Pierre Boulez

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Beethoven Conductor
Pierre Boulez
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Pierre Boulez
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Pierre Boulez Concerts

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Pierre Boulez - Dérive 2 (Proms 2012)

Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ...

published: 30 Oct 2012
views: 14320
author: Mandetriens

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W...

published: 30 Oct 2012
views: 5060
author: Mandetriens

BBC Proms Beethoven - Symphony No. 5 & 6 2012

Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40...

published: 29 Sep 2013
views: 2082
author: 2013brb87

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・...

published: 03 May 2013
views: 868
author: tarogogo

Debussy La Mer New York Philharmonic Pierre Boulez

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.

published: 02 Oct 2014
views: 33718

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

published: 17 Nov 2011
views: 1022
author: IsaacNewton1112

Pierre Boulez conducts Anton Webern

Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...

published: 04 Apr 2014
views: 477
author: Classical Music11

Zimerman Beirnstein play Beethoven 5th concertocomplete

Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle...

published: 25 May 2012
views: 621
author: HussarenUndUlanen

Overture to Egmont (Salmon Del Real)

Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http...

published: 30 Mar 2012
views: 1172
author: Miguel Salmon Del Real

Medici.tv - Happy Birthday Pierre Boulez!

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th birthday with concerts and documentaries in video: http://bit.ly/1HvavPK Stravinsky, Firebird Orchestre de Paris Pierre Boulez conductor © MUSEEC / Medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.

published: 24 Mar 2015
views: 17

Boulez: Notation II / Boulez · Berliner Philharmoniker

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009 The Berliner Philharmoniker's Digital Concert Hall: http://dch.berliner-philharmoniker.de Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

published: 22 Sep 2009
views: 53154

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed...

published: 10 Apr 2012
views: 2643
author: Miguel Salmon Del Real

Pierre Boulez (French pronunciation: [pjɛʁ bu.lɛːz]) (born 26 March 1925) is a French composer of contemporary classical music, a pianist, and a conductor.

Boulez was born in Montbrison, Loire, France. As a child he began piano lessons and demonstrated aptitude in both music and mathematics. He pursued the latter at Lyon before pursuing music at the Paris Conservatoire under Olivier Messiaen and the wife of Arthur Honegger, Andrée Vaurabourg.

Through Messiaen, Boulez discovered twelve-tone technique — which he would later study privately with René Leibowitz — and went on to write atonal music in a post-Webernian serial style. Boulez was initially part of a cadre of early supporters of Leibowitz, but due to an altercation with Leibowitz, their relations turned divisive, as Boulez spent much of his career promoting the music of Messiaen instead.

The first fruits of this were his cantatas Le visage nuptial and Le soleil des eaux for female voices and orchestra, both composed in the late 1940s and revised several times since, as well as the Second Piano Sonata of 1948, a well-received 32-minute work that Boulez composed at the age of 23. Thereafter, Boulez was influenced by Messiaen's research to extend twelve-tone technique beyond the realm of pitch organization, serialising durations, dynamics, mode of attack, and so on. This technique became known as integral serialism.

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This page contains text from Wikipedia, the Free Encyclopedia - http://en.wikipedia.org/wiki/Pierre_Boulez

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48:50

Pierre Boulez - Dérive 2 (Proms 2012)

Pierre Boulez - Dérive 2 (Proms 2012)

Pierre Boulez - Dérive 2 (Proms 2012)
Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ...
19:18

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)
Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W...
121:39

BBC Proms Beethoven - Symphony No. 5 & 6 2012

BBC Proms Beethoven - Symphony No. 5 & 6 2012

BBC Proms Beethoven - Symphony No. 5 & 6 2012
Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40...
43:23

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975
Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・...
24:37

Debussy La Mer New York Philharmonic Pierre Boulez

Debussy La Mer New York Philharmonic Pierre Boulez

Debussy La Mer New York Philharmonic Pierre Boulez
The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.
12:43

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez
66:45

Pierre Boulez conducts Anton Webern

Pierre Boulez conducts Anton Webern

Pierre Boulez conducts Anton Webern
Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...
41:26

Zimerman Beirnstein play Beethoven 5th concertocomplete

Zimerman Beirnstein play Beethoven 5th concertocomplete

Zimerman Beirnstein play Beethoven 5th concertocomplete
Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle...
9:23

Overture to Egmont (Salmon Del Real)

Overture to Egmont (Salmon Del Real)

Overture to Egmont (Salmon Del Real)
Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http...
0:49

Medici.tv - Happy Birthday Pierre Boulez!

Medici.tv - Happy Birthday Pierre Boulez!

Medici.tv - Happy Birthday Pierre Boulez!
Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th birthday with concerts and documentaries in video: http://bit.ly/1HvavPK Stravinsky, Firebird Orchestre de Paris Pierre Boulez conductor © MUSEEC / Medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
2:06

Boulez: Notation II / Boulez · Berliner Philharmoniker

Boulez: Notation II / Boulez · Berliner Philharmoniker

Boulez: Notation II / Boulez · Berliner Philharmoniker
Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009 The Berliner Philharmoniker's Digital Concert Hall: http://dch.berliner-philharmoniker.de Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de
5:55

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.
Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed...
37:34

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video
HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano Concerto # 3 in C major with The Bavarian Radio Symphony Orchestra...
3:38

Pierre Boulez- Emotion & Analysis

Pierre Boulez- Emotion & Analysis

Pierre Boulez- Emotion & Analysis
In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive edition consisting of 10 DVDs, which will revolve around the most important milestones in the incredible career of the great conductor and composer. The booklet will have a considerable amount of 68 pages. Including nine legendary concert recordings from 1974 until 2009, featuring the Berliner Philharmoniker, the Staatskapelle Berlin, the Lucerne Festival Academy Orchestra, the Wiener Philharmoniker, the Orchestre de Paris, and naturally „his very own “Chicago Symphony Orchestra. Also featuring universally- known soloists such as Diana Damrau, Maria João

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Baltic states
Bayreuth Festival
Collège de France
Denmark
Deutsche Grammophon
IRCAM
Israel
Lucerne Festival
Lyon
Royal Albert Hall
Royal Opera House
Theater an der Wien
Yale University

Boulez, Pierre Filmography

Play in Full Screen Music in the Air: A History of Classic Music on Television

2012, role: actor , character name: Himself
Play in Full Screen For Art's Sake: The Story of Ballets Russes

2009, role: actor , character name: Himself - Composer and Conductor
Play in Full Screen Karlheinz Stockhausen - Musik für eine neue Welt

2009, role: actor , character name: Himself
Play in Full Screen De la maison des morts

2008, role: actor , character name: Himself - Conductor
Play in Full Screen Betty Freeman: A Life for the Unknown

2005, role: actor , character name: Conductor
Play in Full Screen A Labyrinth of Time

2004, role: actor , character name: Himself - composer
Play in Full Screen Frank Zappa: Phase II - The Big Note

2002, role: actor , character name: Himself
Play in Full Screen Multiple Identities: Encounters with Daniel Barenboim

2002, role: actor
Play in Full Screen Jean Genet, le vagabond: Jean Genet, l'écrivain

1996, role: actor , character name: Himself
Play in Full Screen Claudio Abbado: The Silence That Follows the Music

1996, role: actor , character name: Conductor
Play in Full Screen Eclat

1993, role: actor , character name: Himself
Play in Full Screen Opus 20 Modern Masterworks: Olivier Messiaen

1992, role: actor , character name: Conductor
Play in Full Screen Opus 20 Modern Masterworks: Edgard Varèse

1992, role: actor , character name: Conductor
Play in Full Screen Peefeeyatko

1991, role: actor , character name: Himself
Play in Full Screen Le grand escalator

1987, role: actor , character name: Himself
Play in Full Screen The Making of 'The Ring'

1983, role: actor , character name: Himself
Play in Full Screen Jean-Louis Barrault, un homme de théâtre

1983, role: composer
Play in Full Screen Jean-Louis Barrault, un homme de théâtre

1983, role: actor , character name: Himself
Play in Full Screen Sept sur sept

1971, role: actor , character name: Himself
Play in Full Screen Sounds of Summer: The Blossom Music Center with Pierre Boulez

1969, role: actor , character name: Himself - Conductor, Cleveland Orchestra
Play in Full Screen Le soleil des eaux

1969, role: composer
Play in Full Screen A Stravinsky Portrait

1966, role: actor , character name: Himself

Famous quotes by Pierre Boulez:

"Revolutions are celebrated when they are no longer dangerous."

"The aim of music is not to express feelings but to express music. It is not a vessel into which the composer distills his soul drop by drop, but a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal."

Pierre Boulez

ALBUMS

Œuvres complètes - Complete Works released: 2013
Boulez Conducts Mahler; Complete Recordings released: 2013
Solo Violin Works released: 2012
New Directions in Music released: 2010
Wozzeck released: 2009
Mozart: "Gran Partita" / Berg: Kammerkonzert released: 2008
Symphony No. 2 in C minor released: 2006
The Three Piano Sonatas released: 2005
Pli Selon Pli / Le Visage Nuptial / Le Soleil des eaux / Figures, Doubles, Prismes (BBC Symphony Orchestra feat. conductor: Pierre Boulez) released: 2005
Le marteau sans maître / Dérive 1 & 2 (Ensemble Intercontemporain feat. conductor: Pierre Boulez) released: 2005
The Piano Concertos released: 2005
...explosante-fixe... (Ensemble Intercontemporain feat. conductor: Pierre Boulez) released: 2005
Rituel in memoriam Bruno Maderna; Notations released: 2003
Symphony No. 3 released: 2003
Scenes From Goethe's Faust released: 2002
Pli selon Pli (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer) released: 2002
Das Lied von der Erde released: 2001
Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata released: 2001
Symphony No. 4 released: 2000
Symphony No. 8 in C minor released: 2000
Sur Incises / Messagesquisse / Anthèmes 2 (Ensemble Intercontemporain feat. conductor Pierre Boulez) released: 2000
Concerto for Orchestra / Four Orchestral Pieces released: 1999
Le Poème de l’extase / Piano Concerto / Prométhée released: 1999
Bluebeard's Castle released: 1998
Symphonie Fantastique / Tristia released: 1997
Moses und Aron released: 1996
Répons / Dialogue de l'ombre double (Ensemble Intercontemporain feat. conductor: Pierre Boulez) released: 1996
Boulez Conducts Bartók - Debussy - Ravel - Stravinsky - Webern released: 1995
Stravinsky: Pétrouchka, Le Sacre du Printemps released: 1995
Piano Sonatas nos. 1 - 3 released: 1995
Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, Op. 27 / Boulez: Sonate No. 2 released: 1995
Boulez Conducts Ligeti: Concertos for Cello / Violin / Piano released: 1994
Boléro / Ma mère l'oye / Rapsodie espagnole / Alborada del Gracioso released: 1994
L'Oiseau de feu / Feu d'artifice / Quatre Etudes pour orchestre released: 1993
Götterdämmerung released: 1992
Rituel / Éclat / Multiples released: 1991
Sonate pour piano n°1 - Sonatine (BBC Singers, Ensemble InterContemporain feat. director: Pierre Boulez) released: 1991
Le Marteau sans maître / Notations for Piano / Structures pour deux pianos, livre II released: 1989
Trois sonates pour piano released: 1986
The Miraculous Mandarin released: 1977
Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II released: 1971
Boulez: Le marteau sans Maître / Sonatine / Messiaen: 7 Haïkaï (feat. conductor: Pierre Boulez) released: 1964
Symphony no. 3 released:
Pierrot Lunaire / Melodrama, Op. 21 released:
Domaines released:
Boulez Conducts released:
Pli Selon Pli released:
La Mer / Prélude à l'après-midi d'une faune / Jeux released:

play album in full screen add album to playlist

Œuvres complètes - Complete Works

Released 2013

add to main playlist Play in Full Screen Notations: I. Fantasque - Modéré
add to main playlist Play in Full Screen Notations: II. Très vif
add to main playlist Play in Full Screen Notations: III. Assez lent
add to main playlist Play in Full Screen Notations: IV. Rythmique
add to main playlist Play in Full Screen Notations: V. Doux et improvisé
add to main playlist Play in Full Screen Notations: VI. Rapide
add to main playlist Play in Full Screen Notations: VII. Hiératique
add to main playlist Play in Full Screen Notations: VIII. Modéré jusqu'à très vif
add to main playlist Play in Full Screen Notations: IX. Lointain - Calme
add to main playlist Play in Full Screen Notations: X. Mécanique er très sec
add to main playlist Play in Full Screen Notations: XI. Scintillant
add to main playlist Play in Full Screen Notations: XII. Lent - Puissant et âpre
add to main playlist Play in Full Screen Sonatine, pour flûte et piano
add to main playlist Play in Full Screen Première Sonate: I. Lent
add to main playlist Play in Full Screen Première Sonate: II. Assez large
add to main playlist Play in Full Screen Le visage nuptial, 3ème version: Conduite
add to main playlist Play in Full Screen Le visage nuptial, 3ème version: Gravité (L'emmuré)
add to main playlist Play in Full Screen Le visage nuptial, 3ème version: Le visage nuptial
add to main playlist Play in Full Screen Le visage nuptial, 3ème version: Evadné
add to main playlist Play in Full Screen Le visage nuptial, 3ème version: Post-Scriptum

play album in full screen add album to playlist

Boulez Conducts Mahler; Complete Recordings

Released 2013

add to main playlist Play in Full Screen Symphony No.1 in D; Langsam. Schleppend
add to main playlist Play in Full Screen Symphony No.1 in D; Kräftig bewegt
add to main playlist Play in Full Screen Symphony No.1 in D; 3. Feierlich und gemessen, ohne zu schleppen
add to main playlist Play in Full Screen Symphony No.1 in D; 4. Stürmisch bewegt
add to main playlist Play in Full Screen Symphony No.2 in C minor 'Resurrection'; Totenfeier

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Solo Violin Works

Released 2012

add to main playlist Play in Full Screen Sequenza VIII
add to main playlist Play in Full Screen À Paganini
add to main playlist Play in Full Screen Anthemes

play album in full screen add album to playlist

New Directions in Music

Released 2010

add to main playlist Play in Full Screen Etude Concrete
add to main playlist Play in Full Screen Nr 5 Zeitmasse (Time-measures) foor five woodwinds
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): Avant "L'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): Commentaire I de "Bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): "L'artisanat furieux" (text by Rene Char)
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): Commentaire Il de "Borreaux de solitude"
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): "Bel edifice et les pressentiments", version premiere (text by Rene Char)
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): "Borreaux de solitude" (text by Rene Char)
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): Apres "L'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): Commentaire Ill de "Bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau Sans Maitre (The Hammer Without a Master): "Bel edifice et les pressentiments", double (text by Rene Char)
add to main playlist Play in Full Screen Klavierstuck XI: XI/1
add to main playlist Play in Full Screen Klavierstuck XI: XI/2
add to main playlist Play in Full Screen Klavierstuck XI: XI/3
add to main playlist Play in Full Screen Klavierstuck XI: XI/4

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Wozzeck

Released 2009

add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 1. "Langsam, Wozzeck, langsam!"
add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 2. "Du, der Platz ist verflucht!"
add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 3. "Tschin Bum, Tschin Bum, Bum, Bum, Bum!"
add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 4. "Was erleb'ich, Wozzeck?"
add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 5. "Geh'einmal vor Dich hin!"

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Mozart: "Gran Partita" / Berg: Kammerkonzert

Released 2008

add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: I. Largo - Allegro molto
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: II. Menuetto (Allegretto) - Trio I-II
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: III. Adagio
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: IV. Menuetto (Allegretto) - Trio I-II
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: V. Romanze: Adagio - Allegretto
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: VI. Tema con Variazioni: Andante
add to main playlist Play in Full Screen Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: VII. Rondo: Allegro molto
add to main playlist Play in Full Screen Chamber concerto for piano, violin and 13 wind instruments: I. Thema scherzoso con variazioni
add to main playlist Play in Full Screen Chamber concerto for piano, violin and 13 wind instruments: II. Adagio
add to main playlist Play in Full Screen Chamber concerto for piano, violin and 13 wind instruments: III. Rondo ritmico con introduzione

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Symphony No. 2 in C minor

Released 2006

add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
add to main playlist Play in Full Screen Symphony No. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich aber schlicht
add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": V. Im tempo des Scherzo - Langsam misterioso

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The Three Piano Sonatas

Released 2005

add to main playlist Play in Full Screen Premiére Sonate pour piano: Lent
add to main playlist Play in Full Screen Premiére Sonate pour piano: Assez large
add to main playlist Play in Full Screen Deuxiéme Sonate pour piano: Extrêmement rapide
add to main playlist Play in Full Screen Deuxiéme Sonate pour piano: Lent
add to main playlist Play in Full Screen Deuxiéme Sonate pour piano: Modéré, presque vif
add to main playlist Play in Full Screen Deuxiéme Sonate pour piano: Très librement, avec de brusques oppositions de mouvement et de nuances
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 2, Trope - Parenthèse
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 2, Trope - Glose
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 2, Trope - Commentaire
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 2, Trope - Text
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Mélange points et blocs
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 3
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Blocs II
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 2
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Blocs I
add to main playlist Play in Full Screen Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 1

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Pli Selon Pli / Le Visage Nuptial / Le Soleil des eaux / Figures, Doubles, Prismes (BBC Symphony Orchestra feat. conductor: Pierre Boulez)

Released 2005

add to main playlist Play in Full Screen Pli selon pli: Don
add to main playlist Play in Full Screen Pli selon pli: Improvisation I.Sur Mallarmé
add to main playlist Play in Full Screen Pli selon pli: Improvisation: II.Sur Mallarmé
add to main playlist Play in Full Screen Pli selon pli: Improvisation: III.Sur Mallarmé
add to main playlist Play in Full Screen Pli selon pli: Tombeau

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Le marteau sans maître / Dérive 1 & 2 (Ensemble Intercontemporain feat. conductor: Pierre Boulez)

Released 2005

add to main playlist Play in Full Screen Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide
add to main playlist Play in Full Screen Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent
add to main playlist Play in Full Screen Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer
add to main playlist Play in Full Screen Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide
add to main playlist Play in Full Screen Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif
add to main playlist Play in Full Screen Le marteau sans maître: VI. Bourreaux de solitude. Assez lent
add to main playlist Play in Full Screen Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide
add to main playlist Play in Full Screen Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent
add to main playlist Play in Full Screen Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit
add to main playlist Play in Full Screen Dérive 1
add to main playlist Play in Full Screen Dérive 2

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The Piano Concertos

Released 2005

add to main playlist Play in Full Screen Piano Concerto No. 1: I. Allegro moderato - Allegro
add to main playlist Play in Full Screen Piano Concerto No. 1: II. Andante -
add to main playlist Play in Full Screen Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto
add to main playlist Play in Full Screen Piano Concerto No. 2: I. Allegro
add to main playlist Play in Full Screen Piano Concerto No. 2: II. Adagio - Presto - Adagio
add to main playlist Play in Full Screen Piano Concerto No. 2: III. Allegro molto
add to main playlist Play in Full Screen Piano Concerto No. 3: I. Allegretto
add to main playlist Play in Full Screen Piano Concerto No. 3: II. Adagio religioso
add to main playlist Play in Full Screen Piano Concerto No. 3: III. Allegro vivace

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...explosante-fixe... (Ensemble Intercontemporain feat. conductor: Pierre Boulez)

Released 2005

add to main playlist Play in Full Screen Notations: I. Fantasque - Modéré
add to main playlist Play in Full Screen Notations: II. Très vif
add to main playlist Play in Full Screen Notations: III. Assez lent
add to main playlist Play in Full Screen Notations: IV. Rythmique
add to main playlist Play in Full Screen Notations: V. Doux et improvisé
add to main playlist Play in Full Screen Notations: VI. Rapide
add to main playlist Play in Full Screen Notations: VII. Hiératique
add to main playlist Play in Full Screen Notations: VIII. Modéré jusqu'à très vif
add to main playlist Play in Full Screen Notations: IX. Lointain - Calme
add to main playlist Play in Full Screen Notations: X. Mécanique er très sec
add to main playlist Play in Full Screen Notations: XI. Scintillant
add to main playlist Play in Full Screen Notations: XII. Lent - Puissant et âpre
add to main playlist Play in Full Screen Structures pour deux pianos: Chapitre I
add to main playlist Play in Full Screen Structures pour deux pianos: Chapitre II (Pièces 1-2, Encarts 1-4, Textes 1-6)
add to main playlist Play in Full Screen ...explosante-fixe...

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Rituel in memoriam Bruno Maderna; Notations

Released 2003

add to main playlist Play in Full Screen Rituel in memoriam Maderna 1974-1975 pour orchestre en huit groupes
add to main playlist Play in Full Screen Notations I 1980
add to main playlist Play in Full Screen Notations VII 1980
add to main playlist Play in Full Screen Notations IV 1980
add to main playlist Play in Full Screen Notations III 1980
add to main playlist Play in Full Screen Notations II 1980
add to main playlist Play in Full Screen Figures-Doubles-Prismes 1963-1968

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Symphony No. 3

Released 2003

add to main playlist Play in Full Screen Symphonie no. 3: I. Kräftig. Entscheiden
add to main playlist Play in Full Screen Symphonie no. 3: II. Tempo Di Minuetto. Sehr Mäßig
add to main playlist Play in Full Screen Symphonie no. 3: III. Comodo. Scherzando. Ohne Hast

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Scenes From Goethe's Faust

Released 2002

add to main playlist Play in Full Screen Overture
add to main playlist Play in Full Screen Part I: Garden Scene - Du kanntest mich, o kleiner Engel, wieder
add to main playlist Play in Full Screen Part I: Gretchen in Front of the Image of the Mater Dolorosa - Ach neige, Du Schmerzensreiche
add to main playlist Play in Full Screen Part I: Cathedral Scene - Wie anders, Gretchen, war dir's
add to main playlist Play in Full Screen Part II: Ariel. Sunrise - Die ihr dies Haupt umschwebt im luft'gen Kreise
add to main playlist Play in Full Screen Part II: Midnight - Ich heiße der Mangel
add to main playlist Play in Full Screen Part II: Faust's Death - Herbei, herbei! Herein, herein!

