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Sumptuary Laws And Social Hierarchy
Sumptuary Laws And Social Hierarchy
Sumptuary laws (from Latin sumptuariae leges) are laws that attempt to regulate permitted consumption. Black's Law Dictionary defines them as "Laws made for the purpose of restraining luxury or extravagance, particularly against inordinate expenditures in the matter of apparel, food, furniture, etc.Traditionally, they were laws that regulated and reinforced soci
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Horrible Histories Strange Tudor Laws
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HCM 2013 Sumptuary Laws
The History, Customs, and Manners Show at Scarborough Faire discuss Sumptuary Laws in Tudor England. This is from the 2013 season of Scarborough Faire. Learn what items each class was allowed to wear by law...
-
Horrible Histories Terrible Tudors money currency, Elizabeth I's clothing laws
Please read description! Horrible Histories
if you (owners) want to REMOVED this video, PLEASE CONTACT US DIRECTLY. We will(Respectfully) remove it. Uploading this for people who are unable to watch live or on iPlayer. I do not own any of this. All content belongs to the BBC. Enjoy :))) Horrible Histories
http://en.wikipedia.org/wiki/List_of_Horrible_Histories_episodes
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Sumptuary Laws
History Project for Shakespeare Class
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The Real Renaissance
The Renaissance, despite its glorious reputation, was actually a period of social, political, and religious struggle. This ten-minute program describes the realities of Renaissance life, including Tudor sumptuary laws enacted to make sure ordinary people did not dress "above their station."
-
Breaking News Sumptuary Laws
A skit on Sumptuary Laws
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Sumptuary Meaning
Video shows what sumptuary means. Relating to expense; regulating expense or expenditure.. Relating to a law; sumptuary laws or regulations, are those intended to restrain or limit the expenditure of citizens in apparel, food, furniture, etc.; laws which regulate the prices of commodities and the wages of labor; laws which forbid or restrict the use of certain articles, as of luxurious apparel..
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The glove
Paul 'scruffy' Martin tells the story of the glove. During the 13th century, gloves began to be worn by ladies as a fashion ornament. They were made of linen and silk, and sometimes reached to the elbow. Such worldly accoutrements were not for holy women, according to the early thirteenth-century Ancrene Wisse, written for their guidance. Sumptuary laws were promulgated to restrain this vanity: ag
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What Is A Sumptuary Tax?
Save on Amazon using this link http://www.amazon.com/?tag=23b8j-20
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Alan Watts - Not What Should Be, But What Is.
Sumptuary laws have no place in a truly free society. But when have we ever really been free? We are a pack animal and civilization is an extension of this evolutionary defense. Go against the status quo and you'll find it's not the gov't that holds you back but the ignorance of the majority that surrounds you.
I was a born again Christian until I started taking mind expanding drugs. The tr
-
History : French Revolution | Clothing and Notions of Beauty
High School History (Grade 9)
History : Clothing and Notions of Beauty
Summary
Animated video Lecture for Clothing and Notions of Beauty
Table of Contents[Show]
The French Revolution ended the sumptuary laws but now, a person’s earnings determined what he could wear. The poor still could not dress or eat like the rich.
During this time, the notion of what was beautiful or ugly, proper or impro
-
Nyla Matuk reads her poem "Anthropology of the Peanut" at The Manx - Ottawa October 28 2012
http://www.writersfestival.org
Poet NYLA MATUK reads "Anthropology of the Peanut"
from her new book of poetry Sumptuary Laws.
2012 Fall Edition Ottawa October 28, 2012
An afternoon of acclaimed poetry presented in partnership
with the Plan 99 Reading Series at The Manx Pub.
Nyla Matuk drew the inspiration for Sumptuary Laws from the feudal rules that once regulated social rank by legislatin
-
Ivy - House Burnin Boogie / Got No; Hope
Artist: Ivy
Album: Self Titled 12"
Release: 2014
Label: Katorga Works
Tracklist:
1. Got No; Instinct
2. Wardsback
3. 20' Oh's Willin 2.0
4. Boy's Gotta Go
5. 20' Oh's Willin 1.0
6. Sumptuary Laws
7. Arch-Foe
8. What You Know
9. Werkhorse
10. Antsy
11. House Burnin Boogie
12. Got No; Hope
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Renaissance English History Podcast Episode 035: Fashion & Clothing
Special thanks to Lindsay for the text suggesting this episode on fashion, clothing & sumptuary laws in Tudor and Elizabethan England. Show notes are at http://www.englandcast.com/show-notes/
You can now call or text the Listener Feedback line at 801 6-TEYSKO or 801 683-9756. If you like this podcast, please remember to rate it in your listening service of choice. You can also always contact me
-
Begin Japanology Special - Handicrafts Yuzen
The many and varied traditional handicrafts of Japan are officially recognized and protected. Some enjoy status as meibutsu, or regional specialties. Each craft demands a set of specialized skills. Textile crafts, for example, include silk, hemp, and cotton, woven (after spinning and dyeing) in forms from timeless folk designs to complex court patterns. Village crafts that evolved from ancient fol
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Ivy - Wardsback
Artist: Ivy
Album: Demo CS
Release: 2013
Label: Self-Released
Tracklist:
1. Twenty Oh's Wilin
2. The Sumptuary Laws
3. Werkhorse
4. What You Know
5. Antsy
6. Wardsback
7. Boy's Gotta Go
I've personally been waiting with bated breath for this demo to finally drop. True, being comprised of current and former members of Brown Sugar (Eddie on vocals!!), Deformity, and Weird TV (amongst others) can
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Poem: 'The Idea' by Edward Herbert (1583-1648)
MY BLOG:
http://homelibraryreading.wordpress.com/
MY READING STYLE METHOD USED HERE FOR THIS BOOK WAS:
Descriptive Analysis Reading -- which is expressive and intensive in reading for a deeper connection with the text. That is to help increase reading fluency by being read aloud and creates a critical interaction with the Reader, the Listener and includes both of their comprehension towards
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Venice
The waterways of Venice are its streets and the Gondoliers are its masters. The gondola is propelled by an oarsman (the gondolier) who stands facing the bow and pushes, rather than pulls, a single oar. Contrary to popular belief the gondola is never poled, as the waters of Venice are too deep. A gondola for passengers may have a small open cabin, for their protection against sun or rain. A sumptua
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Dressing the Indian woman through history
http://twitter.com/onlyfirstnews This week in India a man slapped actress Gauhar Khan on a TV set for wearing a "short dress" and news emerged of outrage in a Mumbai law college at a strict dress code imposed on students. Fashion historian Toolika Gupta looks at ideas of decorum in fashion across India through the ages.
Every country has its own erogenous zones. What many Indians today believe ar
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Council Tax; Do Your Council Deserve Any? Mine Dont.
A rant in "right" major about who should be the whipping boys those at the bottom or those at the top. Job seekers are sanctioned if they dont do it right, that means those with courage can now sanction the rich who got us all into this mess. Sick of years of sumptuary laws (austerity is the spin word)
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What are social classes?
Social class (or simply "class"), as in a class society, is a set of concepts in the social sciences and political theory centered on models of social stratification in which people are grouped into a set of hierarchical social categories, the most common being the upper, middle, and lower classes.
Original footage used in this video:
Competition and Dominance Hierarchies in Rats (1940)
de O.H.Mo
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Italy/Venice/Venedik/Venezia Gondola Highway (Beautiful) Part 75/84
Gondola:
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The gondola is propelled like punting, except an oar is used instead of a pole. For centuries gondolas were the chief means of transportation and most common watercraft within Venice. It is driven by a gondolier. In modern times the iconic boats still have a role in publ
Sumptuary Laws And Social Hierarchy
Sumptuary Laws And Social Hierarchy
Sumptuary laws (from Latin sumptuariae leges) are laws that attempt to regulate permitted consumption. Black's Law Dictionar...
