Art exhibitions are traditionally the space in which art objects (in the most general sense) meet an audience. The exhibit is universally understood to be for some temporary period unless, as is rarely true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" (the French word) or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".

Such expositions may present pictures, drawings, video, sound, installation, performance, interactive art or sculptures by individual artists, groups of artists or collections of a specific form of art. The art works may be presented in museums, art halls, art clubs or private art galleries, or at some place the principal business of which is not the display or sale of art, such as a coffeehouse. An important distinction is noted between those exhibits where some or all of the works are for sale, normally in private art galleries, and those where they are not. Sometimes the event is organized on a specific occasion, like a birthday, anniversary or commemoration.

Ronald "Ron" Mueck (English pronunciation: /mjuːɛk/ or /muːɪk/; born 1958, Melbourne) is an Australian hyperrealist sculptor working in the United Kingdom.

Ron Mueck began his career working on the Australian children's television program Shirl's Neighbourhood. He was the creative director and made, voiced and operated the puppets Greenfinger the Garden Gnome, Ol' Possum, Stanley the snake and Claude the Crow amongst many others. The show was made for Channel 7 Melbourne between 1979 and 1984, broadcast nationally and starred the ex-lead singer of Skyhooks, Graeme "Shirley" Strachan.

Mueck's early career was as a model maker and puppeteer for children's television and films, notably the film Labyrinth for which he also contributed the voice of Ludo, and the Jim Henson series The Storyteller.

Mueck moved on to establish his own company in London, making photo-realistic props and animatronics for the advertising industry. Although highly detailed, these props were usually designed to be photographed from one specific angle hiding the mess of construction seen from the other side. Mueck increasingly wanted to produce realistic sculptures which looked perfect from all angles.