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Pli selon Pli (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer)

Released 2002

add to main playlist Play in Full Screen Pli selon Pli: I. Don [du poème]: "Je t'apporte l'enfant d'une nuit d'Idumée!"
add to main playlist Play in Full Screen Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui"
add to main playlist Play in Full Screen Pli selon Pli: III. Improvisation sur Mallarmé II: "Une dentelle s'abolit"
add to main playlist Play in Full Screen Pli selon Pli: IV. Improvisation sur Mallarmé III: "À la nue accablante tu"
add to main playlist Play in Full Screen Pli selon Pli: V. Tombeau: "Un peu profond ruisseau calomnié la mort"

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Das Lied von der Erde

Released 2001

add to main playlist Play in Full Screen Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsam im Herbst
add to main playlist Play in Full Screen Das Lied von der Erde: III. Von der Jugend
add to main playlist Play in Full Screen Das Lied von der Erde: IV. Von der Schonheit
add to main playlist Play in Full Screen Das Lied von der Erde: V. Der Trunkene um Fruhling
add to main playlist Play in Full Screen Das Lied von der Erde: VI. Der Abschied

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Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata

Released 2001

add to main playlist Play in Full Screen Piano Concerto, Op. 42: I. Andante
add to main playlist Play in Full Screen Piano Concerto, Op. 42: II. Molto allegro
add to main playlist Play in Full Screen Piano Concerto, Op. 42: III. Adagio
add to main playlist Play in Full Screen Piano Concerto, Op. 42: IV. Giocoso
add to main playlist Play in Full Screen Variations, Op. 27: I. Sehr mäßige
add to main playlist Play in Full Screen Variations, Op. 27: II. Sehr schnell
add to main playlist Play in Full Screen Variations, Op. 27: III. Ruhig fließend
add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: I. Mäßig
add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: II. Mäßig
add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: III. Bewegt
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: I. Leicht, Zart
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: II. Langsam
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: III. Sehr langsam
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: V. Etwas rasch
add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: VI. Sehr langsam
add to main playlist Play in Full Screen Piano Sonata, Op. 1

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Symphony No. 4

Released 2000

add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig. Nicht eilen - recht gemachlich
add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher bewegung. Ohne hast
add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich. "Wir geniessen die himmlischen Freuden"

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Symphony No. 8 in C minor

Released 2000

add to main playlist Play in Full Screen Symphony No. 8 in C minor: I. Allegro moderato
add to main playlist Play in Full Screen Symphony No. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam - Scherzo da capo
add to main playlist Play in Full Screen Symphony No. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend
add to main playlist Play in Full Screen Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell

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Sur Incises / Messagesquisse / Anthèmes 2 (Ensemble Intercontemporain feat. conductor Pierre Boulez)

Released 2000

add to main playlist Play in Full Screen Sur Incises: Moment I
add to main playlist Play in Full Screen Sur Incises: Moment II
add to main playlist Play in Full Screen Messagesquisse: Très lent
add to main playlist Play in Full Screen Messagesquisse: Très rapide
add to main playlist Play in Full Screen Messagesquisse: Sans tempo, libre
add to main playlist Play in Full Screen Messagesquisse: Aussi rapide que possible
add to main playlist Play in Full Screen Anthèmes 2: Libre
add to main playlist Play in Full Screen Anthèmes 2: I. Très lent, avec beaucoup de flexibilité. Libre
add to main playlist Play in Full Screen Anthèmes 2: II. Rapide, dynamique, très rythmique, rigide. Libre
add to main playlist Play in Full Screen Anthèmes 2: III. Lent, régulier. Nerveux, irrégulier. Libre
add to main playlist Play in Full Screen Anthèmes 2: IV. Agité, instable. Libre
add to main playlist Play in Full Screen Anthèmes 2: V. Très lent, avec beaucoup de flexibilité. Subitement nerveux et extrêmement irrégulier. Libre
add to main playlist Play in Full Screen Anthèmes 2: VI. 1. Allant, assez serré dans le tempo
add to main playlist Play in Full Screen Anthèmes 2: VI. 2. Calme, régulier. Agité. Brusque
add to main playlist Play in Full Screen Anthèmes 2: VI. 3. Calme, sans traîner, d'un mouvement très régulier. Libre

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Concerto for Orchestra / Four Orchestral Pieces

Released 1999

add to main playlist Play in Full Screen Four Orchestral Pieces, Op. 12, Sz. 51: I. Preludio. Moderato
add to main playlist Play in Full Screen Four Orchestral Pieces, Op. 12, Sz. 51: II. Scherzo. Allegro
add to main playlist Play in Full Screen Four Orchestral Pieces, Op. 12, Sz. 51: III. Intermezzo. Moderato
add to main playlist Play in Full Screen Four Orchestral Pieces, Op. 12, Sz. 51: IV. Marcia funebre. Maestoso
add to main playlist Play in Full Screen Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I
add to main playlist Play in Full Screen Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando
add to main playlist Play in Full Screen Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
add to main playlist Play in Full Screen Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
add to main playlist Play in Full Screen Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto

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Le Poème de l’extase / Piano Concerto / Prométhée

Released 1999

add to main playlist Play in Full Screen Le Poème de l’extase, op. 54
add to main playlist Play in Full Screen Concerto for Piano and Orchestra in F-sharp minor, op. 20: I. Allegro
add to main playlist Play in Full Screen Concerto for Piano and Orchestra in F-sharp minor, op. 20: II. Andante
add to main playlist Play in Full Screen Concerto for Piano and Orchestra in F-sharp minor, op. 20: III. Allegro moderato
add to main playlist Play in Full Screen Prométhée. Le Poème du Feu, op. 60

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Bluebeard's Castle

Released 1998

add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Prologue - Opening Scene. "Megérkeztünk"
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): "Ez a Kékszakállú véra?" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): "Nagy csukott ajtókat" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 6. "Csendes fehér tavat látok" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): "Az utolsót nem nyitom ki" (Bluebeard)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): "Tudom, tudom, Kékszakállú" (Judith)
add to main playlist Play in Full Screen Bluebeard's Castle, Sz. 48 (Op.11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard)

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Symphonie Fantastique / Tristia

Released 1997

add to main playlist Play in Full Screen Symphonie Fantastique, op. 14: I. Rêveries-Passions
add to main playlist Play in Full Screen Symphonie Fantastique, op. 14: II. Un Bal
add to main playlist Play in Full Screen Symphonie Fantastique, op. 14: III. Scène aux Champs
add to main playlist Play in Full Screen Symphonie Fantastique, op. 14: IV. Marche au Supplice
add to main playlist Play in Full Screen Symphonie Fantastique, op. 14: V. Songe d'une Nuit du Sabbat
add to main playlist Play in Full Screen Tristia, op. 18: I. Méditation Religieuse: Ce Monde Entier
add to main playlist Play in Full Screen Tristia, op. 18: II. La Mort d'Ophélie: Aupres d'un Torent
add to main playlist Play in Full Screen Tristia, op. 18: III. Marche Funèbre Pour la Dernière Scène d'Hamlet

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Moses und Aron

Released 1996

add to main playlist Play in Full Screen Moses und Aron: Introduction: Sehr langsam
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 1. "Einziger, ewiger, allgegenwärtiger"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 2. "Du Sohn meiner Väter"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 3. "Ich hab' ihn gesehn"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Bringt ihr Erhörung"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Der Einzige, Ewige, Allmächtige"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Schließet die Augen"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Allmächtiger, meine Kraft ist zu Ende"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Ein Wunder erfüllt uns mit Schrecken"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Dein Stab zwingt uns"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Alles für die Freiheit"
add to main playlist Play in Full Screen Moses und Aron: Act I, Scene 4. "Er hat uns auserwählt"

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Répons / Dialogue de l'ombre double (Ensemble Intercontemporain feat. conductor: Pierre Boulez)

Released 1996

add to main playlist Play in Full Screen Répons: I. Introduction
add to main playlist Play in Full Screen Répons: II. Section 1
add to main playlist Play in Full Screen Répons: III. Section 2
add to main playlist Play in Full Screen Répons: IV. Section 3
add to main playlist Play in Full Screen Répons: V. Section 4
add to main playlist Play in Full Screen Répons: VI. Section 5
add to main playlist Play in Full Screen Répons: VII. Section 6
add to main playlist Play in Full Screen Répons: VIII. Section 7
add to main playlist Play in Full Screen Répons: IX. Section 8
add to main playlist Play in Full Screen Répons: X. Coda
add to main playlist Play in Full Screen Dialogue de l'ombre double: I. Sigle initial
add to main playlist Play in Full Screen Dialogue de l'ombre double: II. Strophe 1
add to main playlist Play in Full Screen Dialogue de l'ombre double: III. Transition 1 & II
add to main playlist Play in Full Screen Dialogue de l'ombre double: IV. Strophe II
add to main playlist Play in Full Screen Dialogue de l'ombre double: V. Transition II & III
add to main playlist Play in Full Screen Dialogue de l'ombre double: VI. Strophe III
add to main playlist Play in Full Screen Dialogue de l'ombre double: VII. Transition III & IV
add to main playlist Play in Full Screen Dialogue de l'ombre double: VIII. Strophe IV
add to main playlist Play in Full Screen Dialogue de l'ombre double: IX. Transition IV & V
add to main playlist Play in Full Screen Dialogue de l'ombre double: X. Strophe V
add to main playlist Play in Full Screen Dialogue de l'ombre double: XI. Transition V & VI
add to main playlist Play in Full Screen Dialogue de l'ombre double: XII. Strophe VI
add to main playlist Play in Full Screen Dialogue de l'ombre double: XIII. Sigle Final

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Boulez Conducts Bartók - Debussy - Ravel - Stravinsky - Webern

Released 1995

add to main playlist Play in Full Screen Prélude à l'après-midi d'un faune
add to main playlist Play in Full Screen Nocturnes: Fêtes
add to main playlist Play in Full Screen Magyar képek, Sz. 97: I. Este a székelyeknél
add to main playlist Play in Full Screen Magyar képek, Sz. 97: II. Medvetán
add to main playlist Play in Full Screen Magyar képek, Sz. 97: III. Melódia
add to main playlist Play in Full Screen Magyar képek, Sz. 97: IV. Kicsit ázottan
add to main playlist Play in Full Screen Magyar képek, Sz. 97: V. Ürögi kanásztánc
add to main playlist Play in Full Screen Concerto op. 24: I. Etwas lebhaft
add to main playlist Play in Full Screen Concerto op. 24: II. Sehr langsam
add to main playlist Play in Full Screen Concerto op. 24: III. Sehr rasch
add to main playlist Play in Full Screen Alborada del Gracioso: Assez vif
add to main playlist Play in Full Screen Pétrouchka: Premier tableau
add to main playlist Play in Full Screen Pétrouchka: Second tableau
add to main playlist Play in Full Screen Pétrouchka: Troisième tableau
add to main playlist Play in Full Screen Pétrouchka: Quatrième tableau

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Stravinsky: Pétrouchka, Le Sacre du Printemps

Released 1995

add to main playlist Play in Full Screen PETRUSHKA - The Shrove-Tide Fair
add to main playlist Play in Full Screen The Charlatan's Booth
add to main playlist Play in Full Screen Russian Dance
add to main playlist Play in Full Screen Petrushka's Room
add to main playlist Play in Full Screen The Moor's Room
add to main playlist Play in Full Screen Dance of the Ballerina
add to main playlist Play in Full Screen Waltz: The Ballerina and the Moor
add to main playlist Play in Full Screen Dance of the Wet-Nurses
add to main playlist Play in Full Screen The Bear and the Peasant
add to main playlist Play in Full Screen The Jovial Merhant with Two Gypsy Girls
add to main playlist Play in Full Screen Dance of the Coachmen and Grooms
add to main playlist Play in Full Screen The Masqueraders
add to main playlist Play in Full Screen The Fight: The Moor and Petrushka
add to main playlist Play in Full Screen Death of Petrushka
add to main playlist Play in Full Screen Apparition of Petrushka's Double
add to main playlist Play in Full Screen THE RITE OF SPRING - Introduction
add to main playlist Play in Full Screen The Augurs of Spring
add to main playlist Play in Full Screen Mock Abduction
add to main playlist Play in Full Screen Spring Round Dances
add to main playlist Play in Full Screen Games of the Rival Tribes
add to main playlist Play in Full Screen Procession of the Wise Elder
add to main playlist Play in Full Screen Adoration of the Earth
add to main playlist Play in Full Screen Dance of the Earth
add to main playlist Play in Full Screen The Sacrifice: Introduction
add to main playlist Play in Full Screen Mystical Circles of the Young Girls
add to main playlist Play in Full Screen Glorification of the Chosen Victim
add to main playlist Play in Full Screen Summoning of the Ancestors
add to main playlist Play in Full Screen Ritual of the Ancestors
add to main playlist Play in Full Screen Sacrificial Dance (The Chosen Victim)

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Piano Sonatas nos. 1 - 3

Released 1995

add to main playlist Play in Full Screen Première Sonate: Lent - Beaucoup plus allant
add to main playlist Play in Full Screen Première Sonate: Assez large - Rapide
add to main playlist Play in Full Screen Deuxième Sonate: Extrêmement rapide - Encore plus vif
add to main playlist Play in Full Screen Deuxième Sonate: Lent
add to main playlist Play in Full Screen Deuxième Sonate: Modéré, presque vif
add to main playlist Play in Full Screen Deuxième Sonate: Vif - Très modéré... Très librement...
add to main playlist Play in Full Screen Troisième Sonate: Formant 2: Trope: Glose
add to main playlist Play in Full Screen Troisième Sonate: Formant 2: Trope: Texte
add to main playlist Play in Full Screen Troisième Sonate: Formant 2: Trope: Parenthèse
add to main playlist Play in Full Screen Troisième Sonate: Formant 2: Trope: Commentaire
add to main playlist Play in Full Screen Troisième Sonate: Formant 3: Constellation - Miroir

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Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, Op. 27 / Boulez: Sonate No. 2

Released 1995

add to main playlist Play in Full Screen Three Movements from "Pétrouchka": I. Danse russe. Allegro guisto
add to main playlist Play in Full Screen Three Movements from "Pétrouchka": II. Chez Petrouchka
add to main playlist Play in Full Screen Three Movements from "Pétrouchka": III. La semaine grasse. Con moto - Allegretto - Tempo giusto - Agitato
add to main playlist Play in Full Screen Piano Sonata No. 7 in B-flat major, Op. 83: I. Allegro inquieto - Andantino
add to main playlist Play in Full Screen Piano Sonata No. 7 in B-flat major, Op. 83: II. Andante caloroso
add to main playlist Play in Full Screen Piano Sonata No. 7 in B-flat major, Op. 83: III. Precipitato
add to main playlist Play in Full Screen Variations for Piano, Op. 27: I. Sehr mäßig
add to main playlist Play in Full Screen Variations for Piano, Op. 27: II. Sehr schnell
add to main playlist Play in Full Screen Variations for Piano, Op. 27: III. Ruhig fließend
add to main playlist Play in Full Screen Second sonata for Piano: I. Extrêmement rapide
add to main playlist Play in Full Screen Second sonata for Piano: II. Lent
add to main playlist Play in Full Screen Second sonata for Piano: III. Modéré, presque vif
add to main playlist Play in Full Screen Second sonata for Piano: IV. Vif

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Boulez Conducts Ligeti: Concertos for Cello / Violin / Piano

Released 1994

add to main playlist Play in Full Screen Concerto for Piano and Orchestra: I. Vivace molto ritmico e preciso - attacca subito
add to main playlist Play in Full Screen Concerto for Piano and Orchestra: II. Lento e deserto
add to main playlist Play in Full Screen Concerto for Piano and Orchestra: III. Vivace cantabile
add to main playlist Play in Full Screen Concerto for Piano and Orchestra: IV. Allegro, risoluto, colto ritmico - attacca subito
add to main playlist Play in Full Screen Concerto for Piano and Orchestra: V. Presto luminoso: fluido, constate, sempre molto ritmico
add to main playlist Play in Full Screen Concerto for Violoncello and Orchestra: Quarter = 40 - attacca
add to main playlist Play in Full Screen Concerto for Violoncello and Orchestra: (Lo stesso tempo) Quarter = 40
add to main playlist Play in Full Screen Concerto for Violin and Orchestra: I. Praeludium: Vivacissimo luminoso - attacca
add to main playlist Play in Full Screen Concerto for Violin and Orchestra: II. Aria, Hoquetus, Choral: Andante con moto - attacca
add to main playlist Play in Full Screen Concerto for Violin and Orchestra: III. Intermezzo: Presto fluido
add to main playlist Play in Full Screen Concerto for Violin and Orchestra: IV. Passacaglia: Lento intenso
add to main playlist Play in Full Screen Concerto for Violin and Orchestra: V. Appassionato: Agitato molto

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Boléro / Ma mère l'oye / Rapsodie espagnole / Alborada del Gracioso

Released 1994

add to main playlist Play in Full Screen Ma mère l'oye: I. Prélude
add to main playlist Play in Full Screen Ma mère l'oye: II. Danse du rouet et scène - Allegro
add to main playlist Play in Full Screen Ma mère l'oye: III. Pavane de la belle au bois dormant. Lent - Allegro - Mouvement de valse modéré
add to main playlist Play in Full Screen Ma mère l'oye: IV. Les entretiens de la Belle et de la Bête. Mouvement de valse modéré
add to main playlist Play in Full Screen Ma mère l'oye: V. Petit Poucet. Très modéré
add to main playlist Play in Full Screen Ma mère l'oye: VI. Interlude
add to main playlist Play in Full Screen Ma mère l'oye: VII. Laideronnette, Impératrice des pagodes. Mouvement de marche - Allegro - Très modéré
add to main playlist Play in Full Screen Ma mère l'oye: VIII. Apothéose: Le jardin féérique. Lent et grave
add to main playlist Play in Full Screen Une barque sur l'océan
add to main playlist Play in Full Screen Alborada del Gracioso
add to main playlist Play in Full Screen Rhapsodie espagnole: I. Prélude à la nuit. Très modéré
add to main playlist Play in Full Screen Rhapsodie espagnole: II. Malagueña. Assez vif
add to main playlist Play in Full Screen Rhapsodie espagnole: III. Habanera. Assez lent et d'un rythme las
add to main playlist Play in Full Screen Rhapsodie espagnole: IV. Feria. Assez animé
add to main playlist Play in Full Screen Boléro

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L'Oiseau de feu / Feu d'artifice / Quatre Etudes pour orchestre

Released 1993

add to main playlist Play in Full Screen L'Oiseau de feu: Introduction
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Le Jardin enchanté de Kachtcheï
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Danse de l'Oiseau de feu
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Capture de l'Oiseau de feu par Ivan Tsarévitch
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Supplications de l'Oiseau de feu / Apparition des treize princesses enchantées
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Jeu des princesses avec les pommes d'or (Scherzo)
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Brusque apparition d'Ivan Tsarévitch
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Khorovode (Ronde) des princesses
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Lever du jour / Ivan Tsarévitch pénètre dans le palais de Kachtcheï
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Carillion Féerique, apparition des monstres-gardiens de Kachtcheï et capture d'Ivan Tsarévitch / Arrivée de Kachtcheï l'Immortel / Dialogue de Kachtcheï avec Ivan Tsarévitch / Intercession des princesses / Apparition ...
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Danse de la suite de Kachtcheï, enchantée par l'Oiseau de feu
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Danse infernale de tous les sujets de Kachtcheï
add to main playlist Play in Full Screen L'Oiseau de feu, Premier Tableau: Berceuse (L'Oiseau de feu) / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres
add to main playlist Play in Full Screen L'Oiseau de feu, Second Tableau: Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés, allégresse générale
add to main playlist Play in Full Screen Feu d'artifice, Op. 4
add to main playlist Play in Full Screen Quatre Etudes pour orchestre: I. Danse
add to main playlist Play in Full Screen Quatre Etudes pour orchestre: II. Excentrique
add to main playlist Play in Full Screen Quatre Etudes pour orchestre: III. Cantique
add to main playlist Play in Full Screen Quatre Etudes pour orchestre: IV. Madrid

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Götterdämmerung

Released 1992

add to main playlist Play in Full Screen Götterdämmerung: Prolog. "Welch Licht leuchtet dort?"
add to main playlist Play in Full Screen Götterdämmerung: Prolog. "Wisset ihr noch, so windet von neuem das Seil"
add to main playlist Play in Full Screen Götterdämmerung: Prolog. Orchesterzwischenspiel
add to main playlist Play in Full Screen Götterdämmerung: Prolog. "Zu neuen Taten, teurer Helde"
add to main playlist Play in Full Screen Götterdämmerung: Prolog. "O, heilige Götter! Hehre Geschlechter!"
add to main playlist Play in Full Screen Götterdämmerung: Prolog. Orchesterzwischenspiel (Siegfrieds Rheinfahrt)
add to main playlist Play in Full Screen Götterdämmerung: Act I, Scene I. "Nun hör, Hagen, sage mir, Held"
add to main playlist Play in Full Screen Götterdämmerung: Act I, Scene I. "Brächte Siegfried die Braut dir heim"
add to main playlist Play in Full Screen Götterdämmerung: Act I, Scene II. "Heil! Siegfried, teurer Held"
add to main playlist Play in Full Screen Götterdämmerung: Act I, Scene II. "Willkommen, Gast, in Gibichs Haus"

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Rituel / Éclat / Multiples

Released 1991

add to main playlist Play in Full Screen Rituel in Memoriam Maderna
add to main playlist Play in Full Screen Éclat
add to main playlist Play in Full Screen Multiples

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Sonate pour piano n°1 - Sonatine (BBC Singers, Ensemble InterContemporain feat. director: Pierre Boulez)

Released 1991

add to main playlist Play in Full Screen Sonatine
add to main playlist Play in Full Screen Première Sonate: Lent
add to main playlist Play in Full Screen Première Sonate: Assez large
add to main playlist Play in Full Screen Dérive
add to main playlist Play in Full Screen Mémoriale (...explosante-fixe... Originel)
add to main playlist Play in Full Screen Dialogue de l'ombre double
add to main playlist Play in Full Screen Cummings ist der Dichter

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Le Marteau sans maître / Notations for Piano / Structures pour deux pianos, livre II

Released 1989

add to main playlist Play in Full Screen Le Marteau sans maître: I. Avant "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: II. Commentaire I de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: III. "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: IV. Commentaire II de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: V. "Bel édifice et les pressentiments", version première
add to main playlist Play in Full Screen Le Marteau sans maître: VI. "Bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: VII. Après "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: VIII. Commentaire III de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: IX. "Bel édifice et les pressentiments", double
add to main playlist Play in Full Screen Notations pour piano
add to main playlist Play in Full Screen Structures pour deux pianos, livre II

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Trois sonates pour piano

Released 1986

add to main playlist Play in Full Screen Première sonate pour piano: I. Lent
add to main playlist Play in Full Screen Première sonate pour piano: II. Assez large, Rapide
add to main playlist Play in Full Screen Deuxième sonate pour piano: I. Extrêmement rapide
add to main playlist Play in Full Screen Deuxième sonate pour piano: II. Lent
add to main playlist Play in Full Screen Deuxième sonate pour piano: III. Modéré, presque vif
add to main playlist Play in Full Screen Deuxième sonate pour piano: IV. Vif
add to main playlist Play in Full Screen Troisième sonate pour piano: formant 3 - constellation-miroir
add to main playlist Play in Full Screen Troisième sonate pour piano: formant 2 - tropes

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The Miraculous Mandarin

Released 1977

add to main playlist Play in Full Screen 4 Orchestral Pieces, Op12(Sz51) -1-Preludio
add to main playlist Play in Full Screen 4 Orchestral Pieces, Op12(Sz51) -2-Scherzo
add to main playlist Play in Full Screen 4 Orchestral Pieces, Op12(Sz51) -3-Intermezzo
add to main playlist Play in Full Screen 4 Orchestral Pieces, Op12(Sz51) -4-Marcia funebre
add to main playlist Play in Full Screen 3 Village Scenes (Sz79)-1-Wedding
add to main playlist Play in Full Screen 3 Village Scenes (Sz79)-2-Lullaby
add to main playlist Play in Full Screen 3 Village Scenes (Sz79)-3-Lad's Dance
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-01-Prelude
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-02-The curtain rises
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-03-First seduction game
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-04-Second seduction game
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-05-Third seduction game
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-06-General consternation...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-07-The girl is undecided...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-08-The girl sinks down...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-09-The tramps leap out...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-10-Suddenly the Mandarin's head...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-11-The terrified tramps...
add to main playlist Play in Full Screen The Miraculous Mandarin, Op19(Sz73)-12-The lamp falls to the floor...

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Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II

Released 1971

add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: I. Mondestrunken / Colombine / Der Dandy / Eine blasse Wäscherin / Valse de Chopin / Madonna / Der kranke Mond
add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: II. Die Nacht / Gebet an Pierrot / Raub / Rote Messe / Galgenlied / Enthauptung / Die Kreuze
add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: III. Heimweh / Gemeinheit / Parodie / Der Mondfleck / Serenade / Heimfahrt/ O alter Duft
add to main playlist Play in Full Screen Zwei Lieder Op. 8: Du, der ich's nicht sage / Du machst mich allein
add to main playlist Play in Full Screen Fünf Canons Op. 16: Christus factus est pro nobis / Dormi Jesu-Crux fidelis / Asperges me / Crucem tuam adoramus
add to main playlist Play in Full Screen Improvisation sur Mallarmé: I. Le vierge, le vivace et le bel aujourd'hui
add to main playlist Play in Full Screen Improvisation sur Mallarmé: II. Une dentelle s'abolit

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Boulez: Le marteau sans Maître / Sonatine / Messiaen: 7 Haïkaï (feat. conductor: Pierre Boulez)

Released 1964

add to main playlist Play in Full Screen Le Marteau sans maître: I. Avant "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: II. Commentaire I de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: III. "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: IV. Commentaire II de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: V. "Bel édifice et les pressentiments", version première
add to main playlist Play in Full Screen Le Marteau sans maître: VI. "Bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: VII. Après "l'artisanat furieux"
add to main playlist Play in Full Screen Le Marteau sans maître: VIII. Commentaire III de "bourreaux de solitude"
add to main playlist Play in Full Screen Le Marteau sans maître: IX. "Bel édifice et les pressentiments", double
add to main playlist Play in Full Screen Sonatine
add to main playlist Play in Full Screen 7 Haïkaï: I. Introduction
add to main playlist Play in Full Screen 7 Haïkaï: II. Le parc de Nara et les lanternes de pierre
add to main playlist Play in Full Screen 7 Haïkaï: III. Yamanaka-Cadenza
add to main playlist Play in Full Screen 7 Haïkaï: IV. Gagaku
add to main playlist Play in Full Screen 7 Haïkaï: V. Miyajima et le Torii dans la mer
add to main playlist Play in Full Screen 7 Haïkaï: VI. Les oiseaux de Karuizawa
add to main playlist Play in Full Screen 7 Haïkaï: VII. Coda

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Symphony no. 3

add to main playlist Play in Full Screen Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus
add to main playlist Play in Full Screen Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
add to main playlist Play in Full Screen Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden

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Pierrot Lunaire / Melodrama, Op. 21

add to main playlist Play in Full Screen Part I
add to main playlist Play in Full Screen Part II
add to main playlist Play in Full Screen Part III

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Domaines

add to main playlist Play in Full Screen Domaines: Première Partie
add to main playlist Play in Full Screen Domaines: Seconde Partie

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Boulez Conducts

add to main playlist Play in Full Screen Messages de Feu Demoiselle R. V. Troussova
add to main playlist Play in Full Screen ...AGM...
add to main playlist Play in Full Screen Modulations

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Pli Selon Pli

add to main playlist Play in Full Screen Don
add to main playlist Play in Full Screen Improvisation I - Sur Mallarmé: 'Le vierge, le vivace et le bel aujourd'hui'
add to main playlist Play in Full Screen Improvisation II - Sur Mallarmé: 'Une dentelle s'abolit'
add to main playlist Play in Full Screen Improvisation III - Sur Mallarmé
add to main playlist Play in Full Screen Tombeau

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La Mer / Prélude à l'après-midi d'une faune / Jeux

add to main playlist Play in Full Screen La mer: I. De l'aube a midi sur la mer
add to main playlist Play in Full Screen La mer: II. Jeux de vagues
add to main playlist Play in Full Screen La mer: III. Dialogue du vent et de la mer
add to main playlist Play in Full Screen L'apres-midi d'une faune
add to main playlist Play in Full Screen Jeux

Send this Playlist by SMS Email this Page Play All in FS Show More Related Videos

Send this Playlist by SMS Email this Page Play All in FS Show More Related Videos

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Pierre Boulez - Dialogue de l'ombre double (Proms 2012)
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BBC Proms Beethoven - Symphony No. 5 & 6 2012
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Debussy La Mer New York Philharmonic Pierre Boulez
The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.
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Pierre Boulez conducts Anton Webern
Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...
Zimerman Beirnstein play Beethoven 5th concertocomplete
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Pierre Boulez - Dérive 2 (Proms 2012)

Pierre Boulez - Dérive 2 (Proms 2012)

Order: Reorder
Duration: 48:50
Updated: 23 Aug 2014
views: 14320
author: Mandetriens

Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ......

Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ...

wn.com/Pierre Boulez Dérive 2 (Proms 2012)

Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ...

published: 30 Oct 2012
views: 14320
author: Mandetriens

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Order: Reorder
Duration: 19:18
Updated: 31 Aug 2014
views: 5060
author: Mandetriens

Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W......

Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W...

wn.com/Pierre Boulez Dialogue De L'Ombre Double (Proms 2012)

Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W...

published: 30 Oct 2012
views: 5060
author: Mandetriens

BBC Proms Beethoven - Symphony No. 5 & 6 2012

BBC Proms Beethoven - Symphony No. 5 & 6 2012

Order: Reorder
Duration: 121:39
Updated: 18 Aug 2014
views: 2082
author: 2013brb87

Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40......

Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40...

wn.com/BBC Proms Beethoven Symphony No. 5 6 2012

Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40...

published: 29 Sep 2013
views: 2082
author: 2013brb87

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Order: Reorder
Duration: 43:23
Updated: 02 Sep 2014
views: 868
author: tarogogo

Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・......

Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・...

wn.com/Beethoven Symphony No.7 Boulez New York Philharmonic 1975

Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・...

published: 03 May 2013
views: 868
author: tarogogo

Debussy La Mer New York Philharmonic Pierre Boulez

Debussy La Mer New York Philharmonic Pierre Boulez

Order: Reorder
Duration: 24:37
Updated: 02 Oct 2014
views: 33718

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performa...

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.

wn.com/Debussy La Mer New York Philharmonic Pierre Boulez

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.

published: 02 Oct 2014
views: 33718

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

Order: Reorder
Duration: 12:43
Updated: 17 Apr 2013
views: 1022
author: IsaacNewton1112

...

wn.com/Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

published: 17 Nov 2011
views: 1022
author: IsaacNewton1112

Pierre Boulez conducts Anton Webern

Pierre Boulez conducts Anton Webern

Order: Reorder
Duration: 66:45
Updated: 01 Sep 2014
views: 477
author: Classical Music11

Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef......

Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...

wn.com/Pierre Boulez Conducts Anton Webern

Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...

published: 04 Apr 2014
views: 477
author: Classical Music11

Zimerman Beirnstein play Beethoven 5th concertocomplete

Zimerman Beirnstein play Beethoven 5th concertocomplete

Order: Reorder
Duration: 41:26
Updated: 11 Aug 2014
views: 621
author: HussarenUndUlanen

Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle......

Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle...

wn.com/Zimerman Beirnstein Play Beethoven 5Th Concertocomplete

Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle...

published: 25 May 2012
views: 621
author: HussarenUndUlanen

Overture to Egmont (Salmon Del Real)

Overture to Egmont (Salmon Del Real)

Order: Reorder
Duration: 9:23
Updated: 25 Jun 2013
views: 1172
author: Miguel Salmon Del Real

Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http......

Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http...

wn.com/Overture To Egmont (Salmon Del Real)

Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http...

published: 30 Mar 2012
views: 1172
author: Miguel Salmon Del Real

Medici.tv - Happy Birthday Pierre Boulez!

Medici.tv - Happy Birthday Pierre Boulez!

Order: Reorder
Duration: 0:49
Updated: 24 Mar 2015
views: 17

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th bir...

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th birthday with concerts and documentaries in video: http://bit.ly/1HvavPK Stravinsky, Firebird Orchestre de Paris Pierre Boulez conductor © MUSEEC / Medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.

wn.com/Medici.Tv Happy Birthday Pierre Boulez

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th birthday with concerts and documentaries in video: http://bit.ly/1HvavPK Stravinsky, Firebird Orchestre de Paris Pierre Boulez conductor © MUSEEC / Medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.

published: 24 Mar 2015
views: 17

Boulez: Notation II / Boulez · Berliner Philharmoniker

Boulez: Notation II / Boulez · Berliner Philharmoniker

Order: Reorder
Duration: 2:06
Updated: 22 Sep 2009
views: 53154

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoni...

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009 The Berliner Philharmoniker's Digital Concert Hall: http://dch.berliner-philharmoniker.de Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

wn.com/Boulez Notation Ii Boulez · Berliner Philharmoniker

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009 The Berliner Philharmoniker's Digital Concert Hall: http://dch.berliner-philharmoniker.de Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

published: 22 Sep 2009
views: 53154

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Order: Reorder
Duration: 5:55
Updated: 05 Feb 2014
views: 2643
author: Miguel Salmon Del Real

Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed......

Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed...

wn.com/Boulez Masterclass 2005 At The Lucerne Academy. Miguel Salmon Del Real, Academy Conductor.

Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed...

published: 10 Apr 2012
views: 2643
author: Miguel Salmon Del Real

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

Order: Reorder
Duration: 37:34
Updated: 06 Sep 2014
views: 62795
author: GreatPerformers1

HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano Concerto # 3 in C major with The Bavarian Radio Symphony Orchestra......

HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano Concerto # 3 in C major with The Bavarian Radio Symphony Orchestra...

wn.com/Mitsuko Uchida ~ Beethoven Piano Concerto 3 Bavarian Radio Symphony Orchestra Hd Audio Video

HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano Concerto # 3 in C major with The Bavarian Radio Symphony Orchestra...

published: 02 Mar 2014
views: 62795
author: GreatPerformers1

Pierre Boulez- Emotion & Analysis

Pierre Boulez- Emotion & Analysis

Order: Reorder
Duration: 3:38
Updated: 25 Feb 2015
views: 48

In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive edition consisting of 10 DVDs, which will revolve around the most impor...

In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive edition consisting of 10 DVDs, which will revolve around the most important milestones in the incredible career of the great conductor and composer. The booklet will have a considerable amount of 68 pages. Including nine legendary concert recordings from 1974 until 2009, featuring the Berliner Philharmoniker, the Staatskapelle Berlin, the Lucerne Festival Academy Orchestra, the Wiener Philharmoniker, the Orchestre de Paris, and naturally „his very own “Chicago Symphony Orchestra. Also featuring universally- known soloists such as Diana Damrau, Maria João Pires or Christine Schäfer, as well as the recordings with the New Philharmonia Orchestra (1968), and the BBC Symphony Orchestra (1974 und 1997). Furthermore, this edition will include a special recording of his most prominent composition: „Notations I-IV“ performed by the Chicago Symphony Orchestra and conducted by Daniel Barenboim. Supplemented by the highly absorbing documentaries, “ECLAT“, by Frank Scheffer, “A LESSON BY PIERRE BOULEZ“ by Andy Sommer, and the newly released interview documentary “EMOTION & ANALYSIS”, by Paul Smaczny and Günter Atteln, which is a follow up on the EUROPAKONZERT 2003, one does not only gain insights into the lives of the musicians but especially into that of their engaged teacher and personal mentor, Pierre Boulez. This broad compilation also introduces the documentary “INHERITING THE FUTURE OF MUSIC“, which revolves around Boulez‘ work with the young and aspiring musicians of the Lucerne Festival Academy Orchestra. View this product in our online-shop: http://shop.euroarts.com/index.php/pierre-boulez-emotion-analysis.html For more Information: http://www.euroarts.com/artikel/dvd/?id=006100_boulez_dvd_box

wn.com/Pierre Boulez Emotion Analysis

In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive edition consisting of 10 DVDs, which will revolve around the most important milestones in the incredible career of the great conductor and composer. The booklet will have a considerable amount of 68 pages. Including nine legendary concert recordings from 1974 until 2009, featuring the Berliner Philharmoniker, the Staatskapelle Berlin, the Lucerne Festival Academy Orchestra, the Wiener Philharmoniker, the Orchestre de Paris, and naturally „his very own “Chicago Symphony Orchestra. Also featuring universally- known soloists such as Diana Damrau, Maria João Pires or Christine Schäfer, as well as the recordings with the New Philharmonia Orchestra (1968), and the BBC Symphony Orchestra (1974 und 1997). Furthermore, this edition will include a special recording of his most prominent composition: „Notations I-IV“ performed by the Chicago Symphony Orchestra and conducted by Daniel Barenboim. Supplemented by the highly absorbing documentaries, “ECLAT“, by Frank Scheffer, “A LESSON BY PIERRE BOULEZ“ by Andy Sommer, and the newly released interview documentary “EMOTION & ANALYSIS”, by Paul Smaczny and Günter Atteln, which is a follow up on the EUROPAKONZERT 2003, one does not only gain insights into the lives of the musicians but especially into that of their engaged teacher and personal mentor, Pierre Boulez. This broad compilation also introduces the documentary “INHERITING THE FUTURE OF MUSIC“, which revolves around Boulez‘ work with the young and aspiring musicians of the Lucerne Festival Academy Orchestra. View this product in our online-shop: http://shop.euroarts.com/index.php/pierre-boulez-emotion-analysis.html For more Information: http://www.euroarts.com/artikel/dvd/?id=006100_boulez_dvd_box

published: 25 Feb 2015
views: 48

Béla BARTOK & Pierre BOULEZ "dance suite"...

Béla BARTOK & Pierre BOULEZ "dance suite"...

Order: Reorder
Duration: 0:59
Updated: 11 Aug 2015
views: 3

Description : https://drive.google.com/file/d/0B4GII7UXuAZDOTdqUkd6b2ZSUzQ/view?usp=sharing Pierre Boulez (French: [pjɛʁ bu.lɛːz]; born 26 March 1925) is a Fre...

Description : https://drive.google.com/file/d/0B4GII7UXuAZDOTdqUkd6b2ZSUzQ/view?usp=sharing Pierre Boulez (French: [pjɛʁ bu.lɛːz]; born 26 March 1925) is a French composer, conductor, writer, and pianist. In his early career, Boulez played a key role in the development of integral serialism, controlled chance and electronic music. This, coupled with his highly polemical views on the evolution of music, gained him the image of an enfant terrible. As a conductor, Boulez is known mainly for his performances of Béla Bartók, Alban Berg, Anton Bruckner, Claude Debussy, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, Igor Stravinsky, Edgar Varèse, Richard Wagner, and Anton Webern. Boulez is also a prolific writer on music and a former head of IRCAM. Boulez was born 26 March 1925, in Montbrison, Loire, France. From the age of six he was educated at the local Catholic school, where he spent 13-hour days and prayed in the chapel every school-day for ten years. The grueling schedule instilled in him an iron discipline but, for him, "the Catholic God was the God that Failed". As a child, he began piano lessons and demonstrated aptitude in both music and mathematics. He studied the latter at Lyon before pursuing music at the Paris Conservatoire under Olivier Messiaen and Andrée Vaurabourg (the wife of Arthur Honegger). Through Messiaen, Boulez discovered twelve-tone technique—which he would later study privately with René Leibowitz—and went on to write atonal music in a post-Webernian serial style. Boulez was initially part of a cadre of early supporters of Leibowitz, but due to an altercation with Leibowitz, their relations turned divisive, as Boulez spent much of his career promoting the music of Messiaen instead. The first fruits of this were his cantatas Le visage nuptial and Le soleil des eaux for female voices and orchestra, both composed in the late 1940s and revised several times since, as well as the Second Piano Sonata of 1948, a well-received 32-minute work that Boulez composed at the age of 23. Thereafter, Boulez was influenced by Messiaen's research to extend twelve-tone technique beyond the realm of pitch organization, serialising durations, dynamics, mode of attack, and so on. This technique became known as integral serialism. Boulez quickly became one of the philosophical leaders of the post-war movement in the arts towards greater abstraction and experimentation. Many composers of Boulez's generation taught at the Internationale Ferienkurse für Neue Musik in Darmstadt, Germany. According to Scott Burnham, in the so-called Darmstadt School composers were instrumental in creating a style that, for a time, existed as an "antidote" to music of nationalist fervor; an international, even cosmopolitan style, a style that could not be 'co-opted' as propaganda in the way that the Nazis used, for example, the music of Ludwig van Beethoven. Boulez was in contact with many composers who would become influential, including Luciano Berio, John Cage, Luigi Nono, Bruno Maderna, and Karlheinz Stockhausen. Early in his career, he performed as a specialist on the ondes Martenot. [Wikipedia]

wn.com/Béla Bartok Pierre Boulez Dance Suite ...

Description : https://drive.google.com/file/d/0B4GII7UXuAZDOTdqUkd6b2ZSUzQ/view?usp=sharing Pierre Boulez (French: [pjɛʁ bu.lɛːz]; born 26 March 1925) is a French composer, conductor, writer, and pianist. In his early career, Boulez played a key role in the development of integral serialism, controlled chance and electronic music. This, coupled with his highly polemical views on the evolution of music, gained him the image of an enfant terrible. As a conductor, Boulez is known mainly for his performances of Béla Bartók, Alban Berg, Anton Bruckner, Claude Debussy, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, Igor Stravinsky, Edgar Varèse, Richard Wagner, and Anton Webern. Boulez is also a prolific writer on music and a former head of IRCAM. Boulez was born 26 March 1925, in Montbrison, Loire, France. From the age of six he was educated at the local Catholic school, where he spent 13-hour days and prayed in the chapel every school-day for ten years. The grueling schedule instilled in him an iron discipline but, for him, "the Catholic God was the God that Failed". As a child, he began piano lessons and demonstrated aptitude in both music and mathematics. He studied the latter at Lyon before pursuing music at the Paris Conservatoire under Olivier Messiaen and Andrée Vaurabourg (the wife of Arthur Honegger). Through Messiaen, Boulez discovered twelve-tone technique—which he would later study privately with René Leibowitz—and went on to write atonal music in a post-Webernian serial style. Boulez was initially part of a cadre of early supporters of Leibowitz, but due to an altercation with Leibowitz, their relations turned divisive, as Boulez spent much of his career promoting the music of Messiaen instead. The first fruits of this were his cantatas Le visage nuptial and Le soleil des eaux for female voices and orchestra, both composed in the late 1940s and revised several times since, as well as the Second Piano Sonata of 1948, a well-received 32-minute work that Boulez composed at the age of 23. Thereafter, Boulez was influenced by Messiaen's research to extend twelve-tone technique beyond the realm of pitch organization, serialising durations, dynamics, mode of attack, and so on. This technique became known as integral serialism. Boulez quickly became one of the philosophical leaders of the post-war movement in the arts towards greater abstraction and experimentation. Many composers of Boulez's generation taught at the Internationale Ferienkurse für Neue Musik in Darmstadt, Germany. According to Scott Burnham, in the so-called Darmstadt School composers were instrumental in creating a style that, for a time, existed as an "antidote" to music of nationalist fervor; an international, even cosmopolitan style, a style that could not be 'co-opted' as propaganda in the way that the Nazis used, for example, the music of Ludwig van Beethoven. Boulez was in contact with many composers who would become influential, including Luciano Berio, John Cage, Luigi Nono, Bruno Maderna, and Karlheinz Stockhausen. Early in his career, he performed as a specialist on the ondes Martenot. [Wikipedia]

published: 11 Aug 2015
views: 3

Pierre Boulez - Livre pour cordes - Wiener Philharmoniker

Pierre Boulez - Livre pour cordes - Wiener Philharmoniker

Order: Reorder
Duration: 10:35
Updated: 30 Jul 2014
views: 44043
author: suasoires

Composer: Pierre Boulez Conductor: Pierre Boulez Work: Livre pour cordes Orchestra: Wiener Philharmoniker (Vienna Philharmonic) Eine Übertragung aus dem Groß......

Composer: Pierre Boulez Conductor: Pierre Boulez Work: Livre pour cordes Orchestra: Wiener Philharmoniker (Vienna Philharmonic) Eine Übertragung aus dem Groß...

wn.com/Pierre Boulez Livre Pour Cordes Wiener Philharmoniker

Composer: Pierre Boulez Conductor: Pierre Boulez Work: Livre pour cordes Orchestra: Wiener Philharmoniker (Vienna Philharmonic) Eine Übertragung aus dem Groß...

published: 19 Jan 2008
views: 44043
author: suasoires

Liszt - Piano Concerto No. 2 (Barenboim, Boulez)

Liszt - Piano Concerto No. 2 (Barenboim, Boulez)

Order: Reorder
Duration: 24:09
Updated: 07 Oct 2015
views: 62

Franz Liszt - Piano Concerto No. 2 in A major, S.125 Piano: Daniel Barenboim Conductor: Pierre Boulez Staatskapelle Berlin...

Franz Liszt - Piano Concerto No. 2 in A major, S.125 Piano: Daniel Barenboim Conductor: Pierre Boulez Staatskapelle Berlin

wn.com/Liszt Piano Concerto No. 2 (Barenboim, Boulez)

Franz Liszt - Piano Concerto No. 2 in A major, S.125 Piano: Daniel Barenboim Conductor: Pierre Boulez Staatskapelle Berlin

published: 07 Oct 2015
views: 62

Bartok Concerto for Orchestra Sz 116 Intermezzo interrotto - Pierre Boulez

Bartok Concerto for Orchestra Sz 116 Intermezzo interrotto - Pierre Boulez

Order: Reorder
Duration: 4:13
Updated: 12 Jun 2015
views: 10

Conductor - Pierre Boulez Berlinen Philarmoniker Recorded live at the Mosteiro dos Jeronimos, Lisbon, 1 May 2003...

Conductor - Pierre Boulez Berlinen Philarmoniker Recorded live at the Mosteiro dos Jeronimos, Lisbon, 1 May 2003

wn.com/Bartok Concerto For Orchestra Sz 116 Intermezzo Interrotto Pierre Boulez

Conductor - Pierre Boulez Berlinen Philarmoniker Recorded live at the Mosteiro dos Jeronimos, Lisbon, 1 May 2003

published: 12 Jun 2015
views: 10

Pierre Boulez - Figures, Doubles, Prismes (1958-1968) pour grand orchestre

Pierre Boulez - Figures, Doubles, Prismes (1958-1968) pour grand orchestre

Order: Reorder
Duration: 20:43
Updated: 24 May 2015
views: 20

ŒUVRES COMPLÈTES COMPLETE WORKS Figures, Doubles, Prismes, 2 ème version 1968 pour grand orchestre BBC Symphony Orchestra : Pierre Boulez Composer’s preamble ...

ŒUVRES COMPLÈTES COMPLETE WORKS Figures, Doubles, Prismes, 2 ème version 1968 pour grand orchestre BBC Symphony Orchestra : Pierre Boulez Composer’s preamble (published in the first issue of Musique en jeu magazine): First of all, the title: Doubles . This short work will doubtless eventually be inserted in a series of orchestral pieces written in its extension. Here, I have used the normal orchestra, I mean the number of musicians, approximately, that an association includes. But I took the liberty of making them change places. The arrangement of the orchestra on stage, in fact, always follows, with a few variants, the type set in the 19th century, which was itself inherited in large part from the previous century. Although we have increased the forces, we have hardly thought of the acoustic problems posed by the transformation of musical writing, and we had put up with these screens of timbres constituted by the ‘classical orchestra.’ These days, writing brings the orchestra’s physics into play. No one will contradict me if I assert that when timbres follow one another quickly, they must not be painfully hanging on to each other beyond an obstacle-distance; nor will one contradict me if I assert that, these days, the ear demands stereophony in a desire for evidence and movement.This ‘manifestation’ by a different arrangement of the orchestra’s instruments is really demanded by the writing of the music and so, originally, by the poetics of new works. This is one of the characteristics of this score to which I would like to draw attention. The composition (1957-58) and first performance of Doubles mark an interesting step in the composer’s career. Indeed, this is the first work that Pierre Boulez wrote for a large traditional symphony orchestra of which relations with the avant-garde of the 1950s were, moreover, particularly tenuous. This is also a recognition of the Parisian ‘Establishment’, aside from the Domaine Musical’s audience of faithful; Boulez was, quite evidently, one of the leaders of the new European school, and Igor Markevitch, called upon to restore the prestige of the Orchestre Lamoureux, victim of the new times, decided to commission a new work from this fearsome provocateur and polemicist. The score, even doubled ( Doubles ), was brief but would necessitate a particular stage installation, and on 16 March 1958, the day of the first performance, the stage set-up and necessary preparation time perturbed the customary audience that had come to hear, on the same programme, Beethoven’s Egmont Overture and Piano Concerto in C minor along with Claude Debussy’s La Mer (Boulez would think about this when dreaming up the ‘adjustable hall’ of the Cité de la Musique). Let us point out that, for the first performance of Doubles , conductor Georges Prêtre kindly turned over the direction of operations to the composer. As for the ‘extension’ of Doubles , announced by the composer, with Figures and Prismes , it would come in steps; the first performance of the whole took place on 10 January 1964 in Basle, played by the Radio Orchestra of Baden-Baden. A first performance announced as ‘complete’, but perhaps not definitive, would be given in The Hague by the Residentie Orchestra on 3 March 1968, then played again at Salle Pleyel, in Paris, ten days later under the composer’s direction. 176 As notes Robert Piencikowski, ‘ Figures, Doubles, Prismes marks Boulez’s contribution on the (Avec l'aimable autorisation de Warner Music) 1990 As notes Robert Piencikowski, ‘ Figures, Doubles, Prismes marks Boulez’s contribution on the dual level of form and orchestral acoustics [...] Formally, [the work] is a vast cycle of variations whose components interpenetrate rather than traditionally remaining isolated’; Boulez specifies: ‘a sort of montage of forms embedded in each other…’ The three parts are played without pause. At the end of Prismes , a vast deployment of strings is a sort of reminder of Alban Berg’s Violin Concerto, which Boulez had just recorded in The Hague with Yehudi Menuhin.

wn.com/Pierre Boulez Figures, Doubles, Prismes (1958 1968) Pour Grand Orchestre

ŒUVRES COMPLÈTES COMPLETE WORKS Figures, Doubles, Prismes, 2 ème version 1968 pour grand orchestre BBC Symphony Orchestra : Pierre Boulez Composer’s preamble (published in the first issue of Musique en jeu magazine): First of all, the title: Doubles . This short work will doubtless eventually be inserted in a series of orchestral pieces written in its extension. Here, I have used the normal orchestra, I mean the number of musicians, approximately, that an association includes. But I took the liberty of making them change places. The arrangement of the orchestra on stage, in fact, always follows, with a few variants, the type set in the 19th century, which was itself inherited in large part from the previous century. Although we have increased the forces, we have hardly thought of the acoustic problems posed by the transformation of musical writing, and we had put up with these screens of timbres constituted by the ‘classical orchestra.’ These days, writing brings the orchestra’s physics into play. No one will contradict me if I assert that when timbres follow one another quickly, they must not be painfully hanging on to each other beyond an obstacle-distance; nor will one contradict me if I assert that, these days, the ear demands stereophony in a desire for evidence and movement.This ‘manifestation’ by a different arrangement of the orchestra’s instruments is really demanded by the writing of the music and so, originally, by the poetics of new works. This is one of the characteristics of this score to which I would like to draw attention. The composition (1957-58) and first performance of Doubles mark an interesting step in the composer’s career. Indeed, this is the first work that Pierre Boulez wrote for a large traditional symphony orchestra of which relations with the avant-garde of the 1950s were, moreover, particularly tenuous. This is also a recognition of the Parisian ‘Establishment’, aside from the Domaine Musical’s audience of faithful; Boulez was, quite evidently, one of the leaders of the new European school, and Igor Markevitch, called upon to restore the prestige of the Orchestre Lamoureux, victim of the new times, decided to commission a new work from this fearsome provocateur and polemicist. The score, even doubled ( Doubles ), was brief but would necessitate a particular stage installation, and on 16 March 1958, the day of the first performance, the stage set-up and necessary preparation time perturbed the customary audience that had come to hear, on the same programme, Beethoven’s Egmont Overture and Piano Concerto in C minor along with Claude Debussy’s La Mer (Boulez would think about this when dreaming up the ‘adjustable hall’ of the Cité de la Musique). Let us point out that, for the first performance of Doubles , conductor Georges Prêtre kindly turned over the direction of operations to the composer. As for the ‘extension’ of Doubles , announced by the composer, with Figures and Prismes , it would come in steps; the first performance of the whole took place on 10 January 1964 in Basle, played by the Radio Orchestra of Baden-Baden. A first performance announced as ‘complete’, but perhaps not definitive, would be given in The Hague by the Residentie Orchestra on 3 March 1968, then played again at Salle Pleyel, in Paris, ten days later under the composer’s direction. 176 As notes Robert Piencikowski, ‘ Figures, Doubles, Prismes marks Boulez’s contribution on the (Avec l'aimable autorisation de Warner Music) 1990 As notes Robert Piencikowski, ‘ Figures, Doubles, Prismes marks Boulez’s contribution on the dual level of form and orchestral acoustics [...] Formally, [the work] is a vast cycle of variations whose components interpenetrate rather than traditionally remaining isolated’; Boulez specifies: ‘a sort of montage of forms embedded in each other…’ The three parts are played without pause. At the end of Prismes , a vast deployment of strings is a sort of reminder of Alban Berg’s Violin Concerto, which Boulez had just recorded in The Hague with Yehudi Menuhin.

published: 24 May 2015
views: 20

Mitsuko Uchida - W.A. Mozart Piano Concerto No.9 in E flat Major K. 271 "Jeunehomme"

Mitsuko Uchida - W.A. Mozart Piano Concerto No.9 in E flat Major K. 271 "Jeunehomme"

Order: Reorder
Duration: 33:31
Updated: 16 Jul 2013
views: 231664

W.A. Mozart Piano Concerto No.9 in E flat Major K. 271 "Jeunehomme" Mitsuko Uchida - Piano Jeffrey Tate - Conductor Dame Mitsuko Uchida DBE (内田光子), born Dece...