Sumptuary Laws And Social Hierarchy
Sumptuary laws (from Latin sumptuariae leges) are laws that attempt to regulate permitted consumption. Black's Law Dictionary defines them as "Laws made for the purpose of restraining luxury or extravagance, particularly against inordinate expenditures in the matter of apparel, food, furniture, etc.Traditionally, they were laws that regulated and reinforced social hierarchies and morals through restrictions, often depending upon a person's social rank, on permitted clothing, food, and luxury expenditures.
Throughout history, societies have used sumptuary laws for a variety of purposes. They attempted to regulate the balance of trade by limiting the market for expensive imported goods. They were also an easy way to identify social rank and privilege, and often were used for social discrimination.This frequently meant preventing commoners from imitating the appearance of aristocrats and sometimes also to stigmatize disfavored groups. In the Late Middle Ages, sumptuary laws were instituted as a way for the nobility to cap the conspicuous consumption of the prosperous bourgeoisie of medieval cities, and they continued to be used for these purposes well into the 17th century.
Subscribe To Our Channel For More Educational Videos
https://goo.gl/n58OXc
wn.com/Sumptuary Laws And Social Hierarchy
Sumptuary Laws And Social Hierarchy
Sumptuary laws (from Latin sumptuariae leges) are laws that attempt to regulate permitted consumption. Black's Law Dictionary defines them as "Laws made for the purpose of restraining luxury or extravagance, particularly against inordinate expenditures in the matter of apparel, food, furniture, etc.Traditionally, they were laws that regulated and reinforced social hierarchies and morals through restrictions, often depending upon a person's social rank, on permitted clothing, food, and luxury expenditures.
Throughout history, societies have used sumptuary laws for a variety of purposes. They attempted to regulate the balance of trade by limiting the market for expensive imported goods. They were also an easy way to identify social rank and privilege, and often were used for social discrimination.This frequently meant preventing commoners from imitating the appearance of aristocrats and sometimes also to stigmatize disfavored groups. In the Late Middle Ages, sumptuary laws were instituted as a way for the nobility to cap the conspicuous consumption of the prosperous bourgeoisie of medieval cities, and they continued to be used for these purposes well into the 17th century.
Subscribe To Our Channel For More Educational Videos
https://goo.gl/n58OXc
- published: 18 Jan 2016
- views: 67
HCM 2013 Sumptuary Laws
The History, Customs, and Manners Show at Scarborough Faire discuss Sumptuary Laws in Tudor England. This is from the 2013 season of Scarborough Faire. Learn w...
The History, Customs, and Manners Show at Scarborough Faire discuss Sumptuary Laws in Tudor England. This is from the 2013 season of Scarborough Faire. Learn what items each class was allowed to wear by law...
wn.com/Hcm 2013 Sumptuary Laws
The History, Customs, and Manners Show at Scarborough Faire discuss Sumptuary Laws in Tudor England. This is from the 2013 season of Scarborough Faire. Learn what items each class was allowed to wear by law...
- published: 22 Jan 2014
- views: 314
Horrible Histories Terrible Tudors money currency, Elizabeth I's clothing laws
Please read description! Horrible Histories
if you (owners) want to REMOVED this video, PLEASE CONTACT US DIRECTLY. We will(Respectfully) remove it. Upl...
Please read description! Horrible Histories
if you (owners) want to REMOVED this video, PLEASE CONTACT US DIRECTLY. We will(Respectfully) remove it. Uploading this for people who are unable to watch live or on iPlayer. I do not own any of this. All content belongs to the BBC. Enjoy :))) Horrible Histories
http://en.wikipedia.org/wiki/List_of_Horrible_Histories_episodes
wn.com/Horrible Histories Terrible Tudors Money Currency, Elizabeth I's Clothing Laws
Please read description! Horrible Histories
if you (owners) want to REMOVED this video, PLEASE CONTACT US DIRECTLY. We will(Respectfully) remove it. Uploading this for people who are unable to watch live or on iPlayer. I do not own any of this. All content belongs to the BBC. Enjoy :))) Horrible Histories
http://en.wikipedia.org/wiki/List_of_Horrible_Histories_episodes
- published: 05 Feb 2015
- views: 99042
Sumptuary Laws
History Project for Shakespeare Class...
History Project for Shakespeare Class
wn.com/Sumptuary Laws
History Project for Shakespeare Class
- published: 24 Jan 2013
- views: 562
The Real Renaissance
The Renaissance, despite its glorious reputation, was actually a period of social, political, and religious struggle. This ten-minute program describes the real...
The Renaissance, despite its glorious reputation, was actually a period of social, political, and religious struggle. This ten-minute program describes the realities of Renaissance life, including Tudor sumptuary laws enacted to make sure ordinary people did not dress "above their station."
wn.com/The Real Renaissance
The Renaissance, despite its glorious reputation, was actually a period of social, political, and religious struggle. This ten-minute program describes the realities of Renaissance life, including Tudor sumptuary laws enacted to make sure ordinary people did not dress "above their station."
- published: 27 Nov 2014
- views: 76
Breaking News Sumptuary Laws
A skit on Sumptuary Laws...
A skit on Sumptuary Laws
wn.com/Breaking News Sumptuary Laws
A skit on Sumptuary Laws
- published: 17 Mar 2014
- views: 129
Sumptuary Meaning
Video shows what sumptuary means. Relating to expense; regulating expense or expenditure.. Relating to a law; sumptuary laws or regulations, are those intended ...
Video shows what sumptuary means. Relating to expense; regulating expense or expenditure.. Relating to a law; sumptuary laws or regulations, are those intended to restrain or limit the expenditure of citizens in apparel, food, furniture, etc.; laws which regulate the prices of commodities and the wages of labor; laws which forbid or restrict the use of certain articles, as of luxurious apparel.. Sumptuary Meaning. How to pronounce, definition audio dictionary. How to say sumptuary. Powered by MaryTTS, Wiktionary
wn.com/Sumptuary Meaning
Video shows what sumptuary means. Relating to expense; regulating expense or expenditure.. Relating to a law; sumptuary laws or regulations, are those intended to restrain or limit the expenditure of citizens in apparel, food, furniture, etc.; laws which regulate the prices of commodities and the wages of labor; laws which forbid or restrict the use of certain articles, as of luxurious apparel.. Sumptuary Meaning. How to pronounce, definition audio dictionary. How to say sumptuary. Powered by MaryTTS, Wiktionary
- published: 23 Apr 2015
- views: 46
The glove
Paul 'scruffy' Martin tells the story of the glove. During the 13th century, gloves began to be worn by ladies as a fashion ornament. They were made of linen an...
