-
Measure for Measure
PURCHASE A "VIRTUAL TICKET" HERE: https://texas-shakespeare-festival-foundation.networkforgood.com/projects/108904-2021-annual-campaign
The Texas Shakespeare Festival's 2012 production of Measure for Measure
Written by William Shakespeare
Directed by Chuck Ney
Vocal Director: Jennifer Burke
Scenic Design: Jesse Dreikosen
Costume Design: Emily Waecker
Lighting Design: Tony Galaska
Sound Design: Benjamin G. Stickels
Featuring:
Arthur Lazalde as Duke Vincentio
Vanessa Sterling as Isabella
Aaron Johnson as Escalus
Nick Henderson as Angelo
Tobin Mitnick as Lucio
Alice Sherman as Mistress Overdone
Tommy Kearney as Pompey
Jacob Dresch as Caludio
Philip Orazio as Provost
Sarah Laughland as Sister Francisca
Jason Richards as Elbow
Erika Peckhardt as Juliet
Elizabeth Krane as Mariana
Garrett Hal...
published: 16 May 2020
-
Measure for Measure: Quantum Physics and Reality
When no one is looking, a particle has near limitless potential: it can be nearly anywhere. But measure it, and the particle snaps to one position. How do subatomic objects shed their quantum weirdness? Experts in the field of physics, including David Z. Albert, Sean Carroll, Sheldon Goldstein, Ruediger Schack, and moderator Brian Greene, discuss the history of quantum mechanics, current theories in the field, and possibilities for the future.
This program is part of the Big Ideas Series, made possible with support from the John Templeton Foundation.
Subscribe to our YouTube Channel for all the latest from WSF.
Visit our Website: http://www.worldsciencefestival.com/
Like us on Facebook: https://www.facebook.com/worldsciencefestival
Follow us on twitter: https://twitter.com/WorldSciFest
...
published: 20 Jun 2014
-
3 Minute Shakespeare: Measure for Measure
A short summary of Shakespeare's 1603-4 tragicomedy/ problem/ city comedy play, Measure for Measure with illustrations by Mya Gosling.
published: 13 Aug 2019
-
Harvard ENGL E-129 - Lecture 3: Measure for Measure
20071003
published: 18 Jan 2015
-
Shakespeare's 'Measure for Measure': context, plot, themes and characters! | Narrator: Barbara Njau
Interested in a lesson? Book a lesson with Barbara here: https://www.barbaranjau.com/
Download our detailed "Measure for Measure" revision pack here: https://www.firstratetutors.com/shopfrt/measure-for-measure-by-w-shakespeare-revision-worksheet
published: 15 Aug 2019
-
Measure for Measure (2020) Trailer
Now available on NETFLIX Australia and New Zealand
An unlikely love ignites between a modern Muslim girl and a local musician amongst the background of racial tension, amphetamines and gang culture in the city’s notorious housing estate.
Inspired by SHAKESPEARE’s play Measure for Measure and influenced by the gritty realism of films like Amores Perros, the social conscience of Fishtank and dynamic aesthetic of Un Prophete, Measure for Measure questions the notion of justice, the ability for redemption and the desire for power and examines the idea that ‘we can never escape our true nature or where we are from despite our attempts’. Measure for Measure is also a raw study of the most basic and yet most complex of our emotions – love…. how we react when we find it, and how far we would go t...
published: 22 Feb 2020
-
Act 2 Scene 4 | Measure for Measure | 2019 | Royal Shakespeare Company
The company of Measure for Measure perform Act 2 Scene 4 in the Royal Shakespeare Theatre, directed by Gregory Doran.
published: 16 Jan 2020
-
Measure for Measure Summary
Summary of Measure for Measure, for the UCU Shakespeare Project.
Performances will be at 20:30 on:
Wednesday 24th of September
Thursday 25th of September
Friday 26th of September
Saturday 27th of September.
