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Bertrand Russell on the Romantic Movement
This is an audiobook recording of the "Romantic Movement" chapter from Bertrand Russell's "The History of Western Philosophy" (1945). It's a useful introduction to the late 18th and early 19th intellectual trends which culminated in the Romantic Movement. The paintings are from Caspar David Friedrich, a German Romantic painter who typified the Romantic aesthetic. Narrated by Geoffrey Sherman.
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German Romanticism (Die Deutsche Romantik)
Part 1 - Paintings (The most popular painters of German Romanticism are Caspar David Friedrich and Philipp Otto Runge)
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Sturm und Drang
Melvyn Bragg and guests discuss the 18th century 'Angry Young Men' movement in Germany, 'Sturm und Drang'. Translated into English as 'Storm and Stress', this short-lived movement was characterised by raw emotion, drama and rebellion. Melvyn is joined by Tim Blanning, Emeritus Professor of Modern European History at Cambridge University; Susanne Kord, Professor of German at University College, Lon
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Masterpieces of German Romanticism
Masterpieces of German Romanticism
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Caspar David Friedrich Früh-Romantik german romanticism romantisme
Caspar David Friedrich (* 5. September 1774 in Greifswald; † 7. Mai 1840 in Dresden) gilt als bedeutendster Maler der deutschen Früh-Romantik.
Caspar David Friedrich (born September 5, 1774 in Greifswald, † 7 May 1840 in Dresden) is the most significant painter of the early German romanticism.
Caspar David Friedrich (né en Septembre 5, 1774 à Greifswald, † 7 mai 1840 à Dresde) est le plus import
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german romanticism
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Treasures of the German Romanticism
Treasures of the German Romanticism
Fairytale palaces, enchanting old quarters with pavement cafés, ancient stone bridges, centuries-old markets and rivers straight from the pages of a storybook with castles perched on vineyard slopes.
Germany had - and still has - scenery that poets, composers and painters elegantly captured in print, music and on canvas. Read more on: http://www.historicgermany
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Best Romantic Classical Music
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST The Best of CLASSICAL MUSIC http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V
►BUY HALIDON: http://bit.ly/1LnoZrt - SPECIAL OFFER NOW € 3.99
1. Carl Maria Von Weber - Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio 00:00
2.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 38 05:15
3.Frederic Ch
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The Truth about Germany: Romanticism & Kitsch
This time around roving reporter Michael Wigge examines the rather subtle differences between romantic period art and kitsch.
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Richard Burns and Werner Fohrer talk about New German Romanticism
Exhibition Curator Richard Burns and Artist Werner Fohrer explain a little bit more about the exhibition title "New German Romanticism" that was given to the collection of Werners paintings that currently hang in Bury Art Gallery
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how german sounds compare to other languages
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Discussing Kirkegaard , Fichte, and German Romanticism (TPS)
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The Romantics Movie Trailer Official (HD)
http://Twitter.com/ClevverMovies - Follow Us!
The Romantics hits theaters on September 10th, 2010.
Cast: Katie Holmes, Josh Duhamel, Anna Paquin, Elijah Wood, Malin Akerman, Adam Brody, Jeremy Strong, Rebecca Lawrence, Dianna Agron, Candice Bergen
Over the course of one raucous night at a seaside wedding seven close friends, all members of a tight, eclectic college clique, reconvene to wa
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Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)
Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)
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Lecture/Recital on German Romantics
This is part of the masters of music recital for Amanda Korsell Brown, soprano at New England Conservatory. This segment is a lecture/demonstration on the German Romantic composers.
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German Wanderlust "Ruegen" 1/2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By wa
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1/7 Isaiah Berlin - Final Lecture on the Roots of Romanticism
In these lectures, originally delivered at Washington, D.C.'s National Gallery of Art in 1965, acclaimed historian of philosophy Isaiah Berlin addresses the origins of what he deems "the greatest single shift in the consciousness of the West that has occurred." His focus, apart from some digressions into Montesquieu, Hume, and Rousseau, is on the German philosophers of the late 18th and early 19th
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German Wanderlust "Saxon Switzerland" 1/2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By wa
Bertrand Russell on the Romantic Movement
This is an audiobook recording of the "Romantic Movement" chapter from Bertrand Russell's "The History of Western Philosophy" (1945). It's a useful introduction...
This is an audiobook recording of the "Romantic Movement" chapter from Bertrand Russell's "The History of Western Philosophy" (1945). It's a useful introduction to the late 18th and early 19th intellectual trends which culminated in the Romantic Movement. The paintings are from Caspar David Friedrich, a German Romantic painter who typified the Romantic aesthetic. Narrated by Geoffrey Sherman.
wn.com/Bertrand Russell On The Romantic Movement
This is an audiobook recording of the "Romantic Movement" chapter from Bertrand Russell's "The History of Western Philosophy" (1945). It's a useful introduction to the late 18th and early 19th intellectual trends which culminated in the Romantic Movement. The paintings are from Caspar David Friedrich, a German Romantic painter who typified the Romantic aesthetic. Narrated by Geoffrey Sherman.
- published: 20 May 2011
- views: 29171
German Romanticism (Die Deutsche Romantik)
Part 1 - Paintings (The most popular painters of German Romanticism are Caspar David Friedrich and Philipp Otto Runge)...
Part 1 - Paintings (The most popular painters of German Romanticism are Caspar David Friedrich and Philipp Otto Runge)
wn.com/German Romanticism (Die Deutsche Romantik)
Part 1 - Paintings (The most popular painters of German Romanticism are Caspar David Friedrich and Philipp Otto Runge)
- published: 07 Nov 2009
- views: 7326
Sturm und Drang
Melvyn Bragg and guests discuss the 18th century 'Angry Young Men' movement in Germany, 'Sturm und Drang'. Translated into English as 'Storm and Stress', this s...
Melvyn Bragg and guests discuss the 18th century 'Angry Young Men' movement in Germany, 'Sturm und Drang'. Translated into English as 'Storm and Stress', this short-lived movement was characterised by raw emotion, drama and rebellion. Melvyn is joined by Tim Blanning, Emeritus Professor of Modern European History at Cambridge University; Susanne Kord, Professor of German at University College, London; and Maike Oergel, Associate Professor of German at the University of Nottingham.
wn.com/Sturm Und Drang
Melvyn Bragg and guests discuss the 18th century 'Angry Young Men' movement in Germany, 'Sturm und Drang'. Translated into English as 'Storm and Stress', this short-lived movement was characterised by raw emotion, drama and rebellion. Melvyn is joined by Tim Blanning, Emeritus Professor of Modern European History at Cambridge University; Susanne Kord, Professor of German at University College, London; and Maike Oergel, Associate Professor of German at the University of Nottingham.
- published: 06 Feb 2012
- views: 11370
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 204
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 26
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 24
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 22
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 28
Masterpieces of German Romanticism
Masterpieces of German Romanticism...
Masterpieces of German Romanticism
wn.com/Masterpieces Of German Romanticism
Masterpieces of German Romanticism
- published: 05 Dec 2009
- views: 30
Caspar David Friedrich Früh-Romantik german romanticism romantisme
Caspar David Friedrich (* 5. September 1774 in Greifswald; † 7. Mai 1840 in Dresden) gilt als bedeutendster Maler der deutschen Früh-Romantik.
Caspar David Fri...
Caspar David Friedrich (* 5. September 1774 in Greifswald; † 7. Mai 1840 in Dresden) gilt als bedeutendster Maler der deutschen Früh-Romantik.
Caspar David Friedrich (born September 5, 1774 in Greifswald, † 7 May 1840 in Dresden) is the most significant painter of the early German romanticism.
Caspar David Friedrich (né en Septembre 5, 1774 à Greifswald, † 7 mai 1840 à Dresde) est le plus important peintre du début du romantisme allemand.
wn.com/Caspar David Friedrich Früh Romantik German Romanticism Romantisme
Caspar David Friedrich (* 5. September 1774 in Greifswald; † 7. Mai 1840 in Dresden) gilt als bedeutendster Maler der deutschen Früh-Romantik.
Caspar David Friedrich (born September 5, 1774 in Greifswald, † 7 May 1840 in Dresden) is the most significant painter of the early German romanticism.
Caspar David Friedrich (né en Septembre 5, 1774 à Greifswald, † 7 mai 1840 à Dresde) est le plus important peintre du début du romantisme allemand.
- published: 22 Mar 2013
- views: 1262
Treasures of the German Romanticism
Treasures of the German Romanticism
Fairytale palaces, enchanting old quarters with pavement cafés, ancient stone bridges, centuries-old markets and rivers str...
Treasures of the German Romanticism
Fairytale palaces, enchanting old quarters with pavement cafés, ancient stone bridges, centuries-old markets and rivers straight from the pages of a storybook with castles perched on vineyard slopes.
Germany had - and still has - scenery that poets, composers and painters elegantly captured in print, music and on canvas. Read more on: http://www.historicgermany.travel/plan-with-tools/dream-routes/dream-route-treasures-of-the-german-romanticism
wn.com/Treasures Of The German Romanticism
Treasures of the German Romanticism
Fairytale palaces, enchanting old quarters with pavement cafés, ancient stone bridges, centuries-old markets and rivers straight from the pages of a storybook with castles perched on vineyard slopes.
Germany had - and still has - scenery that poets, composers and painters elegantly captured in print, music and on canvas. Read more on: http://www.historicgermany.travel/plan-with-tools/dream-routes/dream-route-treasures-of-the-german-romanticism
- published: 29 Aug 2012
- views: 211
Best Romantic Classical Music
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST The Best of CLASSICAL MUSIC http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq...
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST The Best of CLASSICAL MUSIC http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V
►BUY HALIDON: http://bit.ly/1LnoZrt - SPECIAL OFFER NOW € 3.99
1. Carl Maria Von Weber - Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio 00:00
2.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 38 05:15
3.Frederic Chopin - Mazurkas, Op. 33: No. 4 in B Minor 09:57
4.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 19b: No. 6, Venetianisches Gondellied. Andante sostenuto 14:42
5.Franz Schuber - Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto 18:08
6.Pyotr Ilyich Tchaikovsky - Serenade for Strings in C Major, Op.48: II. Valse 27:42
7.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 62 31:25
8.Johann Brahms - Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto 34:07
9. Frederic Chopin - Mazurkas, Op. 7: No. 1 in B-Flat Major 42:25
10. Ludwig van Beethoven - Piano Concerto No. 3 in E Major, Op. 37: II. Largo 44:52
11.Pyotr Ilyich Tchaikovsky - The Nutcracker, Op. 71a: No. 3, Waltz of the Flowers. Tempo di valse 53:33
12.Mendelson Felix Bartoldy - Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco 01:00:34
13.Ludwig van Beethoven -Symphony No. 6 in F Major, Op. 68 "Pastorale": I. Allegro ma non troppo 01:08:20
Romanticism (also the Romantic era or the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850. Musical Romanticism is predominantly a German phenomenon—so much so that one respected French reference work defines it entirely in terms of "The role of music in the aesthetics of German romanticism".
wn.com/Best Romantic Classical Music
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST The Best of CLASSICAL MUSIC http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V
►BUY HALIDON: http://bit.ly/1LnoZrt - SPECIAL OFFER NOW € 3.99
1. Carl Maria Von Weber - Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio 00:00
2.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 38 05:15
3.Frederic Chopin - Mazurkas, Op. 33: No. 4 in B Minor 09:57
4.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 19b: No. 6, Venetianisches Gondellied. Andante sostenuto 14:42
5.Franz Schuber - Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto 18:08
6.Pyotr Ilyich Tchaikovsky - Serenade for Strings in C Major, Op.48: II. Valse 27:42
7.Mendelson Felix Bartoldy - Lieder ohne Worte, Op. 62 31:25
8.Johann Brahms - Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto 34:07
9. Frederic Chopin - Mazurkas, Op. 7: No. 1 in B-Flat Major 42:25
10. Ludwig van Beethoven - Piano Concerto No. 3 in E Major, Op. 37: II. Largo 44:52
11.Pyotr Ilyich Tchaikovsky - The Nutcracker, Op. 71a: No. 3, Waltz of the Flowers. Tempo di valse 53:33
12.Mendelson Felix Bartoldy - Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: I. Molto allegro con fuoco 01:00:34
13.Ludwig van Beethoven -Symphony No. 6 in F Major, Op. 68 "Pastorale": I. Allegro ma non troppo 01:08:20
Romanticism (also the Romantic era or the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850. Musical Romanticism is predominantly a German phenomenon—so much so that one respected French reference work defines it entirely in terms of "The role of music in the aesthetics of German romanticism".
- published: 23 Sep 2015
- views: 15750
The Truth about Germany: Romanticism & Kitsch
This time around roving reporter Michael Wigge examines the rather subtle differences between romantic period art and kitsch....
