Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (Mushroomhead album)

The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".

Track listing

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

Acid (computer virus)

Acid is a computer virus which infects .COM and .EXE files including command.com. Each time an infected file is executed, Acid infects all of the .EXE files in the current directory. Later, if an infected file is executed, it infects the .COM files in the current directory. Programs infected with Acid will have had the first 792 bytes of the host program overwritten with Acid's own code. There will be no file length increase unless the original host program was smaller than 792 bytes, in which case it will become 792 bytes in length. The program's date and time in the DOS disk directory listing will not be altered.

The following text strings are found in infected files:

External links

Acid (hip-hop)

Acid (often written ACID; Burmese: အက်စစ်, Burmese pronunciation: [ʔɛʔ sɪʔ]) is a Burmese hip hop group often credited with releasing Burma's first hip hop album, Beginning, in 2000. Two of the group's founders were later imprisoned for the group's allegedly pro-democracy lyrics.

Beginning

Acid was founded by Zayar Thaw, Annaga, Hein Zaw and Yan Yan Chan. In 2000, Acid released Burma's first hip-hop album, Beginning. Despite predictions of failure by many in the Burmese music industry, Beginning remained in the number one position of the Burmese charts for more than two months. A Democratic Voice of Burma reporter described the group's music as blending a "combative, angry style with indigenous poeticism".

The band's repertoire has been said to contain many "thinly veiled attacks" on Burma's military government, the State Peace and Development Council.The Independent stated that while the band "focused on the mundane, their lyrics inevitably touched on the hardships of life in Burma, drawing them into dangerous territory."

302 Acid

302 Acid is a music group from Washington, D.C., USA, formed by Doug Kallmeyer and Justin Mader in 2002. It currently includes Doug Kallmeyer (strings, samples, projections), Justin Mader (samples, projections).

Video projections are a component of their live performances, and their music has improvisatory elements. Notable in the sound is Kallmeyer's use of an electric double bass.

The group released an EP entitled Ailanthus Altissima on the Hackshop Records label in 2004, and subsequently a full-length album 302 acid0005 on the Nottingham-based Em:t Records label in 2005. The title of the latter release is in accord with em:t's naming conventions, but the work contained in the release is actually titled Even Calls. A limited CD-R of their performance at the Big Chill music festival was also released by Em:t. The group is currently working on a new album. The group has toured in the U.S., Canada, and the U.K., and has performed several live radio broadcasts.

The group took their name from an NFPA 704 hazard placard for hydrochloric acid that can be frequently seen when traveling the Washington Metro system.

Box office bomb

In the motion picture industry, a "box office bomb" or "box office flop" is a film that is viewed as highly unsuccessful or unprofitable during its theatrical run, sometimes preceding hype regarding its cost, production, or marketing efforts. Generally, any film for which the production and marketing costs exceed the combined revenue recovered after release is considered to have "bombed".

Gauging the financial success of a film is difficult, and because there is no reliable definition, what makes a "box-office bomb" can be very subjective. Not all films that fail to earn back their estimated costs during their theatrical runs are "bombs," and the label is generally applied to films that miss earnings projections by a wide margin, particularly when they are very expensive to produce, and sometimes in conjunction with middling or poor reviews (though critical reception has an imperfect connection to box office performance).

Causes of a film's failure

Negative word of mouth

Beginning in the 1980s, cinemas started to drop movies that suffered a poor opening weekend. This made the performance of a film on its opening weekend much more crucial to its perception. With the growth of the Internet during the 1990s, chat rooms and websites enabled negative word of mouth to spread rapidly.