra
1955 Mercury stereo recording
Paintings of William Turner and Claude Monet
Drawings by Hokusai and Jim Lether
Photographic credits
Alain Ferraro, Jean Cabon, Wiki Commons, Cercle Paul Paray
HQ video editing: Cercle Paul Paray (http://www.paulparay.fr)
wn.com/Debussy La Mer (I, Ii, Iii) Paul Paray Detroit Symphony (1955 Stereo)
World's first stereophonic recording of The Sea on December 4, 1955, in Old Orchestra Hall, Detroit, on 3-track 1/2-inch tape, using one Schoeps M201 and two Neumann U-47 microphones. Thanks to the Mercury Records engineers: David Hall, Wilma Cozart, C. Robert Fine.
First 3- to 2-channel conversion from original tapes for Mercury CD 434 343-2 by Wilma Cozart Fine (1994).
Claude Debussy, La Mer (1905)
Trois esquisses symphoniques - Three symphonic sketches
I - De l'aube à midi sur la mer - From dawn till noon on the sea 0:01
II - Le jeu des vagues - Play of the waves 8:21
III - Dialogue du vent et de la mer - Dialogue of the wind and the sea 14:30
Paul Paray conducting the Detroit Symphony Orchestra
1955 Mercury stereo recording
Paintings of William Turner and Claude Monet
Drawings by Hokusai and Jim Lether
Photographic credits
Alain Ferraro, Jean Cabon, Wiki Commons, Cercle Paul Paray
HQ video editing: Cercle Paul Paray (http://www.paulparay.fr)
- published: 31 Dec 2013
- views: 2197
KOOL & THE GANG - Greatest Hits & More - Full Album (1988)
- Order: Reorder
- Duration: 68:21
- Updated: 15 Dec 2014
- views: 23421
Greatest Hits & More - Everything Is Kool & The Gang : 1988 -
With Eumir Deodato Producer - Mercury Records
TrackList
00:00 - Rags To Riches
05:27 - Str...
Greatest Hits & More - Everything Is Kool & The Gang : 1988 -
With Eumir Deodato Producer - Mercury Records
TrackList
00:00 - Rags To Riches
05:27 - Strong
10:51 - Money And Power
15:36 - Stone Love
20:09 - Joanna
24:31 - Too Hot
29:33 - Fresh (Mark Berry Remix)
35:58 - Jungle Boogie (Club Remix)
41:51 - Holliwood Swinging (Club Remix)
48:09 - Funky Stuff (Club Remix)
53:14 - Open Sesame (Club Remix)
59:01 - Cherish
1:03:22 - Celebration
Polygram Inc.
wn.com/Kool The Gang Greatest Hits More Full Album (1988)
Greatest Hits & More - Everything Is Kool & The Gang : 1988 -
With Eumir Deodato Producer - Mercury Records
TrackList
00:00 - Rags To Riches
05:27 - Strong
10:51 - Money And Power
15:36 - Stone Love
20:09 - Joanna
24:31 - Too Hot
29:33 - Fresh (Mark Berry Remix)
35:58 - Jungle Boogie (Club Remix)
41:51 - Holliwood Swinging (Club Remix)
48:09 - Funky Stuff (Club Remix)
53:14 - Open Sesame (Club Remix)
59:01 - Cherish
1:03:22 - Celebration
Polygram Inc.
- published: 15 Dec 2014
- views: 23421
Pete Rugolo - Percussion at work (1958) Full vinyl LP
- Order: Reorder
- Duration: 35:03
- Updated: 29 Sep 2015
- views: 1260
Released in 1958 by Mercury Records.
Expand to view this album in its entirety. . .
A1) Artistry in percussion 0:00
A2) Fugue for rhythm section 4:09
A3...
Released in 1958 by Mercury Records.
Expand to view this album in its entirety. . .