W.A. Mozart Piano Concerto No.9 in E flat Major K. 271 "Jeunehomme" Mitsuko Uchida - Piano Jeffrey Tate - Conductor Dame Mitsuko Uchida DBE (内田光子), born December 20, 1948, is a Japanese naturalized-British classical pianist generally regarded as one of the finest of her era. She has appeared with most of the world's foremost orchestras, recorded a wide repertory with major labels, won numerous awards and honors (including Dame Commander of the Order of the British Empire in 2009), and serves as co-director of the Marlboro Music School and Festival. In recent years, she has also conducted major orchestras. Born in Atami, a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria, with her diplomat parents when she was 12 years old, after her father was named the Japanese ambassador to Austria. She enrolled at the Vienna Academy of Music to study with Richard Hauser, and later Wilhelm Kempff and Stefan Askenase, and remained in Vienna to study when her father was transferred back to Japan after five years. She gave her first Viennese recital at the age of 14 at the Vienna Musikverein. She also studied with Maria Curcio, the last and favourite pupil of Artur Schnabel. In 1969 she won the first prize in the Beethoven Competition in Vienna and in 1970 the second prize in the International Chopin Piano Competition. In 1975, she won second prize in the Leeds Piano Competition. In 1998 Uchida was the Music Director of the Ojai Music Festival in conjunction with conductor and violinist, David Zinman. She is an acclaimed interpreter of the works of Mozart, Beethoven, Schubert, Chopin, Debussy and Schoenberg. She has recorded all of Mozart's piano sonatas (a project that won the Gramophone Award), and concerti, the latter with the English Chamber Orchestra, conducted by Jeffrey Tate. Her recording of the Schoenberg Piano Concerto with Pierre Boulez won another Gramophone Award. She is further noted for her recordings of Beethoven's complete piano concerti with Kurt Sanderling conducting, Beethoven's late piano sonatas, and a Schubert piano cycle. She is distinguished as an interpreter of the works of the Second Viennese School. Her 2009 recording of the Mozart Piano Concertos nos. 23 and 24, in which she conducted the Cleveland Orchestra as well as playing the solo part, won the Grammy Award. From 2002 to 2007 she served as artist-in-residence for the Cleveland Orchestra, where she led performances of all of Mozart's solo piano concertos. She has also conducted the English Chamber Orchestra, among others, from the keyboard. In 2010, she was artist-in-residence for the Berlin Philharmonic. She is one two Artistic Directors of the Marlboro Music School and Festival, along with fellow pianist Richard Goode. She is also a trustee of the Borletti-Buitoni Trust, an organization established to help young artists develop and sustain international careers.[5] In May 2012, the Royal Philharmonic Society announced that she would be honored with their Gold Medal (she received the society's annual Music Award in 2003); previous recipients have included Johannes Brahms (1877), Frederick Delius and Sir Edward Elgar (1925), Richard Strauss (1936), Igor Stravinsky (1954), Benjamin Britten and Leonard Bernstein (1987). Uchida currently resides in London. Her long-standing partner, Sir Robert Cooper, currently works for the European Union in Brussels.

wn.com/Mitsuko Uchida W.A. Mozart Piano Concerto No.9 In E Flat Major K. 271 Jeunehomme

W.A. Mozart Piano Concerto No.9 in E flat Major K. 271 "Jeunehomme" Mitsuko Uchida - Piano Jeffrey Tate - Conductor Dame Mitsuko Uchida DBE (内田光子), born December 20, 1948, is a Japanese naturalized-British classical pianist generally regarded as one of the finest of her era. She has appeared with most of the world's foremost orchestras, recorded a wide repertory with major labels, won numerous awards and honors (including Dame Commander of the Order of the British Empire in 2009), and serves as co-director of the Marlboro Music School and Festival. In recent years, she has also conducted major orchestras. Born in Atami, a seaside town close to Tokyo, Japan, Uchida moved to Vienna, Austria, with her diplomat parents when she was 12 years old, after her father was named the Japanese ambassador to Austria. She enrolled at the Vienna Academy of Music to study with Richard Hauser, and later Wilhelm Kempff and Stefan Askenase, and remained in Vienna to study when her father was transferred back to Japan after five years. She gave her first Viennese recital at the age of 14 at the Vienna Musikverein. She also studied with Maria Curcio, the last and favourite pupil of Artur Schnabel. In 1969 she won the first prize in the Beethoven Competition in Vienna and in 1970 the second prize in the International Chopin Piano Competition. In 1975, she won second prize in the Leeds Piano Competition. In 1998 Uchida was the Music Director of the Ojai Music Festival in conjunction with conductor and violinist, David Zinman. She is an acclaimed interpreter of the works of Mozart, Beethoven, Schubert, Chopin, Debussy and Schoenberg. She has recorded all of Mozart's piano sonatas (a project that won the Gramophone Award), and concerti, the latter with the English Chamber Orchestra, conducted by Jeffrey Tate. Her recording of the Schoenberg Piano Concerto with Pierre Boulez won another Gramophone Award. She is further noted for her recordings of Beethoven's complete piano concerti with Kurt Sanderling conducting, Beethoven's late piano sonatas, and a Schubert piano cycle. She is distinguished as an interpreter of the works of the Second Viennese School. Her 2009 recording of the Mozart Piano Concertos nos. 23 and 24, in which she conducted the Cleveland Orchestra as well as playing the solo part, won the Grammy Award. From 2002 to 2007 she served as artist-in-residence for the Cleveland Orchestra, where she led performances of all of Mozart's solo piano concertos. She has also conducted the English Chamber Orchestra, among others, from the keyboard. In 2010, she was artist-in-residence for the Berlin Philharmonic. She is one two Artistic Directors of the Marlboro Music School and Festival, along with fellow pianist Richard Goode. She is also a trustee of the Borletti-Buitoni Trust, an organization established to help young artists develop and sustain international careers.[5] In May 2012, the Royal Philharmonic Society announced that she would be honored with their Gold Medal (she received the society's annual Music Award in 2003); previous recipients have included Johannes Brahms (1877), Frederick Delius and Sir Edward Elgar (1925), Richard Strauss (1936), Igor Stravinsky (1954), Benjamin Britten and Leonard Bernstein (1987). Uchida currently resides in London. Her long-standing partner, Sir Robert Cooper, currently works for the European Union in Brussels.

published: 16 Jul 2013
views: 231664

Pierre Boulez, Derive I - Luis Nesa, Conductor

Pierre Boulez, Derive I - Luis Nesa, Conductor

Order: Reorder
Duration: 6:48
Updated: 28 Dec 2012
views: 856
author: Luis Nesa

Pierre Boulez, Derive I (1984) Dirección: Luis Nesa 20 de Noviembre de 2010 / November 20th, 2010 Ciudad de Buenos Aires / Buenos Aires City, Argentina Conse......

Pierre Boulez, Derive I (1984) Dirección: Luis Nesa 20 de Noviembre de 2010 / November 20th, 2010 Ciudad de Buenos Aires / Buenos Aires City, Argentina Conse...

wn.com/Pierre Boulez, Derive I Luis Nesa, Conductor

Pierre Boulez, Derive I (1984) Dirección: Luis Nesa 20 de Noviembre de 2010 / November 20th, 2010 Ciudad de Buenos Aires / Buenos Aires City, Argentina Conse...

published: 31 Dec 2010
views: 856
author: Luis Nesa

Béla Bartók - The Miraculous Mandarin

Béla Bartók - The Miraculous Mandarin

Order: Reorder
Duration: 31:17
Updated: 18 Sep 2015
views: 5

- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Orchestra: New York Philharmonic - Conductor: Pierre Boulez - Year of recording: 197...

- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Orchestra: New York Philharmonic - Conductor: Pierre Boulez - Year of recording: 1971 The Miraculous Mandarin, pantomime in 1 act, Sz. 73, BB 82 (Op. 19), written in 1918-1919. 00:00 - 01. Opening – The girl and three tramps 03:07 - 02. First seduction game: the shabby old rake 06:52 - 03. Second seduction game: the young student 09:55 - 04. Third seduction game 11:37 - 05. The Mandarin enters and remains immobile in the doorway 14:01 - 06. The girl begins a hesitant dance… 19:54 - 07. The Mandarin stumbles – the chase becomes even more passionate 20:36 - 08. The three tramps leap out, seize the Mandarin and tear him away from the girl 22:42 - 09. Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl 25:42 - 10. The terrified tramps discuss how they are to get rid of the Mandarin 27:03 - 11. The body of the Mandarin begins to glow with a greenish blue light 28:52 - 12. She resists no longer – they embrace Béla Bartók’s pantomime The Miraculous Mandarin stands at the head of a group of works (including the Four Orchestral Pieces, the two violin sonatas, and ballet The Wooden Prince) that effectively bring to a close the first half of his career. Defining in Bartók’s early career was the experience, in 1903, of hearing Richard Strauss’ Also Sprach Zarathustra. Consequently, the most important orchestral scores of Bartók’s early years feature striking colouristic effects and a highly complex internal counterpoint inherited from Strauss, though with Bartók’s own stylistic and rhetorical profile. This work represents the zenith of this stylistic trend. Based on a play by Menyhert (Melchior) Lengyel, The Miraculous Mandarin tells the sordid (but “beautiful,” to use Bartók’s term) story of three urban toughs who force a girl to lure men to their lair, where they will then be attacked and robbed. Among those ensnared is a wealthy and otherworldly Mandarin, whose desire for the girl inures him against the robbers’ attempts to kill him by using a variety of methods. Only when the girl submits to the Mandarin’s desires is he finally able to die from his wounds. Writing to his first wife, Bartók described the unforgettable opening bars as “an awful clamor, clatter, stampeding and blowing of horns.” Swirling strings and blaring winds depict the chaotic urban street scene, from which we are transported into the robbers’ lair. Bartók is at his most dissonant here, his Expressionistic chromaticism pushing close to the border of atonality. The girl’s seductive call is represented by a snaky clarinet theme, which is answered first by a poor student, then a shabby old man. The robbers toss both of the unlikely prospects down the stairs. The appearance of the Mandarin is underscored by an imposing wall of timbres over a low pedal point, with frightening emphasis from the organ. The girl hesitantly dances with the Mandarin to a sinuous and unsettling waltz, but his lust turns the pas de deux into a frantic chase. Bartók here translates his “Allegro barbaro” style into an expressionistic sequence of impressive skill and excitement (the concert suite ends with the climax of the chase). The robbers’ attempts to kill the Mandarin are graphically depicted, with low, muffled music for the smothering and sharp orchestral sforzandi accompanying each stab of the sword. When the girl takes pity on the Mandarin, her gestures are accompanied by an eerie variant of the waltz theme. The death of the Mandarin is among the most terrifying music ever written: an offstage chorus keens wordlessly on a rocking minor third, while a cold cantabile in the strings is punctuated by dissonant clusters from winds and percussion depicting the Mandarin’s horrible death spasms. Bartók’s original version of the score was tied closely to the dramaturgy of pantomime, with long sections of recitative-style music to mirror the stage action. Subsequent revisions brought the score into a more symphonic shape. At some points the 4-hand reduction was different from the recording of the orchestral version; I had to black out some parts, and also used a few sheets from the orchestral version.

wn.com/Béla Bartók The Miraculous Mandarin

- Composer: Béla Viktor János Bartók (25 March 1881 -- 26 September 1945) - Orchestra: New York Philharmonic - Conductor: Pierre Boulez - Year of recording: 1971 The Miraculous Mandarin, pantomime in 1 act, Sz. 73, BB 82 (Op. 19), written in 1918-1919. 00:00 - 01. Opening – The girl and three tramps 03:07 - 02. First seduction game: the shabby old rake 06:52 - 03. Second seduction game: the young student 09:55 - 04. Third seduction game 11:37 - 05. The Mandarin enters and remains immobile in the doorway 14:01 - 06. The girl begins a hesitant dance… 19:54 - 07. The Mandarin stumbles – the chase becomes even more passionate 20:36 - 08. The three tramps leap out, seize the Mandarin and tear him away from the girl 22:42 - 09. Suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl 25:42 - 10. The terrified tramps discuss how they are to get rid of the Mandarin 27:03 - 11. The body of the Mandarin begins to glow with a greenish blue light 28:52 - 12. She resists no longer – they embrace Béla Bartók’s pantomime The Miraculous Mandarin stands at the head of a group of works (including the Four Orchestral Pieces, the two violin sonatas, and ballet The Wooden Prince) that effectively bring to a close the first half of his career. Defining in Bartók’s early career was the experience, in 1903, of hearing Richard Strauss’ Also Sprach Zarathustra. Consequently, the most important orchestral scores of Bartók’s early years feature striking colouristic effects and a highly complex internal counterpoint inherited from Strauss, though with Bartók’s own stylistic and rhetorical profile. This work represents the zenith of this stylistic trend. Based on a play by Menyhert (Melchior) Lengyel, The Miraculous Mandarin tells the sordid (but “beautiful,” to use Bartók’s term) story of three urban toughs who force a girl to lure men to their lair, where they will then be attacked and robbed. Among those ensnared is a wealthy and otherworldly Mandarin, whose desire for the girl inures him against the robbers’ attempts to kill him by using a variety of methods. Only when the girl submits to the Mandarin’s desires is he finally able to die from his wounds. Writing to his first wife, Bartók described the unforgettable opening bars as “an awful clamor, clatter, stampeding and blowing of horns.” Swirling strings and blaring winds depict the chaotic urban street scene, from which we are transported into the robbers’ lair. Bartók is at his most dissonant here, his Expressionistic chromaticism pushing close to the border of atonality. The girl’s seductive call is represented by a snaky clarinet theme, which is answered first by a poor student, then a shabby old man. The robbers toss both of the unlikely prospects down the stairs. The appearance of the Mandarin is underscored by an imposing wall of timbres over a low pedal point, with frightening emphasis from the organ. The girl hesitantly dances with the Mandarin to a sinuous and unsettling waltz, but his lust turns the pas de deux into a frantic chase. Bartók here translates his “Allegro barbaro” style into an expressionistic sequence of impressive skill and excitement (the concert suite ends with the climax of the chase). The robbers’ attempts to kill the Mandarin are graphically depicted, with low, muffled music for the smothering and sharp orchestral sforzandi accompanying each stab of the sword. When the girl takes pity on the Mandarin, her gestures are accompanied by an eerie variant of the waltz theme. The death of the Mandarin is among the most terrifying music ever written: an offstage chorus keens wordlessly on a rocking minor third, while a cold cantabile in the strings is punctuated by dissonant clusters from winds and percussion depicting the Mandarin’s horrible death spasms. Bartók’s original version of the score was tied closely to the dramaturgy of pantomime, with long sections of recitative-style music to mirror the stage action. Subsequent revisions brought the score into a more symphonic shape. At some points the 4-hand reduction was different from the recording of the orchestral version; I had to black out some parts, and also used a few sheets from the orchestral version.

published: 18 Sep 2015
views: 5

Bartok Viola Concerto (Complete)

Bartok Viola Concerto (Complete)

Order: Reorder
Duration: 23:18
Updated: 29 Aug 2014
views: 8774
author: BLOP888

Bela Bartok Conductor: Pierre Boulez Viola: Yuri Bashmet Orchestra: Berlinet Philharmoniker....

Bela Bartok Conductor: Pierre Boulez Viola: Yuri Bashmet Orchestra: Berlinet Philharmoniker.

wn.com/Bartok Viola Concerto (Complete)

Bela Bartok Conductor: Pierre Boulez Viola: Yuri Bashmet Orchestra: Berlinet Philharmoniker.

published: 28 Sep 2012
views: 8774
author: BLOP888

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Pierre Boulez, Structures I & II (Kontarsky/Kontarsky)

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Order: Reorder
Duration: 34:16
Updated: 19 Apr 2014
views: 42649

Pierre Boulez (1925--), Structures, for two pianos Premier livre (1952) 00:00 I. 03:36 II. 12:19 III. Deuxième livre (1961) 14:41 I. 23:28 II. Alfons Kontars...

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wn.com/Pierre Boulez, Structures I Ii (Kontarsky Kontarsky)

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published: 19 Apr 2014
views: 42649

Pierre Boulez - Le Marteau sans maître (1955)

Pierre Boulez - Le Marteau sans maître (1955)

Order: Reorder
Duration: 38:43
Updated: 20 Jan 2015
views: 16

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wn.com/Pierre Boulez Le Marteau Sans Maître (1955)

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published: 20 Jan 2015
views: 16

Master-class Pierre Boulez - 1ère partie

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Order: Reorder
Duration: 59:39
Updated: 18 Feb 2015
views: 13447

14-15/11/2009 Etudiants de la classe de direction d'orchestre de Zolt Nagy Orchestre de Lauréats du Conservatoire OLC Entretien Edouard Fouré Caul-Futy Le manda...

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wn.com/Master Class Pierre Boulez 1Ère Partie

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published: 18 Feb 2015
views: 13447

Mahler - Symphony n°2 - Resurrection (Boulez - Damrau, Lang)

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Order: Reorder
Duration: 87:24
Updated: 04 Feb 2014
views: 49768

Public TV broadcast....

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wn.com/Mahler Symphony N°2 Resurrection (Boulez Damrau, Lang)

Public TV broadcast.

published: 04 Feb 2014
views: 49768

Pierre Boulez talks about his music

Pierre Boulez talks about his music

Order: Reorder
Duration: 19:07
Updated: 17 Aug 2014
views: 23084
author: Universal Edition

In this comprehensive interview, Pierre Boulez talks to Universal Edition about his works. http://www.universaledition.com/boulez Interview: Wolfgang Schaufler....

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wn.com/Pierre Boulez Talks About His Music

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published: 14 May 2012
views: 23084
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Pierre Boulez – Répons

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Order: Reorder
Duration: 41:14
Updated: 25 May 2015
views: 5114

Recorded live at Tokyo Bay N.K. Hall, 23 May 1995 Ensemble Intercontemporain Pierre Boulez, conductor...

Recorded live at Tokyo Bay N.K. Hall, 23 May 1995 Ensemble Intercontemporain Pierre Boulez, conductor

wn.com/Pierre Boulez – Répons

Recorded live at Tokyo Bay N.K. Hall, 23 May 1995 Ensemble Intercontemporain Pierre Boulez, conductor

published: 25 May 2015
views: 5114

Pierre Boulez Répons (1981-1984)

Pierre Boulez Répons (1981-1984)

Order: Reorder
Duration: 42:32
Updated: 31 Aug 2014
views: 9328

Pour six solistes,ensemble de chambre,sons électroniques et électronique en direct. I Introduction II section 1 III section 2 IV section 3 V ...

Pour six solistes,ensemble de chambre,sons électroniques et électronique en direct. I Introduction II section 1 III section 2 IV section 3 V section 4 VI section 5 VII section 6 VIII section 7 IX section 8 X Coda Ensemble Intercontemporain Dir - Pierre Boulez ( Dimitri Vassilikis - Florent Boffard, Pianos I et II - Frédérique Cambreling, harp - Vincent Bauer, vibraphone - Daniel Ciampolini, Xylophone et Glockenspiel - Michel Cerruti Cymbalum )

wn.com/Pierre Boulez Répons (1981 1984)

Pour six solistes,ensemble de chambre,sons électroniques et électronique en direct. I Introduction II section 1 III section 2 IV section 3 V section 4 VI section 5 VII section 6 VIII section 7 IX section 8 X Coda Ensemble Intercontemporain Dir - Pierre Boulez ( Dimitri Vassilikis - Florent Boffard, Pianos I et II - Frédérique Cambreling, harp - Vincent Bauer, vibraphone - Daniel Ciampolini, Xylophone et Glockenspiel - Michel Cerruti Cymbalum )

published: 31 Aug 2014
views: 9328

Pierre Boulez - Piano Sonata No. 1

Pierre Boulez - Piano Sonata No. 1

Order: Reorder
Duration: 10:26
Updated: 25 Aug 2014
views: 8831
author: pelodelperro

Piano Sonata No. 1 (1946) I. Lent -- Beaucoup plus allant II. Assez large -- Rapide Idil Biret, piano Pierre Boulez composed his First Piano Sonata in 1946. ......

Piano Sonata No. 1 (1946) I. Lent -- Beaucoup plus allant II. Assez large -- Rapide Idil Biret, piano Pierre Boulez composed his First Piano Sonata in 1946. ...

wn.com/Pierre Boulez Piano Sonata No. 1

Piano Sonata No. 1 (1946) I. Lent -- Beaucoup plus allant II. Assez large -- Rapide Idil Biret, piano Pierre Boulez composed his First Piano Sonata in 1946. ...

published: 10 Mar 2011
views: 8831
author: pelodelperro

Pierre Boulez. Dérive 2 directed by Boulez (48 m.)

Pierre Boulez. Dérive 2 directed by Boulez (48 m.)

Order: Reorder
Duration: 48:47
Updated: 02 Sep 2014
views: 8901
author: Silicua hibrido

Other versions in my canal. Version by Boulez (15m.) http://www.youtube.com/watch?v=vQIi05zCrQw Version by Baremboin (48m.) http://www.youtube.com/watch?v=Vi......

Other versions in my canal. Version by Boulez (15m.) http://www.youtube.com/watch?v=vQIi05zCrQw Version by Baremboin (48m.) http://www.youtube.com/watch?v=Vi...

wn.com/Pierre Boulez. Dérive 2 Directed By Boulez (48 M.)

Other versions in my canal. Version by Boulez (15m.) http://www.youtube.com/watch?v=vQIi05zCrQw Version by Baremboin (48m.) http://www.youtube.com/watch?v=Vi...

published: 19 Dec 2012
views: 8901
author: Silicua hibrido

Simon Rattle on Pierre Boulez

Simon Rattle on Pierre Boulez

Order: Reorder
Duration: 11:11
Updated: 16 Mar 2015
views: 47

Visit us on: http://musiksalon.universaledition.com/ Besuchen Sie uns auf: http://musiksalon.universaledition.com/...

Visit us on: http://musiksalon.universaledition.com/ Besuchen Sie uns auf: http://musiksalon.universaledition.com/

wn.com/Simon Rattle On Pierre Boulez

Visit us on: http://musiksalon.universaledition.com/ Besuchen Sie uns auf: http://musiksalon.universaledition.com/

published: 16 Mar 2015
views: 47

Pierre Boulez - Piano Sonata no.2 mvt.1

Pierre Boulez - Piano Sonata no.2 mvt.1

Order: Reorder
Duration: 6:07
Updated: 17 Sep 2015
views: 27

Pierre Boulez - Piano Sonata no.2 mvt.1...

Pierre Boulez - Piano Sonata no.2 mvt.1

wn.com/Pierre Boulez Piano Sonata No.2 Mvt.1

Pierre Boulez - Piano Sonata no.2 mvt.1

published: 17 Sep 2015
views: 27

Pierre Boulez Troisième Sonate pour piano

Pierre Boulez Troisième Sonate pour piano

Order: Reorder
Duration: 25:27
Updated: 28 Dec 2014
views: 24

Paavali Jumppanen plays Boulez Third Sonata...

Paavali Jumppanen plays Boulez Third Sonata

wn.com/Pierre Boulez Troisième Sonate Pour Piano

Paavali Jumppanen plays Boulez Third Sonata

published: 28 Dec 2014
views: 24

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Order: Reorder
Duration: 17:02
Updated: 28 May 2015
views: 6

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontempor...

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Enregistré en direct le 3 février 2015 à la Philharmonie de Paris, Grande Salle - Philharmonie 1

wn.com/Pierre Boulez, Pli Selon Pli (Don) Ensemble Intercontemporain Matthias Pintscher

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Enregistré en direct le 3 février 2015 à la Philharmonie de Paris, Grande Salle - Philharmonie 1

published: 28 May 2015
views: 6

RAVEL - LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

RAVEL - LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

Order: Reorder
Duration: 18:43
Updated: 06 Sep 2014
views: 15561
author: ARCHIVOS BOESMI - ARTE Y CULTURA

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003....

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

wn.com/Ravel Le Tombeau De Couperin Pierre Boulez Berlin Philarmonic 2003

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

published: 25 Dec 2013
views: 15561
author: ARCHIVOS BOESMI - ARTE Y CULTURA

Pierre Boulez Sur Incises ( 1996-1998 )

Pierre Boulez Sur Incises ( 1996-1998 )

Order: Reorder
Duration: 37:17
Updated: 01 Sep 2014
views: 2

Pour trois pianos,trois harpes,trois percussion Moment I Moment II Solistes de l'ensemble intercontemporain Dir : Pierre Boulez (Dimitri Vassikalis,Hidék...

Pour trois pianos,trois harpes,trois percussion Moment I Moment II Solistes de l'ensemble intercontemporain Dir : Pierre Boulez (Dimitri Vassikalis,Hidéki Nagano,Florent Boffard,pianos I,et II III Frédérique Cambreling,Sandrine Chatron,Marianne Le Mentec,harpes I,et II III Vincent Bauer,Michel Cerruti,Daniel Ciampolini, percussions I, II III )

wn.com/Pierre Boulez Sur Incises ( 1996 1998 )

Pour trois pianos,trois harpes,trois percussion Moment I Moment II Solistes de l'ensemble intercontemporain Dir : Pierre Boulez (Dimitri Vassikalis,Hidéki Nagano,Florent Boffard,pianos I,et II III Frédérique Cambreling,Sandrine Chatron,Marianne Le Mentec,harpes I,et II III Vincent Bauer,Michel Cerruti,Daniel Ciampolini, percussions I, II III )

published: 01 Sep 2014
views: 2

Pierre Boulez - Anthèmes 2

Pierre Boulez - Anthèmes 2

Order: Reorder
Duration: 20:28
Updated: 15 Mar 2014
views: 3664

Anthèmes 2, for violin and electronics (1997) I. Libre II. 1. Très lent, avec beaucoup de flexibilité - Libre III. 2. Rapide, dynamique, très rythmique, rigide...