Tickets will be 3 euros for on-campus, and 5 euros for off-campus. The money pay for the props we had to buy, and to support other Performing Arts plays.
published: 18 Sep 2014
-
Measure for Measure Synopsis
Gregory Doran describes the synopsis of Shakespeare's Measure For Measure.
See Measure For Measure in the Royal Shakespeare Theatre until 29 August 2019, or in the autumn at the Barbican, London and on tour.
published: 11 Jun 2019
-
David Tennant as Angelo in Conjuring Shakespeare: Measure for Measure
In "Conjuring Shakespeare" (1997), a show that discusses elements of the performance of Shakespeare, David Tennant plays Angelo in a scene from William Shakespeare's "Measure for Measure" (specifically, Act 2 Scene 4). Fiona Shaw provides an introduction breaking down her directorial choices in the context of the play. The full scene from the play without commentary starts at 6:00, if you'd like to skip ahead to that.
I have closed captioned it. Also, part of the scene's text is below (it was too long to fit all of it into the description):
ANGELO
Answer to this:
I, now the voice of the recorded law,
Pronounce a sentence on your brother's life:
Might there not be a charity in sin
To save this brother's life?
ISABELLA
Please you to do't,
I'll take it as a peril to my soul,
It is no sin a...
published: 13 Dec 2018
2:25:34
Measure for Measure
PURCHASE A "VIRTUAL TICKET" HERE: https://texas-shakespeare-festival-foundation.networkforgood.com/projects/108904-2021-annual-campaign
The Texas Shakespeare F...
PURCHASE A "VIRTUAL TICKET" HERE: https://texas-shakespeare-festival-foundation.networkforgood.com/projects/108904-2021-annual-campaign
The Texas Shakespeare Festival's 2012 production of Measure for Measure
Written by William Shakespeare
Directed by Chuck Ney
Vocal Director: Jennifer Burke
Scenic Design: Jesse Dreikosen
Costume Design: Emily Waecker
Lighting Design: Tony Galaska
Sound Design: Benjamin G. Stickels
Featuring:
Arthur Lazalde as Duke Vincentio
Vanessa Sterling as Isabella
Aaron Johnson as Escalus
Nick Henderson as Angelo
Tobin Mitnick as Lucio
Alice Sherman as Mistress Overdone
Tommy Kearney as Pompey
Jacob Dresch as Caludio
Philip Orazio as Provost
Sarah Laughland as Sister Francisca
Jason Richards as Elbow
Erika Peckhardt as Juliet
Elizabeth Krane as Mariana
Garrett Haley as Abhorson/Officer
Parker Arnold as Barnardine/Officer
Jacob Buras as Friar Peter
Trenton Bennett as First Gentleman/Servant/Messenger
Tim Murray as Second Gentleman/Froth
https://wn.com/Measure_For_Measure
PURCHASE A "VIRTUAL TICKET" HERE: https://texas-shakespeare-festival-foundation.networkforgood.com/projects/108904-2021-annual-campaign
The Texas Shakespeare Festival's 2012 production of Measure for Measure
Written by William Shakespeare
Directed by Chuck Ney
Vocal Director: Jennifer Burke
Scenic Design: Jesse Dreikosen
Costume Design: Emily Waecker
Lighting Design: Tony Galaska
Sound Design: Benjamin G. Stickels
Featuring:
Arthur Lazalde as Duke Vincentio
Vanessa Sterling as Isabella
Aaron Johnson as Escalus
Nick Henderson as Angelo
Tobin Mitnick as Lucio
Alice Sherman as Mistress Overdone
Tommy Kearney as Pompey
Jacob Dresch as Caludio
Philip Orazio as Provost
Sarah Laughland as Sister Francisca
Jason Richards as Elbow
Erika Peckhardt as Juliet
Elizabeth Krane as Mariana
Garrett Haley as Abhorson/Officer
Parker Arnold as Barnardine/Officer
Jacob Buras as Friar Peter
Trenton Bennett as First Gentleman/Servant/Messenger
Tim Murray as Second Gentleman/Froth
- published: 16 May 2020
- views: 17063
1:38:44
Measure for Measure: Quantum Physics and Reality
When no one is looking, a particle has near limitless potential: it can be nearly anywhere. But measure it, and the particle snaps to one position. How do subat...