A1) Artistry in percussion 0:00
A2) Fugue for rhythm section 4:09
A3) 1 & 4 8:21
A4) Chorale for brass, piano and bongo 13:04
A5) Interplay for drums, brass 16:11
B1) Funky drums 18:46
B2) Drummerama 23:48
B3) Bongo riff 26:21
B4) Percussion at work 30:06
wn.com/Pete Rugolo Percussion At Work (1958) Full Vinyl Lp
Released in 1958 by Mercury Records.
Expand to view this album in its entirety. . .
A1) Artistry in percussion 0:00
A2) Fugue for rhythm section 4:09
A3) 1 & 4 8:21
A4) Chorale for brass, piano and bongo 13:04
A5) Interplay for drums, brass 16:11
B1) Funky drums 18:46
B2) Drummerama 23:48
B3) Bongo riff 26:21
B4) Percussion at work 30:06
- published: 29 Sep 2015
- views: 1260
Exuma - Exuma (1970) [Full Album]
- Order: Reorder
- Duration: 39:04
- Updated: 11 Apr 2012
- views: 169430
Released in 1970 on Mercury Records.
Track Listing
1. Exuma, The Obeah Man (0:00)
2. Dambala (6:23)
3. Mama Loi, Papa Loi (12:04)
4. Junkanoo (16:40)
5. Seanc...
Released in 1970 on Mercury Records.
Track Listing
1. Exuma, The Obeah Man (0:00)
2. Dambala (6:23)
3. Mama Loi, Papa Loi (12:04)
4. Junkanoo (16:40)
5. Seance In The Sixth Fret (20:07)
6. You Don't Know What's Going On (27:25)
7. The Vision (31:00)
wn.com/Exuma Exuma (1970) Full Album
Released in 1970 on Mercury Records.
Track Listing
1. Exuma, The Obeah Man (0:00)
2. Dambala (6:23)
3. Mama Loi, Papa Loi (12:04)
4. Junkanoo (16:40)
5. Seance In The Sixth Fret (20:07)
6. You Don't Know What's Going On (27:25)
7. The Vision (31:00)
- published: 11 Apr 2012
- views: 169430
George Jones' Greatest Hits Vol. II - Full Vinyl Album
- Order: Reorder
- Duration: 29:41
- Updated: 26 Jul 2015
- views: 849
Mercury Records High Fidelity vinyl album released in 1965.
SIDE 1:
1. [0:00] Eskimo Pie
2. [2:30] Money To Burn
3. [5:08] Just One More
4. [7:51] Aching,...
Mercury Records High Fidelity vinyl album released in 1965.
SIDE 1:
1. [0:00] Eskimo Pie
2. [2:30] Money To Burn
3. [5:08] Just One More
4. [7:51] Aching, Breaking Heart
5. [10:40] Wandering Soul
6. [13:04] Big Harlan Taylor
SIDE 2:
1. [15:06] Seasons Of My Heart
2. [18:04] You're Still On My Mind
3. [20:42] If I Don't Love You, Baby (Grits Ain't Groceries)
4. [22:38] When My Heart Hurts No More
5. [24:44] Cup Of Loneliness
6, [27:23] Tarnished Angel
wn.com/George Jones' Greatest Hits Vol. Ii Full Vinyl Album
Mercury Records High Fidelity vinyl album released in 1965.
SIDE 1:
1. [0:00] Eskimo Pie
2. [2:30] Money To Burn
3. [5:08] Just One More
4. [7:51] Aching, Breaking Heart
5. [10:40] Wandering Soul
6. [13:04] Big Harlan Taylor
SIDE 2:
1. [15:06] Seasons Of My Heart
2. [18:04] You're Still On My Mind
3. [20:42] If I Don't Love You, Baby (Grits Ain't Groceries)
4. [22:38] When My Heart Hurts No More
5. [24:44] Cup Of Loneliness
6, [27:23] Tarnished Angel
- published: 26 Jul 2015
- views: 849
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80:15
Brook Benton - Mercury Records - 1959 - 1964
Rhythm & Soul
published: 16 Nov 2014
Brook Benton - Mercury Records - 1959 - 1964
Brook Benton - Mercury Records - 1959 - 1964
- Report rights infringement
- published: 16 Nov 2014
- views: 6492
8:17
Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
"Christmas Rappin" was the first Rap song released on a major label. Kurtis recorded this ...