This time around roving reporter Michael Wigge examines the rather subtle differences between romantic period art and kitsch.
wn.com/The Truth About Germany Romanticism Kitsch
This time around roving reporter Michael Wigge examines the rather subtle differences between romantic period art and kitsch.
- published: 06 Sep 2007
- views: 4906
Richard Burns and Werner Fohrer talk about New German Romanticism
Exhibition Curator Richard Burns and Artist Werner Fohrer explain a little bit more about the exhibition title "New German Romanticism" that was given to the co...
Exhibition Curator Richard Burns and Artist Werner Fohrer explain a little bit more about the exhibition title "New German Romanticism" that was given to the collection of Werners paintings that currently hang in Bury Art Gallery
wn.com/Richard Burns And Werner Fohrer Talk About New German Romanticism
Exhibition Curator Richard Burns and Artist Werner Fohrer explain a little bit more about the exhibition title "New German Romanticism" that was given to the collection of Werners paintings that currently hang in Bury Art Gallery
- published: 02 Jun 2010
- views: 236
The Romantics Movie Trailer Official (HD)
http://Twitter.com/ClevverMovies - Follow Us!
The Romantics hits theaters on September 10th, 2010.
Cast: Katie Holmes, Josh Duhamel, Anna Paquin, Elijah W...
http://Twitter.com/ClevverMovies - Follow Us!
The Romantics hits theaters on September 10th, 2010.
Cast: Katie Holmes, Josh Duhamel, Anna Paquin, Elijah Wood, Malin Akerman, Adam Brody, Jeremy Strong, Rebecca Lawrence, Dianna Agron, Candice Bergen
Over the course of one raucous night at a seaside wedding seven close friends, all members of a tight, eclectic college clique, reconvene to watch two of their own tie the knot. Laura (Katie Holmes) is maid of honor to Lila (Anna Paquin), her golden girl best friend. The two have long rivaled over the groom, Tom (Josh Duhamel). Friendships and alliances are tested and the love triangle comes to a head the night before the wedding, when the drunken friends frolic in the nearby surf and return to shore... without the groom. Based on the heralded novel by producer, novelist, director Galt Niederhoffer, THE ROMANTICS is a Zeitgeist love story and generational comedy that breathes new life into the genre and recaptures the camaraderie of youth.
The Romantics trailer courtesy Four of a Kind Productions and Paramount Famous Productions.
wn.com/The Romantics Movie Trailer Official (Hd)
http://Twitter.com/ClevverMovies - Follow Us!
The Romantics hits theaters on September 10th, 2010.
Cast: Katie Holmes, Josh Duhamel, Anna Paquin, Elijah Wood, Malin Akerman, Adam Brody, Jeremy Strong, Rebecca Lawrence, Dianna Agron, Candice Bergen
Over the course of one raucous night at a seaside wedding seven close friends, all members of a tight, eclectic college clique, reconvene to watch two of their own tie the knot. Laura (Katie Holmes) is maid of honor to Lila (Anna Paquin), her golden girl best friend. The two have long rivaled over the groom, Tom (Josh Duhamel). Friendships and alliances are tested and the love triangle comes to a head the night before the wedding, when the drunken friends frolic in the nearby surf and return to shore... without the groom. Based on the heralded novel by producer, novelist, director Galt Niederhoffer, THE ROMANTICS is a Zeitgeist love story and generational comedy that breathes new life into the genre and recaptures the camaraderie of youth.
The Romantics trailer courtesy Four of a Kind Productions and Paramount Famous Productions.
- published: 18 Aug 2010
- views: 3445526
Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)
Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)...
Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)
wn.com/Will Durant German Philosophy 1789 1815 (Fichte, Schelling Hegel)
Will Durant---German Philosophy: 1789 - 1815 (Fichte, Schelling & Hegel)
- published: 17 May 2015
- views: 4557
Lecture/Recital on German Romantics
This is part of the masters of music recital for Amanda Korsell Brown, soprano at New England Conservatory. This segment is a lecture/demonstration on the Germa...
This is part of the masters of music recital for Amanda Korsell Brown, soprano at New England Conservatory. This segment is a lecture/demonstration on the German Romantic composers.
wn.com/Lecture Recital On German Romantics
This is part of the masters of music recital for Amanda Korsell Brown, soprano at New England Conservatory. This segment is a lecture/demonstration on the German Romantic composers.
- published: 12 May 2011
- views: 389
German Wanderlust "Ruegen" 1/2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
Th...
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By walking in four very different parts of Germany, she explores river valleys, coastlines, mountains and gorges, following in the footsteps of Richard Wagner, Caspar David Friedrich, Johannes Brahms as well as British Romantics like William Turner and Lord Byron. This is Julia's chance to discover her own sense of wanderlust.
The Baltic coastline is the setting as Julia continues her walking tour. Generations of holidaymakers have flocked to the island of Ruegen, inspired by the Romantics of the 19th century - particularly Caspar David Friedrich, the most celebrated of German Romantic painters. Julia's walk explores popular seaside resorts and beaches as well as the stunning chalk cliffs that Friedrich loved to paint. But in between lies the eerie and unexpected remains of Hitler's ambitious attempt to create a vast Nazi holiday camp.
wn.com/German Wanderlust Ruegen 1 2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By walking in four very different parts of Germany, she explores river valleys, coastlines, mountains and gorges, following in the footsteps of Richard Wagner, Caspar David Friedrich, Johannes Brahms as well as British Romantics like William Turner and Lord Byron. This is Julia's chance to discover her own sense of wanderlust.
The Baltic coastline is the setting as Julia continues her walking tour. Generations of holidaymakers have flocked to the island of Ruegen, inspired by the Romantics of the 19th century - particularly Caspar David Friedrich, the most celebrated of German Romantic painters. Julia's walk explores popular seaside resorts and beaches as well as the stunning chalk cliffs that Friedrich loved to paint. But in between lies the eerie and unexpected remains of Hitler's ambitious attempt to create a vast Nazi holiday camp.
- published: 01 Jan 2011
- views: 17633
1/7 Isaiah Berlin - Final Lecture on the Roots of Romanticism
In these lectures, originally delivered at Washington, D.C.'s National Gallery of Art in 1965, acclaimed historian of philosophy Isaiah Berlin addresses the ori...
In these lectures, originally delivered at Washington, D.C.'s National Gallery of Art in 1965, acclaimed historian of philosophy Isaiah Berlin addresses the origins of what he deems "the greatest single shift in the consciousness of the West that has occurred." His focus, apart from some digressions into Montesquieu, Hume, and Rousseau, is on the German philosophers of the late 18th and early 19th centuries, and he runs through the contributions of Herder, Kant, Schiller, Fichte, Schlegel, and others in turn. He also shows how romanticism would later influence both the existentialists and the fascists, but paradoxically have its greatest influence upon the emergence of a liberalism that seems at complete odds with the romantic sensibility.
wn.com/1 7 Isaiah Berlin Final Lecture On The Roots Of Romanticism
In these lectures, originally delivered at Washington, D.C.'s National Gallery of Art in 1965, acclaimed historian of philosophy Isaiah Berlin addresses the origins of what he deems "the greatest single shift in the consciousness of the West that has occurred." His focus, apart from some digressions into Montesquieu, Hume, and Rousseau, is on the German philosophers of the late 18th and early 19th centuries, and he runs through the contributions of Herder, Kant, Schiller, Fichte, Schlegel, and others in turn. He also shows how romanticism would later influence both the existentialists and the fascists, but paradoxically have its greatest influence upon the emergence of a liberalism that seems at complete odds with the romantic sensibility.
- published: 02 Feb 2010
- views: 23624
German Wanderlust "Saxon Switzerland" 1/2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
Th...
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By walking in four very different parts of Germany, she explores river valleys, coastlines, mountains and gorges, following in the footsteps of Richard Wagner, Caspar David Friedrich, Johannes Brahms as well as British Romantics like William Turner and Lord Byron. This is Julia's chance to discover her own sense of wanderlust.
Julia's final adventure takes her deep into the former East Germany. Saxony is a largely unknown destination for UK walkers, but, as Julia discovers, it contains some remarkable landscape. The sandstone mountains, set alongside the mighty Elbe river, are a bizarre mix of forest, gorge and rock towers. Two hundred years ago, they were the focal point for a rush of Romantic artists filled with a new desire to explore landscape for themselves. The wonder of local nature has been attracting visitors ever since.
wn.com/German Wanderlust Saxon Switzerland 1 2
Julia Bradbury takes her boots and backpack to the Continent to explore the landscape of Germany and the cultural movement that made it famous - Romanticism.
The Germans enjoy a relationship with walking that has lasted over 200 years. The exploration of their landscape has inspired music, literature and art, and Romanticism has even helped shape the modern German nation, as Julia discovers. By walking in four very different parts of Germany, she explores river valleys, coastlines, mountains and gorges, following in the footsteps of Richard Wagner, Caspar David Friedrich, Johannes Brahms as well as British Romantics like William Turner and Lord Byron. This is Julia's chance to discover her own sense of wanderlust.
Julia's final adventure takes her deep into the former East Germany. Saxony is a largely unknown destination for UK walkers, but, as Julia discovers, it contains some remarkable landscape. The sandstone mountains, set alongside the mighty Elbe river, are a bizarre mix of forest, gorge and rock towers. Two hundred years ago, they were the focal point for a rush of Romantic artists filled with a new desire to explore landscape for themselves. The wonder of local nature has been attracting visitors ever since.
- published: 01 Jan 2011
- views: 20506
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Uncivil Unions The Metaphysics of Marriage in German Idealism and Romanticism Pdf
http://www.realbooknow.net/books
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Help Scarlett Follow the Fairy Tale Path!!
Help me spend Spring Quarter 2016 studying abroad in Berlin!
I have the chance to spend a quarter living in Berlin and study the Grimm Brothers, German Romanticism, and Landscape Mythology firsthand. This is an amazing opportunity, and you can help make my dreams come true!
I will be earning 15 credits of independent study: 10 credits towards my Mythology degree and 5 credits to complete my Germ
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German Romantics Concert Nov 25 - Join us!
A sneak peek at a Toronto Mendelssohn Choir rehearsal as the Choir gets ready to perform works by Brahms, Mendelssohn and Schubert at Koerner Hall on November 25, 2015. Guest pianist Andre Laplante will also join the Choir. More info and tickets at www.tmchoir.org/german-romantics/
The Choir is rehearsing Felix Mendelssohn's Psalm 43.
This video was directed and produced by Nicholas Bradford-Ewart
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Lecture on Romanticism and German Lied part 1
Bridgewater College: Intro to Music History
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Lecture on Romanticism and German Lied part 2
Bridgewater College: Intro to Music History
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Lecture on Romanticism and German Lied part 3
Bridgewater College: Intro to Music History
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Romanticism: A German Affair
D0WNL0AD B00K/eB00K: http://bit.ly/1Fi8rhO
https://www.youtube.com/watch?v=ps-AAYW-WMs
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Masterpieces Revisited: C.D. Friedrich | Euromaxx
Caspar David Friedrich was a leading artist of German Romanticism. In 1818 he painted ‘Wanderer above the Sea of Fog’ which has over time become almost synonymous with the Romantic era. We take a close look at this iconic masterpiece and its history.
More Euromaxx: http://www.dw.com/en/program/euromaxx/s-7555-9798
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Michael N. Forster: Historicizing Genre: The German Romantic Rethinking of Ancient Tragedy
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Download PDF The Literary Absolute The Theory of Literature in German Romanticism
Download is available here: http://bit.ly/1GT70CD
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Download PDF Romanticism Culture and Migration Aspects of nineteenth century German migration to Aus
Download the PDF here : bit.ly/1Ctj0a2
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MondialArt - Design ideas with Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his pai
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MondialArt - Amazing Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his pai
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Pay What You Wish Concert | JAN 23 & 24 - Schumann
Pay What You Wish Concert | JAN 23 & 24
TICKETS 304.561.3570
ANY price for ANY available seat
GERMAN ROMANTICISM
Beethoven: Leonore Overture No. 3
Mendelssohn: Violin Concerto
Nikki Chooi, violin
Schumann: Symphony No. 4
sponsored by Jim & Keith Straw
celebrating the Astral Artists and WVSO collaboration
Schumann: Symphony No. 4
Philippe Herreweghe, conductor
Frankfurt Radio Symphony Orchest
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04 Romanticism in Germany 01 Friedrich, Abbey among Oak Trees
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04 Romanticism in Germany 02 Friedrich, The Lone Tree
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Romanticism, second lecture
In this lecture I look at German Romantic painting, British and American Romantic landscapes, and finally one of my very favorite painters - and a painter who really breaks the mold - Joseph M. W. Turner
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COSMOS RUNGE, the dawn of Romanticism ( Philipp Otto Runge )
The quiet, poetic tones of this film about Philipp Otto Runge (who is, with Caspar David Friedrich, the most important painter of German Romanticism) are brought to words. Nathalie David takes us into his mind through spoken and sung excerpts from his letters and poems. We meet the artist in his correspondence with family members and close contemporaries, in his reflections on himself, his art and
Help Scarlett Follow the Fairy Tale Path!!