Paul 'scruffy' Martin tells the story of the glove. During the 13th century, gloves began to be worn by ladies as a fashion ornament. They were made of linen and silk, and sometimes reached to the elbow. Such worldly accoutrements were not for holy women, according to the early thirteenth-century Ancrene Wisse, written for their guidance. Sumptuary laws were promulgated to restrain this vanity: against samite gloves in Bologna, 1294, against perfumed gloves in Rome, 1560. A Paris corporation or guild of glovers (gantiers) existed from the thirteenth century. They made them in skin or in fur. It was not until the 16th century that they reached their greatest elaboration, however, when Queen Elizabeth I set the fashion for wearing them richly embroidered and jewelled. Embroidered and jewelled gloves also formed part of the insignia of emperors and kings. Thus Matthew of Paris, in recording the burial of Henry II of England in 1189, mentions that he was buried in his coronation robes with a golden crown on his head and gloves on his hands. Gloves were also found on the hands of King John when his tomb was opened in 1797 and on those of King Edward I when his tomb was opened in 1774.
wn.com/The Glove
Paul 'scruffy' Martin tells the story of the glove. During the 13th century, gloves began to be worn by ladies as a fashion ornament. They were made of linen and silk, and sometimes reached to the elbow. Such worldly accoutrements were not for holy women, according to the early thirteenth-century Ancrene Wisse, written for their guidance. Sumptuary laws were promulgated to restrain this vanity: against samite gloves in Bologna, 1294, against perfumed gloves in Rome, 1560. A Paris corporation or guild of glovers (gantiers) existed from the thirteenth century. They made them in skin or in fur. It was not until the 16th century that they reached their greatest elaboration, however, when Queen Elizabeth I set the fashion for wearing them richly embroidered and jewelled. Embroidered and jewelled gloves also formed part of the insignia of emperors and kings. Thus Matthew of Paris, in recording the burial of Henry II of England in 1189, mentions that he was buried in his coronation robes with a golden crown on his head and gloves on his hands. Gloves were also found on the hands of King John when his tomb was opened in 1797 and on those of King Edward I when his tomb was opened in 1774.
- published: 29 Oct 2010
- views: 17084
What Is A Sumptuary Tax?
Save on Amazon using this link http://www.amazon.com/?tag=23b8j-20...
Save on Amazon using this link http://www.amazon.com/?tag=23b8j-20
wn.com/What Is A Sumptuary Tax
Save on Amazon using this link http://www.amazon.com/?tag=23b8j-20
- published: 28 Jul 2015
- views: 5
Alan Watts - Not What Should Be, But What Is.
Sumptuary laws have no place in a truly free society. But when have we ever really been free? We are a pack animal and civilization is an extension of this ev...
Sumptuary laws have no place in a truly free society. But when have we ever really been free? We are a pack animal and civilization is an extension of this evolutionary defense. Go against the status quo and you'll find it's not the gov't that holds you back but the ignorance of the majority that surrounds you.
I was a born again Christian until I started taking mind expanding drugs. The trips were confusing but what I learned 'under the influence' was still applicable once I was sober. The worst trip of my life was 4 years of thinking a big, bearded bigot in the sky was watching my every move. Life is a lot less stressful when you know you're the only one watching when you masturbate.
wn.com/Alan Watts Not What Should Be, But What Is.
Sumptuary laws have no place in a truly free society. But when have we ever really been free? We are a pack animal and civilization is an extension of this evolutionary defense. Go against the status quo and you'll find it's not the gov't that holds you back but the ignorance of the majority that surrounds you.
I was a born again Christian until I started taking mind expanding drugs. The trips were confusing but what I learned 'under the influence' was still applicable once I was sober. The worst trip of my life was 4 years of thinking a big, bearded bigot in the sky was watching my every move. Life is a lot less stressful when you know you're the only one watching when you masturbate.
- published: 15 Jul 2011
- views: 8194
History : French Revolution | Clothing and Notions of Beauty
High School History (Grade 9)
History : Clothing and Notions of Beauty
Summary
Animated video Lecture for Clothing and Notions of Beauty
Table of Contents[Sho...
High School History (Grade 9)
History : Clothing and Notions of Beauty
Summary
Animated video Lecture for Clothing and Notions of Beauty
Table of Contents[Show]
The French Revolution ended the sumptuary laws but now, a person’s earnings determined what he could wear. The poor still could not dress or eat like the rich.
During this time, the notion of what was beautiful or ugly, proper or improper, decent or vulgar differed. The clothing styles of men and women reflected what was expected out of them by society. While men presented themselves as serious, strong, independent and aggressive, women were expected to be docile, delicate, frivolous and passive.
Women in Victorian England were groomed accordingly since their childhood. As girls, they were dressed in stays that held their bodies straight. As they grew slightly older, they wore tight fitting corsets, which would make their waists appear smaller and give shape to their bodies. Although wearing stays and corsets was painful, women were compelled to do so.
The suffrage movement gathered momentum and women started campaigning for dress reforms in America and Europe. Several articles by the reformers were published in women’s magazines describing the ill-effects of corsets on bodily development.
The first dress reformer, Mrs. Amelia Bloomer, launched loose tunics that could be worn over ankle-length trousers. The trousers were known as ‘bloomers’ or ‘knickerbockers’. The National Woman Suffrage Association headed by Mrs. Stanton and the American Woman Suffrage Association commanded by Lucy Stone campaigned for the dress reform.
They demanded simple dresses and short skirts, and the abandonment of corsets. By the end of the 19th century, the notion of beauty and clothing changed. (0:10 - 7:45)
Click on the Link for online Video for History :
https://youtu.be/iJ-BnDeq7jo
Video by Edupedia World (www.edupediaworld.com), Online Education,
All Right Reserved.
wn.com/History French Revolution | Clothing And Notions Of Beauty
High School History (Grade 9)
History : Clothing and Notions of Beauty
Summary
Animated video Lecture for Clothing and Notions of Beauty
Table of Contents[Show]
The French Revolution ended the sumptuary laws but now, a person’s earnings determined what he could wear. The poor still could not dress or eat like the rich.
During this time, the notion of what was beautiful or ugly, proper or improper, decent or vulgar differed. The clothing styles of men and women reflected what was expected out of them by society. While men presented themselves as serious, strong, independent and aggressive, women were expected to be docile, delicate, frivolous and passive.
Women in Victorian England were groomed accordingly since their childhood. As girls, they were dressed in stays that held their bodies straight. As they grew slightly older, they wore tight fitting corsets, which would make their waists appear smaller and give shape to their bodies. Although wearing stays and corsets was painful, women were compelled to do so.
The suffrage movement gathered momentum and women started campaigning for dress reforms in America and Europe. Several articles by the reformers were published in women’s magazines describing the ill-effects of corsets on bodily development.
The first dress reformer, Mrs. Amelia Bloomer, launched loose tunics that could be worn over ankle-length trousers. The trousers were known as ‘bloomers’ or ‘knickerbockers’. The National Woman Suffrage Association headed by Mrs. Stanton and the American Woman Suffrage Association commanded by Lucy Stone campaigned for the dress reform.
They demanded simple dresses and short skirts, and the abandonment of corsets. By the end of the 19th century, the notion of beauty and clothing changed. (0:10 - 7:45)
Click on the Link for online Video for History :
https://youtu.be/iJ-BnDeq7jo
Video by Edupedia World (www.edupediaworld.com), Online Education,
All Right Reserved.
- published: 03 Jul 2015
- views: 102
Nyla Matuk reads her poem "Anthropology of the Peanut" at The Manx - Ottawa October 28 2012
http://www.writersfestival.org
Poet NYLA MATUK reads "Anthropology of the Peanut"
from her new book of poetry Sumptuary Laws.
2012 Fall Edition Ottawa Octo...
http://www.writersfestival.org
Poet NYLA MATUK reads "Anthropology of the Peanut"
from her new book of poetry Sumptuary Laws.
2012 Fall Edition Ottawa October 28, 2012
An afternoon of acclaimed poetry presented in partnership
with the Plan 99 Reading Series at The Manx Pub.
Nyla Matuk drew the inspiration for Sumptuary Laws from the feudal rules that once regulated social rank by legislating what a person was permitted to wear and eat. She transports these bizarre laws to the 21st century in her wildly imaginative and linguistically daring poems.