When no one is looking, a particle has near limitless potential: it can be nearly anywhere. But measure it, and the particle snaps to one position. How do subatomic objects shed their quantum weirdness? Experts in the field of physics, including David Z. Albert, Sean Carroll, Sheldon Goldstein, Ruediger Schack, and moderator Brian Greene, discuss the history of quantum mechanics, current theories in the field, and possibilities for the future.
This program is part of the Big Ideas Series, made possible with support from the John Templeton Foundation.
Subscribe to our YouTube Channel for all the latest from WSF.
Visit our Website: http://www.worldsciencefestival.com/
Like us on Facebook: https://www.facebook.com/worldsciencefestival
Follow us on twitter: https://twitter.com/WorldSciFest
Original Program date: May 29, 2014
Host: Brian Greene
Participants: David Z. Albert, Sean Carroll, Sheldon Goldstein, Ruediger Schack
Brian Greene's Introduction. 00:00
The double-slit experiment 4:03
Waves of probability. 10:50
Participant Introductions. 17:55
The classic outlook changed forever. 19:41
The Norman Ramsey approach to quantum mechanics. 22:44
The quantum measurement problem. 28:45
Does there need to be a clear separation between the quantum description and the observer? 31:44
How does the double slit fit into this example? 38:49
The many worlds approach to quantum mechanics. 45:48
If we can't see the other worlds, isn't that equal to believing in god or angels? 50:45
Summing up the many worlds theory. 59:52
Spontaneous collapse theory. 1:00:04
How do you make this theory precise. 1:08:00
Tallying the votes for collapse theory. 1:13:27
What is Qbism? 1:14:00
Does cubism gives a description of the world that needs an observer? 1:19:25
Two equations vs one. 1:27:04
The final vote for Qbism. 1:30:20
https://wn.com/Measure_For_Measure_Quantum_Physics_And_Reality
When no one is looking, a particle has near limitless potential: it can be nearly anywhere. But measure it, and the particle snaps to one position. How do subatomic objects shed their quantum weirdness? Experts in the field of physics, including David Z. Albert, Sean Carroll, Sheldon Goldstein, Ruediger Schack, and moderator Brian Greene, discuss the history of quantum mechanics, current theories in the field, and possibilities for the future.
This program is part of the Big Ideas Series, made possible with support from the John Templeton Foundation.
Subscribe to our YouTube Channel for all the latest from WSF.
Visit our Website: http://www.worldsciencefestival.com/
Like us on Facebook: https://www.facebook.com/worldsciencefestival
Follow us on twitter: https://twitter.com/WorldSciFest
Original Program date: May 29, 2014
Host: Brian Greene
Participants: David Z. Albert, Sean Carroll, Sheldon Goldstein, Ruediger Schack
Brian Greene's Introduction. 00:00
The double-slit experiment 4:03
Waves of probability. 10:50
Participant Introductions. 17:55
The classic outlook changed forever. 19:41
The Norman Ramsey approach to quantum mechanics. 22:44
The quantum measurement problem. 28:45
Does there need to be a clear separation between the quantum description and the observer? 31:44
How does the double slit fit into this example? 38:49
The many worlds approach to quantum mechanics. 45:48
If we can't see the other worlds, isn't that equal to believing in god or angels? 50:45
Summing up the many worlds theory. 59:52
Spontaneous collapse theory. 1:00:04
How do you make this theory precise. 1:08:00
Tallying the votes for collapse theory. 1:13:27
What is Qbism? 1:14:00
Does cubism gives a description of the world that needs an observer? 1:19:25
Two equations vs one. 1:27:04
The final vote for Qbism. 1:30:20
- published: 20 Jun 2014
- views: 3413832
3:10
3 Minute Shakespeare: Measure for Measure
A short summary of Shakespeare's 1603-4 tragicomedy/ problem/ city comedy play, Measure for Measure with illustrations by Mya Gosling.