published: 28 Nov 2010
Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
Kurtis Blow - Christmas Rappin' (Mercury Records 1979)
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- published: 28 Nov 2010
- views: 763821
3:35
Sarah Vaughan - That's All (Mercury Records 1958)
Produced by Quincy Jones, "That's All" is a 1952 song written by Alan Brandt and Bob Haym...
published: 03 May 2012
Sarah Vaughan - That's All (Mercury Records 1958)
Sarah Vaughan - That's All (Mercury Records 1958)
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- published: 03 May 2012
- views: 26564
2:18
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
"September in the Rain" is a popular song by Harry Warren and Al Dubin, published in 1937....
published: 29 Dec 2013
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
Sarah Vaughan - September In The Rain (Live from Sweden) Mercury Records 1958
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- published: 29 Dec 2013
- views: 9935
2:20
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
Chicago's New Colony Six originally emerged as a tough, British Invasion-styled outfit pro...
published: 04 Sep 2013
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
New Colony Six - Things I'd Like To Say (Mercury Records - 1969)
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- published: 04 Sep 2013
- views: 25760
5:44
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Lois Vaughan was an American jazz singer, described by Scott Yanow as having "one of...
published: 26 Jul 2011
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
Sarah Vaughan - Sassy's Blues (Live In Copenhagen) Mercury Records 1963
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- published: 26 Jul 2011
- views: 18144
4:56
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
"Speak Low" is a popular 1943 song composed by Kurt Weill, with lyrics by Ogden Nash. It w...
published: 21 Jul 2011
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
Sarah Vaughan - Speak Low (Live @ The London House) Mercury Records 1958
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- published: 21 Jul 2011
- views: 156471
2:55
Sarah Vaughan - My One And Only Love (Mercury Records 1957)
"My One and Only Love" is a popular song with music written by Guy Wood and lyrics by Robe...
published: 30 Dec 2011
Sarah Vaughan - My One And Only Love (Mercury Records 1957)
Sarah Vaughan - My One And Only Love (Mercury Records 1957)
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- published: 30 Dec 2011
- views: 73625
4:00
Shirley Horn - Love For Sale (Mercury Records 1962)
"Love for Sale" is a song by Cole Porter, from the musical The New Yorkers which opened on...
published: 19 Jul 2014
Shirley Horn - Love For Sale (Mercury Records 1962)
Shirley Horn - Love For Sale (Mercury Records 1962)
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- published: 19 Jul 2014
- views: 5379
2:40
Erroll Garner - Again (Mercury Records 1949)
"Again" is a popular song, recorded by many singers. The music was written by Lionel Newma...
published: 24 Jan 2011
Erroll Garner - Again (Mercury Records 1949)
Erroll Garner - Again (Mercury Records 1949)
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- published: 24 Jan 2011
- views: 30475
6:04
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally compo...
published: 26 Jul 2011
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
Sarah Vaughan ft Kirk Stewart - Misty (Live In Copenhagen) Mercury Records 1963
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- published: 26 Jul 2011
- views: 5546
4:03
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
"The Shadow of Your Smile", also known as "Love Theme from The Sandpiper", is a popular so...
published: 21 Jul 2011
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
Sarah Vaughan - The Shadow Of Your Smile (Mercury Records 1966)
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- published: 21 Jul 2011
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3:10
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
"Honeysuckle Rose" is a 1929 song composed by Fats Waller and lyrics were written by Andy ...
published: 02 Jan 2014
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
Sarah Vaughan - Honeysuckle Rose (Sweden from Sweden) Mercury Records 1964
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- published: 02 Jan 2014
- views: 8149
25:18
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
rodrigo
concierto andaluz
the romeros
san antonio symphony orchestra
dir-victor alessandr...