Buy her book here: http://www.vehiculepress.com/index.php
Special Thanks to David O'Meara and Plan 99 Reading Series , Ottawa
October 28, 2012
wn.com/Nyla Matuk Reads Her Poem Anthropology Of The Peanut At The Manx Ottawa October 28 2012
http://www.writersfestival.org
Poet NYLA MATUK reads "Anthropology of the Peanut"
from her new book of poetry Sumptuary Laws.
2012 Fall Edition Ottawa October 28, 2012
An afternoon of acclaimed poetry presented in partnership
with the Plan 99 Reading Series at The Manx Pub.
Nyla Matuk drew the inspiration for Sumptuary Laws from the feudal rules that once regulated social rank by legislating what a person was permitted to wear and eat. She transports these bizarre laws to the 21st century in her wildly imaginative and linguistically daring poems.
Buy her book here: http://www.vehiculepress.com/index.php
Special Thanks to David O'Meara and Plan 99 Reading Series , Ottawa
October 28, 2012
- published: 29 Nov 2012
- views: 256
Ivy - House Burnin Boogie / Got No; Hope
Artist: Ivy
Album: Self Titled 12"
Release: 2014
Label: Katorga Works
Tracklist:
1. Got No; Instinct
2. Wardsback
3. 20' Oh's Willin 2.0
4. Boy's Gotta Go
5. ...
Artist: Ivy
Album: Self Titled 12"
Release: 2014
Label: Katorga Works
Tracklist:
1. Got No; Instinct
2. Wardsback
3. 20' Oh's Willin 2.0
4. Boy's Gotta Go
5. 20' Oh's Willin 1.0
6. Sumptuary Laws
7. Arch-Foe
8. What You Know
9. Werkhorse
10. Antsy
11. House Burnin Boogie
12. Got No; Hope
wn.com/Ivy House Burnin Boogie Got No Hope
Artist: Ivy
Album: Self Titled 12"
Release: 2014
Label: Katorga Works
Tracklist:
1. Got No; Instinct
2. Wardsback
3. 20' Oh's Willin 2.0
4. Boy's Gotta Go
5. 20' Oh's Willin 1.0
6. Sumptuary Laws
7. Arch-Foe
8. What You Know
9. Werkhorse
10. Antsy
11. House Burnin Boogie
12. Got No; Hope
- published: 19 Sep 2014
- views: 1384
Renaissance English History Podcast Episode 035: Fashion & Clothing
Special thanks to Lindsay for the text suggesting this episode on fashion, clothing & sumptuary laws in Tudor and Elizabethan England. Show notes are at http://...
Special thanks to Lindsay for the text suggesting this episode on fashion, clothing & sumptuary laws in Tudor and Elizabethan England. Show notes are at http://www.englandcast.com/show-notes/
You can now call or text the Listener Feedback line at 801 6-TEYSKO or 801 683-9756. If you like this podcast, please remember to rate it in your listening service of choice. You can also always contact me through the facebook page or on the website. http://www.facebook.com/englandcast or englandcast.com
Clothing was incredibly important in the 16th century because, at a time when the middle class was rising and upward mobility was available for the first time, your clothing could show who you were, how wealthy you were, what class you were, and all sorts of other things about you.
This episode looks at both the perfectly normal (woolen undergarments) and the bizarre (bejeweled furs).
Also, if you want to come along on our trip to England this Spring, check out http://www.bigworld.com for more info.
Have a WONDERFUL Thanksgiving to my American friends out there.
-uploaded in HD at http://www.TunesToTube.com
wn.com/Renaissance English History Podcast Episode 035 Fashion Clothing
Special thanks to Lindsay for the text suggesting this episode on fashion, clothing & sumptuary laws in Tudor and Elizabethan England. Show notes are at http://www.englandcast.com/show-notes/
You can now call or text the Listener Feedback line at 801 6-TEYSKO or 801 683-9756. If you like this podcast, please remember to rate it in your listening service of choice. You can also always contact me through the facebook page or on the website. http://www.facebook.com/englandcast or englandcast.com
Clothing was incredibly important in the 16th century because, at a time when the middle class was rising and upward mobility was available for the first time, your clothing could show who you were, how wealthy you were, what class you were, and all sorts of other things about you.
This episode looks at both the perfectly normal (woolen undergarments) and the bizarre (bejeweled furs).
Also, if you want to come along on our trip to England this Spring, check out http://www.bigworld.com for more info.
Have a WONDERFUL Thanksgiving to my American friends out there.
-uploaded in HD at http://www.TunesToTube.com
- published: 13 Nov 2015
- views: 28
Begin Japanology Special - Handicrafts Yuzen
The many and varied traditional handicrafts of Japan are officially recognized and protected. Some enjoy status as meibutsu, or regional specialties. Each craft...
The many and varied traditional handicrafts of Japan are officially recognized and protected. Some enjoy status as meibutsu, or regional specialties. Each craft demands a set of specialized skills. Textile crafts, for example, include silk, hemp, and cotton, woven (after spinning and dyeing) in forms from timeless folk designs to complex court patterns. Village crafts that evolved from ancient folk traditions also continued in weaving and indigo dyeing in Hokkaidō by the Ainu people, whose distinctive designs have prehistoric prototypes, and by other remote farming families in northern Japan.
Silk-weaving families can be traced to the 15th century in the famous Nishijin weaving center of Kyoto, where elegant fabrics worn by the emperor and the aristocracy were produced. In the 17th century, designs on textiles were applied using stencils and rice paste, in the yuzen or paste-resist method of dyeing. The yuzen method provided an imitation of aristocratic brocades, which were forbidden to commoners by sumptuary laws
wn.com/Begin Japanology Special Handicrafts Yuzen
The many and varied traditional handicrafts of Japan are officially recognized and protected. Some enjoy status as meibutsu, or regional specialties. Each craft demands a set of specialized skills. Textile crafts, for example, include silk, hemp, and cotton, woven (after spinning and dyeing) in forms from timeless folk designs to complex court patterns. Village crafts that evolved from ancient folk traditions also continued in weaving and indigo dyeing in Hokkaidō by the Ainu people, whose distinctive designs have prehistoric prototypes, and by other remote farming families in northern Japan.
Silk-weaving families can be traced to the 15th century in the famous Nishijin weaving center of Kyoto, where elegant fabrics worn by the emperor and the aristocracy were produced. In the 17th century, designs on textiles were applied using stencils and rice paste, in the yuzen or paste-resist method of dyeing. The yuzen method provided an imitation of aristocratic brocades, which were forbidden to commoners by sumptuary laws
- published: 13 Jan 2016
- views: 29
Ivy - Wardsback
Artist: Ivy
Album: Demo CS
Release: 2013
Label: Self-Released
Tracklist:
1. Twenty Oh's Wilin
2. The Sumptuary Laws
3. Werkhorse
4. What You Know
5. Antsy
6. ...