A short summary of Shakespeare's 1603-4 tragicomedy/ problem/ city comedy play, Measure for Measure with illustrations by Mya Gosling.
https://wn.com/3_Minute_Shakespeare_Measure_For_Measure
A short summary of Shakespeare's 1603-4 tragicomedy/ problem/ city comedy play, Measure for Measure with illustrations by Mya Gosling.
- published: 13 Aug 2019
- views: 20167
4:25
Shakespeare's 'Measure for Measure': context, plot, themes and characters! | Narrator: Barbara Njau
Interested in a lesson? Book a lesson with Barbara here: https://www.barbaranjau.com/
Download our detailed "Measure for Measure" revision pack here: https://w...
Interested in a lesson? Book a lesson with Barbara here: https://www.barbaranjau.com/
Download our detailed "Measure for Measure" revision pack here: https://www.firstratetutors.com/shopfrt/measure-for-measure-by-w-shakespeare-revision-worksheet
https://wn.com/Shakespeare's_'Measure_For_Measure'_Context,_Plot,_Themes_And_Characters_|_Narrator_Barbara_Njau
Interested in a lesson? Book a lesson with Barbara here: https://www.barbaranjau.com/
Download our detailed "Measure for Measure" revision pack here: https://www.firstratetutors.com/shopfrt/measure-for-measure-by-w-shakespeare-revision-worksheet
- published: 15 Aug 2019
- views: 7109
1:32
Measure for Measure (2020) Trailer
Now available on NETFLIX Australia and New Zealand
An unlikely love ignites between a modern Muslim girl and a local musician amongst the background of racial t...
Now available on NETFLIX Australia and New Zealand
An unlikely love ignites between a modern Muslim girl and a local musician amongst the background of racial tension, amphetamines and gang culture in the city’s notorious housing estate.
Inspired by SHAKESPEARE’s play Measure for Measure and influenced by the gritty realism of films like Amores Perros, the social conscience of Fishtank and dynamic aesthetic of Un Prophete, Measure for Measure questions the notion of justice, the ability for redemption and the desire for power and examines the idea that ‘we can never escape our true nature or where we are from despite our attempts’. Measure for Measure is also a raw study of the most basic and yet most complex of our emotions – love…. how we react when we find it, and how far we would go to keep it.
https://wn.com/Measure_For_Measure_(2020)_Trailer
Now available on NETFLIX Australia and New Zealand
An unlikely love ignites between a modern Muslim girl and a local musician amongst the background of racial tension, amphetamines and gang culture in the city’s notorious housing estate.
Inspired by SHAKESPEARE’s play Measure for Measure and influenced by the gritty realism of films like Amores Perros, the social conscience of Fishtank and dynamic aesthetic of Un Prophete, Measure for Measure questions the notion of justice, the ability for redemption and the desire for power and examines the idea that ‘we can never escape our true nature or where we are from despite our attempts’. Measure for Measure is also a raw study of the most basic and yet most complex of our emotions – love…. how we react when we find it, and how far we would go to keep it.
- published: 22 Feb 2020
- views: 51187
6:26
Act 2 Scene 4 | Measure for Measure | 2019 | Royal Shakespeare Company
The company of Measure for Measure perform Act 2 Scene 4 in the Royal Shakespeare Theatre, directed by Gregory Doran.
The company of Measure for Measure perform Act 2 Scene 4 in the Royal Shakespeare Theatre, directed by Gregory Doran.
https://wn.com/Act_2_Scene_4_|_Measure_For_Measure_|_2019_|_Royal_Shakespeare_Company
The company of Measure for Measure perform Act 2 Scene 4 in the Royal Shakespeare Theatre, directed by Gregory Doran.