Anthèmes 2, for violin and electronics (1997) I. Libre II. 1. Très lent, avec beaucoup de flexibilité - Libre III. 2. Rapide, dynamique, très rythmique, rigide - Libre IV. 3. Lent, régulier - Nerveux, irrégulier - Libre V. 4. Agité, instable - Libre VI. 5. Très lent, avec beauvoup de flexibilit - Subitement nerveux et extrêmement irrégulier - Libre VII. 6. 1. Allant, assez serré dans le tempo VIII. 6. 2. Calme, régulier -Agité - Brusque IX. 6. 3. Calme, sans traîner, d'un mouvement très régulier - Libre Hae-Sun Kang, violin Andrew Gerzso, electro-acoustic realization Pierre Boulez completed his Anthèmes 2 for solo violin in 1997. The work includes an electronic realization that splits up the sound. In this way, it is comparable to the composer's own Dialogue de l'ombre double from 1985. The latter work is more immediate and perhaps more inventive. Both works double the soloist's sound by technological means so that the performer plays against himself as one's own accompanist. However, Dialogue de l'ombre double places all the work's live properties on the soloist, while Anthèmes 2 requires a second performer to handle the electronic rendering of the sound. The original Anthèmes from 1991 was a seven-minute violin piece without any accompaniment. In Anthèmes 2, a line from an earlier work by Boulez Explosante-fixe ... is developed in an alternate manner. It is in nine movements and slightly over twenty minutes in duration. This is perhaps the only published work by Boulez to feature a collaborator. Andrew Gerzso assisted the composer in realizing the work's electro-acoustic features. The electronic design of the 1997 piece was realized at the IRCAM-Centre Pompidou in Paris. President Pompidou founded an enormous, subterranean studio for musical research in 1970 and made Boulez its first director. For many years, he worked to develop its reputation as a sort of laboratory for new music composition and its performance. He later went on to other projects but still made his valuable presence felt, composing and lecturing there. Anthèmes 2 is a graceful and elegant work, revealing the composer's innately urban and cool demeanor. The general form is one of episodes that continue only as long as is required in order to display another soundscape, dropping whatever has been set in motion once it has been established. It is free to wander throughout the possibilities that the electronic effects entail. There is no sense of a cathartic rounding up of all the preceding elements in order to create a final summation that is transcendent. Nonetheless, it is a valuable listen, truly beautiful and in no way manipulative. Though the work is clearly virtuosic, the cadenza-like moments do not generate a great deal of heat. One of the most easily recognized features of Boulez's output is its control. Like the work of Bach or Brahms, his music does not lose its composure or allow for the occasional outburst. It is music with an iron will, free of yearning. Unlike the music of Webern, which was Boulez's artistic point of departure from early on in his career, there is none of the genius' stereotypical dissatisfaction or angst. His exterior is seemingly impossible to ruffle, and in that way both the composer and his music are consummately French. With regard to influence and outlook, he is cosmopolitan, and his compositions themselves are unique, featuring a temperament that is as complex as it is artistically rewarding. Anthèmes 2 does not sound like the music of a man in his seventies; there is nothing retiring about it. In fact, there is no less energy in this work than there was in his works from the 1940s. The most notable difference between the youthful and the mature Boulez is a broadening of musical palette, which is bound to happen to any composer who is given to exploration. Like Webern, Boulez seems to have begun his professional career with his talents already fully formed. This work furthers his legacy that has remained small but consistently excellent. [allmusic.com] Art by Paul Sérusier

wn.com/Pierre Boulez Anthèmes 2

Anthèmes 2, for violin and electronics (1997) I. Libre II. 1. Très lent, avec beaucoup de flexibilité - Libre III. 2. Rapide, dynamique, très rythmique, rigide - Libre IV. 3. Lent, régulier - Nerveux, irrégulier - Libre V. 4. Agité, instable - Libre VI. 5. Très lent, avec beauvoup de flexibilit - Subitement nerveux et extrêmement irrégulier - Libre VII. 6. 1. Allant, assez serré dans le tempo VIII. 6. 2. Calme, régulier -Agité - Brusque IX. 6. 3. Calme, sans traîner, d'un mouvement très régulier - Libre Hae-Sun Kang, violin Andrew Gerzso, electro-acoustic realization Pierre Boulez completed his Anthèmes 2 for solo violin in 1997. The work includes an electronic realization that splits up the sound. In this way, it is comparable to the composer's own Dialogue de l'ombre double from 1985. The latter work is more immediate and perhaps more inventive. Both works double the soloist's sound by technological means so that the performer plays against himself as one's own accompanist. However, Dialogue de l'ombre double places all the work's live properties on the soloist, while Anthèmes 2 requires a second performer to handle the electronic rendering of the sound. The original Anthèmes from 1991 was a seven-minute violin piece without any accompaniment. In Anthèmes 2, a line from an earlier work by Boulez Explosante-fixe ... is developed in an alternate manner. It is in nine movements and slightly over twenty minutes in duration. This is perhaps the only published work by Boulez to feature a collaborator. Andrew Gerzso assisted the composer in realizing the work's electro-acoustic features. The electronic design of the 1997 piece was realized at the IRCAM-Centre Pompidou in Paris. President Pompidou founded an enormous, subterranean studio for musical research in 1970 and made Boulez its first director. For many years, he worked to develop its reputation as a sort of laboratory for new music composition and its performance. He later went on to other projects but still made his valuable presence felt, composing and lecturing there. Anthèmes 2 is a graceful and elegant work, revealing the composer's innately urban and cool demeanor. The general form is one of episodes that continue only as long as is required in order to display another soundscape, dropping whatever has been set in motion once it has been established. It is free to wander throughout the possibilities that the electronic effects entail. There is no sense of a cathartic rounding up of all the preceding elements in order to create a final summation that is transcendent. Nonetheless, it is a valuable listen, truly beautiful and in no way manipulative. Though the work is clearly virtuosic, the cadenza-like moments do not generate a great deal of heat. One of the most easily recognized features of Boulez's output is its control. Like the work of Bach or Brahms, his music does not lose its composure or allow for the occasional outburst. It is music with an iron will, free of yearning. Unlike the music of Webern, which was Boulez's artistic point of departure from early on in his career, there is none of the genius' stereotypical dissatisfaction or angst. His exterior is seemingly impossible to ruffle, and in that way both the composer and his music are consummately French. With regard to influence and outlook, he is cosmopolitan, and his compositions themselves are unique, featuring a temperament that is as complex as it is artistically rewarding. Anthèmes 2 does not sound like the music of a man in his seventies; there is nothing retiring about it. In fact, there is no less energy in this work than there was in his works from the 1940s. The most notable difference between the youthful and the mature Boulez is a broadening of musical palette, which is bound to happen to any composer who is given to exploration. Like Webern, Boulez seems to have begun his professional career with his talents already fully formed. This work furthers his legacy that has remained small but consistently excellent. [allmusic.com] Art by Paul Sérusier

published: 15 Mar 2014
views: 3664

Pierre Boulez - Siglo XX - Forma

Pierre Boulez - Siglo XX - Forma

Order: Reorder
Duration: 49:59
Updated: 29 Oct 2014
views: 46

Con subtítulos en español....

Con subtítulos en español.

wn.com/Pierre Boulez Siglo Xx Forma

Con subtítulos en español.

published: 29 Oct 2014
views: 46

Mahler Symphony No 7 E minor Song of the Night Pierre Boulez Concertgebow

Mahler Symphony No 7 E minor Song of the Night Pierre Boulez Concertgebow

Order: Reorder
Duration: 79:50
Updated: 28 Aug 2014
views: 5237
author: La Casa di Davide

Gustav Mahler Symphony No 7 in E minor Song of the Night Pierre Boulez conducts Concertgebow Orchestra 1.Langsam -- Allegro risoluto, ma non troppo (E minor,......

Gustav Mahler Symphony No 7 in E minor Song of the Night Pierre Boulez conducts Concertgebow Orchestra 1.Langsam -- Allegro risoluto, ma non troppo (E minor,...

wn.com/Mahler Symphony No 7 E Minor Song Of The Night Pierre Boulez Concertgebow

Gustav Mahler Symphony No 7 in E minor Song of the Night Pierre Boulez conducts Concertgebow Orchestra 1.Langsam -- Allegro risoluto, ma non troppo (E minor,...

published: 23 Feb 2014
views: 5237
author: La Casa di Davide

Pierre Boulez Dérive 1 - (1984) Dérive 2 (2006)

Pierre Boulez Dérive 1 - (1984) Dérive 2 (2006)

Order: Reorder
Duration: 50:01
Updated: 02 Sep 2014
views: 926

Dérive (1) Pour six Instruments Trés lent Immuable Ensemble Intercontemporain Dir : Pierre Boulez Sophie Cherrier,F...

Dérive (1) Pour six Instruments Trés lent Immuable Ensemble Intercontemporain Dir : Pierre Boulez Sophie Cherrier,Flute - Alain Billard,Clarinette - Hae-Sun Kang,Violon - Eric-Maria Coutier,Violoncelle - Michel Cerruti,Vibraphone - Dimitri Vassikalis,Pianoforte Dérive (2) Pour onze Instruments Trés Rapide Ensemble Intercontemporain Dir : Pierre Boulez Didier Patean,Cor Anglais - Jerome Comte,Clarinette en La - Paul Riveaux,Basson - Jens McManama,Cor - Samuel Favre,Marimba - Michel Cerutti,Vibraphone - Sébastian Vichard,Pianoforte - Frédérique Cambreling,harpe - Hae-Sun Kang,Violon - Christophe Desjardins,Alto - Eric-Maria Couturier,Violoncelle. Enregistrement Public/Live Recording Concert enregistré à la Cité de la Musique le 12 Mars 2010.

wn.com/Pierre Boulez Dérive 1 (1984) Dérive 2 (2006)

Dérive (1) Pour six Instruments Trés lent Immuable Ensemble Intercontemporain Dir : Pierre Boulez Sophie Cherrier,Flute - Alain Billard,Clarinette - Hae-Sun Kang,Violon - Eric-Maria Coutier,Violoncelle - Michel Cerruti,Vibraphone - Dimitri Vassikalis,Pianoforte Dérive (2) Pour onze Instruments Trés Rapide Ensemble Intercontemporain Dir : Pierre Boulez Didier Patean,Cor Anglais - Jerome Comte,Clarinette en La - Paul Riveaux,Basson - Jens McManama,Cor - Samuel Favre,Marimba - Michel Cerutti,Vibraphone - Sébastian Vichard,Pianoforte - Frédérique Cambreling,harpe - Hae-Sun Kang,Violon - Christophe Desjardins,Alto - Eric-Maria Couturier,Violoncelle. Enregistrement Public/Live Recording Concert enregistré à la Cité de la Musique le 12 Mars 2010.

published: 02 Sep 2014
views: 926

Pierre Boulez, Répons - Ensemble intercontemporain - Matthias Pintscher

Pierre Boulez, Répons - Ensemble intercontemporain - Matthias Pintscher

Order: Reorder
Duration: 46:35
Updated: 18 Dec 2015
views: 360

Pierre Boulez Répons pour six solistes, ensemble de chambre, sons électroniques et électronique temps réel Ensemble intercontemporain Matthias Pintscher, direc...

Pierre Boulez Répons pour six solistes, ensemble de chambre, sons électroniques et électronique temps réel Ensemble intercontemporain Matthias Pintscher, direction Réalisation informatique musicale Ircam Elektronische Verarbeitung der Musik Ircam Andrew Gerzso, Gilbert Nouno Enregistré à la Philharmonie de Paris – Philharmonie 1, le 11 juin 2015

wn.com/Pierre Boulez, Répons Ensemble Intercontemporain Matthias Pintscher

Pierre Boulez Répons pour six solistes, ensemble de chambre, sons électroniques et électronique temps réel Ensemble intercontemporain Matthias Pintscher, direction Réalisation informatique musicale Ircam Elektronische Verarbeitung der Musik Ircam Andrew Gerzso, Gilbert Nouno Enregistré à la Philharmonie de Paris – Philharmonie 1, le 11 juin 2015

published: 18 Dec 2015
views: 360

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author: uemahlerinterviews

Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler. Interview: Wolfgang Schaufler This inte......

Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler. Interview: Wolfgang Schaufler This inte...

wn.com/Ue Mahler Interview With Pierre Boulez

Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler. Interview: Wolfgang Schaufler This inte...

published: 25 Mar 2011
views: 10109
author: uemahlerinterviews

Pierre Boulez - Interview

Pierre Boulez - Interview

Order: Reorder
Duration: 4:21
Updated: 27 Jun 2014
views: 397
author: Polar Music Prize

Pierre Boulez, Laureate of the Polar Music Prize 1996, in a interview....

Pierre Boulez, Laureate of the Polar Music Prize 1996, in a interview.

wn.com/Pierre Boulez Interview

Pierre Boulez, Laureate of the Polar Music Prize 1996, in a interview.

published: 26 Mar 2013
views: 397
author: Polar Music Prize

The CSO Interviews: Pierre Boulez, pt. 1

The CSO Interviews: Pierre Boulez, pt. 1

Order: Reorder
Duration: 2:31
Updated: 09 Jun 2013
views: 24989
author: csowebmaster

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 1 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 1 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 1

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 1 of 10.

published: 15 May 2007
views: 24989
author: csowebmaster

The CSO Interviews: Pierre Boulez, pt. 2

The CSO Interviews: Pierre Boulez, pt. 2

Order: Reorder
Duration: 1:03
Updated: 16 Jul 2012
views: 6635
author: csowebmaster

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 2 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 2 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 2

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 2 of 10.

published: 15 May 2007
views: 6635
author: csowebmaster

The CSO Interviews: Pierre Boulez, pt. 3

The CSO Interviews: Pierre Boulez, pt. 3

Order: Reorder
Duration: 1:36
Updated: 16 Jul 2012
views: 4325
author: csowebmaster

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 3 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 3 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 3

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 3 of 10.

published: 15 May 2007
views: 4325
author: csowebmaster

The CSO Interviews: Pierre Boulez, pt. 5

The CSO Interviews: Pierre Boulez, pt. 5

Order: Reorder
Duration: 2:04
Updated: 11 Oct 2013
views: 2954
author: Chicago Symphony Orchestra

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 5 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 5 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 5

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 5 of 10.

published: 15 May 2007
views: 2954
author: Chicago Symphony Orchestra

The CSO Interviews: Pierre Boulez, pt. 6

The CSO Interviews: Pierre Boulez, pt. 6

Order: Reorder
Duration: 1:20
Updated: 16 Jul 2012
views: 2377
author: csowebmaster

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 6 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 6 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 6

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 6 of 10.

published: 15 May 2007
views: 2377
author: csowebmaster

The CSO Interviews: Pierre Boulez, pt. 8

The CSO Interviews: Pierre Boulez, pt. 8

Order: Reorder
Duration: 1:19
Updated: 16 Jan 2014
views: 2259
author: Chicago Symphony Orchestra

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 8 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 8 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 8

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 8 of 10.

published: 15 May 2007
views: 2259
author: Chicago Symphony Orchestra

The CSO Interviews: Pierre Boulez, pt. 9

The CSO Interviews: Pierre Boulez, pt. 9

Order: Reorder
Duration: 1:08
Updated: 15 May 2007
views: 2346

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 9 of 10...

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 9 of 10

wn.com/The Cso Interviews Pierre Boulez, Pt. 9

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 9 of 10

published: 15 May 2007
views: 2346

The CSO Interviews: Pierre Boulez, pt. 10

The CSO Interviews: Pierre Boulez, pt. 10

Order: Reorder
Duration: 2:09
Updated: 11 Oct 2013
views: 3889
author: Chicago Symphony Orchestra

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 10 of 10....

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 10 of 10.

wn.com/The Cso Interviews Pierre Boulez, Pt. 10

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 10 of 10.

published: 15 May 2007
views: 3889
author: Chicago Symphony Orchestra

Pierre Boulez dialogue avec Michele Dall'Ongaro à l'Institut culturel italien (12.12.12)

Pierre Boulez dialogue avec Michele Dall'Ongaro à l'Institut culturel italien (12.12.12)

Order: Reorder
Duration: 55:52
Updated: 31 Jul 2014
views: 3439
author: iicparigi

Dialogues d'Auteur / musique contemporaine / rencontre et concert Mercredi 12 décembre à 18h Pierre Boulez dialogue avec Michele Dall'Ongaro Pierre Boulez es......

Dialogues d'Auteur / musique contemporaine / rencontre et concert Mercredi 12 décembre à 18h Pierre Boulez dialogue avec Michele Dall'Ongaro Pierre Boulez es...

wn.com/Pierre Boulez Dialogue Avec Michele Dall'Ongaro À L'Institut Culturel Italien (12.12.12)

Dialogues d'Auteur / musique contemporaine / rencontre et concert Mercredi 12 décembre à 18h Pierre Boulez dialogue avec Michele Dall'Ongaro Pierre Boulez es...

published: 31 Dec 2012
views: 3439
author: iicparigi

Pierre Boulez interview 3sat.flv

Pierre Boulez interview 3sat.flv

Order: Reorder
Duration: 2:02
Updated: 12 May 2011
views: 2441
author: TheBackdoornews

...

wn.com/Pierre Boulez Interview 3Sat.Flv

published: 29 Dec 2009
views: 2441
author: TheBackdoornews

Pierre Boulez - Philippe Manoury

Pierre Boulez - Philippe Manoury

Order: Reorder
Duration: 1:41
Updated: 26 Dec 2013
views: 43436
author: duduchier

Pierre Boulez interview explaning realtime systems and instrumental interpretation questions. Early Max FTS system on NeXt at Ircam. Midi flute and midi pian......

Pierre Boulez interview explaning realtime systems and instrumental interpretation questions. Early Max FTS system on NeXt at Ircam. Midi flute and midi pian...

wn.com/Pierre Boulez Philippe Manoury

Pierre Boulez interview explaning realtime systems and instrumental interpretation questions. Early Max FTS system on NeXt at Ircam. Midi flute and midi pian...

published: 10 Jul 2007
views: 43436
author: duduchier

Interview Pierre Boulez in Parijs door Hans Haffmans

Interview Pierre Boulez in Parijs door Hans Haffmans

Order: Reorder
Duration: 2:44
Updated: 26 Jul 2013
views: 941
author: MatineeTV

Voor de documentaire rondom de uitvoering in de NTR ZaterdagMatinee van Pli Selon Pli reisde presentator Hans Haffmans en een cameraploeg van NTR Podium af n......

Voor de documentaire rondom de uitvoering in de NTR ZaterdagMatinee van Pli Selon Pli reisde presentator Hans Haffmans en een cameraploeg van NTR Podium af n...

wn.com/Interview Pierre Boulez In Parijs Door Hans Haffmans

Voor de documentaire rondom de uitvoering in de NTR ZaterdagMatinee van Pli Selon Pli reisde presentator Hans Haffmans en een cameraploeg van NTR Podium af n...

published: 10 Feb 2012
views: 941
author: MatineeTV

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Order: Reorder
Duration: 17:02
Updated: 28 May 2015
views: 6

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontempor...

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Enregistré en direct le 3 février 2015 à la Philharmonie de Paris, Grande Salle - Philharmonie 1

wn.com/Pierre Boulez, Pli Selon Pli (Don) Ensemble Intercontemporain Matthias Pintscher

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Enregistré en direct le 3 février 2015 à la Philharmonie de Paris, Grande Salle - Philharmonie 1

published: 28 May 2015
views: 6

Pierre Boulez dirige Patrice Chéreau et Roger Planchon - Archive vidéo INA

Pierre Boulez dirige Patrice Chéreau et Roger Planchon - Archive vidéo INA

Order: Reorder
Duration: 4:42
Updated: 13 Jun 2014
views: 356
author: Ina Société

28 decembre 1980 Mariage des firmes Erato-Gaumont, illustré par l'enregistrement de "L'Histoire du soldat" d'Igor STRAVINSKI dirigé par Michel GARCIN, avec P......

28 decembre 1980 Mariage des firmes Erato-Gaumont, illustré par l'enregistrement de "L'Histoire du soldat" d'Igor STRAVINSKI dirigé par Michel GARCIN, avec P...

wn.com/Pierre Boulez Dirige Patrice Chéreau Et Roger Planchon Archive Vidéo Ina

28 decembre 1980 Mariage des firmes Erato-Gaumont, illustré par l'enregistrement de "L'Histoire du soldat" d'Igor STRAVINSKI dirigé par Michel GARCIN, avec P...

published: 09 Jul 2012
views: 356
author: Ina Société

[Arthaus 100290] BOULEZ, Pierre: In Rehearsal

[Arthaus 100290] BOULEZ, Pierre: In Rehearsal

Order: Reorder
Duration: 3:26
Updated: 05 Mar 2014
views: 5245
author: naxosvideos

BOULEZ, Pierre: In Rehearsal (PAL) Boulez: In Rehearsal Vienna Philharmonic Orchestra Berg: Three Pieces for Orchestra op. 6 Boulez: Notations I ¡V IV (1945)......

BOULEZ, Pierre: In Rehearsal (PAL) Boulez: In Rehearsal Vienna Philharmonic Orchestra Berg: Three Pieces for Orchestra op. 6 Boulez: Notations I ¡V IV (1945)...

wn.com/Arthaus 100290 Boulez, Pierre In Rehearsal

BOULEZ, Pierre: In Rehearsal (PAL) Boulez: In Rehearsal Vienna Philharmonic Orchestra Berg: Three Pieces for Orchestra op. 6 Boulez: Notations I ¡V IV (1945)...

published: 15 Jun 2010
views: 5245
author: naxosvideos

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Pierre Boulez conducts Prokofiev's Scythian Suite ('live')
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Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)
Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...
Pierre Boulez "Anthèmes 2" Michael Barenboim, violin
live performamce Proms 2012 live electronics IRCAM.
Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)
Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...
Pierre Boulez Deuxième Sonate Pour Piano (Live)
I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif Pianoforte : Maurizio Pollini Auditorium Parco della Musica,Venerdì 18 Gennaio 2008 - Roma
Luciano Berio - Sinfonia - Pierre Boulez
Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle Singers Pierre Boulez, conductor Part Ⅰ 0:00 Part Ⅱ 6:59 Part Ⅲ 12:42 Part Ⅳ 25:16 Part Ⅴ 29:07
Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre
Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Lent IV. Rythmique III. Très modéré II. Très vif - Strident Ensemble Modern Orchestra : Pierre Boulez Enregistrement public/ Live recording Concert donné le 30 septembre 2007 à la salle Pleyel, émission radiophonique présentée et produite par Jean-Pierre Derrien et diffusée sur France Musique le 12 novem
Pierre Boulez - Repons (1) Film of performance
Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing Boulez conducting the piece with Pierre Laurent Aimard playing the...
Pierre Boulez - Live at the Louvre
Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentury music, and especially the work of Igor Stravinsky. His inspired ...
Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird
Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (The Firebird): Infernal dans of all Kashchei's subjects (1910 Ballet ...
Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE
Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreuth Festival Orchestra & Chorus Amfortas - Thomas Stewart Titurel - Kurt Böhme Gurnemanz - Josef Greindl Parsifal - Sándor Kónya Klingsor - Gustav Neidlinger Kundry - Astrid Varnay Alto Stimme - Ruth Hesse Knappe 1 - Ruth Hesse Knappe 2 - Elisabeth Schärtel Knappe 3 - Dieter Slembek Knappe 4 - Erwin Wohlfahrt
Boulez - Second Piano Sonata - I (live performance)
Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano Excerpted from my master's recital at the Manhattan School of Music...
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Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtson in Orleans, France. www.mattbengtson.com/video-boulez.html.
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Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez, conductor
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Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Jessye Norman, soprano Pierre Boulez, conductor
Derive 1 (1984) by Pierre Boulez
The Stony Brook Contemporary Chamber Players (CCP) performs Derive I by Pierre Boulez (b. 1925) conducted by Eduardo Leandro. Live concert on October 15, 200...
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A video and musical celebration of Pierre Boulez on the occasion of his 90th birthday. Live stream from the Ojai Music Festival 2015. Performers include: ICE, red fish blue fish, Melissa Hughes, Anna Bowen, Josephine Chan, Steven Schick, Charlotte Cannon, Margaret Cook, Colin Creveling, Derek Herman, Joseph Galizia, Nyle Kenning
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My performance of Pierre Boulez's Domaines pour clarinette seule, recorded live at Phillip T. Young Recital Hall, University of Victoria School of Music on M...

Pierre Boulez conducts Prokofiev's Scythian Suite ('live')

Pierre Boulez conducts Prokofiev's Scythian Suite ('live')

Order: Reorder
Duration: 21:06
Updated: 02 Sep 2014
views: 17445
author: violim

Pierre Boulez conducts the Cleveland Orchestra....

Pierre Boulez conducts the Cleveland Orchestra.

wn.com/Pierre Boulez Conducts Prokofiev's Scythian Suite ('live')

Pierre Boulez conducts the Cleveland Orchestra.

published: 28 Mar 2012
views: 17445
author: violim

Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)

Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)

Order: Reorder
Duration: 56:58
Updated: 27 Aug 2014
views: 4540
author: Berngay Lenny

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;......