Artist: Ivy
Album: Demo CS
Release: 2013
Label: Self-Released
Tracklist:
1. Twenty Oh's Wilin
2. The Sumptuary Laws
3. Werkhorse
4. What You Know
5. Antsy
6. Wardsback
7. Boy's Gotta Go
I've personally been waiting with bated breath for this demo to finally drop. True, being comprised of current and former members of Brown Sugar (Eddie on vocals!!), Deformity, and Weird TV (amongst others) can create certain lofty expectations, but Ivy does not fail to deliver. As a matter of fact, they execute their brand of weirdo hardcore punk with a real casual, 1-2-1-2 ease. It's hard for me to properly describe what they're going for and it's not as simple as saying it's a the singer of Brown Sugar fronting Deformity, as I was expecting. All I can say is that Ivy is the probably best (for now) of the current crop of new NYC punk bands, which is quite a feat considering there's a lot of impressive things brewing.
http://icoulddietomorrow.blogspot.gr/
wn.com/Ivy Wardsback
Artist: Ivy
Album: Demo CS
Release: 2013
Label: Self-Released
Tracklist:
1. Twenty Oh's Wilin
2. The Sumptuary Laws
3. Werkhorse
4. What You Know
5. Antsy
6. Wardsback
7. Boy's Gotta Go
I've personally been waiting with bated breath for this demo to finally drop. True, being comprised of current and former members of Brown Sugar (Eddie on vocals!!), Deformity, and Weird TV (amongst others) can create certain lofty expectations, but Ivy does not fail to deliver. As a matter of fact, they execute their brand of weirdo hardcore punk with a real casual, 1-2-1-2 ease. It's hard for me to properly describe what they're going for and it's not as simple as saying it's a the singer of Brown Sugar fronting Deformity, as I was expecting. All I can say is that Ivy is the probably best (for now) of the current crop of new NYC punk bands, which is quite a feat considering there's a lot of impressive things brewing.
http://icoulddietomorrow.blogspot.gr/
- published: 27 Nov 2013
- views: 2140
Poem: 'The Idea' by Edward Herbert (1583-1648)
MY BLOG:
http://homelibraryreading.wordpress.com/
MY READING STYLE METHOD USED HERE FOR THIS BOOK WAS:
Descriptive Analysis Reading -- which is expressive...
MY BLOG:
http://homelibraryreading.wordpress.com/
MY READING STYLE METHOD USED HERE FOR THIS BOOK WAS:
Descriptive Analysis Reading -- which is expressive and intensive in reading for a deeper connection with the text. That is to help increase reading fluency by being read aloud and creates a critical interaction with the Reader, the Listener and includes both of their comprehension towards the piece, that is to encourage investigation and ways of strengthening participative information in the form of poetry as well as assistance in interpreting the work.
_____________________________________
'The Poems of Lord Herbert of Cherbury'
by John Churton Collins
Published by Chatto and Windus, London in 1881.
____________________________________________
Note: 'Cherbury', but correctly spelt its called 'Chirbury' that is as a place, is located in Shropshire near the boundary of Wales.
See weblink for history of geographical area: http://www.visionofbritain.org.uk/place/place_page.jsp?p_id=2077
Edward, Lord Herbert of Cherbury (1583-1648) it is said that one of "his greatest virtue of all speculative writing, the virtue of originality. He had read such books as were accessible to him on the subjects with which he dealt. None of them satisfied him, and rejecting all their conclusions, he worked the questions they professed to answer out for himself. No authority, he said, deserved a slavish adherence. A philosopher must think for himself, and have no personal nor professional ends to serve. This in itself was a sure sign that Edward Herbert was a sincere progressionist."
The poetry is written either in Latin or Old English within the book, that is 'Early Modern English' otherwise known as 'EModE' as a language used in the latter half of the 15th century to 1650 period:
THE IDEA (on pages 109 to 113)
The poem is about the actual mold casting and that of the clay figure of God's creation of 'Woman', his handiwork. And its this Woman's mold casting from which God based his idea from this sample of 'Woman' upon for the humankind species of female and the like. But God had no control in the formation of her spirit no matter how he re-casted her several times, that is God could only create that of her outer appearance. Once God came to terms with this, with great difficulty, and finally let her be cast into human female form, the poem states that God never destroyed nor let the female casting mold out of his possession and kept her safe and a secret from all prying eyes including the Heavens, of which the poet is also glad of because he's taken with her in affection, and pleads with God that he never destroys the cast, although the others do have 'THE IDEA' of her existence, for she is not one of them; for she's not a Goddess, nor a human female, nor a deity, however she is more than an Angel and known to be real in her Divine casting, as a Woman, for she is the 'Transcendent One' in the heavenly kingdom therein her place assured, for she being the 'Lamentation Supreme-Being' for the Gods and Humankind, that is she was created for them to repent their ways.
Thus the poet, Edward Lord Herbert of Cherbury, has dedicated these words of endearment in the Metaphysical poetry to her.
________________________________________________
ADDENDUM:
"As Statuaries, yet having fram'ed in Clay / An hollow image, afterwards convey, / The molten metal through each several way, / But when it once unto its place hath past, / And th'inward Statua perfectly in cast..."
The meaning of the colour Grey, as in the Clay material, used during the Elizabethan period was extremely important. People who could wear the colour Grey was dictated by English Law! These were called the Sumptuary Laws, see weblink http://en.wikipedia.org/wiki/Sumptuary_law
And as to the Symbolic and Religious meaning of the colour Grey there are some interesting facts and information:
* In the Bible the colour grey refers to truth (Psalms 12:6), old age (Genesis 42:38), the beauty of age (Proverbs 20:29), weakness (Hosea 7:9) and ashes (Genesis 18:27).
* The symbolic meaning of the colour grey was mourning, repentance and purification.
* Grey also has a Biblical meaning and is the Christian colour for the season of Lent and closely associated with fasting and prayer.
* Grey clothing also symbolized humility and plainness, and for this reason was associated with monastic life.
* People who were allowed to wear the colour grey during the Elizabethan era, as decreed by the English Sumptuary Laws, were the middle and upper classes.
wn.com/Poem 'The Idea' By Edward Herbert (1583 1648)
MY BLOG:
http://homelibraryreading.wordpress.com/
MY READING STYLE METHOD USED HERE FOR THIS BOOK WAS:
Descriptive Analysis Reading -- which is expressive and intensive in reading for a deeper connection with the text. That is to help increase reading fluency by being read aloud and creates a critical interaction with the Reader, the Listener and includes both of their comprehension towards the piece, that is to encourage investigation and ways of strengthening participative information in the form of poetry as well as assistance in interpreting the work.
_____________________________________
'The Poems of Lord Herbert of Cherbury'
by John Churton Collins
Published by Chatto and Windus, London in 1881.
____________________________________________
Note: 'Cherbury', but correctly spelt its called 'Chirbury' that is as a place, is located in Shropshire near the boundary of Wales.
See weblink for history of geographical area: http://www.visionofbritain.org.uk/place/place_page.jsp?p_id=2077
Edward, Lord Herbert of Cherbury (1583-1648) it is said that one of "his greatest virtue of all speculative writing, the virtue of originality. He had read such books as were accessible to him on the subjects with which he dealt. None of them satisfied him, and rejecting all their conclusions, he worked the questions they professed to answer out for himself. No authority, he said, deserved a slavish adherence. A philosopher must think for himself, and have no personal nor professional ends to serve. This in itself was a sure sign that Edward Herbert was a sincere progressionist."
The poetry is written either in Latin or Old English within the book, that is 'Early Modern English' otherwise known as 'EModE' as a language used in the latter half of the 15th century to 1650 period:
THE IDEA (on pages 109 to 113)
The poem is about the actual mold casting and that of the clay figure of God's creation of 'Woman', his handiwork. And its this Woman's mold casting from which God based his idea from this sample of 'Woman' upon for the humankind species of female and the like. But God had no control in the formation of her spirit no matter how he re-casted her several times, that is God could only create that of her outer appearance. Once God came to terms with this, with great difficulty, and finally let her be cast into human female form, the poem states that God never destroyed nor let the female casting mold out of his possession and kept her safe and a secret from all prying eyes including the Heavens, of which the poet is also glad of because he's taken with her in affection, and pleads with God that he never destroys the cast, although the others do have 'THE IDEA' of her existence, for she is not one of them; for she's not a Goddess, nor a human female, nor a deity, however she is more than an Angel and known to be real in her Divine casting, as a Woman, for she is the 'Transcendent One' in the heavenly kingdom therein her place assured, for she being the 'Lamentation Supreme-Being' for the Gods and Humankind, that is she was created for them to repent their ways.
