- published: 25 Jul 2012
- views: 744728
Among the pieces of music with the title Symphony No. 2 are:
Number Two, No. 2, or similar may refer to:
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor.
D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings.
It is thus no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart (No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini (No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev (No. 1, 1917); Stravinsky (1931); and Korngold (1945).
It is appropriate for guitar music, with drop D tuning making two Ds available as open strings. For some beginning wind instrument students, however, D major is not a very suitable key, since it transposes to E major on B-flat wind instruments, and beginning methods generally tend to avoid keys with more than three sharps.
The Lucerne Festival is a summer music festival in Lucerne, Switzerland.It was founded in 1938 and, since 2004, it has taken place at the Lucerne Culture and Congress Centre designed by Jean Nouvel. The two resident ensembles of the festival are the Lucerne Festival Orchestra and the Lucerne Festival Strings, which had most recently been led by the Italian conductor Claudio Abbado until his death.In addition to the performances, the Lucerne Festival Academy was founded by the composer Pierre Boulez in 2004 to train young musicians in the performance of modern music.
The festival started as a series of concerts in the gardens of Wagner's villa conducted by Arturo Toscanini, who had formed an orchestra with members of different orchestras and soloists for the concert. With the rise of the Nazi regime several major performers and conductors, including Toscanini, Fritz Busch and Bruno Walter decided not to perform in the traditional German and Austrian music festivals such as the Bayreuth Festival and Salzburg festival. The Lucerne Festival in Switzerland was a good place for those who did not want to perform in Germany.
Classical music is art music produced or rooted in the traditions of Western music, including both liturgical (religious) and secular music. While a similar term is also used to refer to the period from 1750-1820 (the Classical period), this article is about the broad span of time from roughly the 11th century to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period. The major time divisions of classical music are as follows: the early music period, which includes the Medieval (500–1400) and the Renaissance (1400–1600) eras; the Common practice period, which includes the Baroque (1600–1750), Classical (1750–1820), and Romantic eras (1804–1910); and the 20th century (1901–2000) which includes the modern (1890–1930) that overlaps from the late 19th-century, the high modern (mid 20th-century), and contemporary or postmodern (1975–2015) eras.
Prom 9: Beethoven Cycle -- Symphonies Nos. 1 & 2 Beethoven - Symphony No. 2 in D major 1 - Adagio molto -- Allegro con brio 2 - Larghetto 3 - Scherzo: Allegro 4 - Allegro molto West--Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July 2012
Subscribe to our channel and be the first to see more classical concerts in HD! Rachmaninov: Symfonie no.2 op. 27 Radio Filharmonisch Orkest o.l.v. Eivind Gullberg Jensen Opname/recorded: 3 oktober 2010, in het Concertgebouw te Amsterdam. 1. Largo. Allegro moderato - 00:35 2. Scherzo (allegro molto) - 21:06 3. Adagio - 31:33 4. Allegro vivace - 47:00
Sir Georg Solti Chicago Symphony Orchestra Symphony No. 2 in D major, Op. 73, was composed by Johannes Brahms in the summer of 1877 during a visit to Pörtschach am Wörthersee, a town in the Austrian province of Carinthia. Its composition was brief in comparison with the fifteen years it took Brahms to complete his First Symphony. The symphony is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, and strings. The cheery and almost pastoral mood of the symphony often invite comparisons with Beethoven's Sixth Symphony. but, perhaps mischievously Brahms wrote to his publisher on November 22, 1877, that the symphony "is so melancholy that you will not be able to bear it. I have never written anything so sad, and the score must come out in mo...
Royal Concertgebouw Orchestra - Mariss Jansons, chief-conductor Ricarda Merbeth, soprano Bernarda Fink, mezzo soprano Netherlands Radio Choir, chief-conductor Celso Antunes
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor 1:18 I. Allegro maestoso (21:10) 22:26 II. Andante moderato (9:24) 32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18) 43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05) 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25) Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The e...
Komplette Symphonie Nr 2 Ludwig van Beethoven / Symphony Nr. 1 Komplett / The best of Classical Music BPanther und MemoMedia zeigen hier einen Experimentalfilm zur Musik von Beethoven. Die Musiklizenzen liegen bei MemoMedia ! Meine Facebook Seite : https://www.facebook.com/pages/BPanthers-Musicvideos/150607131802674 Mein Twitter Account : https://twitter.com/BPanthersMusicV
Faces of Classical Music http://facesofclassicalmusic.blogspot.com • More information: http://facesofclassicalmusic.blogspot.gr/2017/06/ludwig-van-beethoven-symphony-no2-in-d.html CHRISTIAN THIELEMANN CONDUCTS LUDWIG VAN BEETHOVEN Ludwig van Beethoven (1770-1827) ♪ Symphony No.2 in D major, Op.36 (1802) i. Adagio molto ii. Larghetto iii. Scherzo: Allegro iv. Allegro molto Wiener Philharmoniker Conductor: Christian Thielemann Wiener Musikverein, December 2008 (HD 1080p) Uploaded on Youtube for the Blog "Faces of Classical Music" More information: http://facesofclassicalmusic.blogspot.gr/2017/06/ludwig-van-beethoven-symphony-no2-in-d.html • Faces of Classical Music http://facesofclassicalmusic.blogspot.com
Faces of Classical Music http://facesofclassicalmusic.blogspot.gr/ • Gustav Mahler (1860-1911) Symphony No.2 in C minor, "Resurrection" Miah Persson, soprano Anna Larsson, mezzo-soprano National Youth Choir of Great Britain Simón Bolívar Symphony Orchestra of Venezuela Gustavo Dudamel Performed in the Royal Albert Hall for the BBC Proms 2011 (Full HD 1080p) • Faces of Classical Music http://facesofclassicalmusic.blogspot.gr/
Alexander Borodin (1833-1887), Россия - Symphony No. 2 in B minor (revised by N. Rimsky-Korsakov & A. Glazunov) I. Allegro II. Scherzo (Prestissimo) III. Andante IV. Finale (Allegro) L'Orchestre de la Suisse romande (Genève) Ernest Ansermet ----------------------
Honte à toi qui la première m'a appris la trahison,
Et d'horreur et de colère m'a fait perdre la raison,
Et d'horreur et de colère m'a fait perdre la raison.
Honte à toi femme à l'oeil sombre, dont les funestes amours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours.
C'est ta voix, c'est ton sourire, c'est ton regard corrupteur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur.
C'est ta jeunesse, c'est tes charmes qui m'ont fait desespérer,
Et si je doute des larmes c'est que je t'ai vu pleurer,
Et si je doute des larmes c'est que je t'ai vu pleurer.
Honte à toi, j'étais encore, aussi simple qu'un enfant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant.
Certes ce coeur sans défense, pu sans peine être abusé,
Mais lui laisser l'innocence etait encore plus aisé,
Mais lui laisser l'innocence etait encore plus aisé.
Honte à toi, qui fut la mer de mes premieres douleurs,
Et tu fis de ma paupiere jaillir la source des pleurs,
Et tu fis de ma paupiere jaillir la source des pleurs.
Elle coule sois en sûr et rien ne la tarira,
Elle sort d'une blessure qui jamais ne guerira,
Elle sort d'une blessure qui jamais ne guerira.
Mais dans cette source amere, du moins je me laverais,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré.