Musée des Augustins, Toulouse, Midi-Pyrénées, France, Europe

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The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a decree of 13 Fructidor year IX (31 August 1801), which was promulgated by the minister of the interior, Jean-Antoine Chaptal. At the start of the 19th century several medieval buildings (notably the refectory) were demolished and in their place Viollet-le-Duc and his pupil Darcy put up new exhibition galleries, accessed by a Gothic Revival monumental stair offering an interplay of richly complicated vaulting systems. The works continued from 1873 to 1901, when the museum reopened. In effect, Toulouse commissioned Urbain Vitry to ensure remove all the convent's religious characteristics. The archaeologist Alexandre du Mège occupied the cloister and rebuilt it to be able to house the medieval collections gathered from Toulouse's destroyed religious buildings such as the basilique Saint-Sernin. Today the cloister houses a reconstructed medieval garden. The building was classed as a Monument historique in 1840. The progressive concern of the museum's founder Jean-Antoine Chaptal, an early example of cultural devolution, was intended to ensure that "each collection presents an interesting series of paintings representing all the masters, all the genres and all the schools". In a series of shipments culminating in 1811, Toulouse was enriched with works by Guercino, Pietro Perugino, Rubens and Philippe de Champaigne. The collections total over 4,000 works and their core derives from confiscation of Church property at the time of the French Revolution as well as seizures of the private collections of emigrés, in Toulouse notably the paintings of the cardinal de Bernis and Louis-Auguste le Tonnelier, baron de Breteuil. The museum's church even houses an organ built in 1981 by Jürgen Ahrend. The French schools of the 15th to 18th centuries are represented by Philippe de Champaigne, Louise Moillon, Valentin de Boulogne, Sébastien Bourdon, Jacques Stella, Pierre Mignard, Jean Jouvenet, Hyacinthe Rigaud, Nicolas de Largillierre, Jean-François de Troy, Pierre Subleyras, Jean-Baptiste Oudry, Claude Joseph Vernet, Élisabeth-Louise Vigée-Lebrun, Pierre-Henri de Valenciennes, Jean-Antoine Gros and Jean-Antoine Houdon, as well as painters from Toulouse and its region, such as Nicolas Tournier, Antoine and Jean-Pierre Rivalz, François de Troy and Joseph Roques. Many French 19th- and 20th-century painting are also represented, with works by Toulouse-Lautrec, Ingres, Delacroix, Camille Corot, Gustave Courbet, Jean-Léon Gérôme, Manet, Berthe Morisot, Vuillard, Maurice Denis and Maurice Utrillo. The painting collection also includes works by Spanish, Dutch and Italian artists. The Italian holdings span from the 14th to the 18th century with works by Neri di Bicci, Lorenzo Monaco, Pietro Perugino, Jacopo Zucchi, Guido Reni, Guercino, Bernardo Strozzi, Baciccio, Carlo Maratta, Crespi, Francesco Solimena, Guardi. Flemish and Dutch painting is represented with paintings by Cornelis van Haarlem, Rubens, Anthony van Dyck, Jacob Jordaens, Jan van Goyen, Aelbert Cuyp, Pieter Coecke van Aelst and Cornelis van Poelenburgh while for Spain the museum notably displays one painting by Bartolomé Esteban Murillo. The museum's sculpture collection is in large part due to the rescue activities of antiquaries and museum curators such as Alexandre du Mège who managed to extricate sculpture from the frequent destruction of religious buildings that marked the 19th century.