Thus the poet, Edward Lord Herbert of Cherbury, has dedicated these words of endearment in the Metaphysical poetry to her.
________________________________________________
ADDENDUM:
"As Statuaries, yet having fram'ed in Clay / An hollow image, afterwards convey, / The molten metal through each several way, / But when it once unto its place hath past, / And th'inward Statua perfectly in cast..."
The meaning of the colour Grey, as in the Clay material, used during the Elizabethan period was extremely important. People who could wear the colour Grey was dictated by English Law! These were called the Sumptuary Laws, see weblink http://en.wikipedia.org/wiki/Sumptuary_law
And as to the Symbolic and Religious meaning of the colour Grey there are some interesting facts and information:
* In the Bible the colour grey refers to truth (Psalms 12:6), old age (Genesis 42:38), the beauty of age (Proverbs 20:29), weakness (Hosea 7:9) and ashes (Genesis 18:27).
* The symbolic meaning of the colour grey was mourning, repentance and purification.
* Grey also has a Biblical meaning and is the Christian colour for the season of Lent and closely associated with fasting and prayer.
* Grey clothing also symbolized humility and plainness, and for this reason was associated with monastic life.
* People who were allowed to wear the colour grey during the Elizabethan era, as decreed by the English Sumptuary Laws, were the middle and upper classes.
- published: 21 Oct 2011
- views: 1486
Venice
The waterways of Venice are its streets and the Gondoliers are its masters. The gondola is propelled by an oarsman (the gondolier) who stands facing the bow and...
The waterways of Venice are its streets and the Gondoliers are its masters. The gondola is propelled by an oarsman (the gondolier) who stands facing the bow and pushes, rather than pulls, a single oar. Contrary to popular belief the gondola is never poled, as the waters of Venice are too deep. A gondola for passengers may have a small open cabin, for their protection against sun or rain. A sumptuary law of Venice required that gondolas should be painted black, and they are customarily so painted now. It is estimated that there were several thousand gondolas during the 18th century. There are a few hundred nowadays, most of which are for hire by tourists, while a few serve as traghetti or are in private ownership and use.
wn.com/Venice
The waterways of Venice are its streets and the Gondoliers are its masters. The gondola is propelled by an oarsman (the gondolier) who stands facing the bow and pushes, rather than pulls, a single oar. Contrary to popular belief the gondola is never poled, as the waters of Venice are too deep. A gondola for passengers may have a small open cabin, for their protection against sun or rain. A sumptuary law of Venice required that gondolas should be painted black, and they are customarily so painted now. It is estimated that there were several thousand gondolas during the 18th century. There are a few hundred nowadays, most of which are for hire by tourists, while a few serve as traghetti or are in private ownership and use.
- published: 14 May 2007
- views: 430
Dressing the Indian woman through history
http://twitter.com/onlyfirstnews This week in India a man slapped actress Gauhar Khan on a TV set for wearing a "short dress" and news emerged of outrage in a M...
http://twitter.com/onlyfirstnews This week in India a man slapped actress Gauhar Khan on a TV set for wearing a "short dress" and news emerged of outrage in a Mumbai law college at a strict dress code imposed on students. Fashion historian Toolika Gupta looks at ideas of decorum in fashion across India through the ages.
Every country has its own erogenous zones. What many Indians today believe are home-grown ideas of decorum and modesty are in fact British imports - bequeathed to us by the Raj.
The earliest representations of women show them with minimal clothing.
In sculptures from the Maury and Sunga periods (about 300 BC) - men and women wore rectangular pieces of fabric, on the lower part of the body and one on the upper part. Little else.
Images from the Gupta period - about the 7th or 8th Century - show stitched upper garments along with a breast band, as well as a lower garment.
Modesty has had different definitions over time and in different regions and communities. It was not always about covering your face and body and in many respects India's hot climate led the way. People just did what was convenient.
But the regional variations are interesting. In southern India, even in colonial times, some women did not cover the upper part of their body. And throughout India's history of contact with different cultures - with Greek, Roman, Arab and Chinese influences coming in - fashions and ideas began to change.
In the 15th Century we see Muslim and Hindu women wearing different outfits and the influence of the Mughal empire was decisive - they ruled most of India and Pakistan in the 16th and 17th Centuries. I have not seen written codes about how to dress, but Muslim women normally covered themselves and wore divided garments. These outfits gave birth to garments like the salwar kameez - virtually seen as a national dress in India today.
In Bengal, in the Victorian era, some women did not wear blouses under their saris - they went bare-breasted. This did not suit Victorian society, which had its own ideas of propriety, and blouses increasingly became the norm.
It was Jnanadanandini Debi, the wife of Satyendranath Tagore - brother of the famous Bengali poet Rabindranath Tagore - who popularised the blouses, jackets and chemises and the modern style of the sari today after she was reportedly refused entry to clubs under the Raj for wearing the sari fabric over her bare breasts. Tagore is believed to have actively encouraged his wife to adopt Western ideas.
The terms "blouse" and "petticoat" - both English - made the leap into Indian vocabulary in the Victorian era. Shirts also came to be worn under the sari as part of high fashion and these rather British innovations are considered traditional garments.
Even though it can be revealing, as the crop top leaves the midriff bare, the sari blouse has long been deemed decorous and associated with tradition. In India it was important for a woman to cover her body with a draped fabric here no matter what is underneath.
The British influence only became stronger over time. We see different kinds of blouses coming in with sleeve structures, and various necklines
In India, unlike in Britain, there are no written codes of conduct or sumptuary laws about what should be worn. What was considered suitable was spread through word of mouth.
So today's guardians of the hemline - who no doubt believe they are safeguarding women by prescribing what women should wear - are following in the footsteps of older political overlords.
Indian women now are much freer to do what they want, at least in the cities, yet we see dress codes being set and women condemned for what they wear. Some people even make an association between clothing and rape.
These people don't understand that ideas of decency are constantly changing and rape is not a consequence of what women wear but of how certain men think.
Our dress is our identity. But what we think of as traditional Indian modesty, can turn out not be not very Indian at all.
wn.com/Dressing The Indian Woman Through History
http://twitter.com/onlyfirstnews This week in India a man slapped actress Gauhar Khan on a TV set for wearing a "short dress" and news emerged of outrage in a Mumbai law college at a strict dress code imposed on students. Fashion historian Toolika Gupta looks at ideas of decorum in fashion across India through the ages.
Every country has its own erogenous zones. What many Indians today believe are home-grown ideas of decorum and modesty are in fact British imports - bequeathed to us by the Raj.
The earliest representations of women show them with minimal clothing.
In sculptures from the Maury and Sunga periods (about 300 BC) - men and women wore rectangular pieces of fabric, on the lower part of the body and one on the upper part. Little else.
Images from the Gupta period - about the 7th or 8th Century - show stitched upper garments along with a breast band, as well as a lower garment.
Modesty has had different definitions over time and in different regions and communities. It was not always about covering your face and body and in many respects India's hot climate led the way. People just did what was convenient.
