- published: 25 Jul 2016
- views: 145124
14:9 is a compromise aspect ratio of 1.56:1. It is used to create an acceptable picture on both 4:3 and 16:9 televisions, conceived following audience tests conducted by the BBC. It is used by most UK, Irish, French, Spanish and Australian terrestrial analogue networks, and in the United States on Discovery Networks' HD simulcast channels with programming and advertising originally compiled in 4:3. Note that 14:9 is not a shooting format; 14:9 material is almost always derived from either a 16:9 or 4:3 shot.
A common usage is for material shot in 16:9 format. During production, the important action is kept within the centre of the picture, known as the 14:9 safe area. When the material is broadcast in a 4:3 format (such as for analog television), the sides of the image are cropped to 14:9 and narrow black bars are added to the top and bottom. It is considered that viewers who are not used to wide-screen will find this less distracting than the letterbox format that would result from broadcasting the full 16:9 picture in analogue, while still seeing more of the picture than would be visible if cropped into 4:3. When the same material is broadcast in 16:9 (such as for digital television) the full 16:9 frame is left intact, but auxiliary signals tell the receiver that the picture is suitable for cropping to 14:9 if necessary (for example, when the receiver is connected to a 4:3 display).
To compromise is to make a deal between different parties where each party gives up part of their demand. In arguments, compromise is a concept of finding agreement through communication, through a mutual acceptance of terms—often involving variations from an original goal or desires.
Extremism is often considered as antonym to compromise, which, depending on context, may be associated with concepts of balance and tolerance. In the negative connotation, compromise may be referred to as capitulation, referring to a "surrender" of objectives, principles, or material, in the process of negotiating an agreement. In human relationships, "compromise" is frequently said to be an agreement with which no party is happy because the parties involved often feel that they either gave away too much or that they received too little.
In international politics, the compromises most often discussed are usually regarded as nefarious deals with dictators, such as Neville Chamberlain's appeasement of Adolf Hitler. Margalit calls these "rotten compromises."
You wear the cloth of finest lands,
The touch of women the toil of hands.
Undress me now before I bend,
From the weight of everyman.
When I'm walking through this world,
I need to hold your hand.
Let me take you on this ride,
I hope you understand,
I'm not asking for a compromise.
You defend, exhume, begin again
It's the riddle of a skeleton.
We're all diseased so count the coupe,
I can't imagine stopping you.
When I'm walking through this world,
I need to hold your hand.
Let me take you on this ride,
I hope you understand,
I'm not asking for a compromise.
So the earth we scorch, we breathe,
Find some comfort on our knees.
You find your worth in words that wind,
Pleasures I don't comprehend.
When I'm walking through this world,
I need to hold your hand.
Let me take you on this ride,
I hope you understand,