- published: 16 Jan 2020
- views: 12174
5:04
Measure for Measure Summary
Summary of Measure for Measure, for the UCU Shakespeare Project.
Performances will be at 20:30 on:
Wednesday 24th of September
Thursday 25th of September
Frida...
Summary of Measure for Measure, for the UCU Shakespeare Project.
Performances will be at 20:30 on:
Wednesday 24th of September
Thursday 25th of September
Friday 26th of September
Saturday 27th of September.
Tickets will be 3 euros for on-campus, and 5 euros for off-campus. The money pay for the props we had to buy, and to support other Performing Arts plays.
https://wn.com/Measure_For_Measure_Summary
Summary of Measure for Measure, for the UCU Shakespeare Project.
Performances will be at 20:30 on:
Wednesday 24th of September
Thursday 25th of September
Friday 26th of September
Saturday 27th of September.
Tickets will be 3 euros for on-campus, and 5 euros for off-campus. The money pay for the props we had to buy, and to support other Performing Arts plays.
- published: 18 Sep 2014
- views: 34555
2:18
Measure for Measure Synopsis
Gregory Doran describes the synopsis of Shakespeare's Measure For Measure.
See Measure For Measure in the Royal Shakespeare Theatre until 29 August 2019, or in ...
Gregory Doran describes the synopsis of Shakespeare's Measure For Measure.
See Measure For Measure in the Royal Shakespeare Theatre until 29 August 2019, or in the autumn at the Barbican, London and on tour.
https://wn.com/Measure_For_Measure_Synopsis
Gregory Doran describes the synopsis of Shakespeare's Measure For Measure.
See Measure For Measure in the Royal Shakespeare Theatre until 29 August 2019, or in the autumn at the Barbican, London and on tour.
- published: 11 Jun 2019
- views: 17144
14:19
David Tennant as Angelo in Conjuring Shakespeare: Measure for Measure
In "Conjuring Shakespeare" (1997), a show that discusses elements of the performance of Shakespeare, David Tennant plays Angelo in a scene from William Shakespe...
In "Conjuring Shakespeare" (1997), a show that discusses elements of the performance of Shakespeare, David Tennant plays Angelo in a scene from William Shakespeare's "Measure for Measure" (specifically, Act 2 Scene 4). Fiona Shaw provides an introduction breaking down her directorial choices in the context of the play. The full scene from the play without commentary starts at 6:00, if you'd like to skip ahead to that.
I have closed captioned it. Also, part of the scene's text is below (it was too long to fit all of it into the description):
ANGELO
Answer to this:
I, now the voice of the recorded law,
Pronounce a sentence on your brother's life:
Might there not be a charity in sin
To save this brother's life?
ISABELLA
Please you to do't,
I'll take it as a peril to my soul,
It is no sin at all, but charity.
ANG.
Pleased you to do't at peril of your soul,
Were equal poise of sin and charity.
ISA.
That I do beg his life, if it be sin,
Heaven let me bear it! you granting of my suit,
If that be sin, I'll make it my morn prayer
To have it added to the faults of mine,
And nothing of your answer.
ANG.
Nay, but hear me.
Your sense pursues not mine: either you are ignorant,
Or seem so craftily; and that's not good.
ISA.
Let me be ignorant, and in nothing good,
But graciously to know I am no better.
ANG.
Thus wisdom wishes to appear most bright
When it doth tax itself; as these black masks
Proclaim an enshield beauty ten times louder
Than beauty could, display'd. But mark me;
To be received plain, I'll speak more gross:
Your brother is to die.
And his offence is so, as it appears,
Accountant to the law upon that pain.
Admit no other way to save his life,--
As I subscribe not that, nor any other,
But in the loss of question,--that you, his sister,
Finding yourself desired of such a person,
Whose credit with the judge, or own great place,
Could fetch your brother from the manacles
Of the all-building law; and that there were
No earthly mean, but that either
You must lay down the treasures of your body
To this supposed, or else to let him suffer;
What would you do?