But the regional variations are interesting. In southern India, even in colonial times, some women did not cover the upper part of their body. And throughout India's history of contact with different cultures - with Greek, Roman, Arab and Chinese influences coming in - fashions and ideas began to change.
In the 15th Century we see Muslim and Hindu women wearing different outfits and the influence of the Mughal empire was decisive - they ruled most of India and Pakistan in the 16th and 17th Centuries. I have not seen written codes about how to dress, but Muslim women normally covered themselves and wore divided garments. These outfits gave birth to garments like the salwar kameez - virtually seen as a national dress in India today.
In Bengal, in the Victorian era, some women did not wear blouses under their saris - they went bare-breasted. This did not suit Victorian society, which had its own ideas of propriety, and blouses increasingly became the norm.
It was Jnanadanandini Debi, the wife of Satyendranath Tagore - brother of the famous Bengali poet Rabindranath Tagore - who popularised the blouses, jackets and chemises and the modern style of the sari today after she was reportedly refused entry to clubs under the Raj for wearing the sari fabric over her bare breasts. Tagore is believed to have actively encouraged his wife to adopt Western ideas.
The terms "blouse" and "petticoat" - both English - made the leap into Indian vocabulary in the Victorian era. Shirts also came to be worn under the sari as part of high fashion and these rather British innovations are considered traditional garments.
Even though it can be revealing, as the crop top leaves the midriff bare, the sari blouse has long been deemed decorous and associated with tradition. In India it was important for a woman to cover her body with a draped fabric here no matter what is underneath.
The British influence only became stronger over time. We see different kinds of blouses coming in with sleeve structures, and various necklines
In India, unlike in Britain, there are no written codes of conduct or sumptuary laws about what should be worn. What was considered suitable was spread through word of mouth.
So today's guardians of the hemline - who no doubt believe they are safeguarding women by prescribing what women should wear - are following in the footsteps of older political overlords.
Indian women now are much freer to do what they want, at least in the cities, yet we see dress codes being set and women condemned for what they wear. Some people even make an association between clothing and rape.
These people don't understand that ideas of decency are constantly changing and rape is not a consequence of what women wear but of how certain men think.
Our dress is our identity. But what we think of as traditional Indian modesty, can turn out not be not very Indian at all.
- published: 06 Dec 2014
- views: 3089
Council Tax; Do Your Council Deserve Any? Mine Dont.
A rant in "right" major about who should be the whipping boys those at the bottom or those at the top. Job seekers are sanctioned if they dont do it right, that...
A rant in "right" major about who should be the whipping boys those at the bottom or those at the top. Job seekers are sanctioned if they dont do it right, that means those with courage can now sanction the rich who got us all into this mess. Sick of years of sumptuary laws (austerity is the spin word)
wn.com/Council Tax Do Your Council Deserve Any Mine Dont.
A rant in "right" major about who should be the whipping boys those at the bottom or those at the top. Job seekers are sanctioned if they dont do it right, that means those with courage can now sanction the rich who got us all into this mess. Sick of years of sumptuary laws (austerity is the spin word)
- published: 21 Jan 2015
- views: 31
What are social classes?
Social class (or simply "class"), as in a class society, is a set of concepts in the social sciences and political theory centered on models of social stratific...
Social class (or simply "class"), as in a class society, is a set of concepts in the social sciences and political theory centered on models of social stratification in which people are grouped into a set of hierarchical social categories, the most common being the upper, middle, and lower classes.
Original footage used in this video:
Competition and Dominance Hierarchies in Rats (1940)
de O.H.Mowrer, J.S. Kornreich e Isabelle Yoffe
Creative Commons license: Public Domain
Class is an essential object of analysis for sociologists, political scientists, anthropologists, and social historians. However, there is not a consensus on the best definition of the term "class," and the term has different contextual meanings. In common parlance, the term "social class" is usually synonymous with "socio-economic class," defined as "people having the same social, economic, or educational status" e.g., "the working class"; "an emerging professional class." However, academics distinguish social class and socioeconomic status, with the former referring to one’s relatively stable sociocultural background and the latter referring to one’s current social and economic situation and, consequently, being more changeable over time.
The precise measurements of what determines social class in society has varied over time. According to philosopher Karl Marx, "class" is determined entirely by one's relationship to the means of production, the classes in modern capitalist society being the "proletarians": those who work but do not own the means of production, the "bourgeoisie": those who invest and live off of the surplus generated by the former, and the aristocracy that has land as a means of production.
Historically social class and behavior was sometimes laid down in law. For example, permitted mode of dress in some times and places was strictly regulated, with sumptuous dressing only for the high ranks of society and aristocracy; sumptuary laws stipulated the dress and jewelry appropriate for a person's social rank and station.
The person behind this channel: http://bit.ly/MarginalMedia
The term "class" is etymologically derived from the Latin classis, which was used by census takers to categorize citizens by wealth, in order to determine military service obligations.
In the late 18th century, the term "class" began to replace classifications such as estates, rank, and orders as the primary means of organizing society into hierarchical divisions. This corresponded to a general decrease in significance ascribed to hereditary characteristics, and increase in the significance of wealth and income as indicators of position in the social hierarchy.
wn.com/What Are Social Classes
Social class (or simply "class"), as in a class society, is a set of concepts in the social sciences and political theory centered on models of social stratification in which people are grouped into a set of hierarchical social categories, the most common being the upper, middle, and lower classes.
Original footage used in this video:
Competition and Dominance Hierarchies in Rats (1940)
de O.H.Mowrer, J.S. Kornreich e Isabelle Yoffe
Creative Commons license: Public Domain
Class is an essential object of analysis for sociologists, political scientists, anthropologists, and social historians. However, there is not a consensus on the best definition of the term "class," and the term has different contextual meanings. In common parlance, the term "social class" is usually synonymous with "socio-economic class," defined as "people having the same social, economic, or educational status" e.g., "the working class"; "an emerging professional class." However, academics distinguish social class and socioeconomic status, with the former referring to one’s relatively stable sociocultural background and the latter referring to one’s current social and economic situation and, consequently, being more changeable over time.
The precise measurements of what determines social class in society has varied over time. According to philosopher Karl Marx, "class" is determined entirely by one's relationship to the means of production, the classes in modern capitalist society being the "proletarians": those who work but do not own the means of production, the "bourgeoisie": those who invest and live off of the surplus generated by the former, and the aristocracy that has land as a means of production.
Historically social class and behavior was sometimes laid down in law. For example, permitted mode of dress in some times and places was strictly regulated, with sumptuous dressing only for the high ranks of society and aristocracy; sumptuary laws stipulated the dress and jewelry appropriate for a person's social rank and station.
The person behind this channel: http://bit.ly/MarginalMedia
The term "class" is etymologically derived from the Latin classis, which was used by census takers to categorize citizens by wealth, in order to determine military service obligations.
In the late 18th century, the term "class" began to replace classifications such as estates, rank, and orders as the primary means of organizing society into hierarchical divisions. This corresponded to a general decrease in significance ascribed to hereditary characteristics, and increase in the significance of wealth and income as indicators of position in the social hierarchy.
- published: 07 Jan 2015
- views: 613
Italy/Venice/Venedik/Venezia Gondola Highway (Beautiful) Part 75/84
Gondola:
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The gondola is propelled like p...
