Kong (surname)
Kong (孔) is a Chinese, Korean, and Cambodian surname. It can also be written as Kung in Taiwan, Hung in Hong Kong, Khổng in Vietnam, and Gong in Korea. There are around 2.1 million people with this surname in China in 2002, representing 0.23% of the population.
This surname Kong is most notable as the surname of Confucius and his descendants. The family tree of Confucius and his descendants is generally considered to be the world longest, covering over 2,500 years with more than 80 generations recorded, and has two million entries according to its last update in 2009. The main line of descent traditionally held the title of Duke Yansheng, which was changed to the title of the first Sacrificial Official to Confucius in the 20th century. This title is currently held by Kung Tsui-chang.
Kong may also be the English transliteration of a rare Chinese surname 空, or a less common form of the Gong surnames such as 龔, 貢 and 弓.
Origin
The character for the Kong surname was derived from the Zi (子) family name. The founder of the Shang Dynasty, Tang of Shang whose family name was Zi, had the courtesy name of Taiyi (太乙). His descendants fused the character Zi (子) to Yi (乙), forming the character Kong (孔) which eventually became a surname. It first appeared during the Zhou Dynasty as the courtesy name Kongfu (孔父) of a noble in the State of Song named Jia (嘉), said to be a descendant of the Tang of Shang. Kongfu Jia was murdered, and his son escaped to the State of Lu where he adopted Kong as the name of his clan. His family settled in Qufu and Confucius was one of his descendants.
Dickie Goodman
Richard Dorian "Dickie" Goodman (April 19, 1934 – November 6, 1989) was an American music and record producer born in Brooklyn, New York. He is best known for inventing and using the technique of the "break-in", an early precursor to sampling, that used brief clips of popular records and songs to "answer" comedic questions posed by voice actors on his novelty records. He also wrote and produced some original material, most often heard on the B-side of his break-in records.
Career
In June 1956, Goodman created his first record, "The Flying Saucer Parts 1 & II", which he co-wrote with his partner Bill Buchanan, and featured a four-minute rewriting of Orson Welles’ War of the Worlds radio show. This recording was the subject of a copyright infringement case against Goodman. The court eventually ruled his sampled mix was considered a parody, and was an entirely new work. "The Flying Saucer" was officially released under the artist name "Buchanan and Goodman" and was Goodman's highest-charting single on Billboard, peaking at #3. Buchanan and Goodman followed up with four other records: "Buchanan and Goodman on Trial" (#80 in 1956), "Flying Saucer The 2nd" (#18 in 1957), "The Creature (From A Science Fiction Movie)" (as by Buchanan and Ancell) (#85 in 1957), and "Santa and the Satellite (Parts I & II)" (#32 in 1957).
Remix (Candan Erçetin album)
Remix is a Candan Erçetin album. There are remixes of "Neden" in this album. There is also a song named "Yazık Oldu" which is a song from Pjer Žalica's movie Fuse.
Track listing
Remix (I Like The)
"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
Critical reception
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
Remix (TV series)
Remix was an Indian television series produced by Rose Audio Visuals, which used to air on STAR One. It was a hit among teenagers and had reruns on the same channel. The series is a remake of the popular Argentine soap Rebelde Way.
Concept
The story is based on the lives of 12th-grade students in an elite school called "Maurya High" for the kids of the rich and the famous, and scholarship students from poorer families.
The four main characters are Tia Ahuja (a fashion entrepreneur's only daughter: Sumit Ahuja), Anvesha Ray Banerjee (a Bollywood filmstar's only daughter: Sonia Ray), Yuvraaj Dev (brat son of India's politician: Yashwant Dev), and Ranveer Sisodia (a Rajasthani royal who comes to Maurya to avenge the death of his father which wasn't really Sumit Ahuja's fault). They form the music group "Remix" and become the singing sensation of the decade.
The story also brings into play other elements that shape the destiny of the four protagonists and many others.
Witchcraft (1957 song)
"Witchcraft" is a popular song from 1957 composed by Cy Coleman with lyrics by Carolyn Leigh. It was released as a single by Frank Sinatra, and reached number twenty in the U.S., spending sixteen weeks on the charts.
Composed as an instrumental piece by Coleman for the revue Take Five, lyrics were added by Leigh, and "Witchcraft" was subsequently recorded by Sinatra in May 1957, in an arrangement by Nelson Riddle.
Elvis Presley sang this song in The Frank Sinatra Timex Show: Welcome Home Elvis.
Versions
Sinatra recorded "Witchcraft" three times in a studio setting. The first recording was in 1957, for his single release, and was later released on his compilation album All the Way (1961). Sinatra re-recorded "Witchcraft" for 1963's Sinatra's Sinatra, and finally recorded it as a duet with Anita Baker for Duets (1993).
"Witchcraft" has been recorded by many other artists, including Sarah Vaughan, on her 1962 album You're Mine You, Ella Fitzgerald, on Ella Returns to Berlin (1961), and Bill Evans on Portrait in Jazz (1959). Another version was featured in the 1993 movie Hocus Pocus. Siouxsie Sioux performed it in concert with her second band The Creatures and a brass section in 1998: it was then included on their live cd, Zulu.Robert Smith of The Cure recorded a version of the song for Tim Burton's Frankenweenie Unleashed!, a 14-track collection of songs "inspired by" the filmmaker's latest stop-motion creation Frankenweenie, released on 25 September 2012.Anthony Strong released a version of the song on his 2013 album Stepping Out. Heard in Fifty Shades Of Grey (Film)
Witch-cult hypothesis
The witch-cult hypothesis is a discredited theory that the witch trials of the Early Modern period were an attempt to suppress a pre-Christian, pagan religion that had survived the Christianisation of Europe. According to its proponents, this witch-cult revolved around the worship of a Horned God of fertility whom the Christian persecutors referred to as the Devil, and whose members participated in nocturnal rites at the witches' Sabbath in which they venerated this deity.
The theory was pioneered by German scholars Karl Ernst Jarcke and Franz Josef Mone in the early nineteenth century, before being adopted by the French historian Jules Michelet, American feminist Matilda Joslyn Gage, and American folklorist Charles Leland later in that century. The hypothesis received its most prominent exposition when adopted by the British Egyptologist Margaret Murray, who presented her version of it in The Witch-Cult in Western Europe (1921), before further expounding it in books like The God of the Witches (1931) and in her contribution to the Encyclopædia Britannica. Although the "Murrayite theory" proved popular among sectors of academia and the general public in the early and mid twentieth century, it was never accepted by specialists in the Early Modern witch trials, who publicly discredited it through in-depth research conducted in the 1960s and 1970s.