Help me spend Spring Quarter 2016 studying abroad in Berlin!
I have the chance to spend a quarter living in Berlin and study the Grimm Brothers, German Romanti...
Help me spend Spring Quarter 2016 studying abroad in Berlin!
I have the chance to spend a quarter living in Berlin and study the Grimm Brothers, German Romanticism, and Landscape Mythology firsthand. This is an amazing opportunity, and you can help make my dreams come true!
I will be earning 15 credits of independent study: 10 credits towards my Mythology degree and 5 credits to complete my German minor. These courses are designed to take advantage of the locations and resources that would be available to me while in Germany. These courses are also crucial in building the foundations for my PhD in Indo-European Mythology.
My academic itinerary would include:
The Fairy Tale Path – A 12 day tour of the "Fairy Tale Road" through locations and scenery mentioned in Grimm Brothers fairy tales, including castles, forests, and museums. I would also be spending a few days in Copenhagen to explore the world of Hans Christian Anderson. My final project would be a photo journal and travelogue website discussing these locations and their historical and literary significance to the collected works of the Grimm Brothers and Anderson.
Spirit of Place: A Survey of Sacred Spaces – A study of Germany's Neolithic monuments, legendary locations, and pre-Christian sacred spaces, including Goseck Sun Observatory, the Externsteine rocks, and various megaliths, caves, and forests. There is also the potential to spend a few days in Reykjavík. The final project would be a photo journal and travelogue website and several papers discussing the histories, designs, and functions of these natural spaces.
German Romanticism's Influence on Modern Perceptions of Myth and Folklore – The German Romantics created the modern view of Germanic myth, folklore, and fairy tales. This course would require reading and writing in German about my findings, as well as utilizing my German skills to perform my research.
Here is where I need help. As an older, disabled student, my expenses are a higher than your average 19 year old studying abroad. While financial aid will cover my tuition, and I do have some income, I must try to find a way of bridging the gap for this once in a lifetime opportunity!
Check out my Fund My Travel:
https://www.fundmytravel.com/Scarlett-Messenger-1447818942/campaigns/Help-Scarlett-Follow-the-Fairy-Tale-Path-1447830120/view
wn.com/Help Scarlett Follow The Fairy Tale Path
Help me spend Spring Quarter 2016 studying abroad in Berlin!
I have the chance to spend a quarter living in Berlin and study the Grimm Brothers, German Romanticism, and Landscape Mythology firsthand. This is an amazing opportunity, and you can help make my dreams come true!
I will be earning 15 credits of independent study: 10 credits towards my Mythology degree and 5 credits to complete my German minor. These courses are designed to take advantage of the locations and resources that would be available to me while in Germany. These courses are also crucial in building the foundations for my PhD in Indo-European Mythology.
My academic itinerary would include:
The Fairy Tale Path – A 12 day tour of the "Fairy Tale Road" through locations and scenery mentioned in Grimm Brothers fairy tales, including castles, forests, and museums. I would also be spending a few days in Copenhagen to explore the world of Hans Christian Anderson. My final project would be a photo journal and travelogue website discussing these locations and their historical and literary significance to the collected works of the Grimm Brothers and Anderson.
Spirit of Place: A Survey of Sacred Spaces – A study of Germany's Neolithic monuments, legendary locations, and pre-Christian sacred spaces, including Goseck Sun Observatory, the Externsteine rocks, and various megaliths, caves, and forests. There is also the potential to spend a few days in Reykjavík. The final project would be a photo journal and travelogue website and several papers discussing the histories, designs, and functions of these natural spaces.
German Romanticism's Influence on Modern Perceptions of Myth and Folklore – The German Romantics created the modern view of Germanic myth, folklore, and fairy tales. This course would require reading and writing in German about my findings, as well as utilizing my German skills to perform my research.
Here is where I need help. As an older, disabled student, my expenses are a higher than your average 19 year old studying abroad. While financial aid will cover my tuition, and I do have some income, I must try to find a way of bridging the gap for this once in a lifetime opportunity!
Check out my Fund My Travel:
https://www.fundmytravel.com/Scarlett-Messenger-1447818942/campaigns/Help-Scarlett-Follow-the-Fairy-Tale-Path-1447830120/view
- published: 21 Nov 2015
- views: 46
German Romantics Concert Nov 25 - Join us!
A sneak peek at a Toronto Mendelssohn Choir rehearsal as the Choir gets ready to perform works by Brahms, Mendelssohn and Schubert at Koerner Hall on November 2...
A sneak peek at a Toronto Mendelssohn Choir rehearsal as the Choir gets ready to perform works by Brahms, Mendelssohn and Schubert at Koerner Hall on November 25, 2015. Guest pianist Andre Laplante will also join the Choir. More info and tickets at www.tmchoir.org/german-romantics/
The Choir is rehearsing Felix Mendelssohn's Psalm 43.
This video was directed and produced by Nicholas Bradford-Ewart of FVCMedia
wn.com/German Romantics Concert Nov 25 Join US
A sneak peek at a Toronto Mendelssohn Choir rehearsal as the Choir gets ready to perform works by Brahms, Mendelssohn and Schubert at Koerner Hall on November 25, 2015. Guest pianist Andre Laplante will also join the Choir. More info and tickets at www.tmchoir.org/german-romantics/
The Choir is rehearsing Felix Mendelssohn's Psalm 43.
This video was directed and produced by Nicholas Bradford-Ewart of FVCMedia
- published: 11 Nov 2015
- views: 874
Lecture on Romanticism and German Lied part 1
Bridgewater College: Intro to Music History...
Bridgewater College: Intro to Music History
wn.com/Lecture On Romanticism And German Lied Part 1
Bridgewater College: Intro to Music History
- published: 04 Nov 2015
- views: 11
Lecture on Romanticism and German Lied part 2
Bridgewater College: Intro to Music History...
Bridgewater College: Intro to Music History
wn.com/Lecture On Romanticism And German Lied Part 2
Bridgewater College: Intro to Music History
- published: 04 Nov 2015
- views: 11
Lecture on Romanticism and German Lied part 3
Bridgewater College: Intro to Music History...
Bridgewater College: Intro to Music History
wn.com/Lecture On Romanticism And German Lied Part 3
Bridgewater College: Intro to Music History
- published: 04 Nov 2015
- views: 5
Romanticism: A German Affair
D0WNL0AD B00K/eB00K: http://bit.ly/1Fi8rhO
https://www.youtube.com/watch?v=ps-AAYW-WMs...
D0WNL0AD B00K/eB00K: http://bit.ly/1Fi8rhO
https://www.youtube.com/watch?v=ps-AAYW-WMs
wn.com/Romanticism A German Affair
D0WNL0AD B00K/eB00K: http://bit.ly/1Fi8rhO
https://www.youtube.com/watch?v=ps-AAYW-WMs
- published: 17 Sep 2015
- views: 2
Masterpieces Revisited: C.D. Friedrich | Euromaxx
Caspar David Friedrich was a leading artist of German Romanticism. In 1818 he painted ‘Wanderer above the Sea of Fog’ which has over time become almost synonymo...
Caspar David Friedrich was a leading artist of German Romanticism. In 1818 he painted ‘Wanderer above the Sea of Fog’ which has over time become almost synonymous with the Romantic era. We take a close look at this iconic masterpiece and its history.
More Euromaxx: http://www.dw.com/en/program/euromaxx/s-7555-9798
wn.com/Masterpieces Revisited C.D. Friedrich | Euromaxx
Caspar David Friedrich was a leading artist of German Romanticism. In 1818 he painted ‘Wanderer above the Sea of Fog’ which has over time become almost synonymous with the Romantic era. We take a close look at this iconic masterpiece and its history.
More Euromaxx: http://www.dw.com/en/program/euromaxx/s-7555-9798
- published: 06 Aug 2015
- views: 302
MondialArt - Design ideas with Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early Ger...
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his painting. Each painting by Caspar David Friedrich breathes deep interiority, which flows through the painting and gives it a deep overflowing charisma and melancholy. Caspar David Friedrich was on of the first painter who had obtained not only by commissioned painting his income. He could live from the income that he scored with his paintings on the open market. Relax with unique culture.
It doesn't matter how old you are or where you live - you find a simple solution for every design idea! A painting replica of classic paintings impressed all your friends, kin and visitors. You see in this video how easy a painting brings a pleasant atmosphere into your rooms!
In this video you will see paintings of selected artists - but there are well over 400 paintings available for you.
Top quality reproduced, true to the original museum replica, perfect artistic quality, the highest standards and is used in a similar way in public art galleries.
Hand-crafted canvas reproduction, lightfast and UV stable, professional tension frame, delivery with the Mondialart certificate of authenticity.
A painting replica is the extraordinary gift not only for art lovers and art enthusiasts, also suitable for weddings, birthdays, anniversaries and Christmas
Click now here http://www.mondialart.co.uk !
wn.com/Mondialart Design Ideas With Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his painting. Each painting by Caspar David Friedrich breathes deep interiority, which flows through the painting and gives it a deep overflowing charisma and melancholy. Caspar David Friedrich was on of the first painter who had obtained not only by commissioned painting his income. He could live from the income that he scored with his paintings on the open market. Relax with unique culture.
It doesn't matter how old you are or where you live - you find a simple solution for every design idea! A painting replica of classic paintings impressed all your friends, kin and visitors. You see in this video how easy a painting brings a pleasant atmosphere into your rooms!
In this video you will see paintings of selected artists - but there are well over 400 paintings available for you.
Top quality reproduced, true to the original museum replica, perfect artistic quality, the highest standards and is used in a similar way in public art galleries.
Hand-crafted canvas reproduction, lightfast and UV stable, professional tension frame, delivery with the Mondialart certificate of authenticity.
A painting replica is the extraordinary gift not only for art lovers and art enthusiasts, also suitable for weddings, birthdays, anniversaries and Christmas
Click now here http://www.mondialart.co.uk !
- published: 15 Feb 2015
- views: 2
MondialArt - Amazing Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early Ger...
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his painting. Each painting by Caspar David Friedrich breathes deep interiority, which flows through the painting and gives it a deep overflowing charisma and melancholy. Caspar David Friedrich was on of the first painter who had obtained not only by commissioned painting his income. He could live from the income that he scored with his paintings on the open market. Relax with unique culture.
It doesn't matter how old you are or where you live - you find a simple solution for every design idea! A painting replica of classic paintings impressed all your friends, kin and visitors. You see in this video how easy a painting brings a pleasant atmosphere into your rooms!
In this video you will see paintings of selected artists - but there are well over 400 paintings available for you.
Top quality reproduced, true to the original museum replica, perfect artistic quality, the highest standards and is used in a similar way in public art galleries.
Hand-crafted canvas reproduction, lightfast and UV stable, professional tension frame, delivery with the Mondialart certificate of authenticity.
A painting replica is the extraordinary gift not only for art lovers and art enthusiasts, also suitable for weddings, birthdays, anniversaries and Christmas
Click now here http://www.mondialart.co.uk !
wn.com/Mondialart Amazing Caspar David Friedrich
Click here http://goo.gl/y04MBw Caspar David Friedrich, who was born in 1774 in Greifswald and died in the age of 65 in Dresden, is the epitome of the early German romanticism. Greifswald at that time was a Swedish-Pomeranian province.Frederick was all his life a Swedish citizen. He loved nature and was rather introverted, reserved, but also an eccentric man – properties that are echoed in his painting. Each painting by Caspar David Friedrich breathes deep interiority, which flows through the painting and gives it a deep overflowing charisma and melancholy. Caspar David Friedrich was on of the first painter who had obtained not only by commissioned painting his income. He could live from the income that he scored with his paintings on the open market. Relax with unique culture.
It doesn't matter how old you are or where you live - you find a simple solution for every design idea! A painting replica of classic paintings impressed all your friends, kin and visitors. You see in this video how easy a painting brings a pleasant atmosphere into your rooms!
In this video you will see paintings of selected artists - but there are well over 400 paintings available for you.
Top quality reproduced, true to the original museum replica, perfect artistic quality, the highest standards and is used in a similar way in public art galleries.
Hand-crafted canvas reproduction, lightfast and UV stable, professional tension frame, delivery with the Mondialart certificate of authenticity.
A painting replica is the extraordinary gift not only for art lovers and art enthusiasts, also suitable for weddings, birthdays, anniversaries and Christmas
Click now here http://www.mondialart.co.uk !
- published: 15 Feb 2015
- views: 7
Pay What You Wish Concert | JAN 23 & 24 - Schumann
Pay What You Wish Concert | JAN 23 & 24
TICKETS 304.561.3570
ANY price for ANY available seat
GERMAN ROMANTICISM
Beethoven: Leonore Overture No. 3
Mendelssohn:...