published: 11 Feb 2013
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
RODRIGO- CONCIERTO ANDALUZ (THE ROMEROS) ( BEST VERSION) mercury records
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- published: 11 Feb 2013
- views: 10688
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1:05
Sunday nights be like
David Sanborn - Sax, Hiram Bullock - Guitar, Marcus Miller - Bass, Rob Wasserman - Upright...
published: 29 Mar 2016
Sunday nights be like
Sunday nights be like
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- published: 29 Mar 2016
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3:13
KAIYABA by Lydia Njogu
Title: KAIYABA
Artiste: Lydia Njogu
Audio: Mercury Records Nairobi
Dir: Mike Ji/Xperience ...
published: 29 Mar 2016
KAIYABA by Lydia Njogu
KAIYABA by Lydia Njogu
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- views: 3
2:36
Dusty Springfield "It's Over"
"It's Over," written by Jimmie Rodgers and first recorded by him in 1966, was recorded by ...
published: 28 Mar 2016
Dusty Springfield "It's Over"
Dusty Springfield "It's Over"
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- published: 28 Mar 2016
- views: 65
3:02
My Jealous Eyes - Patti Page with Jack Rael and his Orchestra - Mercury Records 70070
Lyrics in the [Closed Captions]
Mercury Records 70070
Recorded on December 19, 1952.
Th...
published: 24 Mar 2016
My Jealous Eyes - Patti Page with Jack Rael and his Orchestra - Mercury Records 70070
My Jealous Eyes - Patti Page with Jack Rael and his Orchestra - Mercury Records 70070
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- published: 24 Mar 2016
- views: 3
2:38
Young Jessie with Robert "Bumps" Blackwell's Orchestra - Big Chief (King of love) [MERCURY]
Mr. Young Jessie sings Big Chief, an absoulute floorfiller issued in 1962 for Mercury reco...
published: 28 Feb 2016
Young Jessie with Robert "Bumps" Blackwell's Orchestra - Big Chief (King of love) [MERCURY]
Young Jessie with Robert "Bumps" Blackwell's Orchestra - Big Chief (King of love) [MERCURY]
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- published: 28 Feb 2016
- views: 40
3:39
Take me home (for the animals) -- original song by Second Coming on Mercury Records
The anthem for homeless animals.
published: 26 Feb 2016
Take me home (for the animals) -- original song by Second Coming on Mercury Records
Take me home (for the animals) -- original song by Second Coming on Mercury Records
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- published: 26 Feb 2016
- views: 64
3:09
I'm Gonna Make You Love Me (c) 1966 Mercury Records
THE FELLAS cover Diana Ross & The Supremes and The Temptations version of 'I'm Gonna Make ...
published: 15 Feb 2016
I'm Gonna Make You Love Me (c) 1966 Mercury Records
I'm Gonna Make You Love Me (c) 1966 Mercury Records
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- published: 15 Feb 2016
- views: 11
23:47
PRESSINGS COMPARISON: Allman Brothers Band at Fillmore East Mercury box set (2014) Vs. MFSL (2015)
Here are two recent (as of this video's release date) reissues of one of the best live roc...
published: 03 Feb 2016
PRESSINGS COMPARISON: Allman Brothers Band at Fillmore East Mercury box set (2014) Vs. MFSL (2015)
PRESSINGS COMPARISON: Allman Brothers Band at Fillmore East Mercury box set (2014) Vs. MFSL (2015)
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- published: 03 Feb 2016
- views: 374
4:02
Runaground | Cover by Eksteen Jacobsz [(C) 1998 Mercury Records Limited]
(C) 1998 Mercury Records Limited.