ISA.
As much for my poor brother as myself:
That is, were I under the terms of death,
The impression of keen whips I'd wear as rubies,
And strip myself to death, as to a bed
That longing have been sick for, ere I'd yield
My body up to shame.
ANG.
Then must your brother die.
ISA.
And 'twere the cheaper way:
Better it were a brother died at once,
Than that a sister, by redeeming him,
Should die forever.
ANG.
Were not you then as cruel as the sentence
That you have slander'd so?
ISA.
Ignomy in ransom and free pardon
Are of two houses: lawful mercy
Is nothing kin to foul redemption.
ANG.
You seem'd of late to make the law a tyrant;
And rather proved the sliding of your brother
A merriment than a vice.
ISA.
Pardon me, my lord; it oft falls out,
To have what we would have, we speak not what we mean:
I something do excuse the thing I hate,
For his advantage that I dearly love.
ANG.
We are all frail.
ISA.
Else let my brother die,
If not a feodary, but only he
Owe and succeed thy weakness.
ANG.
Nay, women are frail too.
ISA.
Ay, as the glasses where they view themselves;
Which are as easy broke as they make forms.
Women! Help Heaven! men their creation mar
In profiting by them. Nay, call us ten times frail;
For we are soft as our complexions are,
And credulous to false prints.
ANG.
I think it well:
And from this testimony of your own sex,--
Since I suppose we are made to be no stronger
Than faults may shake our frames,--let me be bold;
I do arrest your words. Be that you are,
That is, a woman; if you be more, you're none;
If you be one, as you are well express'd
By all external warrants, show it now,
By putting on the destined livery.
ISA.
I have no tongue but one: gentle my lord,
Let me entreat you speak the former language.
ANG.
Plainly conceive, I love you.
ISA.
My brother did love Juliet,
And you tell me that he shall die for it.
ANG.
He shall not, Isabel, if you give me love.
ISA.
I know your virtue hath a licence in't,
Which seems a little fouler than it is,
To pluck on others.
ANG.
Believe me, on mine honour,
My words express my purpose.
ISA.
Little honour to be much believed,
And most pernicious purpose! Seeming, seeming!
I will proclaim thee, Angelo; look for't:
Sign me a present pardon for my brother,
Or with an outstretch'd throat I'll tell the world aloud
What man thou art.
ANG.
Who will believe thee, Isabel?
My unsoil'd name, the austereness of my life,
My vouch against you, and my place i' the state,
Will so your accusation overweigh,
That you shall stifle in your own report
And smell of calumny. I have begun,
And now I give my sensual race the rein:
Fit thy consent to my sharp appetite;
Lay by all nicety and prolixious blushes,
That banish what they sue for; redeem thy brother
By yielding up thy body to my will;
Or else he must not only die the death,
But thy unkindness shall his death draw out
To lingering sufferance.
https://wn.com/David_Tennant_As_Angelo_In_Conjuring_Shakespeare_Measure_For_Measure
In "Conjuring Shakespeare" (1997), a show that discusses elements of the performance of Shakespeare, David Tennant plays Angelo in a scene from William Shakespeare's "Measure for Measure" (specifically, Act 2 Scene 4). Fiona Shaw provides an introduction breaking down her directorial choices in the context of the play. The full scene from the play without commentary starts at 6:00, if you'd like to skip ahead to that.
I have closed captioned it. Also, part of the scene's text is below (it was too long to fit all of it into the description):
ANGELO
Answer to this:
I, now the voice of the recorded law,
Pronounce a sentence on your brother's life:
Might there not be a charity in sin
To save this brother's life?
ISABELLA
Please you to do't,
I'll take it as a peril to my soul,
It is no sin at all, but charity.
ANG.
Pleased you to do't at peril of your soul,
Were equal poise of sin and charity.
ISA.