Pay What You Wish Concert | JAN 23 & 24
TICKETS 304.561.3570
ANY price for ANY available seat
GERMAN ROMANTICISM
Beethoven: Leonore Overture No. 3
Mendelssohn: Violin Concerto
Nikki Chooi, violin
Schumann: Symphony No. 4
sponsored by Jim & Keith Straw
celebrating the Astral Artists and WVSO collaboration
Schumann: Symphony No. 4
Philippe Herreweghe, conductor
Frankfurt Radio Symphony Orchestra
https://www.youtube.com/watch?v=Fq98d0JOiKQ
wn.com/Pay What You Wish Concert | Jan 23 24 Schumann
Pay What You Wish Concert | JAN 23 & 24
TICKETS 304.561.3570
ANY price for ANY available seat
GERMAN ROMANTICISM
Beethoven: Leonore Overture No. 3
Mendelssohn: Violin Concerto
Nikki Chooi, violin
Schumann: Symphony No. 4
sponsored by Jim & Keith Straw
celebrating the Astral Artists and WVSO collaboration
Schumann: Symphony No. 4
Philippe Herreweghe, conductor
Frankfurt Radio Symphony Orchestra
https://www.youtube.com/watch?v=Fq98d0JOiKQ
- published: 20 Jan 2015
- views: 116
Romanticism, second lecture
In this lecture I look at German Romantic painting, British and American Romantic landscapes, and finally one of my very favorite painters - and a painter who r...
In this lecture I look at German Romantic painting, British and American Romantic landscapes, and finally one of my very favorite painters - and a painter who really breaks the mold - Joseph M. W. Turner
wn.com/Romanticism, Second Lecture
In this lecture I look at German Romantic painting, British and American Romantic landscapes, and finally one of my very favorite painters - and a painter who really breaks the mold - Joseph M. W. Turner
- published: 06 Mar 2014
- views: 220
COSMOS RUNGE, the dawn of Romanticism ( Philipp Otto Runge )
The quiet, poetic tones of this film about Philipp Otto Runge (who is, with Caspar David Friedrich, the most important painter of German Romanticism) are brough...
The quiet, poetic tones of this film about Philipp Otto Runge (who is, with Caspar David Friedrich, the most important painter of German Romanticism) are brought to words. Nathalie David takes us into his mind through spoken and sung excerpts from his letters and poems. We meet the artist in his correspondence with family members and close contemporaries, in his reflections on himself, his art and his life. The author immerses us in long, quiet picture settings in the style of Philipp Otto Runge, while close-ups bring to the eye details which usually remain hidden to the sight of the beholder. The film visits places which were of major influence in the life and work of the artist, follows discussions with art historians about the life of the painter and takes the observer through the course of Runge's life to help perceive the many facets of his work. The viewer is taken behind the scenes of the museum world, which are otherwise hidden. In many different ways, the film provides insight into the works of Runge through the perspective of the conservators and the curators.
Nathalie David shows with her film that the spirit of Romanticism has remained intact up to the present day.
Cosmos Runge was selected in competition by the FIFA 2013 in Montreal
wn.com/Cosmos Runge, The Dawn Of Romanticism ( Philipp Otto Runge )
The quiet, poetic tones of this film about Philipp Otto Runge (who is, with Caspar David Friedrich, the most important painter of German Romanticism) are brought to words. Nathalie David takes us into his mind through spoken and sung excerpts from his letters and poems. We meet the artist in his correspondence with family members and close contemporaries, in his reflections on himself, his art and his life. The author immerses us in long, quiet picture settings in the style of Philipp Otto Runge, while close-ups bring to the eye details which usually remain hidden to the sight of the beholder. The film visits places which were of major influence in the life and work of the artist, follows discussions with art historians about the life of the painter and takes the observer through the course of Runge's life to help perceive the many facets of his work. The viewer is taken behind the scenes of the museum world, which are otherwise hidden. In many different ways, the film provides insight into the works of Runge through the perspective of the conservators and the curators.
Nathalie David shows with her film that the spirit of Romanticism has remained intact up to the present day.
Cosmos Runge was selected in competition by the FIFA 2013 in Montreal
- published: 22 Oct 2012
- views: 462
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A Mother's Nightmare - Romantic Movie 2015
A seductive teen becomes vindictive when her boyfriend tries to end the relationship. Vanessa moves fast to claim Chris for her own, monopolizing his time and distancing him from his friends and family. His mother, Maddie (Annabeth Gish, "Pretty Little Liars"), feels unsettled by their sudden relationship and when she discovers a dark secret of Vanessa's she uses all her resources to convince Chri
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Rooms with a View: The Open Window in the 19th Century
Lectures:
Reflections on the Open Window Sabine Rewald, Jacques and Natasha Gelman Curator for Modern Art, Department of Nineteenth-Century, Modern, and Contemporary Art, The Metropolitan Museum of Art
Sister Arts: Painting and Music in German Romanticism Tim Barringer, Paul Mellon Professor, Department of the History of Art, Yale University
Musical Presentation:
Selections of Music by Franz Schu
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The Invention of White People for Economic, Scientific, and Political Ends (2010)
Among the topics Painter discusses are the way in which formerly non-white groups were designated as white as they assimilated into American life, the racialization of intelligence and of political beliefs, and the relationship between race and conceptions of female beauty. Ralph Waldo Emerson is one figure whose belief in some of these racial theories is discussed.
This book tells the history of
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♬ Felix Mendelssohn♯A Midsummer Night's Dream Op.61 (complete)♯
For More Music Videos SUBSCRIBE ►https://goo.gl/HL68dd TWITTER►https://twitter.com/MelodyClassical FB►https://goo.gl/tcJI6j
FELIX MENDELSSOHN (3 February 1809 – 4 November 1847) GERMANY, ROMANTICISM
"A Midsummer Night's Dream" (German: "Ein Sommernachtstraum"): At two separate points in his career, Mendelssohn wrote music for Shakespeare's A Midsummer Night's Dream: in 1826 he wrote a concer
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Anton von Webern /// The best of
Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique. His characteristically unique innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later kn
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Max Reger. Variations and Fugue in A Major on a theme by Mozart Op. 132. Böhm
Max Reger (1873-1916).
Variations and Fugue in A Major on a theme by Mozart Op. 132.
Reger was a german composer, organist, pianist and music teacher. He was an important figure of German Romanticism and considered the heir of Brahms because he based all his music in elements of baroque of Bach and classicism of Haydn and Mozart. However, Reger also reverenced Beethoven, Schumann and even Liszt, b
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The Best of Strauss
The Best of Richard Georg Strauss (11 June 1864 -- 8 September 1949)
Fritz Reiner
Chicago Symphony Orchestra
Strauss is known for his operas, which include Der Rosenkavalier and Salome; his lieder, especially his Four Last Songs; and his tone poems Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, An Alpine Symphony, and other orchestral works, such as Metamo
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Bravo! Vail Silver Oak Twomey Series Reinbert De Leeuw's Im Wunderschonen Monat Mai
July 2014 Bravo! Vail
Innovative ensembles, Le Train Bleu and Calder Quartet, return with Anne-Marie McDermott for an exceptional evening of German romanticism in 19th and 21st century guises.
Geared towards audience members with an appreciation of both traditional and adventurous music, the series closes with a rare American performance of contemporary Dutch composer Reinbert de Leeuw’s Im Wunder
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Anton Bruckner (NatureSymphony, 1 hour)
Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ] ( listen); 4 September 1824 -- 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary music
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GEORGE FEE PRESENTATION: “INFLUENCES ON SCHUMANN AND PLAYING HIS MUSIC”
This presentation begins with a discussion of the man, Schumann, and his life. It is followed by thoughts on his music (at 15:07), German Romanticism (at 28:13), and the performance of his music (at 32:34). A live performance of 3 Lieder from Liederkreis, op. 39, with Kindra Scharich, mezzo-soprano, appears (at 35:29). The influence of Jean Paul Richter and E.T.A. Hoffmann on Schumann is then e
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HYMNEN AN DIE NACHT Friedrich von Hardenberg HÖRBUCH DEUTSCH KOMPLETT AUDIOBOOK GERMAN
HYMNEN AN DIE NACHT von Novalis Hoerbuch Deutsch Audiobuch GreatAudioBooks
Novalis (Friedrich von Hardenberg)
Hymnen an die Nacht ist der Titel eines Gedichtzyklus von Novalis (Friedrich von Hardenberg). Der Zyklus wurde zuerst 1800 in der Zeitschrift Athenäum veröffentlicht. Die Hymnen an die Nacht ist das einzige größere Werk, das zu Novalis' Lebzeiten veröffentlicht und auch von ihm fertigge
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Longfellow: A Rediscovered Life
Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became Ameri
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Emerson, Nietzsche, and the Romantic World; Franke Lectures in the Humanities
Dr. David Mikics is John and Rebecca Moores Distinguished Professor in English and the Honors College at the University of Houston. His lecture "Emerson, Nietzsche, and the Romantic World" was given as part of the Fall 2013 Franke Lectures in the Humanities at the Whitney Humanities Center at Yale on September 26, 2013, a series organized in conjunction with the Yale College seminar taught by Paul
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French Dinner - Best French Music for a Romantic Dinner
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST FRENCH MUSIC: Chanson Française http://open.spotify.com/user/halidon/playlist/2A51eJS2zkVGajmVsFoXSR
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La nuit - Patachou
A Paris - Yves Montand ( 2:36 )
La rose roug
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The Theodor W. Adorno Walter Benjamin Debate
Walter Bendix Schönflies Benjamin (German: [ˈvaltɐ ˈbɛnjamiːn];[1] 15 July 1892 -- 26 September 1940)[2] was a German literary critic, philosopher, social critic, translator, radio broadcaster and essayist. Combining elements of German idealism or Romanticism, Historical Materialism and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism,
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Goethe: The Tragedy of Faust
Johann Wolfgang von Goethe (German pronunciation: [ˈjoːhan ˈvɔlfɡaŋ fɔn ˈɡøːtə], 28 August 1749 -- 22 March 1832) was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long poem of moder
A Mother's Nightmare - Romantic Movie 2015
A seductive teen becomes vindictive when her boyfriend tries to end the relationship. Vanessa moves fast to claim Chris for her own, monopolizing his time and d...
A seductive teen becomes vindictive when her boyfriend tries to end the relationship. Vanessa moves fast to claim Chris for her own, monopolizing his time and distancing him from his friends and family. His mother, Maddie (Annabeth Gish, "Pretty Little Liars"), feels unsettled by their sudden relationship and when she discovers a dark secret of Vanessa's she uses all her resources to convince Chris to end it. (The more Maddie tries to protect Chris, the more Vanessa's hold on him is threatened) Angered and vengeful, Vanessa accuses Chris of a heinous act that turns the school against him and sparks an online attack. As things get violent, Vanessa plans her next move and Maddie must find out Vanessa's game before she loses her son forever.
wn.com/A Mother's Nightmare Romantic Movie 2015
A seductive teen becomes vindictive when her boyfriend tries to end the relationship. Vanessa moves fast to claim Chris for her own, monopolizing his time and distancing him from his friends and family. His mother, Maddie (Annabeth Gish, "Pretty Little Liars"), feels unsettled by their sudden relationship and when she discovers a dark secret of Vanessa's she uses all her resources to convince Chris to end it. (The more Maddie tries to protect Chris, the more Vanessa's hold on him is threatened) Angered and vengeful, Vanessa accuses Chris of a heinous act that turns the school against him and sparks an online attack. As things get violent, Vanessa plans her next move and Maddie must find out Vanessa's game before she loses her son forever.
- published: 26 Mar 2015
- views: 3273938
Rooms with a View: The Open Window in the 19th Century
Lectures:
Reflections on the Open Window Sabine Rewald, Jacques and Natasha Gelman Curator for Modern Art, Department of Nineteenth-Century, Modern, and Contemp...
Lectures:
Reflections on the Open Window Sabine Rewald, Jacques and Natasha Gelman Curator for Modern Art, Department of Nineteenth-Century, Modern, and Contemporary Art, The Metropolitan Museum of Art
Sister Arts: Painting and Music in German Romanticism Tim Barringer, Paul Mellon Professor, Department of the History of Art, Yale University
Musical Presentation:
Selections of Music by Franz Schubert, Hugo Wolf, and Richard Strauss
Meredith Mecum, soprano, and Robert Mellon, baritone, Manhattan School of Music
Enjoy the hushed rooms, contemplative figures, artists' studios, and window views that were first captured by European artists in the early 19th century through an exploration of the themes and motifs of the exhibition.