For every woman you will leave an open door
You find yo...
published: 28 Jan 2016
Runaground | Cover by Eksteen Jacobsz [(C) 1998 Mercury Records Limited]
Runaground | Cover by Eksteen Jacobsz [(C) 1998 Mercury Records Limited]
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- published: 28 Jan 2016
- views: 83
2:41
popcornsound - JUNE VALLI - looking at the world (mercury records)
DJ L.E (Erwin) PoPcornsound - ORIGINAL VINYL from my own collection*
Copyright Disclaimer ...
published: 27 Jan 2016
popcornsound - JUNE VALLI - looking at the world (mercury records)
popcornsound - JUNE VALLI - looking at the world (mercury records)
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- published: 27 Jan 2016
- views: 136
3:23
Mercury Records Eddy Howard I feel the same about you
I created this video with the YouTube Video Editor (https://www.youtube.com/editor)
Eddy ...
published: 23 Jan 2016
Mercury Records Eddy Howard I feel the same about you
Mercury Records Eddy Howard I feel the same about you
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- published: 23 Jan 2016
- views: 13
2:36
Kissin at the Drive-In 1958 Mercury Records
Memoriam Troy Shondell a.k.a. Gary Shelton (1939- 2016)
published: 12 Jan 2016
Kissin at the Drive-In 1958 Mercury Records
Kissin at the Drive-In 1958 Mercury Records
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- published: 12 Jan 2016
- views: 103
2:39
Dinah Washington – “Ol Santa” (Mercury) 1959
Written by Clyde Otis. Arranged by Belford Hendricks
Dinah Washington was with Mercury Re...
published: 31 Dec 2015
Dinah Washington – “Ol Santa” (Mercury) 1959
Dinah Washington – “Ol Santa” (Mercury) 1959
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- published: 31 Dec 2015
- views: 18
7:00
SUNP0009 Shane teaches Love roller coaster by the Ohio Players on Mercury Records
I teach how to sing multiple parts to a song with the Ohio Players Love Roller coaster put...
published: 30 Dec 2015
SUNP0009 Shane teaches Love roller coaster by the Ohio Players on Mercury Records
SUNP0009 Shane teaches Love roller coaster by the Ohio Players on Mercury Records
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- published: 30 Dec 2015
- views: 110
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28:39
Mark Rae at Piccadilly Records Manchester "Mercury Rising" DJ mix
Mark Rae "Mercury Rising" Piccadilly Manchester instore DJ mix to celebrate the release of...
published: 12 Nov 2013
Mark Rae at Piccadilly Records Manchester "Mercury Rising" DJ mix
Mark Rae at Piccadilly Records Manchester "Mercury Rising" DJ mix
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- published: 12 Nov 2013
- views: 7219
102:45
Blur - Live Denver Mercury Cafe February 1st 1996 - Virgin Records official promo video
Intermission / Popscene / Tracy Jacks / It Could Be You / Charmless Man / End Of A Century...
published: 05 Mar 2013
Blur - Live Denver Mercury Cafe February 1st 1996 - Virgin Records official promo video
Blur - Live Denver Mercury Cafe February 1st 1996 - Virgin Records official promo video
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- published: 05 Mar 2013
- views: 22972
63:00
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) (Bear Family Records GmbH) [Full Album]
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury)
Released 2011-08-19 on Bear Famil...
published: 07 Jan 2015
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) (Bear Family Records GmbH) [Full Album]
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Mercury) (Bear Family Records GmbH) [Full Album]
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- published: 07 Jan 2015
- views: 836
120:35
The Stanley Brothers - The Mercury Sessions
The Stanley Brothers - The Mercury Sessions
01. 0:00:00 (SAY) WON'T YOU BE MINE
02. 0:02...
published: 03 Mar 2015
The Stanley Brothers - The Mercury Sessions
The Stanley Brothers - The Mercury Sessions
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- published: 03 Mar 2015
- views: 53964
26:46
Timothy Walker Part one: Medicinal mercury in the Early Modern Portuguese records
Please note that the content of this talk should be regarded as an unpublished draft prese...