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

wn.com/Pierre Boulez Bruckner Symphony No.9 In D Minor (2003 La Live)

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

published: 06 Oct 2013
views: 4540
author: Berngay Lenny

Pierre Boulez "Anthèmes 2" Michael Barenboim, violin

Pierre Boulez "Anthèmes 2" Michael Barenboim, violin

Order: Reorder
Duration: 19:51
Updated: 03 Aug 2014
views: 231
author: TheSvok

live performamce Proms 2012 live electronics IRCAM....

live performamce Proms 2012 live electronics IRCAM.

wn.com/Pierre Boulez Anthèmes 2 Michael Barenboim, Violin

live performamce Proms 2012 live electronics IRCAM.

published: 06 Jul 2014
views: 231
author: TheSvok

Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)

Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)

Order: Reorder
Duration: 58:18
Updated: 31 Jul 2014
views: 3927
author: Berngay Lenny

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;......

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

wn.com/Pierre Boulez Bruckner Symphony No.9 In D Minor (2001 Salzburg Live)

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

published: 03 Oct 2013
views: 3927
author: Berngay Lenny

Pierre Boulez Deuxième Sonate Pour Piano (Live)

Pierre Boulez Deuxième Sonate Pour Piano (Live)

Order: Reorder
Duration: 29:41
Updated: 07 Sep 2014
views: 191

I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif Pianoforte : Maurizio Pollini Auditorium Parco della Musica,Venerd...

I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif Pianoforte : Maurizio Pollini Auditorium Parco della Musica,Venerdì 18 Gennaio 2008 - Roma

wn.com/Pierre Boulez Deuxième Sonate Pour Piano (Live)

I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif Pianoforte : Maurizio Pollini Auditorium Parco della Musica,Venerdì 18 Gennaio 2008 - Roma

published: 07 Sep 2014
views: 191

Luciano Berio - Sinfonia - Pierre Boulez

Luciano Berio - Sinfonia - Pierre Boulez

Order: Reorder
Duration: 36:57
Updated: 25 May 2015
views: 20

Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle Singers Pierre Boulez, conductor Part Ⅰ 0:00 Part Ⅱ 6:59 Part Ⅲ 12:42 ...

Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle Singers Pierre Boulez, conductor Part Ⅰ 0:00 Part Ⅱ 6:59 Part Ⅲ 12:42 Part Ⅳ 25:16 Part Ⅴ 29:07

wn.com/Luciano Berio Sinfonia Pierre Boulez

Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle Singers Pierre Boulez, conductor Part Ⅰ 0:00 Part Ⅱ 6:59 Part Ⅲ 12:42 Part Ⅳ 25:16 Part Ⅴ 29:07

published: 25 May 2015
views: 20

Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre

Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre

Order: Reorder
Duration: 16:02
Updated: 26 May 2015
views: 8

Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Lent IV. Rythmique III. Très modéré II. Très vif - Strident Ensem...

Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Lent IV. Rythmique III. Très modéré II. Très vif - Strident Ensemble Modern Orchestra : Pierre Boulez Enregistrement public/ Live recording Concert donné le 30 septembre 2007 à la salle Pleyel, émission radiophonique présentée et produite par Jean-Pierre Derrien et diffusée sur France Musique le 12 novembre 2007. As of 1946, shortly after having composed these miniatures that are the 12 Notations pour piano , Pierre Boulez undertook the orchestration of 11 of them: ‘It was a simple transcription, quite primitive. I had no very elaborate orchestral thinking at that time’. So the job was abandoned and forgotten, if not for the material of one of the Notations recycled into a movement of Pli selon pli in 1958. And it was not until 1980 that Boulez came back to these youthful works: ‘My conducting experience, acquired up through 1978-79, when I again came across the manuscript of these pieces, enabled me to re-transcribe for orchestra, develop them so that they correspond better to my current taste and get down to the writing of the following, for I want to write 12 in all.’ As of 2013, five Notations pour orchestre have been composed: the first four (premiered on 18 June 1980 by the Orchestre de Paris, conducted by Daniel Barenboim) and the eighth (composed in 1997 in response to a commission from the Chicago Symphony and performed in Chicago on 14 January 1999). Independent pieces, these Notations can be performed in the order ‘recommended’ by the composer: I, IV, III, II (successively: Modéré fantasque , Rythmique , Très modéré , Très vif, strident ) and inserting the seventh piece, as he himself did for the concert he conducted in Vienna on the occasion of his 85th birthday, between Notations I and IV .It is less a transcription, a fairly current process in classical music, than a re-composition and expansion of the original pieces. This can already be seen in the playing times, which are practically doubled; the orchestral forces, of exceptional size (4 flutes, 4 oboes, 5 clarinets, 4 bassoons, 6 horns, 4 trumpets, 4 trombones, tuba, 8 percussion, piano, celesta, 3 harps and a large ensemble of strings), also attest to this. Frequenting a large Wagnerian/Mahlerian orchestra doubtless played a major role in this choice; but aside from the transition to a different format, this is a gesture of a different scope. As notes Robert Piencikowski: ‘This is not a simple exercise in style wherein the conductor might enjoy showing what he’s capable of in terms of the savoir-faire acquired in contact with huge symphony orchestras, but indeed a reflection on the art of spreading out a development over a limited amount of time, an extension of the musical gesture on an enlarged space. Hence the immediate sound effectiveness of these transcriptions, playing on the contrasted alternation between contemplative passages and bravura pieces. They are as concentrated and blazing as certain pieces by Webern, as meticulously realized as certain ‘transcriptions’ by Ravel. And as virtuosic in their construction as in their execution. ‘I like to put myself in danger,’ acknowledges Boulez concerning Notation II , the most difficult and breathtaking, ‘a spark of time that sets our perception ablaze,’ to quote Eric Humbertclaude’s nice phrase.

wn.com/Pierre Boulez Notations I Iv (1980) Et Vii (1999) Pour Grand Orchestre

Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Lent IV. Rythmique III. Très modéré II. Très vif - Strident Ensemble Modern Orchestra : Pierre Boulez Enregistrement public/ Live recording Concert donné le 30 septembre 2007 à la salle Pleyel, émission radiophonique présentée et produite par Jean-Pierre Derrien et diffusée sur France Musique le 12 novembre 2007. As of 1946, shortly after having composed these miniatures that are the 12 Notations pour piano , Pierre Boulez undertook the orchestration of 11 of them: ‘It was a simple transcription, quite primitive. I had no very elaborate orchestral thinking at that time’. So the job was abandoned and forgotten, if not for the material of one of the Notations recycled into a movement of Pli selon pli in 1958. And it was not until 1980 that Boulez came back to these youthful works: ‘My conducting experience, acquired up through 1978-79, when I again came across the manuscript of these pieces, enabled me to re-transcribe for orchestra, develop them so that they correspond better to my current taste and get down to the writing of the following, for I want to write 12 in all.’ As of 2013, five Notations pour orchestre have been composed: the first four (premiered on 18 June 1980 by the Orchestre de Paris, conducted by Daniel Barenboim) and the eighth (composed in 1997 in response to a commission from the Chicago Symphony and performed in Chicago on 14 January 1999). Independent pieces, these Notations can be performed in the order ‘recommended’ by the composer: I, IV, III, II (successively: Modéré fantasque , Rythmique , Très modéré , Très vif, strident ) and inserting the seventh piece, as he himself did for the concert he conducted in Vienna on the occasion of his 85th birthday, between Notations I and IV .It is less a transcription, a fairly current process in classical music, than a re-composition and expansion of the original pieces. This can already be seen in the playing times, which are practically doubled; the orchestral forces, of exceptional size (4 flutes, 4 oboes, 5 clarinets, 4 bassoons, 6 horns, 4 trumpets, 4 trombones, tuba, 8 percussion, piano, celesta, 3 harps and a large ensemble of strings), also attest to this. Frequenting a large Wagnerian/Mahlerian orchestra doubtless played a major role in this choice; but aside from the transition to a different format, this is a gesture of a different scope. As notes Robert Piencikowski: ‘This is not a simple exercise in style wherein the conductor might enjoy showing what he’s capable of in terms of the savoir-faire acquired in contact with huge symphony orchestras, but indeed a reflection on the art of spreading out a development over a limited amount of time, an extension of the musical gesture on an enlarged space. Hence the immediate sound effectiveness of these transcriptions, playing on the contrasted alternation between contemplative passages and bravura pieces. They are as concentrated and blazing as certain pieces by Webern, as meticulously realized as certain ‘transcriptions’ by Ravel. And as virtuosic in their construction as in their execution. ‘I like to put myself in danger,’ acknowledges Boulez concerning Notation II , the most difficult and breathtaking, ‘a spark of time that sets our perception ablaze,’ to quote Eric Humbertclaude’s nice phrase.

published: 26 May 2015
views: 8

Pierre Boulez - Repons (1) Film of performance

Pierre Boulez - Repons (1) Film of performance

Order: Reorder
Duration: 9:50
Updated: 17 Jun 2014
views: 12530
author: Andrew Toovey

Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing Boulez conducting the piece with Pierre Laurent Aimard playing the......

Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing Boulez conducting the piece with Pierre Laurent Aimard playing the...

wn.com/Pierre Boulez Repons (1) Film Of Performance

Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing Boulez conducting the piece with Pierre Laurent Aimard playing the...

published: 01 Jun 2012
views: 12530
author: Andrew Toovey

Pierre Boulez - Live at the Louvre

Pierre Boulez - Live at the Louvre

Order: Reorder
Duration: 3:12
Updated: 30 Jul 2014
views: 485
author: EuroArtsChannel

Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentury music, and especially the work of Igor Stravinsky. His inspired ......

Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentury music, and especially the work of Igor Stravinsky. His inspired ...

wn.com/Pierre Boulez Live At The Louvre

Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentury music, and especially the work of Igor Stravinsky. His inspired ...

published: 10 May 2011
views: 485
author: EuroArtsChannel

Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird

Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird

Order: Reorder
Duration: 2:59
Updated: 10 Jul 2014
views: 14943
author: medici.tv

Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (The Firebird): Infernal dans of all Kashchei's subjects (1910 Ballet ......

Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (The Firebird): Infernal dans of all Kashchei's subjects (1910 Ballet ...

wn.com/Pierre Boulez Conducts The Infernal Dance From Stravinsky's Firebird

Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (The Firebird): Infernal dans of all Kashchei's subjects (1910 Ballet ...

published: 29 Dec 2010
views: 14943
author: medici.tv

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE

Order: Reorder
Duration: 230:14
Updated: 23 Oct 2014
views: 12

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreuth Festival Orchestra & Chorus Amfortas - Thomas Stewart Titurel - Kur...

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreuth Festival Orchestra & Chorus Amfortas - Thomas Stewart Titurel - Kurt Böhme Gurnemanz - Josef Greindl Parsifal - Sándor Kónya Klingsor - Gustav Neidlinger Kundry - Astrid Varnay Alto Stimme - Ruth Hesse Knappe 1 - Ruth Hesse Knappe 2 - Elisabeth Schärtel Knappe 3 - Dieter Slembek Knappe 4 - Erwin Wohlfahrt Blumenmädchen 1 - Anja Silja Blumenmädchen 2 - Dorothea Siebert Blumenmädchen 3 - Lily Sauter Blumenmädchen 4 - Rita Bartos Blumenmädchen 5 - Helga Dernesch Blumenmädchen 6 - Sona Cervená Ritter 1 - Hermann Winkler Ritter 2 - Gerd Nienstedt Wagner

wn.com/Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 Live

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreuth Festival Orchestra & Chorus Amfortas - Thomas Stewart Titurel - Kurt Böhme Gurnemanz - Josef Greindl Parsifal - Sándor Kónya Klingsor - Gustav Neidlinger Kundry - Astrid Varnay Alto Stimme - Ruth Hesse Knappe 1 - Ruth Hesse Knappe 2 - Elisabeth Schärtel Knappe 3 - Dieter Slembek Knappe 4 - Erwin Wohlfahrt Blumenmädchen 1 - Anja Silja Blumenmädchen 2 - Dorothea Siebert Blumenmädchen 3 - Lily Sauter Blumenmädchen 4 - Rita Bartos Blumenmädchen 5 - Helga Dernesch Blumenmädchen 6 - Sona Cervená Ritter 1 - Hermann Winkler Ritter 2 - Gerd Nienstedt Wagner

published: 23 Oct 2014
views: 12

Boulez - Second Piano Sonata - I (live performance)

Boulez - Second Piano Sonata - I (live performance)

Order: Reorder
Duration: 5:51
Updated: 19 Aug 2014
views: 3765
author: Christopher Goddard

Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano Excerpted from my master's recital at the Manhattan School of Music......

Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano Excerpted from my master's recital at the Manhattan School of Music...

wn.com/Boulez Second Piano Sonata I (Live Performance)

Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano Excerpted from my master's recital at the Manhattan School of Music...

published: 31 Dec 2012
views: 3765
author: Christopher Goddard

Pierre Boulez Sonata no. 1

Pierre Boulez Sonata no. 1

Order: Reorder
Duration: 10:04
Updated: 31 Aug 2014
views: 4799
author: Matthew Bengtson

Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtson in Orleans, France. www.mattbengtson.com/video-boulez.html....

Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtson in Orleans, France. www.mattbengtson.com/video-boulez.html.

wn.com/Pierre Boulez Sonata No. 1

Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtson in Orleans, France. www.mattbengtson.com/video-boulez.html.

published: 09 Mar 2012
views: 4799
author: Matthew Bengtson

Debussy - Prélude à l'après-midi d'un faune - Pierre Boulez

Debussy - Prélude à l'après-midi d'un faune - Pierre Boulez

Order: Reorder
Duration: 8:52
Updated: 25 May 2015
views: 19

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez, conductor...

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez, conductor

wn.com/Debussy Prélude À L'Après Midi D'un Faune Pierre Boulez

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez, conductor

published: 25 May 2015
views: 19

Berg - Sieben frühe Lieder - Jessye Norman/Pierre Boulez

Berg - Sieben frühe Lieder - Jessye Norman/Pierre Boulez

Order: Reorder
Duration: 17:29
Updated: 25 May 2015
views: 33

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Jessye Norman, soprano Pierre Boulez, conductor...

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Jessye Norman, soprano Pierre Boulez, conductor

wn.com/Berg Sieben Frühe Lieder Jessye Norman Pierre Boulez

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Jessye Norman, soprano Pierre Boulez, conductor

published: 25 May 2015
views: 33

Derive 1 (1984) by Pierre Boulez

Derive 1 (1984) by Pierre Boulez

Order: Reorder
Duration: 7:09
Updated: 22 May 2013
views: 6875
author: Eduardo Leandro

The Stony Brook Contemporary Chamber Players (CCP) performs Derive I by Pierre Boulez (b. 1925) conducted by Eduardo Leandro. Live concert on October 15, 200......

The Stony Brook Contemporary Chamber Players (CCP) performs Derive I by Pierre Boulez (b. 1925) conducted by Eduardo Leandro. Live concert on October 15, 200...

wn.com/Derive 1 (1984) By Pierre Boulez

The Stony Brook Contemporary Chamber Players (CCP) performs Derive I by Pierre Boulez (b. 1925) conducted by Eduardo Leandro. Live concert on October 15, 200...

published: 25 Jun 2009
views: 6875
author: Eduardo Leandro

Pierre Boulez - Memorial (...explosate - fixe...Originel)

Pierre Boulez - Memorial (...explosate - fixe...Originel)

Order: Reorder
Duration: 7:10
Updated: 27 Aug 2014
views: 3978
author: eshedilan45

Guy Eshed - Flute Daniel Barenboim - conductor Members of the West - Eastern Divan Orchestra Live performance from the Salzburg Mozarteum, Salzburg Festival ......

Guy Eshed - Flute Daniel Barenboim - conductor Members of the West - Eastern Divan Orchestra Live performance from the Salzburg Mozarteum, Salzburg Festival ...

wn.com/Pierre Boulez Memorial (...Explosate Fixe...Originel)

Guy Eshed - Flute Daniel Barenboim - conductor Members of the West - Eastern Divan Orchestra Live performance from the Salzburg Mozarteum, Salzburg Festival ...

published: 21 Jan 2011
views: 3978
author: eshedilan45

Beyond the Score: A Pierre Dream

Beyond the Score: A Pierre Dream

Order: Reorder
Duration: 95:02
Updated: 11 Jun 2015
views: 82

A video and musical celebration of Pierre Boulez on the occasion of his 90th birthday. Live stream from the Ojai Music Festival 2015. Performers include: ICE,...

A video and musical celebration of Pierre Boulez on the occasion of his 90th birthday. Live stream from the Ojai Music Festival 2015. Performers include: ICE, red fish blue fish, Melissa Hughes, Anna Bowen, Josephine Chan, Steven Schick, Charlotte Cannon, Margaret Cook, Colin Creveling, Derek Herman, Joseph Galizia, Nyle Kenning

wn.com/Beyond The Score A Pierre Dream

A video and musical celebration of Pierre Boulez on the occasion of his 90th birthday. Live stream from the Ojai Music Festival 2015. Performers include: ICE, red fish blue fish, Melissa Hughes, Anna Bowen, Josephine Chan, Steven Schick, Charlotte Cannon, Margaret Cook, Colin Creveling, Derek Herman, Joseph Galizia, Nyle Kenning

published: 11 Jun 2015
views: 82

Boulez - Domaines pour clarinette seule (Liam Hockley, clarinet)

Boulez - Domaines pour clarinette seule (Liam Hockley, clarinet)

Order: Reorder
Duration: 14:28
Updated: 24 Jul 2014
views: 5151
author: Liam Hockley

My performance of Pierre Boulez's Domaines pour clarinette seule, recorded live at Phillip T. Young Recital Hall, University of Victoria School of Music on M......

My performance of Pierre Boulez's Domaines pour clarinette seule, recorded live at Phillip T. Young Recital Hall, University of Victoria School of Music on M...

wn.com/Boulez Domaines Pour Clarinette Seule (Liam Hockley, Clarinet)

My performance of Pierre Boulez's Domaines pour clarinette seule, recorded live at Phillip T. Young Recital Hall, University of Victoria School of Music on M...

published: 10 Feb 2012
views: 5151
author: Liam Hockley

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Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtstags von Franz Liszt im Jahr 2011 entstanden ist. Darin interpretieren Pierre Boulez am Dirigentenpult und Daniel Barenboim am Klavier gemeinsam mit der Staatskapelle Berlin Liszts zweites Klavierkonzert. Ergänzt wird das Programm von einem Werk Richard Wagners, dem "Siegfried-Idyll". Zum 200. Geburtstag von F
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BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

Order: Reorder
Duration: 38:09
Updated: 05 Sep 2014
views: 4117
author: ARCHIVOS BOESMI - ARTE Y CULTURA

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003....

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

wn.com/Bartok Concierto Para Orquesta Pierre Boulez Berlin Philarmonic 2003

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

published: 26 Dec 2013
views: 4117
author: ARCHIVOS BOESMI - ARTE Y CULTURA

Pierre Boulez - Explosante-Fixe

Pierre Boulez - Explosante-Fixe

Order: Reorder
Duration: 36:46
Updated: 22 Jul 2015
views: 505

...Explosante-Fixe... Transitoire VII - Interstitiel 1 Transitoire V - Interstitiel 2 Originel Composed By – Pierre Boulez Conductor – Pierre Bo...

...Explosante-Fixe... Transitoire VII - Interstitiel 1 Transitoire V - Interstitiel 2 Originel Composed By – Pierre Boulez Conductor – Pierre Boulez Orchestra [Ensemble] – Ensemble InterContemporain Technician [Ircam/electro-acoustic Realization] – Andrew Gerzso Recorded at IRCAM Espace De Projection, Paris October 1994

wn.com/Pierre Boulez Explosante Fixe

...Explosante-Fixe... Transitoire VII - Interstitiel 1 Transitoire V - Interstitiel 2 Originel Composed By – Pierre Boulez Conductor – Pierre Boulez Orchestra [Ensemble] – Ensemble InterContemporain Technician [Ircam/electro-acoustic Realization] – Andrew Gerzso Recorded at IRCAM Espace De Projection, Paris October 1994

published: 22 Jul 2015
views: 505

Andy Sommer - Une lecon de Pierre Boulez

Andy Sommer - Une lecon de Pierre Boulez

Order: Reorder
Duration: 49:58
Updated: 27 Jan 2014
views: 4442

...

wn.com/Andy Sommer Une Lecon De Pierre Boulez

published: 27 Jan 2014
views: 4442

Pierre Boulez - Piano Sonata No.3 (Complete)

Pierre Boulez - Piano Sonata No.3 (Complete)

Order: Reorder
Duration: 27:52
Updated: 28 Aug 2014
views: 9284
author: James Iman

Performance for the Steinway Society of Western Pennsylvania's afternoon recital series. Not perfect, but I'm generally pleased with how it came out....

Performance for the Steinway Society of Western Pennsylvania's afternoon recital series. Not perfect, but I'm generally pleased with how it came out.

wn.com/Pierre Boulez Piano Sonata No.3 (Complete)

Performance for the Steinway Society of Western Pennsylvania's afternoon recital series. Not perfect, but I'm generally pleased with how it came out.

published: 14 Mar 2013
views: 9284
author: James Iman

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert Nr. 2; Wagner - Siegfried-Idyll

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert Nr. 2; Wagner - Siegfried-Idyll

Order: Reorder
Duration: 43:00
Updated: 01 Sep 2015
views: 3

Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtstags von Franz Liszt im Jahr 2011 entstanden ist. Darin interpretieren P...

Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtstags von Franz Liszt im Jahr 2011 entstanden ist. Darin interpretieren Pierre Boulez am Dirigentenpult und Daniel Barenboim am Klavier gemeinsam mit der Staatskapelle Berlin Liszts zweites Klavierkonzert. Ergänzt wird das Programm von einem Werk Richard Wagners, dem "Siegfried-Idyll". Zum 200. Geburtstag von Franz Liszt fand beim „Klavier-Festival Ruhr“ 2011 nicht nur ein seltenes Gipfeltreffen statt, sondern auch eine aufregende und unerwartete Konstellation stand auf dem Programm: das Klavierkonzert Nr. 2 von Franz Liszt mit Daniel Barenboim am Flügel, dazu Richard Wagner, alles unter der Leitung von Pierre Boulez am Pult der Staatskapelle Berlin. Als Klaviervirtuose war Liszt schon zu Lebzeiten eine Legende. Aber vor allem war er für die zwei Interpreten dieses Konzertes einer der wichtigsten Wegbereiter der Moderne, ein Visionär, der wie kaum ein anderer die musikalische Sprache seiner Zeit beeinflusst hat. Nike Wagner, die Urenkelin Richard Wagners und ehemalige Leiterin des Kunstfestes Weimar, nannte ihren Ur-Urgroßvater Liszt einmal eine „exemplarische moderne Figur“, einen Künstler mit vielfachen Identitäten. Als Komponist schuf er die sprichwörtliche „Zukunftsmusik“ und als Dirigent förderte er die Musikrevolutionäre Berlioz, Schumann und besonders Wagner. Das Klavierkonzert Nr. 2 entwarf Liszt schon in den 1830er Jahren, damals reiste er als bewunderter und verehrter Virtuose durch die Konzertsäle Europas. Vollendet und uraufgeführt wurden sie aber erst etwa 20 Jahre später in Weimar. Kompositorisch bricht Liszt im zweiten Konzert mit der Tradition und verzichtet auf klar trennbare Sätze. Stattdessen entwickelt er aus kleinen Teilen, die verändert immer wiederkehren, eine große Konzert-Fantasie. Bei vielen seiner Zeitgenossen stieß er damit auf Unverständnis und Ablehnung. Die Beziehung Liszts zu Wagner ist vielschichtig: Den Komponisten Wagner förderte er wie kaum ein Zweiter, doch sein privates Verhältnis kühlte deutlich ab, als Wagner eine Affäre mit Liszts verheirateter Tochter Cosima begann. 1869 kam deren unehelicher Sohn Siegfried zur Welt. Aus Freude über die Geburt seines Kindes schrieb Wagner das „Siegfried-Idyll“. Er griff dabei sowohl auf Motive aus seiner Oper „Siegfried“ als auch auf ältere musikalische Einfälle zurück. Uraufgeführt wurde das Werk, das nie veröffentlicht werden sollte, an Cosimas 33. Geburtstag im Treppenhaus der gemeinsamen Villa in der Schweiz.

wn.com/Zum 90 Geburtstag Von Pierre Boulez Liszt Klavierkonzert Nr. 2 Wagner Siegfried Idyll

Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtstags von Franz Liszt im Jahr 2011 entstanden ist. Darin interpretieren Pierre Boulez am Dirigentenpult und Daniel Barenboim am Klavier gemeinsam mit der Staatskapelle Berlin Liszts zweites Klavierkonzert. Ergänzt wird das Programm von einem Werk Richard Wagners, dem "Siegfried-Idyll". Zum 200. Geburtstag von Franz Liszt fand beim „Klavier-Festival Ruhr“ 2011 nicht nur ein seltenes Gipfeltreffen statt, sondern auch eine aufregende und unerwartete Konstellation stand auf dem Programm: das Klavierkonzert Nr. 2 von Franz Liszt mit Daniel Barenboim am Flügel, dazu Richard Wagner, alles unter der Leitung von Pierre Boulez am Pult der Staatskapelle Berlin. Als Klaviervirtuose war Liszt schon zu Lebzeiten eine Legende. Aber vor allem war er für die zwei Interpreten dieses Konzertes einer der wichtigsten Wegbereiter der Moderne, ein Visionär, der wie kaum ein anderer die musikalische Sprache seiner Zeit beeinflusst hat. Nike Wagner, die Urenkelin Richard Wagners und ehemalige Leiterin des Kunstfestes Weimar, nannte ihren Ur-Urgroßvater Liszt einmal eine „exemplarische moderne Figur“, einen Künstler mit vielfachen Identitäten. Als Komponist schuf er die sprichwörtliche „Zukunftsmusik“ und als Dirigent förderte er die Musikrevolutionäre Berlioz, Schumann und besonders Wagner. Das Klavierkonzert Nr. 2 entwarf Liszt schon in den 1830er Jahren, damals reiste er als bewunderter und verehrter Virtuose durch die Konzertsäle Europas. Vollendet und uraufgeführt wurden sie aber erst etwa 20 Jahre später in Weimar. Kompositorisch bricht Liszt im zweiten Konzert mit der Tradition und verzichtet auf klar trennbare Sätze. Stattdessen entwickelt er aus kleinen Teilen, die verändert immer wiederkehren, eine große Konzert-Fantasie. Bei vielen seiner Zeitgenossen stieß er damit auf Unverständnis und Ablehnung. Die Beziehung Liszts zu Wagner ist vielschichtig: Den Komponisten Wagner förderte er wie kaum ein Zweiter, doch sein privates Verhältnis kühlte deutlich ab, als Wagner eine Affäre mit Liszts verheirateter Tochter Cosima begann. 1869 kam deren unehelicher Sohn Siegfried zur Welt. Aus Freude über die Geburt seines Kindes schrieb Wagner das „Siegfried-Idyll“. Er griff dabei sowohl auf Motive aus seiner Oper „Siegfried“ als auch auf ältere musikalische Einfälle zurück. Uraufgeführt wurde das Werk, das nie veröffentlicht werden sollte, an Cosimas 33. Geburtstag im Treppenhaus der gemeinsamen Villa in der Schweiz.

published: 01 Sep 2015
views: 3

Pierre Boulez, ...explosante-fixe... / Ensemble intercontemporain

Pierre Boulez, ...explosante-fixe... / Ensemble intercontemporain

Order: Reorder
Duration: 35:36
Updated: 16 Jun 2015
views: 414

Pierre Boulez … explosante-fixe … Sophie Cherrier, Marion Ralincourt, flûtes Emmanuelle Ophèle, flûte MIDI Ensemble intercontemporain Matthias Pintscher, dir...