The exhibition is made possible by the Anna-Maria and Stephen Kellen Foundation and The Isaacson-Draper Foundation.
wn.com/Rooms With A View The Open Window In The 19Th Century
Lectures:
Reflections on the Open Window Sabine Rewald, Jacques and Natasha Gelman Curator for Modern Art, Department of Nineteenth-Century, Modern, and Contemporary Art, The Metropolitan Museum of Art
Sister Arts: Painting and Music in German Romanticism Tim Barringer, Paul Mellon Professor, Department of the History of Art, Yale University
Musical Presentation:
Selections of Music by Franz Schubert, Hugo Wolf, and Richard Strauss
Meredith Mecum, soprano, and Robert Mellon, baritone, Manhattan School of Music
Enjoy the hushed rooms, contemplative figures, artists' studios, and window views that were first captured by European artists in the early 19th century through an exploration of the themes and motifs of the exhibition.
The exhibition is made possible by the Anna-Maria and Stephen Kellen Foundation and The Isaacson-Draper Foundation.
- published: 28 Feb 2012
- views: 1736
The Invention of White People for Economic, Scientific, and Political Ends (2010)
Among the topics Painter discusses are the way in which formerly non-white groups were designated as white as they assimilated into American life, the racializa...
Among the topics Painter discusses are the way in which formerly non-white groups were designated as white as they assimilated into American life, the racialization of intelligence and of political beliefs, and the relationship between race and conceptions of female beauty. Ralph Waldo Emerson is one figure whose belief in some of these racial theories is discussed.
This book tells the history of white race theory and Ralph Waldo Emerson’s contribution. Chapter ten is dedicated to The Education of Ralph Waldo Emerson and the influence his Aunt Mary Moody Emerson (1774-1863) had on his education after the death of his father Reverend William Emerson. Aunt Mary introduced German romanticism and had great enthusiasm for the 1814 American edition of de Stael’s On Germany which was introduced to Emerson during his years of formal education. From the mid-1830s into the 1840s, transcendentalism (the American version of German romanticism) thrived in New England. In 1836, Emerson borrowed from transcendentalism’s emphasis on nature as a “spiritual force” to complete his essay Nature.[5]
It wasn’t until Emerson turned thirty, when he actually crossed the Atlantic to see Europe for himself. During his time spent in Europe, Emerson was able to forge a relationship with Thomas Carlyle (1795-1881). The text from the book says, “Carlyle’s writing might have ended there” if Emerson hadn’t industriously endorsed Carlyle’s work. Since Emerson was not fluent in German, “Carlyle became his teacher of transcendentalism” [6] In 1799 Sharon Turner published a popular book titled The History of the Angelo-Saxons, from Their First Appearance above the Elbe, to the Death of Egbert which Emerson owned a copy of and studied generously to “come up with a list of undying traits of the English race" in 1852. Liberty was one of the first among the list of traits. Emerson viewed himself as a “New Englander and therefore a Saxon.” He lectured that Norsemen had turned into Englishmen during the course of a thousand years and that New Englanders were the final product of this process [7]
Emerson published a book in 1856 called English Traits, which is ironically the title of Chapter eleven in Painter’s book. English traits, the book Emerson created was a compilation of lectures he gave to a variety of audiences over the course of ten years. With an abundance of raw material Emerson felt the need to use notes from two of his previous European trips. These notes he possess were “half travelogue, part autobiography, and part historical ethnography.” Armed with all this information Emerson felt he was ready to publish a book on England and the Saxon race. This book sold twenty four thousand copies within three months of being published and was distributed in the United States and Great Britain. This book did well considering the fact that the readers seemed to dismiss the fact that Emerson favored the English/ Saxon race in his writings. [8]
The book English Traits included Emerson “calling attention to the similarities in Americans’ and Englishman’s appearance. More specifically the red and white complexion, blond hair, blue eyes and tall stature.” He noticed that these traits were dissimilar to those of Celts. Whose skin was darker and smaller in stature, influenced Emerson to classify these individuals as Asiatic in origin. In the core chapter of the book called “Race”, Emerson “enumerates the three components of the English population: first the Celt, second the German and third the Northmen”[9] Emerson believes that even though the English race is mixed, its “stock” governs its “national destiny. It wasn’t until the year 2000 that the Human Genome Project attempted to answer what the genetic difference between people of different skin colors. The answer is nearly nothing. We share 99.99 percent of the same genetic code.” Race does not influence the results.
https://en.wikipedia.org/wiki/The_History_of_White_People
wn.com/The Invention Of White People For Economic, Scientific, And Political Ends (2010)
Among the topics Painter discusses are the way in which formerly non-white groups were designated as white as they assimilated into American life, the racialization of intelligence and of political beliefs, and the relationship between race and conceptions of female beauty. Ralph Waldo Emerson is one figure whose belief in some of these racial theories is discussed.
This book tells the history of white race theory and Ralph Waldo Emerson’s contribution. Chapter ten is dedicated to The Education of Ralph Waldo Emerson and the influence his Aunt Mary Moody Emerson (1774-1863) had on his education after the death of his father Reverend William Emerson. Aunt Mary introduced German romanticism and had great enthusiasm for the 1814 American edition of de Stael’s On Germany which was introduced to Emerson during his years of formal education. From the mid-1830s into the 1840s, transcendentalism (the American version of German romanticism) thrived in New England. In 1836, Emerson borrowed from transcendentalism’s emphasis on nature as a “spiritual force” to complete his essay Nature.[5]
It wasn’t until Emerson turned thirty, when he actually crossed the Atlantic to see Europe for himself. During his time spent in Europe, Emerson was able to forge a relationship with Thomas Carlyle (1795-1881). The text from the book says, “Carlyle’s writing might have ended there” if Emerson hadn’t industriously endorsed Carlyle’s work. Since Emerson was not fluent in German, “Carlyle became his teacher of transcendentalism” [6] In 1799 Sharon Turner published a popular book titled The History of the Angelo-Saxons, from Their First Appearance above the Elbe, to the Death of Egbert which Emerson owned a copy of and studied generously to “come up with a list of undying traits of the English race" in 1852. Liberty was one of the first among the list of traits. Emerson viewed himself as a “New Englander and therefore a Saxon.” He lectured that Norsemen had turned into Englishmen during the course of a thousand years and that New Englanders were the final product of this process [7]
Emerson published a book in 1856 called English Traits, which is ironically the title of Chapter eleven in Painter’s book. English traits, the book Emerson created was a compilation of lectures he gave to a variety of audiences over the course of ten years. With an abundance of raw material Emerson felt the need to use notes from two of his previous European trips. These notes he possess were “half travelogue, part autobiography, and part historical ethnography.” Armed with all this information Emerson felt he was ready to publish a book on England and the Saxon race. This book sold twenty four thousand copies within three months of being published and was distributed in the United States and Great Britain. This book did well considering the fact that the readers seemed to dismiss the fact that Emerson favored the English/ Saxon race in his writings. [8]
The book English Traits included Emerson “calling attention to the similarities in Americans’ and Englishman’s appearance. More specifically the red and white complexion, blond hair, blue eyes and tall stature.” He noticed that these traits were dissimilar to those of Celts. Whose skin was darker and smaller in stature, influenced Emerson to classify these individuals as Asiatic in origin. In the core chapter of the book called “Race”, Emerson “enumerates the three components of the English population: first the Celt, second the German and third the Northmen”[9] Emerson believes that even though the English race is mixed, its “stock” governs its “national destiny. It wasn’t until the year 2000 that the Human Genome Project attempted to answer what the genetic difference between people of different skin colors. The answer is nearly nothing. We share 99.99 percent of the same genetic code.” Race does not influence the results.
https://en.wikipedia.org/wiki/The_History_of_White_People
- published: 28 Jan 2016
- views: 223
♬ Felix Mendelssohn♯A Midsummer Night's Dream Op.61 (complete)♯
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FELIX MENDELSSOHN (3 February ...
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FELIX MENDELSSOHN (3 February 1809 – 4 November 1847) GERMANY, ROMANTICISM
"A Midsummer Night's Dream" (German: "Ein Sommernachtstraum"): At two separate points in his career, Mendelssohn wrote music for Shakespeare's A Midsummer Night's Dream: in 1826 he wrote a concert overture (Op. 21) and in 1842 the incidental music (Op. 61), to which he incorporated the overture. The overture, while a romantic piece overall, incorporates classical elements (both in form and harmonic language), as well as a surprising number of 'effects'. The incidental music was written to a commision from King Frederick William IV of Prussia, after hearing a presentation of Antigone to Mendelssohn's incidental music. The Wedding March acts as the intermezzo between acts IV and V, and it has become one of the most ubiquitous pieces of music ever written. The purely instrumental movements are often played as a unified suite or as independent pieces, although this approach never had Mendelssohn's imprimatur. The Overture is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, ophicleide, timpani and strings. The incidental music adds a third trumpet, three trombones, triangle and cymbals to this scoring. Parts of the score are used, re-orchestrated by Erich Wolfgang Korngold, in Max Reinhardt's 1935 movie A Midsummer Night's Dream. less
Source:
https://musopen.org/music/1310/felix-mendelssohn/a-midsummer-nights-dream-op-61/
https://creativecommons.org/publicdomain/mark/1.0/
wn.com/♬ Felix Mendelssohn♯A Midsummer Night's Dream Op.61 (Complete)♯
For More Music Videos SUBSCRIBE ►https://goo.gl/HL68dd TWITTER►https://twitter.com/MelodyClassical FB►https://goo.gl/tcJI6j
FELIX MENDELSSOHN (3 February 1809 – 4 November 1847) GERMANY, ROMANTICISM
"A Midsummer Night's Dream" (German: "Ein Sommernachtstraum"): At two separate points in his career, Mendelssohn wrote music for Shakespeare's A Midsummer Night's Dream: in 1826 he wrote a concert overture (Op. 21) and in 1842 the incidental music (Op. 61), to which he incorporated the overture. The overture, while a romantic piece overall, incorporates classical elements (both in form and harmonic language), as well as a surprising number of 'effects'. The incidental music was written to a commision from King Frederick William IV of Prussia, after hearing a presentation of Antigone to Mendelssohn's incidental music. The Wedding March acts as the intermezzo between acts IV and V, and it has become one of the most ubiquitous pieces of music ever written. The purely instrumental movements are often played as a unified suite or as independent pieces, although this approach never had Mendelssohn's imprimatur. The Overture is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, ophicleide, timpani and strings. The incidental music adds a third trumpet, three trombones, triangle and cymbals to this scoring. Parts of the score are used, re-orchestrated by Erich Wolfgang Korngold, in Max Reinhardt's 1935 movie A Midsummer Night's Dream. less
Source:
https://musopen.org/music/1310/felix-mendelssohn/a-midsummer-nights-dream-op-61/
https://creativecommons.org/publicdomain/mark/1.0/
- published: 29 Jan 2016
- views: 46
Anton von Webern /// The best of
Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arno...
Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique. His characteristically unique innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism, so much so as to focus the attention of his posthumous reception in a direction away from, if not apparently antithetical to, his affiliations with German Romanticism and Expressionism.
wn.com/Anton Von Webern The Best Of
Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique. His characteristically unique innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism, so much so as to focus the attention of his posthumous reception in a direction away from, if not apparently antithetical to, his affiliations with German Romanticism and Expressionism.
- published: 12 Nov 2014
- views: 3326
Max Reger. Variations and Fugue in A Major on a theme by Mozart Op. 132. Böhm
Max Reger (1873-1916).
Variations and Fugue in A Major on a theme by Mozart Op. 132.
Reger was a german composer, organist, pianist and music teacher. He was an...
Max Reger (1873-1916).
Variations and Fugue in A Major on a theme by Mozart Op. 132.
Reger was a german composer, organist, pianist and music teacher. He was an important figure of German Romanticism and considered the heir of Brahms because he based all his music in elements of baroque of Bach and classicism of Haydn and Mozart. However, Reger also reverenced Beethoven, Schumann and even Liszt, but the greatest inspiration was Brahms in order to create beautiful pages, symbol of the Late Romanticism.
Variations and Fugue on a theme by Mozart Op. 132 is a demonstration of the art of Reger as organist and orchestrator. The theme is the piano sonata in A Major K. 331 of Mozart and throughout of the piece, the music suffers interesting variations in fugue mode, sometimes lyric and other times dramatic and jumping. The work can be compared with Variations on a theme by Haydn of Brahms because of the structure and the ending of the work and it's also compared with symphonic works of Liszt (Faust symphony) by extended harmonies and musical effects.
I. Theme Andante Grazioso. 0:00
II. L'istesso tempo (Variation I) 3:00
III. Poco agitato (Variation II) 5:39
IV. Con moto (Variation III) 7:40
V. Vivace (Variation IV) 9:02
VI. Quasi presto (Variation V) 9:47
VII. Sostenuto (quasi adagietto) (Variation VI) 11:30
VIII. Andante grazioso (Variation VII) 14:11
IX. Molto sostenuto (Variation VIII) 17:09
X. Fugue: Allegretto grazioso 24:12
Berlin Philharmonic Orchestra. Karl Böhm. Conductor
wn.com/Max Reger. Variations And Fugue In A Major On A Theme By Mozart Op. 132. Böhm
Max Reger (1873-1916).