published: 22 Oct 2013
Timothy Walker Part one: Medicinal mercury in the Early Modern Portuguese records
Timothy Walker Part one: Medicinal mercury in the Early Modern Portuguese records
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- published: 22 Oct 2013
- views: 117
40:27
Clifford Brown & Max Roach Mercury Record 4
published: 13 Jun 2015
Clifford Brown & Max Roach Mercury Record 4
Clifford Brown & Max Roach Mercury Record 4
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- published: 13 Jun 2015
- views: 87
62:50
Def Leppard: Hysteria (full album)
Hysteria is the fourth studio album by English rock band Def Leppard, released on 3 August...
published: 23 Mar 2014
Def Leppard: Hysteria (full album)
Def Leppard: Hysteria (full album)
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- published: 23 Mar 2014
- views: 150321
58:01
Losing Sleep (2009) - Parachute iTunes Deluxe Edition FULL ALBUM
No copyright infringement intended.
All rights belong to Parachute and Mercury Records.
T...
published: 26 Feb 2014
Losing Sleep (2009) - Parachute iTunes Deluxe Edition FULL ALBUM
Losing Sleep (2009) - Parachute iTunes Deluxe Edition FULL ALBUM
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- published: 26 Feb 2014
- views: 180493
46:52
45 rpm records of easy listening music played on my Webster Chicago phonograph
This video was made to just play a small program of music for your listening pleasure, so ...
published: 13 Aug 2012
45 rpm records of easy listening music played on my Webster Chicago phonograph
45 rpm records of easy listening music played on my Webster Chicago phonograph
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- published: 13 Aug 2012
- views: 5596
182:07
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 (One Day Music) [Full Album]
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962
Released 2015-04-17 ...
published: 07 Jan 2016
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 (One Day Music) [Full Album]
Various Artists - A Taste of Honey: Gems from the Mercury Vaults 1962 (One Day Music) [Full Album]
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- published: 07 Jan 2016
- views: 216
64:05
Facing the animal (1997)
Facing the Animal es el décimo álbum de estudio del guitarrista Yngwie Malmsteen, lanzado ...
published: 18 Aug 2015
Facing the animal (1997)
Facing the animal (1997)
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- published: 18 Aug 2015
- views: 8313
57:24
The Mission UK - Gods Own Medicine 1986
is the debut studio album by the English gothic rock band The Mission. It was released in ...
published: 20 Aug 2015
The Mission UK - Gods Own Medicine 1986
The Mission UK - Gods Own Medicine 1986
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- published: 20 Aug 2015
- views: 12412
47:38
Big Mama Thornton - The Way It Is - Full Vinyl Album
1970 Mercury Records live album recorded in L.A.
Side 1:
1. [0:00] Little Red Rooster
2...
published: 25 May 2015
Big Mama Thornton - The Way It Is - Full Vinyl Album
Big Mama Thornton - The Way It Is - Full Vinyl Album
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- published: 25 May 2015
- views: 11959
33:42
The Paddingtons - First Comes First (Full Album)
Mercury Records (2005)
1 Some Old Girl 00:00
2 First Comes First 03:04
3 50 2 A ...
published: 11 Sep 2013
The Paddingtons - First Comes First (Full Album)
The Paddingtons - First Comes First (Full Album)
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- published: 11 Sep 2013
- views: 6911
Mark Rae at Piccadilly Records Manchester "Mercury...
Blur - Live Denver Mercury Cafe February 1st 1996 ...
Various Artists - THAT'LL FLAT GIT IT, VOL. 11 (Me...
The Stanley Brothers - The Mercury Sessions...
Timothy Walker Part one: Medicinal mercury in the ...
Clifford Brown & Max Roach Mercury Record 4...
Def Leppard: Hysteria (full album)...
Losing Sleep (2009) - Parachute iTunes Deluxe Edit...
45 rpm records of easy listening music played on m...
Various Artists - A Taste of Honey: Gems from the ...
Facing the animal (1997)...
The Mission UK - Gods Own Medicine 1986...
Big Mama Thornton - The Way It Is - Full Vinyl Alb...
The Paddingtons - First Comes First (Full Album)...
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ABC - Beauty Stab [Full Album]...