Pierre Boulez … explosante-fixe … Sophie Cherrier, Marion Ralincourt, flûtes Emmanuelle Ophèle, flûte MIDI Ensemble intercontemporain Matthias Pintscher, direction Carlo Laurenzi, Andrew Gerzso, réalisation informatique musicale Ircam Enregistré en direct le 21 mars 2015 à la Philharmonie de Paris (Cité de la musique, salle des concerts - Philharmonie 2)

wn.com/Pierre Boulez, ...Explosante Fixe... Ensemble Intercontemporain

Pierre Boulez … explosante-fixe … Sophie Cherrier, Marion Ralincourt, flûtes Emmanuelle Ophèle, flûte MIDI Ensemble intercontemporain Matthias Pintscher, direction Carlo Laurenzi, Andrew Gerzso, réalisation informatique musicale Ircam Enregistré en direct le 21 mars 2015 à la Philharmonie de Paris (Cité de la musique, salle des concerts - Philharmonie 2)

published: 16 Jun 2015
views: 414

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48:50

Pierre Boulez - Dérive 2 (Proms 2012)

Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Diva...

published: 30 Oct 2012

author: Mandetriens

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Pierre Boulez - Dérive 2 (Proms 2012)

Pierre Boulez - Dérive 2 (Proms 2012)

published: 30 Oct 2012
views: 14320
author: Mandetriens
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Prom 9: Beethoven Cycle - Symphonies Nos. 1 & 2 Pierre Boulez - Dérive 2 West-Eastern Divan Orchestra Daniel Barenboim, conductor Royal Albert Hall, 20 July ...

19:18

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre doubl...

published: 30 Oct 2012

author: Mandetriens

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Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

Pierre Boulez - Dialogue de l'ombre double (Proms 2012)

published: 30 Oct 2012
views: 5060
author: Mandetriens
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Prom 10: Beethoven Cycle - Symphonies Nos. 3 & 4 Pierre Boulez - Dialogue de l'ombre double Jussef Eisa clarinet, Proms debut artist IRCAM live electronics W...

121:39

BBC Proms Beethoven - Symphony No. 5 & 6 2012

Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Lud...

published: 29 Sep 2013

author: 2013brb87

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BBC Proms Beethoven - Symphony No. 5 & 6 2012

BBC Proms Beethoven - Symphony No. 5 & 6 2012

published: 29 Sep 2013
views: 2082
author: 2013brb87
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Prom 12: Beethoven Cycle - Symphonies Nos. 5 & 6 23.07.2012, 7.30pm, Royal Albert Hall Ludwig van Beethoven - Symphony No. 6 in F major 'Pastoral', Op 68 (40...

43:23

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 ...

published: 03 May 2013

author: tarogogo

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Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

Beethoven Symphony No.7 Boulez / New York Philharmonic 1975

published: 03 May 2013
views: 868
author: tarogogo
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Beethoven Symphony No.7 Pierre Boulez / New York Philharmonic Orchestra 7 September, 1975 Berlin. ベートーヴェン交響曲第７番ピエール・ブーレーズ / ニューヨーク・...

24:37

Debussy La Mer New York Philharmonic Pierre Boulez

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with t...

published: 02 Oct 2014

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Debussy La Mer New York Philharmonic Pierre Boulez

Debussy La Mer New York Philharmonic Pierre Boulez

published: 02 Oct 2014
views: 33718

The New York Philharmonic performs Claude Debussy's La Mer three symphonic sketches with their former Musical Director Pierre Boulez as conductor. This performance is from the Philharmonic's 150th Anniversary concert telecast from 1992 at Avery Fisher Hall in NYC.

12:43

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

...

published: 17 Nov 2011

author: IsaacNewton1112

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Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

Salzburger Festspiele Eroffnungskonzert Conductor Pierre Boulez

published: 17 Nov 2011
views: 1022
author: IsaacNewton1112
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66:45

Pierre Boulez conducts Anton Webern

Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia f...

published: 04 Apr 2014

author: Classical Music11

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Pierre Boulez conducts Anton Webern

Pierre Boulez conducts Anton Webern

published: 04 Apr 2014
views: 477
author: Classical Music11
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Anton Webern (1883 - 1945) Conductor: Pierre Boulez Berliner Philharmoniker, Passacaglia for orchestra, Op. 1 Movements for string quartet, Op. 5: No. 1, Hef...

41:26

Zimerman Beirnstein play Beethoven 5th concertocomplete

Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener...

published: 25 May 2012

author: HussarenUndUlanen

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Zimerman Beirnstein play Beethoven 5th concertocomplete

Zimerman Beirnstein play Beethoven 5th concertocomplete

published: 25 May 2012
views: 621
author: HussarenUndUlanen
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Piano Concerto #5 in E flat major Op. 73 (Emperor) by Ludwig Van Beethoven with the Wiener Philharmoniker conducted by Leonard Bernstein. Mvt. 3. Rondo: Alle...

9:23

Overture to Egmont (Salmon Del Real)

Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Gue...

published: 30 Mar 2012

author: Miguel Salmon Del Real

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Overture to Egmont (Salmon Del Real)

Overture to Egmont (Salmon Del Real)

published: 30 Mar 2012
views: 1172
author: Miguel Salmon Del Real
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Overture to Egmont. Ludwig van Beethoven Orquesta Sinfónica del Estado de Puebla, 2012 Guest conductor: Miguel Salmon Del Real, twitter: @miguelsdelreal http...

0:49

Medici.tv - Happy Birthday Pierre Boulez!

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez!...

published: 24 Mar 2015

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Medici.tv - Happy Birthday Pierre Boulez!

Medici.tv - Happy Birthday Pierre Boulez!

published: 24 Mar 2015
views: 17

Subscribe to our channel for more videos http://ow.ly/ugONZ Happy Birthday Pierre Boulez! This week medici.tv celebrates the composer and conductor's 90th birthday with concerts and documentaries in video: http://bit.ly/1HvavPK Stravinsky, Firebird Orchestre de Paris Pierre Boulez conductor © MUSEEC / Medici.tv | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.

2:06

Boulez: Notation II / Boulez · Berliner Philharmoniker

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre...

published: 22 Sep 2009

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Boulez: Notation II / Boulez · Berliner Philharmoniker

Boulez: Notation II / Boulez · Berliner Philharmoniker

published: 22 Sep 2009
views: 53154

Full-length concert: http://www.digitalconcerthall.com/concert/41/?a=youtube&c;=true Pierre Boulez: Notation II / Pierre Boulez, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 6 June 2009 The Berliner Philharmoniker's Digital Concert Hall: http://dch.berliner-philharmoniker.de Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de

5:55

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Rea...

published: 10 Apr 2012

author: Miguel Salmon Del Real

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Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

Boulez masterclass 2005 at the Lucerne Academy. Miguel Salmon Del Real, academy conductor.

published: 10 Apr 2012
views: 2643
author: Miguel Salmon Del Real
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Pierre Boulez conducting masterclass. Lucerne Academy. August, 2005. Miguel Salmon Del Real, academy conductor. Twitter: @miguelsdelreal On "Amériques" by Ed...

37:34

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano...

published: 02 Mar 2014

author: GreatPerformers1

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MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

MITSUKO UCHIDA ~ Beethoven Piano Concerto # 3 / Bavarian Radio Symphony Orchestra HD audio video

published: 02 Mar 2014
views: 62795
author: GreatPerformers1
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HD VIDEO AND AUDIO, Universally acclaimed pianist Mitsuko Uchida plays the Beethoven Piano Concerto # 3 in C major with The Bavarian Radio Symphony Orchestra...

3:38

Pierre Boulez- Emotion & Analysis

In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive e...

published: 25 Feb 2015

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Pierre Boulez- Emotion & Analysis

Pierre Boulez- Emotion & Analysis

published: 25 Feb 2015
views: 48

In honor of Pierre Boulez‘ 90th birthday, (26.3.2015) EuroArts will publish an extensive edition consisting of 10 DVDs, which will revolve around the most important milestones in the incredible career of the great conductor and composer. The booklet will have a considerable amount of 68 pages. Including nine legendary concert recordings from 1974 until 2009, featuring the Berliner Philharmoniker, the Staatskapelle Berlin, the Lucerne Festival Academy Orchestra, the Wiener Philharmoniker, the Orchestre de Paris, and naturally „his very own “Chicago Symphony Orchestra. Also featuring universally- known soloists such as Diana Damrau, Maria João Pires or Christine Schäfer, as well as the recordings with the New Philharmonia Orchestra (1968), and the BBC Symphony Orchestra (1974 und 1997). Furthermore, this edition will include a special recording of his most prominent composition: „Notations I-IV“ performed by the Chicago Symphony Orchestra and conducted by Daniel Barenboim. Supplemented by the highly absorbing documentaries, “ECLAT“, by Frank Scheffer, “A LESSON BY PIERRE BOULEZ“ by Andy Sommer, and the newly released interview documentary “EMOTION & ANALYSIS”, by Paul Smaczny and Günter Atteln, which is a follow up on the EUROPAKONZERT 2003, one does not only gain insights into the lives of the musicians but especially into that of their engaged teacher and personal mentor, Pierre Boulez. This broad compilation also introduces the documentary “INHERITING THE FUTURE OF MUSIC“, which revolves around Boulez‘ work with the young and aspiring musicians of the Lucerne Festival Academy Orchestra. View this product in our online-shop: http://shop.euroarts.com/index.php/pierre-boulez-emotion-analysis.html For more Information: http://www.euroarts.com/artikel/dvd/?id=006100_boulez_dvd_box

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34:16

Pierre Boulez, Structures I & II (Kontarsky/Kontarsky)

Pierre Boulez (1925--), Structures, for two pianos Premier livre (1952) 00:00 I. 03:36 II...

published: 19 Apr 2014

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Pierre Boulez, Structures I & II (Kontarsky/Kontarsky)

Pierre Boulez, Structures I & II (Kontarsky/Kontarsky)

published: 19 Apr 2014
views: 42649

Pierre Boulez (1925--), Structures, for two pianos Premier livre (1952) 00:00 I. 03:36 II. 12:19 III. Deuxième livre (1961) 14:41 I. 23:28 II. Alfons Kontarsky, piano Aloys Kontarsky, piano Artwork by Otto Freundlich

38:43

Pierre Boulez - Le Marteau sans maître (1955)

Le Marteau sans maître pour voix d’alto et six instruments 1. Avant l’Artisanat furieux....

published: 20 Jan 2015

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Pierre Boulez - Le Marteau sans maître (1955)

Pierre Boulez - Le Marteau sans maître (1955)

published: 20 Jan 2015
views: 16

Le Marteau sans maître pour voix d’alto et six instruments 1. Avant l’Artisanat furieux. Rapide 2. Commentaire I de Bourreaux de solitude. Lent 3. L’Artisanat furieux. Modéré sans rigeur 4. Commentaire II de Bourreaux de solitude. Rapide 5. Bel édifice et les pressentiments version première. Assez vif 6. Bourreaux de solitude.Assez lent 7. Après l’Artisanat furieux . Rapide 8. Commentaire III de Bourreaux de solitude. Assez lent 9. Bel édifice et les pressentiments double. Tempo libre de récit Hilary Summers, mezzo-soprano Ensemble intercontemporain : Pierre Boulez (Emmanuelle Ophèle, flûte en sol - Marie-Thérèse Ghirardi, guitare - Odile Auboin, alto Vincent Bauer, vibraphone - Samuel Favre, xylorimba - Michel Cerutti, percussion P 2005 . Deutsche Grammophon GmbH, Hambourg, un label Universal Music

59:39

Master-class Pierre Boulez - 1ère partie

14-15/11/2009 Etudiants de la classe de direction d'orchestre de Zolt Nagy Orchestre de La...

published: 18 Feb 2015

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Master-class Pierre Boulez - 1ère partie

Master-class Pierre Boulez - 1ère partie

published: 18 Feb 2015
views: 13447

14-15/11/2009 Etudiants de la classe de direction d'orchestre de Zolt Nagy Orchestre de Lauréats du Conservatoire OLC Entretien Edouard Fouré Caul-Futy Le mandarin merveilleux " Bela Bartok Direction Alexandra Cravero - Alexandre Bloch Les 14 et 15 novembre 2009, une master-classe réunissait au Conservatoire de Paris, Pierre Boulez et neuf étudiants de la classe de direction de Zsolt Nagy et l'OLC. A l'issue de ces séances Edouard Fouré Caul-Futy s'est entretenu avec Pierre Boulez et Zsolt Nagy. Ce film reprend les meilleurs moments de ces deux journées enrichis de larges extraits des entretiens avec Zsolt Nagy et Pierre Boulez. Réalisation : Service audiovisuel du Conservatoire de Paris Olivier Maucotel, Roland Broisin, Olivier Banon, Noël Labiche, François Chevreau, cadreurs Jean-Christophe Messonnier, son Mariette Girard, assistante son Véronique Carbel, sonorisation Catherine de Boishéraud, direction artistique Baptiste chouquet, conseiller musical Agnès Démaret, assistante de réalisation et montage Roland Bouveresse, réalisation

87:24

Mahler - Symphony n°2 - Resurrection (Boulez - Damrau, Lang)

Public TV broadcast....

published: 04 Feb 2014

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Mahler - Symphony n°2 - Resurrection (Boulez - Damrau, Lang)

Mahler - Symphony n°2 - Resurrection (Boulez - Damrau, Lang)

published: 04 Feb 2014
views: 49768

Public TV broadcast.

19:07

Pierre Boulez talks about his music

In this comprehensive interview, Pierre Boulez talks to Universal Edition about his works....

published: 14 May 2012

author: Universal Edition

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Pierre Boulez talks about his music

Pierre Boulez talks about his music

published: 14 May 2012
views: 23084
author: Universal Edition
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In this comprehensive interview, Pierre Boulez talks to Universal Edition about his works. http://www.universaledition.com/boulez Interview: Wolfgang Schaufler.

41:14

Pierre Boulez – Répons

Recorded live at Tokyo Bay N.K. Hall, 23 May 1995 Ensemble Intercontemporain Pierre Boulez...

published: 25 May 2015

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Pierre Boulez – Répons

Pierre Boulez – Répons

published: 25 May 2015
views: 5114

Recorded live at Tokyo Bay N.K. Hall, 23 May 1995 Ensemble Intercontemporain Pierre Boulez, conductor

42:32

Pierre Boulez Répons (1981-1984)

Pour six solistes,ensemble de chambre,sons électroniques et électronique en direct. I ...

published: 31 Aug 2014

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Pierre Boulez Répons (1981-1984)

Pierre Boulez Répons (1981-1984)

published: 31 Aug 2014
views: 9328

Pour six solistes,ensemble de chambre,sons électroniques et électronique en direct. I Introduction II section 1 III section 2 IV section 3 V section 4 VI section 5 VII section 6 VIII section 7 IX section 8 X Coda Ensemble Intercontemporain Dir - Pierre Boulez ( Dimitri Vassilikis - Florent Boffard, Pianos I et II - Frédérique Cambreling, harp - Vincent Bauer, vibraphone - Daniel Ciampolini, Xylophone et Glockenspiel - Michel Cerruti Cymbalum )

10:26

Pierre Boulez - Piano Sonata No. 1

Piano Sonata No. 1 (1946) I. Lent -- Beaucoup plus allant II. Assez large -- Rapide Idil B...

published: 10 Mar 2011

author: pelodelperro

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Pierre Boulez - Piano Sonata No. 1

Pierre Boulez - Piano Sonata No. 1

published: 10 Mar 2011
views: 8831
author: pelodelperro
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Piano Sonata No. 1 (1946) I. Lent -- Beaucoup plus allant II. Assez large -- Rapide Idil Biret, piano Pierre Boulez composed his First Piano Sonata in 1946. ...

48:47

Pierre Boulez. Dérive 2 directed by Boulez (48 m.)

Other versions in my canal. Version by Boulez (15m.) http://www.youtube.com/watch?v=vQIi05...

published: 19 Dec 2012

author: Silicua hibrido

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Pierre Boulez. Dérive 2 directed by Boulez (48 m.)

Pierre Boulez. Dérive 2 directed by Boulez (48 m.)

published: 19 Dec 2012
views: 8901
author: Silicua hibrido
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Other versions in my canal. Version by Boulez (15m.) http://www.youtube.com/watch?v=vQIi05zCrQw Version by Baremboin (48m.) http://www.youtube.com/watch?v=Vi...

11:11

Simon Rattle on Pierre Boulez

Visit us on: http://musiksalon.universaledition.com/ Besuchen Sie uns auf: http://musiksa...

published: 16 Mar 2015

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Simon Rattle on Pierre Boulez

Simon Rattle on Pierre Boulez

published: 16 Mar 2015
views: 47

Visit us on: http://musiksalon.universaledition.com/ Besuchen Sie uns auf: http://musiksalon.universaledition.com/

6:07

Pierre Boulez - Piano Sonata no.2 mvt.1

Pierre Boulez - Piano Sonata no.2 mvt.1...

published: 17 Sep 2015

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Pierre Boulez - Piano Sonata no.2 mvt.1

Pierre Boulez - Piano Sonata no.2 mvt.1

published: 17 Sep 2015
views: 27

Pierre Boulez - Piano Sonata no.2 mvt.1

25:27

Pierre Boulez Troisième Sonate pour piano

Paavali Jumppanen plays Boulez Third Sonata...

published: 28 Dec 2014

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Pierre Boulez Troisième Sonate pour piano

Pierre Boulez Troisième Sonate pour piano

published: 28 Dec 2014
views: 24

Paavali Jumppanen plays Boulez Third Sonata

17:02

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo...

published: 28 May 2015

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Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

Pierre Boulez, Pli selon pli (Don) - Ensemble intercontemporain - Matthias Pintscher

published: 28 May 2015
views: 6

Pli selon pli (1/5) Portrait de Mallarmé pour soprano et orchestre Don Marisol Montalvo, soprano Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Enregistré en direct le 3 février 2015 à la Philharmonie de Paris, Grande Salle - Philharmonie 1

18:43

RAVEL - LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003....

published: 25 Dec 2013

author: ARCHIVOS BOESMI - ARTE Y CULTURA

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RAVEL - LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

RAVEL - LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

published: 25 Dec 2013
views: 15561
author: ARCHIVOS BOESMI - ARTE Y CULTURA
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EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

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19:07

Pierre Boulez talks about his music

In this comprehensive interview, Pierre Boulez talks to Universal Edition about his works....

published: 14 May 2012

author: Universal Edition

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Pierre Boulez talks about his music

Pierre Boulez talks about his music

published: 14 May 2012
views: 23084
author: Universal Edition
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In this comprehensive interview, Pierre Boulez talks to Universal Edition about his works. http://www.universaledition.com/boulez Interview: Wolfgang Schaufler.

7:43

Interview with Pierre Boulez

The BBVA Foundation Frontiers of Knowledge Award in the Contemporary Music category goes i...

published: 22 Jan 2014

author: BBVA Foundation

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Interview with Pierre Boulez

Interview with Pierre Boulez

published: 22 Jan 2014
views: 2595
author: BBVA Foundation
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The BBVA Foundation Frontiers of Knowledge Award in the Contemporary Music category goes in this fifth edition to Pierre Boulez, in recognition that "he is n...

2:00

Interview de Pierre Boulez

Boulez à Canossa ?...

published: 13 May 2010

author: dramstat

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Interview de Pierre Boulez

Interview de Pierre Boulez

published: 13 May 2010
views: 8013
author: dramstat
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Boulez à Canossa ?

11:07

Pierre Boulez à propos de l'Edition Critique Claude Debussy

En 2012, à l'occasion du 150ème anniversaire de la naissance de Claude Debussy (22 août 18...

published: 09 Jan 2014

author: UMPClassical

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Pierre Boulez à propos de l'Edition Critique Claude Debussy

Pierre Boulez à propos de l'Edition Critique Claude Debussy

published: 09 Jan 2014
views: 1690
author: UMPClassical
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En 2012, à l'occasion du 150ème anniversaire de la naissance de Claude Debussy (22 août 1862 - 25 mars 1918) et de nombreux projets initiés par Durand-Salabe...

89:59

PIERRE BOULEZ interviewed in Hilton Amsterdam 0ct 28 1995/video Bas Andriessen

On october 28 in 1995 dutch music journalists Maarten Brandt & Paul Janssen interviewed co...

published: 04 Mar 2013

author: BAS ANDRIESSEN

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PIERRE BOULEZ interviewed in Hilton Amsterdam 0ct 28 1995/video Bas Andriessen

PIERRE BOULEZ interviewed in Hilton Amsterdam 0ct 28 1995/video Bas Andriessen

published: 04 Mar 2013
views: 1470
author: BAS ANDRIESSEN
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On october 28 in 1995 dutch music journalists Maarten Brandt & Paul Janssen interviewed composer PIERRE BOULEZ in the Hilton hotel in Amsterdam. As I was def...

9:53

UE Mahler Interview with Pierre Boulez

Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to ...

published: 25 Mar 2011

author: uemahlerinterviews

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UE Mahler Interview with Pierre Boulez

UE Mahler Interview with Pierre Boulez

published: 25 Mar 2011
views: 10109
author: uemahlerinterviews
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Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler. Interview: Wolfgang Schaufler This inte...

4:21

Pierre Boulez - Interview

Pierre Boulez, Laureate of the Polar Music Prize 1996, in a interview....

published: 26 Mar 2013

author: Polar Music Prize

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Pierre Boulez - Interview

Pierre Boulez - Interview

published: 26 Mar 2013
views: 397
author: Polar Music Prize
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Pierre Boulez, Laureate of the Polar Music Prize 1996, in a interview.

2:31

The CSO Interviews: Pierre Boulez, pt. 1

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: csowebmaster

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The CSO Interviews: Pierre Boulez, pt. 1

The CSO Interviews: Pierre Boulez, pt. 1

published: 15 May 2007
views: 24989
author: csowebmaster
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 1 of 10.

1:03

The CSO Interviews: Pierre Boulez, pt. 2

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: csowebmaster

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The CSO Interviews: Pierre Boulez, pt. 2

The CSO Interviews: Pierre Boulez, pt. 2

published: 15 May 2007
views: 6635
author: csowebmaster
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 2 of 10.

1:36

The CSO Interviews: Pierre Boulez, pt. 3

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: csowebmaster

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The CSO Interviews: Pierre Boulez, pt. 3

The CSO Interviews: Pierre Boulez, pt. 3

published: 15 May 2007
views: 4325
author: csowebmaster
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 3 of 10.

2:04

The CSO Interviews: Pierre Boulez, pt. 5

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: Chicago Symphony Orchestra

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The CSO Interviews: Pierre Boulez, pt. 5

The CSO Interviews: Pierre Boulez, pt. 5

published: 15 May 2007
views: 2954
author: Chicago Symphony Orchestra
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 5 of 10.

1:20

The CSO Interviews: Pierre Boulez, pt. 6

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: csowebmaster

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The CSO Interviews: Pierre Boulez, pt. 6

The CSO Interviews: Pierre Boulez, pt. 6

published: 15 May 2007
views: 2377
author: csowebmaster
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 6 of 10.

1:19

The CSO Interviews: Pierre Boulez, pt. 8

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

author: Chicago Symphony Orchestra

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The CSO Interviews: Pierre Boulez, pt. 8

The CSO Interviews: Pierre Boulez, pt. 8

published: 15 May 2007
views: 2259
author: Chicago Symphony Orchestra
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This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 8 of 10.

