Shiri (film)

Shiri (Hangul: 쉬리; RR: Swiri) is a 1999 South Korean action film, written and directed by Kang Je-gyu.

Swiri was the first Hollywood-style big-budget blockbuster to be produced in the "new" Korean film industry (i.e. after Korea's major economic boom in late 1990s). Created as a deliberate homage to the "high-octane" action film made popular by Hollywood through 1980s, it also contained a story that draws on strong Korean national sentiment to fuel its drama. Much of the film's visual style shares that of the Asian action cinema, and particularly Hong Kong action cinema, of John Woo, Tsui Hark, Ringo Lam, and the relentless pace of the second unit directors, like Vic Armstrong and Guy Hamilton, in the James Bond films.

The movie was released under the name Shiri outside of South Korea; in Korea, the title was spelled Swiri. The name refers to Coreoleuciscus splendidus, a fish found in Korean fresh-water streams. At one point Park has a monologue wherein he describes how the waters from both North and South Korea flow freely together, and how the fish can be found in either water without knowing which it belongs to. This ties into the film's ambitions to be the first major-release film to directly address the still-thorny issue of Korean reunification.

Shiri

Shiri may refer to any of the following:

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.