Variations and Fugue in A Major on a theme by Mozart Op. 132.
Reger was a german composer, organist, pianist and music teacher. He was an important figure of German Romanticism and considered the heir of Brahms because he based all his music in elements of baroque of Bach and classicism of Haydn and Mozart. However, Reger also reverenced Beethoven, Schumann and even Liszt, but the greatest inspiration was Brahms in order to create beautiful pages, symbol of the Late Romanticism.
Variations and Fugue on a theme by Mozart Op. 132 is a demonstration of the art of Reger as organist and orchestrator. The theme is the piano sonata in A Major K. 331 of Mozart and throughout of the piece, the music suffers interesting variations in fugue mode, sometimes lyric and other times dramatic and jumping. The work can be compared with Variations on a theme by Haydn of Brahms because of the structure and the ending of the work and it's also compared with symphonic works of Liszt (Faust symphony) by extended harmonies and musical effects.
I. Theme Andante Grazioso. 0:00
II. L'istesso tempo (Variation I) 3:00
III. Poco agitato (Variation II) 5:39
IV. Con moto (Variation III) 7:40
V. Vivace (Variation IV) 9:02
VI. Quasi presto (Variation V) 9:47
VII. Sostenuto (quasi adagietto) (Variation VI) 11:30
VIII. Andante grazioso (Variation VII) 14:11
IX. Molto sostenuto (Variation VIII) 17:09
X. Fugue: Allegretto grazioso 24:12
Berlin Philharmonic Orchestra. Karl Böhm. Conductor
- published: 09 Sep 2012
- views: 32539
The Best of Strauss
The Best of Richard Georg Strauss (11 June 1864 -- 8 September 1949)
Fritz Reiner
Chicago Symphony Orchestra
Strauss is known for his operas, which include D...
The Best of Richard Georg Strauss (11 June 1864 -- 8 September 1949)
Fritz Reiner
Chicago Symphony Orchestra
Strauss is known for his operas, which include Der Rosenkavalier and Salome; his lieder, especially his Four Last Songs; and his tone poems Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, An Alpine Symphony, and other orchestral works, such as Metamorphosen. Strauss was also a prominent conductor throughout Germany and Austria. Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner and Franz Liszt, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
0:00 Also Sprach Zarathustra, Op. 30: Sunrise
1:34 Also Sprach Zarathustra, Op. 30: Of Those in Backwaters
4:44 Also Sprach Zarathustra, Op. 30: Of the Great Longing
6:29 Also Sprach Zarathustra, Op. 30: Of Joys and Passions
8:20 Also Sprach Zarathustra, Op. 30: Song of the Grave
10:35 Also Sprach Zarathustra, Op. 30: Of Science and Learning
14:36 Also Sprach Zarathustra, Op. 30: The Convalenscent
19:36 Also Sprach Zarathustra, Op. 30: Dance Song
27:13 Also Sprach Zarathustra, Op. 30: Night Wanderer's Song
32:02 Don Juan, Op. 20: Tone Poem
48:36 Ein Heldenleben (A Hero's Life), Op. 40: The Hero
52:50 Ein Heldenleben (A Hero's Life), Op. 40: The Hero's Adversaries
55:56 Don Quixote, Op. 35: Introduction
1:01:59 Don Quixote, Op. 35: Variation 2, Battle With the Sheep
1:03:48 Don Quixote, Op. 35: Variation 9, Battle With Magicians
1:04:55 Don Quixote, Op. 35: Variation 10, Duel With Knight of White Moon
1:08:57 Don Quixote, Op. 35: Variation 11, Death of Don Quixote
1:14:59 Der Rosenkavalier: Waltzes
1:23:42 Burleske in D Minor for Piano and Orchestra
1:43:51 Symphonia Domestica, Op. 53: I. Theme
1:49:12 Salome, Op. 54: Dance of the Seven Veils
1:58:16 Le Burgeois Gentilhomme, Op. 60: VII. The Dinner
2:08:30 Elektra, Op. 58: Soliloquy "Allein! Weh', Ganz Allein!"
2:18:04 Four Last Songs
wn.com/The Best Of Strauss
The Best of Richard Georg Strauss (11 June 1864 -- 8 September 1949)
Fritz Reiner
Chicago Symphony Orchestra
Strauss is known for his operas, which include Der Rosenkavalier and Salome; his lieder, especially his Four Last Songs; and his tone poems Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, An Alpine Symphony, and other orchestral works, such as Metamorphosen. Strauss was also a prominent conductor throughout Germany and Austria. Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner and Franz Liszt, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
0:00 Also Sprach Zarathustra, Op. 30: Sunrise
1:34 Also Sprach Zarathustra, Op. 30: Of Those in Backwaters
4:44 Also Sprach Zarathustra, Op. 30: Of the Great Longing
6:29 Also Sprach Zarathustra, Op. 30: Of Joys and Passions
8:20 Also Sprach Zarathustra, Op. 30: Song of the Grave
10:35 Also Sprach Zarathustra, Op. 30: Of Science and Learning
14:36 Also Sprach Zarathustra, Op. 30: The Convalenscent
19:36 Also Sprach Zarathustra, Op. 30: Dance Song
27:13 Also Sprach Zarathustra, Op. 30: Night Wanderer's Song
32:02 Don Juan, Op. 20: Tone Poem
48:36 Ein Heldenleben (A Hero's Life), Op. 40: The Hero
52:50 Ein Heldenleben (A Hero's Life), Op. 40: The Hero's Adversaries
55:56 Don Quixote, Op. 35: Introduction
1:01:59 Don Quixote, Op. 35: Variation 2, Battle With the Sheep
1:03:48 Don Quixote, Op. 35: Variation 9, Battle With Magicians
1:04:55 Don Quixote, Op. 35: Variation 10, Duel With Knight of White Moon
1:08:57 Don Quixote, Op. 35: Variation 11, Death of Don Quixote
1:14:59 Der Rosenkavalier: Waltzes
1:23:42 Burleske in D Minor for Piano and Orchestra
1:43:51 Symphonia Domestica, Op. 53: I. Theme
1:49:12 Salome, Op. 54: Dance of the Seven Veils
1:58:16 Le Burgeois Gentilhomme, Op. 60: VII. The Dinner
2:08:30 Elektra, Op. 58: Soliloquy "Allein! Weh', Ganz Allein!"
2:18:04 Four Last Songs
- published: 05 Apr 2014
- views: 6756
Bravo! Vail Silver Oak Twomey Series Reinbert De Leeuw's Im Wunderschonen Monat Mai
July 2014 Bravo! Vail
Innovative ensembles, Le Train Bleu and Calder Quartet, return with Anne-Marie McDermott for an exceptional evening of German romanticism ...
July 2014 Bravo! Vail
Innovative ensembles, Le Train Bleu and Calder Quartet, return with Anne-Marie McDermott for an exceptional evening of German romanticism in 19th and 21st century guises.
Geared towards audience members with an appreciation of both traditional and adventurous music, the series closes with a rare American performance of contemporary Dutch composer Reinbert de Leeuw’s Im Wunderschönen Monat Mai I (The Beautiful Month of May). A postmodern take on songs by Schubert and Schumann, the work is a stunning realization for eleven instruments and a dramatic singer/chantuese in a theatrical delivery of riveting and hauntingly beautiful sounds
wn.com/Bravo Vail Silver Oak Twomey Series Reinbert De Leeuw's Im Wunderschonen Monat Mai
July 2014 Bravo! Vail
Innovative ensembles, Le Train Bleu and Calder Quartet, return with Anne-Marie McDermott for an exceptional evening of German romanticism in 19th and 21st century guises.
Geared towards audience members with an appreciation of both traditional and adventurous music, the series closes with a rare American performance of contemporary Dutch composer Reinbert de Leeuw’s Im Wunderschönen Monat Mai I (The Beautiful Month of May). A postmodern take on songs by Schubert and Schumann, the work is a stunning realization for eleven instruments and a dramatic singer/chantuese in a theatrical delivery of riveting and hauntingly beautiful sounds
- published: 20 May 2015
- views: 78
Anton Bruckner (NatureSymphony, 1 hour)
Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ] ( listen); 4 September 1824 -- 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. ...
Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ] ( listen); 4 September 1824 -- 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Unlike other musical radicals, such as Richard Wagner or Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms (and detractors of Wagner), who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler, who described him as "half simpleton, half God".
wn.com/Anton Bruckner (Naturesymphony, 1 Hour)
Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ] ( listen); 4 September 1824 -- 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Unlike other musical radicals, such as Richard Wagner or Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms (and detractors of Wagner), who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler, who described him as "half simpleton, half God".
- published: 06 Jul 2013
- views: 246
GEORGE FEE PRESENTATION: “INFLUENCES ON SCHUMANN AND PLAYING HIS MUSIC”
This presentation begins with a discussion of the man, Schumann, and his life. It is followed by thoughts on his music (at 15:07), German Romanticism (at 28:13)...
This presentation begins with a discussion of the man, Schumann, and his life. It is followed by thoughts on his music (at 15:07), German Romanticism (at 28:13), and the performance of his music (at 32:34). A live performance of 3 Lieder from Liederkreis, op. 39, with Kindra Scharich, mezzo-soprano, appears (at 35:29). The influence of Jean Paul Richter and E.T.A. Hoffmann on Schumann is then explored and illustrated with Papillons, op. 2, (at 48:41). An overview of Schumann’s piano music (at 1:15:00) is followed by further thoughts on performing Schumann (at 1:17:15). The Kinderszenen, op. 15, are then discussed from a pedagogical perspective (at 1:21:23). The presentation concludes with a live performance of Aufschwung, op. 12, no. 2 (at 1:46:10).
George Fee received his doctorate in Piano Performance from Indiana University, where he was a student of Menahem Pressler. He and his wife, Dr. Susan Dersnah Fee, are independent piano teachers in San Diego, CA. Their website is http://www.dersnah-fee.com.
Handout for Presentation:
http://www.dersnah-fee.com/Essays%20and%20Educational%20Material/Schumann_Resources.pdf
wn.com/George Fee Presentation “Influences On Schumann And Playing His Music”
This presentation begins with a discussion of the man, Schumann, and his life. It is followed by thoughts on his music (at 15:07), German Romanticism (at 28:13), and the performance of his music (at 32:34). A live performance of 3 Lieder from Liederkreis, op. 39, with Kindra Scharich, mezzo-soprano, appears (at 35:29). The influence of Jean Paul Richter and E.T.A. Hoffmann on Schumann is then explored and illustrated with Papillons, op. 2, (at 48:41). An overview of Schumann’s piano music (at 1:15:00) is followed by further thoughts on performing Schumann (at 1:17:15). The Kinderszenen, op. 15, are then discussed from a pedagogical perspective (at 1:21:23). The presentation concludes with a live performance of Aufschwung, op. 12, no. 2 (at 1:46:10).
George Fee received his doctorate in Piano Performance from Indiana University, where he was a student of Menahem Pressler. He and his wife, Dr. Susan Dersnah Fee, are independent piano teachers in San Diego, CA. Their website is http://www.dersnah-fee.com.
Handout for Presentation:
http://www.dersnah-fee.com/Essays%20and%20Educational%20Material/Schumann_Resources.pdf
- published: 28 May 2015
- views: 39
HYMNEN AN DIE NACHT Friedrich von Hardenberg HÖRBUCH DEUTSCH KOMPLETT AUDIOBOOK GERMAN
HYMNEN AN DIE NACHT von Novalis Hoerbuch Deutsch Audiobuch GreatAudioBooks
Novalis (Friedrich von Hardenberg)
Hymnen an die Nacht ist der Titel eines Gedicht...
HYMNEN AN DIE NACHT von Novalis Hoerbuch Deutsch Audiobuch GreatAudioBooks
Novalis (Friedrich von Hardenberg)
Hymnen an die Nacht ist der Titel eines Gedichtzyklus von Novalis (Friedrich von Hardenberg). Der Zyklus wurde zuerst 1800 in der Zeitschrift Athenäum veröffentlicht. Die Hymnen an die Nacht ist das einzige größere Werk, das zu Novalis' Lebzeiten veröffentlicht und auch von ihm fertiggestellt wurde. Die Hymnen werden als Höhepunkt seiner Lyrik angesehen und können wohl zurecht als die bedeutendste Dichtung der Frühromantik bezeichnet werden.
Der Text besteht aus sechs Hymnen. Diese können in drei Teile zu je zwei Hymnen gegliedert werden. In jedem dieser Teile kann das gleiche Grundmuster gefunden werden. Die jeweils ersten Hymnen beschreiben in einem für Novalis typischen dreistufigen Modell die Entwicklung vom Leben im glücklichen, irdischen Reich des Lichts über eine Phase der schmerzhaften Entfremdung zur Befreiung in der ewigen Nacht. Die jeweils zweiten Hymnen schildern das ernüchternde Aufwachen aus der Vision und die Sehnsucht nach der Rückkehr zu dieser Vision. Die drei Zyklen sind als Steigerung angelegt; in jeder dieser Stufen wird eine höhere Ebene der Erfahrung und des Wissens erreicht. (Wikipedia)
English Description:
In August 1800, eight months after completion, the revised edition of the Hymnen an die Nacht was published in the Athenaeum. They are often considered to be the climax of Novalis' lyrical works and the most important poetry of the German early Romanticism.