DEBUSSY La Mer (I, II, III) Paul PARAY & Detroit ...
KOOL & THE GANG - Greatest Hits & More - Full Alb...
Pete Rugolo - Percussion at work (1958) Full viny...
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Exuma - Exuma (1970) [Full Album]...
George Jones' Greatest Hits Vol. II - Full Vinyl A...
photo: Twitter
Kim Kardashian, Emily Ratajkowski post topless bathroom pic
Edit New York Daily News 30 Mar 2016
Kim Kardashian has added a friend to her set of scandalous selfies ... ....
photo: AP / Charlie Neibergall
‘Women Should Be Punished’ For Having Abortions
Edit Inquisitr 30 Mar 2016
During a campaign appearance in Wisconsin today, Donald Trump came out hard against abortion – stating unequivocally that women should be ‘punished’ for getting abortions, but the men responsible for those unwanted pregnancies should not be punished. “There has to be some form of punishment,” Donald Trump said today during an interview with MSNBC ... Trump ... — Geek me _ (@Geekme_) March 30, 2016 ... Ohio Gov....
photo: WN / Ahmed Deeb
Archaeologists Find Rare Etruscan Stone From 2,500 years Ago in Florence
Edit WorldNews.com 30 Mar 2016
The Etruscans were believed to be the model for ancient Greece and Rome, the report said and the people lived in city states with luxuriant palaces, beautiful art and a complicated social structure in which women were considered and acted as men’s equals. The 500-lb ... Etruscan writings are extremely difficult to find, the report said, because most of their writing was recorded on perishable objects like cloth or wax tablets....
photo: Twitter
A Guy Took a Selfie During the EgyptAir Hijack and It’s Gone Viral
Edit Time Magazine 30 Mar 2016« back to news headlines
photo: UN / Rick Bajornas
Spike in global temperature fuels climate change fears
Edit Sydney Morning Herald 25 Mar 2016
February's spike in global temperatures lifted temperatures to 1.21 degrees above the 20th century average, and were the biggest departure from the norm in 137 years of records ... Complacency should be avoided, therefore, when the mercury's record run inevitably ends in coming months as the El Nino unwinds....
Ernestine Anderson obituary
Edit The Guardian 20 Mar 2016
It was so popular that she was featured on the cover of Time magazine, appeared at the initial Monterey jazz festival in 1958, won the New Star award in Down Beat magazine’s Critics Poll of 1959, and signed up with Mercury Records, with whom she released half a dozen albums. Although her fame had begun to fade by the mid-1960s, Anderson got a second wind in the mid-70s, when she was signed to Concord Records....
Halfway to Hazard bring back the life of a Kentucky outlaw
Edit The Examiner 17 Mar 2016
The song is a preview of what’s to come on the duo’s forthcoming brand new album that’s currently being recorded -- the first since a personal hiatus in 2009 ... Halfway To Hazard rose to fame after signing to a record deal with Mercury Records, thanks to help from their long-time supporter Tim McGraw and a passionate national fan base....
Jazz singer and Grammy nominee Ernestine Anderson dies at 87
Edit Deccan Herald 14 Mar 2016
Eisenhower ... She recorded her first single "K.C ... While in New York, Anderson recorded with Jones, Russell Jacquet, tenor saxophonist Clifford "King" Solomon and others, the newspaper reported ... While there, she recorded an album, "Hot Cargo," that was later released by Mercury Records in 1958 to rave reviews ... Anderson released six albums on Mercury Records, including the much-praised "Moanin,'" but her career subsided in the 1960s ... ....
Summerfest Announces Seventh Marcus Amphitheater Headliner For 2016 (Shore Fire Media Inc)
Edit Public Technologies 14 Mar 2016
(Source ... Tim McGraw has sold more than 40 million records worldwide and dominated the charts with 36 #1 singles ... After earning significant praise with her Mercury Records Nashville debut album, Same Trailer Different Park in 2013, her latest album, Pageant Material recently debuted at #1 on the Billboard Country albums charts and has been met with massive critical acclaim and recognition from press outlets all over the world ... (noodl....
Kendrick Lamar vs. Capitalism
Edit The Atlantic 11 Mar 2016
The whole thing is kind of like “Bohemian Rhapsody,” if Freddy Mercury had just recorded himself saying “guitar solo goes here” where Brian May’s shredding currently is ... 05.28.2013,” he talks of receiving advice from members of different races; the white perspective comes from record-label man trying to leech off Lamar’s talents and encouraging him to sell out....
See Jennifer Nettles' Epic Cover of Queen's 'Bohemian Rhapsody'
Edit Rollingstone 09 Mar 2016
In 2004, when Jennifer Nettles co-wrote and sang on Sugarland's breakout hit, "Baby Girl," the then-trio was signed to the Nashville offices of Mercury Records. In 2014, the Georgia native released her solo LP, That Girl, on the same label, which shares its name with one of rock's most iconic vocalists, the late Freddie Mercury ... Mercury's death....
Ryan Adams & The Shining And The Avett Brothers Announced As Headline Performers At Marriott Rewards And Universal Music Present "Music Is Universal" @ SXSW DNCE, Vince Staples, The Strumbellas, Grace Mitchell, Banners and BJ The Chicago Kid among artists performing at artist showcases
Edit PR Newswire 07 Mar 2016
... Records, Island Records, Machete Music, Manhattan, MCA Nashville, Mercury Nashville, Mercury Records, Motown Records, Polydor Records, Republic Records, Universal Music Latino, Verve Music Group, Virgin Records, Virgin EMI Records, as well as a multitude of record labels owned or distributed by its record company subsidiaries around the world....
Complete List Of Nominees, Chris Stapleton Leads With 7
Edit Inquisitr 07 Mar 2016
two (as artist, and songwriter) for Song of the Year for her hit “Burning House,” New Female Vocalist of the Year, Video of the Year for “Burning House,” and is nominated twice (as artist, and as producer) for Single Record of the Year for “Burning House.” ... [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)] ... Record Label. EMI Records Nashville ... Record Label. Mercury Records ... Record Label....
Universal Music Group compiles organist Marcel Dupré’s Mercury recordings
Edit The Examiner 04 Mar 2016
In fairness one of the label’s most significant artists was the cellist János Starker, whose performance inclinations tended towards the intimate and the nuanced; and the ten-CD box of all of Starker’s Mercury recordings in 2014 was a major event for all serious listeners ... Last year, however, attention returned to individual performers with the release of a ten-CD box of all of the Mercury recordings made by organist Marcel Dupré....
Marriott Rewards And Universal Music Group To Bring Daily Live Immersive Music Experiences To The SXSW Music Festival In a Takeover of the JW Marriott Austin Hotel, Marriott Rewards and Universal Music Present Music is Universal @ SXSWDNCE, Vince Staples, The Strumbellas, Grace Mitchell, Banners and BJ The Chicago Kid among artists performing at showcasesRandalls to Offer Poolside Smoothie Bar
Edit PR Newswire 04 Mar 2016
... Records, Island Records, Machete Music, Manhattan, MCA Nashville, Mercury Nashville, Mercury Records, Motown Records, Polydor Records, Republic Records, Universal Music Latino, Verve Music Group, Virgin Records, Virgin EMI Records, as well as a multitude of record labels owned or distributed by its record company subsidiaries around the world....
Complete List Of Nominees, Eric Church, Kelsea Ballerini To Perform Among Others
Edit Inquisitr 04 Mar 2016
Cam is nominated for New Female Vocalist of the Year, Single Record of the Year (as artist and producer), Song of the Year (as artist and songwriter) and Video of the Year ... [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)] ... Record Label. EMI Records Nashville ... Record Label. Mercury Records ... Record Label ... Record Label ... Record Label. RCA Records ... Awarded to Artist(s)/Producer(s)/Record Company–Label(s) ... Record Label ... Record Label....
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