Gondola:
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The gondola is propelled like punting, except an oar is used instead of a pole. For centuries gondolas were the chief means of transportation and most common watercraft within Venice. It is driven by a gondolier. In modern times the iconic boats still have a role in public transport in the city, serving as traghetti (ferries) over the Grand Canal. They are also used in special regattas (rowing races) held amongst gondoliers. Their primary role today, however, is to carry tourists on rides at fixed rates. The gondola is propelled by a person (the gondolier) who stands facing the bow and rows with a forward stroke and is usually very skilled, followed by a compensating backward stroke. Contrary to popular belief, the gondola is never poled like a punt as the waters of Venice are too deep. Until the early 20th century, as many photographs attest, gondolas were often fitted with a "felze", a small cabin, to protect the passengers from the weather or from onlookers. Its windows could be closed with louvered shutters—the original "venetian blinds". After the elimination of the traditional felze—possibly in response to tourists complaining that it blocked the view—there survived for some decades a kind of vestigial summer awning, known as the "tendalin" (these can be seen on gondolas as late as the mid-1950s, in the film Summertime). While in previous centuries gondolas could be many different colors, a sumptuary law of Venice required that gondolas should be painted black, and they are customarily so painted now.
It is estimated that there were eight to ten thousand gondolas during the 17th and 18th century. There are just over four hundred in active service today, virtually all of them used for hire by tourists. Those few that are in private ownership are either hired out to Venetians for weddings or used for racing. Even though the Gondola by now has become a widely publicized icon of Venice, in the times of the Republic of Venice it was by far not the only means of transportation: on the map of Venice created by Jacopo de' Barbari in 1500 only a fraction of the boats are gondolas, the majority of boats are batellas, caorlinas, galleys and other boats - by now only a handful of batellas survive, and caorlinas are used for racing only.
During their heyday as a means of public transports, teams of four men—three oarsmen and a fourth person, primarily shore-based and responsible for the booking and administration of the gondola (Il Rosso Riserva)—would share ownership of a gondola. However as the gondolas became more of a tourist attraction than a mode of public transport all but one of these cooperatives and their offices have closed. The category is now protected by the Institution for the Protection and Conservation of Gondolas and Gondoliers, headquartered in the historical center of Venice.
Gondolas are handmade using 8 different types of wood (fir, oak, cherry, walnut, elm, mahogany, larch and lime) and are composed of 280 pieces.The oars are made of beech wood. The port side of the gondola is made longer than the starboard side. This asymmetry causes the gondola to resist the tendency to turn towards the left at the forward stroke. It is a common misconception that the gondola is a paddled vessel when the correct term is rowed, as in "I rowed my gondola to work."
The profession of gondolier is controlled by a guild, which issues a limited number of licenses (425) granted after periods of training and apprenticeship, and a major comprehensive exam[6] which tests knowledge of Venetian history and landmarks, foreign language skills, and practical skills in handling the gondola typically necessary in the tight spaces of Venetian canals.
Every detail of the gondola has its own symbolism. The iron prow-head of the gondola, called "fero da prorà” or “dol fin“, is needed to balance the weight of the gondolier at the stern and has an “S” shape symbolic of the twists in the Canal Grande. Under the main blade there is a kind of comb with six teeth or prongs (“rebbi “) standing for the six “sestieri” of Venice. A kind of tooth juts out backwards toward the centre of the gondola symbolises the island of Giudecca. The curved top signifies the Doge’s cap. The semi-circular break between the curved top and the six teeth is said to represent the Rialto Bridge. Sometimes three friezes can be seen in-between the six prongs, indicating the three main islands of the city: Murano, Burano and Torcello.
The gondola is also one of the vessels typically used in both ceremonial and competitive regattas, rowing races held amongst gondoliers using the technique of Voga alla Veneta.
The origin of the word "gondola" has never been satisfactorily established, despite many theories.In August 2010, Giorgia Boscolo became Venice's first female gondolier.
Wikipedia
wn.com/Italy Venice Venedik Venezia Gondola Highway (Beautiful) Part 75 84
Gondola:
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. The gondola is propelled like punting, except an oar is used instead of a pole. For centuries gondolas were the chief means of transportation and most common watercraft within Venice. It is driven by a gondolier. In modern times the iconic boats still have a role in public transport in the city, serving as traghetti (ferries) over the Grand Canal. They are also used in special regattas (rowing races) held amongst gondoliers. Their primary role today, however, is to carry tourists on rides at fixed rates. The gondola is propelled by a person (the gondolier) who stands facing the bow and rows with a forward stroke and is usually very skilled, followed by a compensating backward stroke. Contrary to popular belief, the gondola is never poled like a punt as the waters of Venice are too deep. Until the early 20th century, as many photographs attest, gondolas were often fitted with a "felze", a small cabin, to protect the passengers from the weather or from onlookers. Its windows could be closed with louvered shutters—the original "venetian blinds". After the elimination of the traditional felze—possibly in response to tourists complaining that it blocked the view—there survived for some decades a kind of vestigial summer awning, known as the "tendalin" (these can be seen on gondolas as late as the mid-1950s, in the film Summertime). While in previous centuries gondolas could be many different colors, a sumptuary law of Venice required that gondolas should be painted black, and they are customarily so painted now.
It is estimated that there were eight to ten thousand gondolas during the 17th and 18th century. There are just over four hundred in active service today, virtually all of them used for hire by tourists. Those few that are in private ownership are either hired out to Venetians for weddings or used for racing. Even though the Gondola by now has become a widely publicized icon of Venice, in the times of the Republic of Venice it was by far not the only means of transportation: on the map of Venice created by Jacopo de' Barbari in 1500 only a fraction of the boats are gondolas, the majority of boats are batellas, caorlinas, galleys and other boats - by now only a handful of batellas survive, and caorlinas are used for racing only.
During their heyday as a means of public transports, teams of four men—three oarsmen and a fourth person, primarily shore-based and responsible for the booking and administration of the gondola (Il Rosso Riserva)—would share ownership of a gondola. However as the gondolas became more of a tourist attraction than a mode of public transport all but one of these cooperatives and their offices have closed. The category is now protected by the Institution for the Protection and Conservation of Gondolas and Gondoliers, headquartered in the historical center of Venice.
Gondolas are handmade using 8 different types of wood (fir, oak, cherry, walnut, elm, mahogany, larch and lime) and are composed of 280 pieces.The oars are made of beech wood. The port side of the gondola is made longer than the starboard side. This asymmetry causes the gondola to resist the tendency to turn towards the left at the forward stroke. It is a common misconception that the gondola is a paddled vessel when the correct term is rowed, as in "I rowed my gondola to work."
The profession of gondolier is controlled by a guild, which issues a limited number of licenses (425) granted after periods of training and apprenticeship, and a major comprehensive exam[6] which tests knowledge of Venetian history and landmarks, foreign language skills, and practical skills in handling the gondola typically necessary in the tight spaces of Venetian canals.
Every detail of the gondola has its own symbolism. The iron prow-head of the gondola, called "fero da prorà” or “dol fin“, is needed to balance the weight of the gondolier at the stern and has an “S” shape symbolic of the twists in the Canal Grande. Under the main blade there is a kind of comb with six teeth or prongs (“rebbi “) standing for the six “sestieri” of Venice. A kind of tooth juts out backwards toward the centre of the gondola symbolises the island of Giudecca. The curved top signifies the Doge’s cap. The semi-circular break between the curved top and the six teeth is said to represent the Rialto Bridge. Sometimes three friezes can be seen in-between the six prongs, indicating the three main islands of the city: Murano, Burano and Torcello.
The gondola is also one of the vessels typically used in both ceremonial and competitive regattas, rowing races held amongst gondoliers using the technique of Voga alla Veneta.
The origin of the word "gondola" has never been satisfactorily established, despite many theories.In August 2010, Giorgia Boscolo became Venice's first female gondolier.
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- published: 05 Dec 2014
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