The six hymns contain many elements which can be understood as autobiographical. Even though a lyrical "I", rather than Novalis himself, is the speaker, there are many relationships between the hymns and Hardenberg's experiences from 1797-1800.
The topic is the romantic interpretation of life and death, the threshold of which is symbolised by the night. Life and death are -- according to Novalis -- developed into entwined concepts. So in the end, death is the romantic principle of life.
Influences from the literature of that time can be seen. The metaphors of the hymns are closely connected to the books Novalis had read at about the time of his writing of the hymns. These are prominently Shakespeare's Romeo and Juliet (in the translation by A.W.Schlegel, 1797) and Jean Paul's Unsichtbare Loge (1793).
The Hymns to the Night display a universal religion with an intermediary. This concept is based on the idea that there is always a third party between a human and God. This intermediary can either be Jesus -- as in Christian lore -- or the dead beloved as in the hymns. These works consist of three times two hymns. These three components are each structured in this way: the first hymn shows, with the help of the Romantic triad, the development from an assumed happy life on earth through a painful era of alienation to salvation in the eternal night; the following hymn tells of the awakening from this vision and the longing for a return to it. With each pair of hymns, a higher level of experience and knowledge is shown. (Wikipedia)
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große deutsche Schriftsteller,
wn.com/Hymnen An Die Nacht Friedrich Von Hardenberg Hörbuch Deutsch Komplett Audiobook German
HYMNEN AN DIE NACHT von Novalis Hoerbuch Deutsch Audiobuch GreatAudioBooks
Novalis (Friedrich von Hardenberg)
Hymnen an die Nacht ist der Titel eines Gedichtzyklus von Novalis (Friedrich von Hardenberg). Der Zyklus wurde zuerst 1800 in der Zeitschrift Athenäum veröffentlicht. Die Hymnen an die Nacht ist das einzige größere Werk, das zu Novalis' Lebzeiten veröffentlicht und auch von ihm fertiggestellt wurde. Die Hymnen werden als Höhepunkt seiner Lyrik angesehen und können wohl zurecht als die bedeutendste Dichtung der Frühromantik bezeichnet werden.
Der Text besteht aus sechs Hymnen. Diese können in drei Teile zu je zwei Hymnen gegliedert werden. In jedem dieser Teile kann das gleiche Grundmuster gefunden werden. Die jeweils ersten Hymnen beschreiben in einem für Novalis typischen dreistufigen Modell die Entwicklung vom Leben im glücklichen, irdischen Reich des Lichts über eine Phase der schmerzhaften Entfremdung zur Befreiung in der ewigen Nacht. Die jeweils zweiten Hymnen schildern das ernüchternde Aufwachen aus der Vision und die Sehnsucht nach der Rückkehr zu dieser Vision. Die drei Zyklen sind als Steigerung angelegt; in jeder dieser Stufen wird eine höhere Ebene der Erfahrung und des Wissens erreicht. (Wikipedia)
English Description:
In August 1800, eight months after completion, the revised edition of the Hymnen an die Nacht was published in the Athenaeum. They are often considered to be the climax of Novalis' lyrical works and the most important poetry of the German early Romanticism.
The six hymns contain many elements which can be understood as autobiographical. Even though a lyrical "I", rather than Novalis himself, is the speaker, there are many relationships between the hymns and Hardenberg's experiences from 1797-1800.
The topic is the romantic interpretation of life and death, the threshold of which is symbolised by the night. Life and death are -- according to Novalis -- developed into entwined concepts. So in the end, death is the romantic principle of life.
Influences from the literature of that time can be seen. The metaphors of the hymns are closely connected to the books Novalis had read at about the time of his writing of the hymns. These are prominently Shakespeare's Romeo and Juliet (in the translation by A.W.Schlegel, 1797) and Jean Paul's Unsichtbare Loge (1793).
The Hymns to the Night display a universal religion with an intermediary. This concept is based on the idea that there is always a third party between a human and God. This intermediary can either be Jesus -- as in Christian lore -- or the dead beloved as in the hymns. These works consist of three times two hymns. These three components are each structured in this way: the first hymn shows, with the help of the Romantic triad, the development from an assumed happy life on earth through a painful era of alienation to salvation in the eternal night; the following hymn tells of the awakening from this vision and the longing for a return to it. With each pair of hymns, a higher level of experience and knowledge is shown. (Wikipedia)
Klassische Literatur,
Literatur,
Klassiker,
deutsche Klassiker,
deutsche klassische Literatur,
grosse Autoren,
Autoren,
Schulliteratur,
Pflichtliteratur,
Audiobuch,
Audiobücher,
deutsches Hörbuch,
deutsche Hörbücher,
deutsche Pflichtliteraur,
deutschsprachige Hörbücher,
deutsche Audiobücher,
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Goethe,
Kurzgeschichten,
deutsche Kurzgeschichten,
Kriminalromane,
deutsche Kriminalromane,
Krimi,
Krimis.
Hörspiele,
Hörspiel,
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deutsche Dichter,
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Gedicht,
Märchen,
Grimm,
Schiller,
Sage,
Sagen,
deutsche Sagen,
Belletristik,
deutsche Belletristik,
Prosa,
deutsche Prosa,
Dichtung,
deutsche Dichtung,
Novelle,
Novellen,
deutsche Novelle,
deutsche Novellen,
deutsche Weltliteratur,
große deutsche Dichter,
berühmte deutsche Schriftsteller,
berühmte deutsche Dichter,
große deutsche Schriftsteller,
- published: 24 Jan 2014
- views: 2064
Longfellow: A Rediscovered Life
Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the Germ...
Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became American icons. And in his masterpiece, Evangeline, Longfellow invented the foundational myth of Acadian and Cajun ethnic identity.
Calhoun's Longfellow: A Rediscovered Life is a Victorian family saga. As a young man from the provinces, Longfellow gained international celebrity and great wealth; yet his life was afflicted by chronic melancholy, by the tragic deaths of two beloved wives, by a spendthrift son, and by a self-destructive brother.
A procession of vivid characters walks through the pages of Calhoun's book, from the poet's Revolutionary War grandfather, Peleg Wadsworth, to his friends and acquaintances, including Hawthorne, Emerson, Charles Sumner, Dickens, Carlyle, Fanny Butler, Queen Victoria, and Oscar Wilde.
wn.com/Longfellow A Rediscovered Life
Charles C. Calhoun shows how the young poet Henry Wadsworth Longfellow blended the Federalist politics and Unitarianism of his parents' generation with the German romanticism he discovered on his travels. The result was distinctive American poetry, traditional in form, but nationalistic in sentiment. Longfellow's Paul Revere, Priscilla Alden, Miles Standish, and the Village Blacksmith became American icons. And in his masterpiece, Evangeline, Longfellow invented the foundational myth of Acadian and Cajun ethnic identity.
Calhoun's Longfellow: A Rediscovered Life is a Victorian family saga. As a young man from the provinces, Longfellow gained international celebrity and great wealth; yet his life was afflicted by chronic melancholy, by the tragic deaths of two beloved wives, by a spendthrift son, and by a self-destructive brother.
A procession of vivid characters walks through the pages of Calhoun's book, from the poet's Revolutionary War grandfather, Peleg Wadsworth, to his friends and acquaintances, including Hawthorne, Emerson, Charles Sumner, Dickens, Carlyle, Fanny Butler, Queen Victoria, and Oscar Wilde.
- published: 20 Mar 2014
- views: 106
Emerson, Nietzsche, and the Romantic World; Franke Lectures in the Humanities
Dr. David Mikics is John and Rebecca Moores Distinguished Professor in English and the Honors College at the University of Houston. His lecture "Emerson, Nietzs...
Dr. David Mikics is John and Rebecca Moores Distinguished Professor in English and the Honors College at the University of Houston. His lecture "Emerson, Nietzsche, and the Romantic World" was given as part of the Fall 2013 Franke Lectures in the Humanities at the Whitney Humanities Center at Yale on September 26, 2013, a series organized in conjunction with the Yale College seminar taught by Paul North, Associate Professor of German, and Paul Grimstad, Assistant Professor of English. This undergraduate seminar presented perspectives on the thought of Friedrich Nietzsche and Ralph Waldo Emerson. The lecture argues that we can use Emerson and Nietzsche to think about the tensions between the Enlightenment and Romanticism as ways of conceiving the world. Positing that we now live in an age dominated by Enlightenment-era thinking, Mikics also draws on Isaiah Berlin's definitions of these two intellectual ages to make an argument about their relevance for society today.
wn.com/Emerson, Nietzsche, And The Romantic World Franke Lectures In The Humanities
Dr. David Mikics is John and Rebecca Moores Distinguished Professor in English and the Honors College at the University of Houston. His lecture "Emerson, Nietzsche, and the Romantic World" was given as part of the Fall 2013 Franke Lectures in the Humanities at the Whitney Humanities Center at Yale on September 26, 2013, a series organized in conjunction with the Yale College seminar taught by Paul North, Associate Professor of German, and Paul Grimstad, Assistant Professor of English. This undergraduate seminar presented perspectives on the thought of Friedrich Nietzsche and Ralph Waldo Emerson. The lecture argues that we can use Emerson and Nietzsche to think about the tensions between the Enlightenment and Romanticism as ways of conceiving the world. Positing that we now live in an age dominated by Enlightenment-era thinking, Mikics also draws on Isaiah Berlin's definitions of these two intellectual ages to make an argument about their relevance for society today.
- published: 27 May 2014
- views: 3269
French Dinner - Best French Music for a Romantic Dinner
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PLAYLIST FRENCH MUSIC: Chanson Française http://open.spotify.com/user/halidon/playlist/2A51eJS2zkVGaj...
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PLAYLIST FRENCH MUSIC: Chanson Française http://open.spotify.com/user/halidon/playlist/2A51eJS2zkVGajmVsFoXSR
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La nuit - Patachou
A Paris - Yves Montand ( 2:36 )
La rose rouge - Alibert ( 5:50 )
Romance - Juliette Gréco ( 8:47 )
Paris champagne - Luis Mariano ( 11:44 )
Milord - Edith Piaf ( 13:52 )
Besame mucho - Joséphine Baker ( 18:24 )
Non, je ne regrette rien - Edith Piaf ( 21:30 )
Les feuilles mortes -- Yves Montand ( 23:56 )
Le premier rendez vous -- Danielle Darrieux ( 27:17 )
Domino - André Claveau ( 30:35 )
Bolero - Georges Guétary ( 33:54 )
Chez moi - Lucienne Boyer ( 37:15 )
wn.com/French Dinner Best French Music For A Romantic Dinner
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST FRENCH MUSIC: Chanson Française http://open.spotify.com/user/halidon/playlist/2A51eJS2zkVGajmVsFoXSR
visit our page on facebook
▶ http://on.fb.me/1bzVvBp
▶ MUSIC FROM PARIS http://on.fb.me/1iP3YBp
subscribe to the channel MUSIC FROM PARIS ▶ http://bit.ly/1m7CIQL
La nuit - Patachou
A Paris - Yves Montand ( 2:36 )
La rose rouge - Alibert ( 5:50 )
Romance - Juliette Gréco ( 8:47 )
Paris champagne - Luis Mariano ( 11:44 )
Milord - Edith Piaf ( 13:52 )
Besame mucho - Joséphine Baker ( 18:24 )
Non, je ne regrette rien - Edith Piaf ( 21:30 )
Les feuilles mortes -- Yves Montand ( 23:56 )
Le premier rendez vous -- Danielle Darrieux ( 27:17 )
Domino - André Claveau ( 30:35 )
Bolero - Georges Guétary ( 33:54 )
Chez moi - Lucienne Boyer ( 37:15 )
- published: 09 Jan 2014
- views: 336371
The Theodor W. Adorno Walter Benjamin Debate
Walter Bendix Schönflies Benjamin (German: [ˈvaltɐ ˈbɛnjamiːn];[1] 15 July 1892 -- 26 September 1940)[2] was a German literary critic, philosopher, social criti...
Walter Bendix Schönflies Benjamin (German: [ˈvaltɐ ˈbɛnjamiːn];[1] 15 July 1892 -- 26 September 1940)[2] was a German literary critic, philosopher, social critic, translator, radio broadcaster and essayist. Combining elements of German idealism or Romanticism, Historical Materialism and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism, and is associated with the Frankfurt School. Among his major works as a literary critic are essays on Goethe's novel Elective Affinities; the work of Franz Kafka and Karl Kraus; translation theory; the stories of Nikolai Leskov; the work of Marcel Proust and perhaps most significantly, the poetry of Charles Baudelaire.