That I do beg his life, if it be sin,
Heaven let me bear it! you granting of my suit,
If that be sin, I'll make it my morn prayer
To have it added to the faults of mine,
And nothing of your answer.
ANG.
Nay, but hear me.
Your sense pursues not mine: either you are ignorant,
Or seem so craftily; and that's not good.
ISA.
Let me be ignorant, and in nothing good,
But graciously to know I am no better.
ANG.
Thus wisdom wishes to appear most bright
When it doth tax itself; as these black masks
Proclaim an enshield beauty ten times louder
Than beauty could, display'd. But mark me;
To be received plain, I'll speak more gross:
Your brother is to die.
And his offence is so, as it appears,
Accountant to the law upon that pain.
Admit no other way to save his life,--
As I subscribe not that, nor any other,
But in the loss of question,--that you, his sister,
Finding yourself desired of such a person,
Whose credit with the judge, or own great place,
Could fetch your brother from the manacles
Of the all-building law; and that there were
No earthly mean, but that either
You must lay down the treasures of your body
To this supposed, or else to let him suffer;
What would you do?
ISA.
As much for my poor brother as myself:
That is, were I under the terms of death,
The impression of keen whips I'd wear as rubies,
And strip myself to death, as to a bed
That longing have been sick for, ere I'd yield
My body up to shame.
ANG.
Then must your brother die.
ISA.
And 'twere the cheaper way:
Better it were a brother died at once,
Than that a sister, by redeeming him,
Should die forever.
ANG.
Were not you then as cruel as the sentence
That you have slander'd so?
ISA.
Ignomy in ransom and free pardon
Are of two houses: lawful mercy
Is nothing kin to foul redemption.
ANG.
You seem'd of late to make the law a tyrant;
And rather proved the sliding of your brother
A merriment than a vice.
ISA.
Pardon me, my lord; it oft falls out,
To have what we would have, we speak not what we mean:
I something do excuse the thing I hate,
For his advantage that I dearly love.
ANG.
We are all frail.
ISA.
Else let my brother die,
If not a feodary, but only he
Owe and succeed thy weakness.
ANG.
Nay, women are frail too.
ISA.
Ay, as the glasses where they view themselves;
Which are as easy broke as they make forms.
Women! Help Heaven! men their creation mar
In profiting by them. Nay, call us ten times frail;
For we are soft as our complexions are,
And credulous to false prints.
ANG.
I think it well:
And from this testimony of your own sex,--
Since I suppose we are made to be no stronger
Than faults may shake our frames,--let me be bold;
I do arrest your words. Be that you are,
That is, a woman; if you be more, you're none;
If you be one, as you are well express'd
By all external warrants, show it now,
By putting on the destined livery.
ISA.
I have no tongue but one: gentle my lord,
Let me entreat you speak the former language.
ANG.
Plainly conceive, I love you.
ISA.
My brother did love Juliet,
And you tell me that he shall die for it.
ANG.
He shall not, Isabel, if you give me love.
ISA.
I know your virtue hath a licence in't,
Which seems a little fouler than it is,
To pluck on others.
ANG.
Believe me, on mine honour,
My words express my purpose.
ISA.
Little honour to be much believed,
And most pernicious purpose! Seeming, seeming!
I will proclaim thee, Angelo; look for't:
Sign me a present pardon for my brother,
Or with an outstretch'd throat I'll tell the world aloud
What man thou art.
ANG.
Who will believe thee, Isabel?
My unsoil'd name, the austereness of my life,
My vouch against you, and my place i' the state,
Will so your accusation overweigh,
That you shall stifle in your own report
And smell of calumny. I have begun,
And now I give my sensual race the rein:
Fit thy consent to my sharp appetite;
Lay by all nicety and prolixious blushes,
That banish what they sue for; redeem thy brother
By yielding up thy body to my will;
Or else he must not only die the death,
But thy unkindness shall his death draw out
To lingering sufferance.
- published: 13 Dec 2018
- views: 11851