1:08

The CSO Interviews: Pierre Boulez, pt. 9

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók...

published: 15 May 2007

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The CSO Interviews: Pierre Boulez, pt. 9

The CSO Interviews: Pierre Boulez, pt. 9

published: 15 May 2007
views: 2346

This spring, Conductor Emeritus Pierre Boulez talked to us about Beyond the Score®, Bartók, and Miraculous Mandarin. Part 9 of 10

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21:06

Pierre Boulez conducts Prokofiev's Scythian Suite ('live')

Pierre Boulez conducts the Cleveland Orchestra....

published: 28 Mar 2012

author: violim

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Pierre Boulez conducts Prokofiev's Scythian Suite ('live')

Pierre Boulez conducts Prokofiev's Scythian Suite ('live')

published: 28 Mar 2012
views: 17445
author: violim
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Pierre Boulez conducts the Cleveland Orchestra.

56:58

Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bru...

published: 06 Oct 2013

author: Berngay Lenny

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Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)

Pierre Boulez - Bruckner Symphony no.9 in D minor (2003 LA live)

published: 06 Oct 2013
views: 4540
author: Berngay Lenny
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Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

19:51

Pierre Boulez "Anthèmes 2" Michael Barenboim, violin

live performamce Proms 2012 live electronics IRCAM....

published: 06 Jul 2014

author: TheSvok

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Pierre Boulez "Anthèmes 2" Michael Barenboim, violin

Pierre Boulez "Anthèmes 2" Michael Barenboim, violin

published: 06 Jul 2014
views: 231
author: TheSvok
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live performamce Proms 2012 live electronics IRCAM.

58:18

Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)

Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bru...

published: 03 Oct 2013

author: Berngay Lenny

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Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)

Pierre Boulez - Bruckner Symphony no.9 in D minor (2001 Salzburg live)

published: 03 Oct 2013
views: 3927
author: Berngay Lenny
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Bruckner Symphony no.9 in D minor WAB 109 http://en.wikipedia.org/wiki/Symphony_No._9_(Bruckner) I. Feierlich, misterioso 00:00 II. Scherzo. Bewegt, lebhaft;...

29:41

Pierre Boulez Deuxième Sonate Pour Piano (Live)

I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif ...

published: 07 Sep 2014

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Pierre Boulez Deuxième Sonate Pour Piano (Live)

Pierre Boulez Deuxième Sonate Pour Piano (Live)

published: 07 Sep 2014
views: 191

I Extrémement Rapide II Lent III Modéré , Presque Vif IV Vif Pianoforte : Maurizio Pollini Auditorium Parco della Musica,Venerdì 18 Gennaio 2008 - Roma

36:57

Luciano Berio - Sinfonia - Pierre Boulez

Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle S...

published: 25 May 2015

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Luciano Berio - Sinfonia - Pierre Boulez

Luciano Berio - Sinfonia - Pierre Boulez

published: 25 May 2015
views: 20

Recorded live at Suntory Hall, Tokyo, 31 May 1995 Chicago Symphony Orchestra The Swingle Singers Pierre Boulez, conductor Part Ⅰ 0:00 Part Ⅱ 6:59 Part Ⅲ 12:42 Part Ⅳ 25:16 Part Ⅴ 29:07

16:02

Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre

Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Le...

published: 26 May 2015

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Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre

Pierre Boulez - Notations I-IV (1980) et VII (1999) pour grand orchestre

published: 26 May 2015
views: 8

Notations I-IV et VII, pour grand orchestre I. Fantasque et modéré VII. Hiératique - Lent IV. Rythmique III. Très modéré II. Très vif - Strident Ensemble Modern Orchestra : Pierre Boulez Enregistrement public/ Live recording Concert donné le 30 septembre 2007 à la salle Pleyel, émission radiophonique présentée et produite par Jean-Pierre Derrien et diffusée sur France Musique le 12 novembre 2007. As of 1946, shortly after having composed these miniatures that are the 12 Notations pour piano , Pierre Boulez undertook the orchestration of 11 of them: ‘It was a simple transcription, quite primitive. I had no very elaborate orchestral thinking at that time’. So the job was abandoned and forgotten, if not for the material of one of the Notations recycled into a movement of Pli selon pli in 1958. And it was not until 1980 that Boulez came back to these youthful works: ‘My conducting experience, acquired up through 1978-79, when I again came across the manuscript of these pieces, enabled me to re-transcribe for orchestra, develop them so that they correspond better to my current taste and get down to the writing of the following, for I want to write 12 in all.’ As of 2013, five Notations pour orchestre have been composed: the first four (premiered on 18 June 1980 by the Orchestre de Paris, conducted by Daniel Barenboim) and the eighth (composed in 1997 in response to a commission from the Chicago Symphony and performed in Chicago on 14 January 1999). Independent pieces, these Notations can be performed in the order ‘recommended’ by the composer: I, IV, III, II (successively: Modéré fantasque , Rythmique , Très modéré , Très vif, strident ) and inserting the seventh piece, as he himself did for the concert he conducted in Vienna on the occasion of his 85th birthday, between Notations I and IV .It is less a transcription, a fairly current process in classical music, than a re-composition and expansion of the original pieces. This can already be seen in the playing times, which are practically doubled; the orchestral forces, of exceptional size (4 flutes, 4 oboes, 5 clarinets, 4 bassoons, 6 horns, 4 trumpets, 4 trombones, tuba, 8 percussion, piano, celesta, 3 harps and a large ensemble of strings), also attest to this. Frequenting a large Wagnerian/Mahlerian orchestra doubtless played a major role in this choice; but aside from the transition to a different format, this is a gesture of a different scope. As notes Robert Piencikowski: ‘This is not a simple exercise in style wherein the conductor might enjoy showing what he’s capable of in terms of the savoir-faire acquired in contact with huge symphony orchestras, but indeed a reflection on the art of spreading out a development over a limited amount of time, an extension of the musical gesture on an enlarged space. Hence the immediate sound effectiveness of these transcriptions, playing on the contrasted alternation between contemplative passages and bravura pieces. They are as concentrated and blazing as certain pieces by Webern, as meticulously realized as certain ‘transcriptions’ by Ravel. And as virtuosic in their construction as in their execution. ‘I like to put myself in danger,’ acknowledges Boulez concerning Notation II , the most difficult and breathtaking, ‘a spark of time that sets our perception ablaze,’ to quote Eric Humbertclaude’s nice phrase.

9:50

Pierre Boulez - Repons (1) Film of performance

Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing...

published: 01 Jun 2012

author: Andrew Toovey

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Pierre Boulez - Repons (1) Film of performance

Pierre Boulez - Repons (1) Film of performance

published: 01 Jun 2012
views: 12530
author: Andrew Toovey
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Film of the first section of this fantastic Pierre Boulez composition Repons. Film showing Boulez conducting the piece with Pierre Laurent Aimard playing the...

3:12

Pierre Boulez - Live at the Louvre

Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentu...

published: 10 May 2011

author: EuroArtsChannel

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Pierre Boulez - Live at the Louvre

Pierre Boulez - Live at the Louvre

published: 10 May 2011
views: 485
author: EuroArtsChannel
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Composer and conductor Pierre Boulez is renowned for his interpretations of twentiethcentury music, and especially the work of Igor Stravinsky. His inspired ...

2:59

Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird

Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (Th...

published: 29 Dec 2010

author: medici.tv

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Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird

Pierre Boulez conducts the Infernal dance from Stravinsky's Firebird

published: 29 Dec 2010
views: 14943
author: medici.tv
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Full movie on http://www.medici.tv/#!/pierre-boulez-live-at-the-louvre L'Oiseau de feu (The Firebird): Infernal dans of all Kashchei's subjects (1910 Ballet ...

230:14

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreut...

published: 23 Oct 2014

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Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE

published: 23 Oct 2014
views: 12

Parsifal Konya Stewart Varnay Neidlinger Greindl Boulez 1966 LIVE Pierre Boulez Bayreuth Festival Orchestra & Chorus Amfortas - Thomas Stewart Titurel - Kurt Böhme Gurnemanz - Josef Greindl Parsifal - Sándor Kónya Klingsor - Gustav Neidlinger Kundry - Astrid Varnay Alto Stimme - Ruth Hesse Knappe 1 - Ruth Hesse Knappe 2 - Elisabeth Schärtel Knappe 3 - Dieter Slembek Knappe 4 - Erwin Wohlfahrt Blumenmädchen 1 - Anja Silja Blumenmädchen 2 - Dorothea Siebert Blumenmädchen 3 - Lily Sauter Blumenmädchen 4 - Rita Bartos Blumenmädchen 5 - Helga Dernesch Blumenmädchen 6 - Sona Cervená Ritter 1 - Hermann Winkler Ritter 2 - Gerd Nienstedt Wagner

5:51

Boulez - Second Piano Sonata - I (live performance)

Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano ...

published: 31 Dec 2012

author: Christopher Goddard

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Boulez - Second Piano Sonata - I (live performance)

Boulez - Second Piano Sonata - I (live performance)

published: 31 Dec 2012
views: 3765
author: Christopher Goddard
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Pierre Boulez: Piano Sonata no. 2 (1948) I. Extrêmement rapide Christopher Goddard, piano Excerpted from my master's recital at the Manhattan School of Music...

10:04

Pierre Boulez Sonata no. 1

Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtso...

published: 09 Mar 2012

author: Matthew Bengtson

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Pierre Boulez Sonata no. 1

Pierre Boulez Sonata no. 1

published: 09 Mar 2012
views: 4799
author: Matthew Bengtson
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Pierre Boulez's Premiere Sonate (Sonata no. 1) for piano as performed live by Matt Bengtson in Orleans, France. www.mattbengtson.com/video-boulez.html.

8:52

Debussy - Prélude à l'après-midi d'un faune - Pierre Boulez

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez,...

published: 25 May 2015

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Debussy - Prélude à l'après-midi d'un faune - Pierre Boulez

Debussy - Prélude à l'après-midi d'un faune - Pierre Boulez

published: 25 May 2015
views: 19

Recorded live at Suntory Hall, Tokyo, 19 May 1995 London Symphony Orchestra Pierre Boulez, conductor

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38:09

BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003....

published: 26 Dec 2013

author: ARCHIVOS BOESMI - ARTE Y CULTURA

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BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003

published: 26 Dec 2013
views: 4117
author: ARCHIVOS BOESMI - ARTE Y CULTURA
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EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS LISBOA - PORTUGAL - 1° DE MAYO DE 2003.

36:46

Pierre Boulez - Explosante-Fixe

...Explosante-Fixe... Transitoire VII - Interstitiel 1 Transitoire V - Interstitie...

published: 22 Jul 2015

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Pierre Boulez - Explosante-Fixe

Pierre Boulez - Explosante-Fixe

published: 22 Jul 2015
views: 505

...Explosante-Fixe... Transitoire VII - Interstitiel 1 Transitoire V - Interstitiel 2 Originel Composed By – Pierre Boulez Conductor – Pierre Boulez Orchestra [Ensemble] – Ensemble InterContemporain Technician [Ircam/electro-acoustic Realization] – Andrew Gerzso Recorded at IRCAM Espace De Projection, Paris October 1994

49:58

Andy Sommer - Une lecon de Pierre Boulez

...

published: 27 Jan 2014

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Andy Sommer - Une lecon de Pierre Boulez

Andy Sommer - Une lecon de Pierre Boulez

published: 27 Jan 2014
views: 4442

27:52

Pierre Boulez - Piano Sonata No.3 (Complete)

Performance for the Steinway Society of Western Pennsylvania's afternoon recital series. N...

published: 14 Mar 2013

author: James Iman

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Pierre Boulez - Piano Sonata No.3 (Complete)

Pierre Boulez - Piano Sonata No.3 (Complete)

published: 14 Mar 2013
views: 9284
author: James Iman
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Performance for the Steinway Society of Western Pennsylvania's afternoon recital series. Not perfect, but I'm generally pleased with how it came out.

43:00

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert Nr. 2; Wagner - Siegfried-Idyll

Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtsta...

published: 01 Sep 2015

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Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert Nr. 2; Wagner - Siegfried-Idyll

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert Nr. 2; Wagner - Siegfried-Idyll

published: 01 Sep 2015
views: 3

Als Hommage wiederholt ARTE ein ungewöhnliches Programm, das anlässlich des 200. Geburtstags von Franz Liszt im Jahr 2011 entstanden ist. Darin interpretieren Pierre Boulez am Dirigentenpult und Daniel Barenboim am Klavier gemeinsam mit der Staatskapelle Berlin Liszts zweites Klavierkonzert. Ergänzt wird das Programm von einem Werk Richard Wagners, dem "Siegfried-Idyll". Zum 200. Geburtstag von Franz Liszt fand beim „Klavier-Festival Ruhr“ 2011 nicht nur ein seltenes Gipfeltreffen statt, sondern auch eine aufregende und unerwartete Konstellation stand auf dem Programm: das Klavierkonzert Nr. 2 von Franz Liszt mit Daniel Barenboim am Flügel, dazu Richard Wagner, alles unter der Leitung von Pierre Boulez am Pult der Staatskapelle Berlin. Als Klaviervirtuose war Liszt schon zu Lebzeiten eine Legende. Aber vor allem war er für die zwei Interpreten dieses Konzertes einer der wichtigsten Wegbereiter der Moderne, ein Visionär, der wie kaum ein anderer die musikalische Sprache seiner Zeit beeinflusst hat. Nike Wagner, die Urenkelin Richard Wagners und ehemalige Leiterin des Kunstfestes Weimar, nannte ihren Ur-Urgroßvater Liszt einmal eine „exemplarische moderne Figur“, einen Künstler mit vielfachen Identitäten. Als Komponist schuf er die sprichwörtliche „Zukunftsmusik“ und als Dirigent förderte er die Musikrevolutionäre Berlioz, Schumann und besonders Wagner. Das Klavierkonzert Nr. 2 entwarf Liszt schon in den 1830er Jahren, damals reiste er als bewunderter und verehrter Virtuose durch die Konzertsäle Europas. Vollendet und uraufgeführt wurden sie aber erst etwa 20 Jahre später in Weimar. Kompositorisch bricht Liszt im zweiten Konzert mit der Tradition und verzichtet auf klar trennbare Sätze. Stattdessen entwickelt er aus kleinen Teilen, die verändert immer wiederkehren, eine große Konzert-Fantasie. Bei vielen seiner Zeitgenossen stieß er damit auf Unverständnis und Ablehnung. Die Beziehung Liszts zu Wagner ist vielschichtig: Den Komponisten Wagner förderte er wie kaum ein Zweiter, doch sein privates Verhältnis kühlte deutlich ab, als Wagner eine Affäre mit Liszts verheirateter Tochter Cosima begann. 1869 kam deren unehelicher Sohn Siegfried zur Welt. Aus Freude über die Geburt seines Kindes schrieb Wagner das „Siegfried-Idyll“. Er griff dabei sowohl auf Motive aus seiner Oper „Siegfried“ als auch auf ältere musikalische Einfälle zurück. Uraufgeführt wurde das Werk, das nie veröffentlicht werden sollte, an Cosimas 33. Geburtstag im Treppenhaus der gemeinsamen Villa in der Schweiz.

35:36

Pierre Boulez, ...explosante-fixe... / Ensemble intercontemporain

Pierre Boulez … explosante-fixe … Sophie Cherrier, Marion Ralincourt, flûtes Emmanuelle...

published: 16 Jun 2015

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Pierre Boulez, ...explosante-fixe... / Ensemble intercontemporain

Pierre Boulez, ...explosante-fixe... / Ensemble intercontemporain

published: 16 Jun 2015
views: 414

Pierre Boulez … explosante-fixe … Sophie Cherrier, Marion Ralincourt, flûtes Emmanuelle Ophèle, flûte MIDI Ensemble intercontemporain Matthias Pintscher, direction Carlo Laurenzi, Andrew Gerzso, réalisation informatique musicale Ircam Enregistré en direct le 21 mars 2015 à la Philharmonie de Paris (Cité de la musique, salle des concerts - Philharmonie 2)

BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ & BERLIN PH

BARTOK - CONCIERTO PARA ORQUESTA - PIERRE BOULEZ &...

Pierre Boulez - Explosante-Fixe

Pierre Boulez - Explosante-Fixe...

Andy Sommer - Une lecon de Pierre Boulez

Andy Sommer - Une lecon de Pierre Boulez...

Pierre Boulez - Piano Sonata No.3 (Complete)

Pierre Boulez - Piano Sonata No.3 (Complete)...

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavierkonzert

Zum 90 Geburtstag von Pierre Boulez: Liszt - Klavi...

Pierre Boulez, ...explosante-fixe... / Ensemble intercontemp

Pierre Boulez, ...explosante-fixe... / Ensemble in...

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photo: AP / Keith Ridler

Ammon Bundy speaks to reporters at the Malheur National Wildlife Refuge in Burns, Ore., on Thursday, Jan. 14, 2016.

In Oregon Standoff, Blood Soaked Ground Would Say Hell Occupied Earth

Edit WorldNews.com 18 Jan 2016

Article by WN.com Correspondent Dallas Darling. “I wonder if the ground has anything to say?” asked Little Chief at yet another council. His response was actually a rhetorical protest against U.S. officials forcing more Native Americans from their ancestral and communal lands. He added, “I wonder if the ground is listening to what is said…and if the ground would come alive and what is on it?” ... Paiutes Once Lived On Contested Land....

photo: US Army / Spc. Joshua Kruger

File - A boy in the Khogyani district of Nangarhar province, Afghanistan, watches as Afghan National Army Special Forces commandos secure buildings during a clearing operation Aug. 21, 2013.

Afghan Taliban flex muscles with new telecom 'tax'

Edit Dawn 18 Jan 2016

KANDAHAR. The Taliban have demanded a hefty new “protection tax” from Afghan mobile phone companies, industry and militant sources told AFP, as the resurgent group tightens its stranglehold on a rare successful business in a slumping war economy ... “They want us to pay the same amount paid to the government,” one of the officials who was at the gathering told AFP. “We told them that this will kill our business, but they said ... ....

photo: AP / Chris Pizzello/Invision

Rachel McAdams accepts the award for best acting ensemble for “Spotlight” at the 21st annual Critics' Choice Awards at the Barker Hangar on Sunday, Jan. 17, 2016, in Santa Monica, Calif.

Critics' Choice Awards 2016: 'Spotlight' takes top prize; 'Mad Max' wins big

Edit Syracuse 18 Jan 2016

LOS ANGELES — The investigative journalism drama "Spotlight" won the top prize at the Critics' Choice Awards on Sunday, while awards favorites Brie Larson and Leonardo DiCaprio won the top acting prizes for "Room" and "The Revenant .". Both actors won Golden Globe Awards and are considered front-runners for the Academy Awards, too. "Mad Max ... "Star Wars" director J.J ... But it was "Spotlight's" night in the end ... before the show began ... 28 ... ....

photo: UN / Sylvain Liechti

File - A schoolboy watches as a vehicle of the UN Organization Stabilization Mission in the Democratic Republic of the Congo (MONUSCO) negotiates a muddy road in the town of Pinga, North Kivu, 4 December, 2013.

UN peacekeepers in the DRC no longer trusted to protect

Edit Al Jazeera 18 Jan 2016

Androzo Bekere clearly remembers the attack on his village in Kalongo. Standing beside a graveyard where wooden crosses bear the names of those killed, he gestures towards a cluster of houses, abandoned by their inhabitants. "It was about four in the afternoon when we were told that armed men had captured a girl from here, in the field where she was farming," he said. "We called the army ... "The population is very hostile to MONUSCO ... ....

photo: WN / Aaron Gilbert

Novak Djokovic (SRB) in action against Joao Souza (BRA) during Round 1 of the 2015 US Open at the USTA Billy Jean King National Tennis Center in Flushing Meadows, New York August 31, 2015

Novak Djokovic says he was offered $200,000 to fix a match

Edit The Guardian 18 Jan 2016

• ‘I was approached through people working with me at that time’. • ‘There is no room for any match-fixing or corruption in our sport’. On a day of extended drama and fevered speculation, Novak Djokovic spoke publicly for the first time about being offered $200,000 (£140,000) to fix a match eight years ago though he vehemently defended his sport against accusers who allege match-fixing is widespread ... Related ... “Well... Twitter ... ....

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Lifetime Achievement Award Recipients Announced

Edit Inquisitr 16 Jan 2016

Each year, a select group of people are nominated to receive the Special Merit Awards. On Wednesday, January 13, the Recording Academy announced the 2016 Special Merit Awards recipients, including those who are to receive the prestigious Lifetime Achievement Award ... Run- D.M.C ... Thank you to the Recording Academy! ... Last year’s Lifetime Achievement Award recipients were the late classical composer Pierre Boulez and the Bee Gees ... ET/PT....

Pierre Boulez Remembered -- By David Loebel

Edit Huffington Post 15 Jan 2016

Pierre Boulez Remembered ... In the days since Pierre Boulez's death on January 5, innumerable tributes have hailed him as the dominant European composer and conductor of the post-war era ... Like his New York Philharmonic predecessor Leonard Bernstein, Boulez was a born teacher; this was the Boulez I was lucky enough to know ... My path crossed that of Boulez at two crucial times in my conducting life....

An influential and respected musician of international fame

Edit Sydney Morning Herald 15 Jan 2016

PIERRE BOULEZ 1925–2015. The composer and conductor Pierre Boulez was one of the seminal figures of music in the second half of the 20th century ... Boulez was born at Montbrison in the Loire Valley, on March 26, 1925 ... Boulez's first compositions, some of them later withdrawn, date from 1945 ... In about 1948, Boulez began to contribute trenchant articles to various periodicals....

Sophie Galaise appointed managing director of the Melbourne Symphony Orchestra

Edit Sydney Morning Herald 15 Jan 2016

Studying with the recently deceased French composer Pierre Boulez left Sophie Galaise with lifelong principles for her musical ......

Remembering David Bowie and Pierre Boulez

Edit Asbury Park Press 14 Jan 2016

I am lucky to have been on the planet during the lives and careers of these two geniuses.   . ... ....

L’enfant terrible

Edit The Economist 14 Jan 2016

FEW figures were cooler or calmer than Pierre Boulez on the podium. He conducted without a baton, lifting the phrases and flicking them away with long, elegant fingers ... Many said he was the finest conductor-composer since Richard Strauss ... ....

Run DMC to be first rap act to win Grammy lifetime achievement award

Edit The Guardian 14 Jan 2016

Herbie Hancock, late R&B singer Ruth Brown and Earth, Wind & Fire also among those due to be honoured at this year’s award ceremony in February. @guardianmusic ... Related ... Twitter ... Last year’s winners included late classical composer and visionary Pierre Boulez and the Bee Gees, while previous winners have ranged from Kraftwerk and Ella Fitzgerald to the Beach Boys, the Beatles, Louis Armstrong and Joni Mitchell . ....

Matthew Aucoin named Artist in Residence (Los Angeles Opera)

Edit Public Technologies 14 Jan 2016

(Source. Los Angeles Opera). 30th Anniversary Season. LA Opera names Matthew Aucoin. as its first ever Artist in Residence ... 'LA Opera has always fostered emerging artists and emphasized the creation of new works,' noted Mr ... Aucoin ... Mr ... Mr ... Mr ... From 2013 to 2015, he was the Solti Conducting Apprentice at the Chicago Symphony Orchestra, where he studied with Riccardo Muti and, in 2014, made his CSO debut subbing for an indisposed Pierre Boulez....

Pierre Boulez, a genious made of ice and fire

Edit Huffington Post 13 Jan 2016

Pierre Boulez was one of those figures who leave a lasting, indelible mark on the chronology of their art with a 'pre-' and a 'post-'. As a composer, he bequeathed a catalogue of boundless richness, which nurtured and influenced some of his greatest contemporaries ... Sir Simon Rattle relates a dinner he had as a young man at Boulez's home in Baden-Baden when he was his student ... 'To Pierre Boulez with all my admiration, Joan Mir�' ... ....

Pierre Boulez: 'He was one of the naughtiest of great artists'

Edit The Guardian 12 Jan 2016

Gerard McBurney, creator of multimedia performance A Pierre Dream, remembers his impish friend – the conductor, composer and provocateur. In November 2014, Chicago Symphony’s Orchestra’s Beyond the Score celebrated the life and work of Pierre Boulez ... And, below McBurney recollects Boulez. There are all sorts of ways to remember Pierre Boulez ... He looked at me sideways ... Boulez loved snobbery ... Pierre laughed gleefully, like a teenager ... ....

On Boulez: ' There is no point in pretending that I understand his music but it enthrals me'

Edit The Guardian 12 Jan 2016

The Observer’s Peter Heyworth writes about Pierre Boulez after a performance at the 1965 Edinburgh festival. In some ways Lord Harewood’s last hour at Edinburgh has been his finest, for one of the central themes of his final festival has been the music of Pierre Boulez ... But Boulez’s position derives primarily from his music ... that whereas Schoenberg came before the deluge, Boulez comes after it....

Generation Bowie, how lucky you are

Edit The Guardian 12 Jan 2016

As an 85-year-old I was puzzled by the extent of the coverage of David Bowie’s death until I read the pieces by John Harris and Suzanne Moore (Opinion, 12 January) ... • The whole of the front page, four inside pages, a 12-page supplement and an editorial devoted to David Bowie! Just a little out of proportion compared with the amount of space devoted to Pierre Boulez and Kurt Masur who were towering figures in the classical music field....

Pierre Boulez appreciation: he transformed our musical experience

Edit The Guardian 10 Jan 2016

An iconoclastic composer and thrilling conductor, Pierre Boulez changed the course of 20th-century music ... all the typically outspoken views of the great musical iconoclast of the late 20th century, composer, conductor, writer, theorist and thinker Pierre Boulez, who died last week after a long illness at the age of 90 ... Pierre Boulez, classical music's modern maverick....

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