Influenced by the Swiss anthropologist Johann Jakob Bachofen (1815--87), Benjamin coined the term "auratic perception", denoting the aesthetic faculty by means of which civilization may recover an appreciation of myth.[3] Benjamin's work is often cited in academic and literary studies, especially the essays "The Task of the Translator" (1923) and "The Work of Art in the Age of Mechanical Reproduction" (1936).
Benjamin committed suicide in Portbou at the French--Spanish border while attempting to escape from the Nazis.
Among Walter Benjamin's works are:
Zur Kritik der Gewalt (Critique of Violence, 1921).
Goethes Wahlverwandtschaften (Goethe's Elective Affinities, 1922).
Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama, 1928).
Einbahnstraße (One Way Street, 1928).
"Karl Kraus" (1931 in the Frankfurter Zeitung).
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction, 1936).
Berliner Kindheit um 1900 (Berlin Childhood around 1900, 1950).
Über den Begriff der Geschichte (On the Concept of History / Theses on the Philosophy of History), 1940.
Das Paris des Second Empire bei Baudelaire (The Paris of the Second Empire in Baudelaire,
Theodor W. Adorno (/əˈdɔːrnoʊ/;[1] German: [aˈdɔʀno]; born Theodor Ludwig Wiesengrund; September 11, 1903 -- August 6, 1969) was a German sociologist, philosopher and musicologist known for his critical theory of society.
He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer and Herbert Marcuse, for whom the work of Freud, Marx and Hegel were essential to a critique of modern society. He is widely regarded as one of the 20th century's foremost thinkers on aesthetics and philosophy, as well as one of its preeminent essayists."in the field of Cultural Studies have repeatedly cast Adorno in the role of the father [...] he has given life to the critical analysis of mass culture"(Apostolidis: p.56) ( As a critic of both fascism and what he called the culture industry, his writings—such as Dialectic of Enlightenment (1947), Minima Moralia (1951) and Negative Dialectics (1966)—strongly influenced the European New Left.
Main article: Theodor W. Adorno bibliography
Kierkegaard: Construction of the Aesthetic (1933)
Dialectic of Enlightenment (with Max Horkheimer, 1944)
Philosophy of New Music (1949)
The Authoritarian Personality (1950)
Minima Moralia: Reflections from Damaged Life (1951)
In Search of Wagner (1952)
Prisms (1955)
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies (1956)
Dissonanzen. Musik in der verwalteten Welt (1956)
Notes to Literature I (1958)
Sound Figures (1959)
Mahler: A Musical Physiognomy (1960)
Notes to Literature II (1961)
Hegel: Three Studies (1963)
Critical Models: Interventions and Catchwords (1963)
Quasi una Fantasia (1963)
The Jargon of Authenticity (1964)
Night Music: Essays on Music 1928-1962 (1964)
Negative Dialectics (1966)
Alban Berg: Master of the Smallest Link (1968)
Critical Models: Interventions and Catchwords (1969)
Composing for the Films (1969)
Aesthetic Theory (1970)
Beethoven: The Philosophy of Music; Fragments and Texts (1993)
Current of Music (2006)
wn.com/The Theodor W. Adorno Walter Benjamin Debate
Walter Bendix Schönflies Benjamin (German: [ˈvaltɐ ˈbɛnjamiːn];[1] 15 July 1892 -- 26 September 1940)[2] was a German literary critic, philosopher, social critic, translator, radio broadcaster and essayist. Combining elements of German idealism or Romanticism, Historical Materialism and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism, and is associated with the Frankfurt School. Among his major works as a literary critic are essays on Goethe's novel Elective Affinities; the work of Franz Kafka and Karl Kraus; translation theory; the stories of Nikolai Leskov; the work of Marcel Proust and perhaps most significantly, the poetry of Charles Baudelaire.
Influenced by the Swiss anthropologist Johann Jakob Bachofen (1815--87), Benjamin coined the term "auratic perception", denoting the aesthetic faculty by means of which civilization may recover an appreciation of myth.[3] Benjamin's work is often cited in academic and literary studies, especially the essays "The Task of the Translator" (1923) and "The Work of Art in the Age of Mechanical Reproduction" (1936).
Benjamin committed suicide in Portbou at the French--Spanish border while attempting to escape from the Nazis.
Among Walter Benjamin's works are:
Zur Kritik der Gewalt (Critique of Violence, 1921).
Goethes Wahlverwandtschaften (Goethe's Elective Affinities, 1922).
Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama, 1928).
Einbahnstraße (One Way Street, 1928).
"Karl Kraus" (1931 in the Frankfurter Zeitung).
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction, 1936).
Berliner Kindheit um 1900 (Berlin Childhood around 1900, 1950).
Über den Begriff der Geschichte (On the Concept of History / Theses on the Philosophy of History), 1940.
Das Paris des Second Empire bei Baudelaire (The Paris of the Second Empire in Baudelaire,
Theodor W. Adorno (/əˈdɔːrnoʊ/;[1] German: [aˈdɔʀno]; born Theodor Ludwig Wiesengrund; September 11, 1903 -- August 6, 1969) was a German sociologist, philosopher and musicologist known for his critical theory of society.
He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer and Herbert Marcuse, for whom the work of Freud, Marx and Hegel were essential to a critique of modern society. He is widely regarded as one of the 20th century's foremost thinkers on aesthetics and philosophy, as well as one of its preeminent essayists."in the field of Cultural Studies have repeatedly cast Adorno in the role of the father [...] he has given life to the critical analysis of mass culture"(Apostolidis: p.56) ( As a critic of both fascism and what he called the culture industry, his writings—such as Dialectic of Enlightenment (1947), Minima Moralia (1951) and Negative Dialectics (1966)—strongly influenced the European New Left.
Main article: Theodor W. Adorno bibliography
Kierkegaard: Construction of the Aesthetic (1933)
Dialectic of Enlightenment (with Max Horkheimer, 1944)
Philosophy of New Music (1949)
The Authoritarian Personality (1950)
Minima Moralia: Reflections from Damaged Life (1951)
In Search of Wagner (1952)
Prisms (1955)
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies (1956)
Dissonanzen. Musik in der verwalteten Welt (1956)
Notes to Literature I (1958)
Sound Figures (1959)
Mahler: A Musical Physiognomy (1960)
Notes to Literature II (1961)
Hegel: Three Studies (1963)
Critical Models: Interventions and Catchwords (1963)
Quasi una Fantasia (1963)
The Jargon of Authenticity (1964)
Night Music: Essays on Music 1928-1962 (1964)
Negative Dialectics (1966)
Alban Berg: Master of the Smallest Link (1968)
Critical Models: Interventions and Catchwords (1969)
Composing for the Films (1969)
Aesthetic Theory (1970)
Beethoven: The Philosophy of Music; Fragments and Texts (1993)
Current of Music (2006)
- published: 02 Dec 2012
- views: 42185
Goethe: The Tragedy of Faust
Johann Wolfgang von Goethe (German pronunciation: [ˈjoːhan ˈvɔlfɡaŋ fɔn ˈɡøːtə], 28 August 1749 -- 22 March 1832) was a German writer, pictorial artist, biolog...
Johann Wolfgang von Goethe (German pronunciation: [ˈjoːhan ˈvɔlfɡaŋ fɔn ˈɡøːtə], 28 August 1749 -- 22 March 1832) was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long poem of modern European literature.His other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship, and the epistolary novel The Sorrows of Young Werther.
Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentalism (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, his influential ideas on plant and animal morphology and homology were extended and developed by 19th century naturalists including Charles Darwin. He also served at length as the Privy Councilor of the duchy of Saxe-Weimar.
In politics Goethe was conservative. At the time of the French Revolution, he thought the enthusiasm of the students and professors to be a perversion of their energy and remained skeptical of the ability of the masses to govern. Likewise, he "did not oppose the War of Liberation waged by the German states against Napoleon, but remained aloof from the patriotic efforts to unite the various parts of Germany into one nation; he advocated instead the maintenance of small principalities ruled by benevolent despots."
Goethe's influence spread across Europe, and for the next century his works were a major source of inspiration in music, drama, poetry and philosophy. Early in his career, however, he wondered whether painting might be his true vocation; late in his life, he expressed the expectation that he would ultimately be remembered above all for his work on color.
Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragödie erster Teil (translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragödie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature.
Goethe completed a preliminary version of Part One in 1806. The 1808 publication was followed by the revised 1828--29 edition, which was the last to be edited by Goethe himself. Prior to these appeared a partial printing in 1790 of Faust, a Fragment. The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are no longer entirely clear.
Goethe finished writing Faust Part Two in 1831. In contrast to Faust Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years. It appeared only posthumously in 1832.
Faust: The Second Part of the Tragedy (German: ''Faust. Der Tragödie zweiter Teil'') is the second part of Goethe's Faust. It was published in 1832, the year of Goethe's death. Because of its complexity in form and content, it is usually not read in German schools, although the first part commonly is. It can be seen as one of the most difficult works of German literature, requiring an extensive knowledge of Greek mythology. Only part of Faust I is directly related to the legend, which goes back at least to the beginning of 16th century (thus is older than Marlowe's play). The "Gretchen"-plot, although now the most widely known episode of the Faust legend, was of Goethe's own invention. In Faust II, the legend of Johann Faust (at least in a version of the 18th century, which came to Goethe's attention) already contained Faust's marriage with Helen and an encounter with an Emperor. But certainly Goethe deals with the legendary material very freely in both parts.
This audio collection contains a treasury of 100 classic books and includes info on the life and times of the author, the theme of the book, the characters, the story outline, a concise yet detailed abridgement of the story and a discussion of the values that make each book one of the great classical works of literature.
© ''IntelliQuest World's 100 Greatest Books'' 1995
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
wn.com/Goethe The Tragedy Of Faust
Johann Wolfgang von Goethe (German pronunciation: [ˈjoːhan ˈvɔlfɡaŋ fɔn ˈɡøːtə], 28 August 1749 -- 22 March 1832) was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long poem of modern European literature.His other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship, and the epistolary novel The Sorrows of Young Werther.
Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides with Enlightenment, Sentimentalism (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, his influential ideas on plant and animal morphology and homology were extended and developed by 19th century naturalists including Charles Darwin. He also served at length as the Privy Councilor of the duchy of Saxe-Weimar.
In politics Goethe was conservative. At the time of the French Revolution, he thought the enthusiasm of the students and professors to be a perversion of their energy and remained skeptical of the ability of the masses to govern. Likewise, he "did not oppose the War of Liberation waged by the German states against Napoleon, but remained aloof from the patriotic efforts to unite the various parts of Germany into one nation; he advocated instead the maintenance of small principalities ruled by benevolent despots."
Goethe's influence spread across Europe, and for the next century his works were a major source of inspiration in music, drama, poetry and philosophy. Early in his career, however, he wondered whether painting might be his true vocation; late in his life, he expressed the expectation that he would ultimately be remembered above all for his work on color.
Johann Wolfgang von Goethe's Faust is a tragic play in two parts: Faust. Der Tragödie erster Teil (translated as: Faust: The First Part of the Tragedy) and Faust. Der Tragödie zweiter Teil (Faust: The Second Part of the Tragedy). Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is Goethe's most famous work and considered by many to be one of the greatest works of German literature.
Goethe completed a preliminary version of Part One in 1806. The 1808 publication was followed by the revised 1828--29 edition, which was the last to be edited by Goethe himself. Prior to these appeared a partial printing in 1790 of Faust, a Fragment. The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are no longer entirely clear.
Goethe finished writing Faust Part Two in 1831. In contrast to Faust Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years. It appeared only posthumously in 1832.
Faust: The Second Part of the Tragedy (German: ''Faust. Der Tragödie zweiter Teil'') is the second part of Goethe's Faust. It was published in 1832, the year of Goethe's death. Because of its complexity in form and content, it is usually not read in German schools, although the first part commonly is. It can be seen as one of the most difficult works of German literature, requiring an extensive knowledge of Greek mythology. Only part of Faust I is directly related to the legend, which goes back at least to the beginning of 16th century (thus is older than Marlowe's play). The "Gretchen"-plot, although now the most widely known episode of the Faust legend, was of Goethe's own invention. In Faust II, the legend of Johann Faust (at least in a version of the 18th century, which came to Goethe's attention) already contained Faust's marriage with Helen and an encounter with an Emperor. But certainly Goethe deals with the legendary material very freely in both parts.
This audio collection contains a treasury of 100 classic books and includes info on the life and times of the author, the theme of the book, the characters, the story outline, a concise yet detailed abridgement of the story and a discussion of the values that make each book one of the great classical works of literature.
© ''IntelliQuest World's 100 Greatest Books'' 1995
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
- published: 01 May 2012
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