- published: 03 Oct 2011
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David (Hebrew: דָּוִד, דָּוִיד, Modern David Tiberian Dāwîḏ; ISO 259-3 Dawid; Strong's Daveed; beloved; Arabic: داوود or داود Dāwūd) was, according to the Hebrew Bible, the second king of the United Kingdom of Israel and, according to the Gospel of Matthew and the Gospel of Luke, an ancestor of Jesus. David is seen as a major Prophet in Islamic traditions. His life is conventionally dated to c. 1040–970 BC, his reign over Judah c. 1010–1003 BC,[citation needed] and his reign over the United Kingdom of Israel c. 1003–970 BC.[citation needed] The Books of Samuel, 1 Kings, and 1 Chronicles are the only sources of information on David, although the Tel Dan stele records "House of David", which some take as confirmation of the existence in the mid-9th century BC of a Judean royal dynasty called the "House of David".
David is very important to Jewish, Christian and Islamic doctrine and culture. In Judaism, David, or David HaMelekh, is the King of Israel, and the Jewish people. Jewish tradition maintains that a direct descendant of David will be the Messiah. In Islam, he is known as Dawud, considered to be a prophet and the king of a nation. He is depicted as a righteous king, though not without faults, as well as an acclaimed warrior, musician, and poet, traditionally credited for composing many of the psalms contained in the Book of Psalms.
David Bordwell (born July 23, 1947) is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).
With his wife Kristin Thompson, Bordwell wrote the introductory textbooks Film Art (1979) and Film History (1994). With aesthetic philosopher Noël Carroll, Bordwell edited the anthology Post-Theory: Reconstructing Film Studies (1996), a polemic on the state of contemporary film theory. His largest work to date remains The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (1985), written in collaboration with Thompson and Janet Staiger. Several of his more influential articles on theory, narrative, and style were collected in Poetics of Cinema (2007), named in homage after the famous anthology of Russian formalist film theory Poetika Kino, edited by Boris Eikhenbaum in 1927.
Ronald William "Ron" Howard (born March 1, 1954) is an American film director, producer and former child actor. He came to prominence playing Opie Taylor in the sitcom The Andy Griffith Show for eight years, and later the teenaged Richie Cunningham in the sitcom Happy Days for six years. He appeared in the films American Graffiti in 1973 and The Shootist in 1976, the latter during his run on Happy Days. Howard made his directorial debut with the 1977 comedy Grand Theft Auto, and left Happy Days in 1980 to focus on directing. His films include the Academy Award-winning Cocoon, Apollo 13, How the Grinch Stole Christmas and A Beautiful Mind. In 2003, he was awarded the National Medal of Arts. Asteroid 12561 Howard is named after him.
Howard was born in Duncan, Oklahoma, the son of Jean Speegle Howard, an actress, and Rance Howard, a director, writer and actor. His father was born with the surname "Beckenholdt", and had taken the stage name "Howard" by 1948, for his acting career. Rance Howard was serving three years in the United States Air Force at the time of Ron's birth. The family moved to Hollywood in 1958, the year before the birth of his younger brother, Clint Howard. They rented a house on the block south of the Desilu Studios, where The Andy Griffith Show would later be filmed. They lived in Hollywood for at least three years, before moving to Burbank.
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