- published: 06 Sep 2021
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Rashi script is a semi-cursive typeface for the Hebrew alphabet. It is named for Rashi, an author of rabbinic commentary on the Hebrew Bible (Tanakh) and the Talmud, and it is customarily used for printing his commentaries. The typeface (which was not used by Rashi himself) is based on 15th century Sephardic semi-cursive handwriting. It was taken as a model by early Hebrew typographers such as Abraham Garton, the Soncino family and Daniel Bomberg, a Christian printer in Venice, in their editions of commented texts (such as the Mikraot Gedolot and the Talmud, in which Rashi's commentaries prominently figure).
The purpose was to distinguish the rabbinic commentary from the text itself for which a proper square typeface was used.
The Rashi typeface is also traditionally used for printed Judaeo-Spanish.
The initial development of typefaces for the printing press was often anchored in a pre-existing manuscript culture. In the case of the Hebrew press, Ashkenazi tradition prevailed and square or block letters were cast for Biblical and other important works. Secondary religious text, such as rabbinic commentaries, was, however, commonly set with a semi-cursive form of Sephardic origin, ultimately normalised as the Rashi typeface.
Shlomo Yitzchaki (Hebrew: רבי שלמה יצחקי; 22 February 1040 – 13 July 1105), in Latin: Salomon Isaacides, and today generally known by the acronym Rashi (Hebrew: רש"י, RAbbi SHlomo Itzhaki), was a medieval French rabbi and author of a comprehensive commentary on the Talmud and commentary on the Tanakh. Acclaimed for his ability to present the basic meaning of the text in a concise and lucid fashion, Rashi appeals to both learned scholars and beginning students, and his works remain a centerpiece of contemporary Jewish study. His commentary on the Talmud, which covers nearly all of the Babylonian Talmud (a total of 30 tractates), has been included in every edition of the Talmud since its first printing by Daniel Bomberg in the 1520s. His commentary on Tanach—especially on the Chumash ("Five Books of Moses")—is an indispensable aid to students of all levels. The latter commentary alone serves as the basis for more than 300 "supercommentaries" which analyze Rashi's choice of language and citations, penned by some of the greatest names in rabbinic literature.
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In the calm before the Crusades, one man changed the way the world would understand the Bible. Set in the 11th Century, "Rashi" is the story of a unique hero, a Torah commentator who lived at the beginning of the Reign of Terror, the Crusades. A winemaker by trade, Rashi, in an age of illiteracy debated theology with his Christian neighbors and delved into the mysteries of the Bible. A Berel Wein Destiny Production Director: Ashley Lazarus Producer: Beverly Beard The Destiny Foundation is a 501c3 non-profit. To keep these videos free, please consider making a tax-deductible donation here https://www.rabbiwein.com/donate.php
Vrishchik Rashi Ka Aaj Ka Rashifal Vrishchik Rashifal 7 September 2021 दिन मंगलवार / Mangalwar Today Scorpio Horoscope Aaj Ka Vrishchik Rashi Aaj Ka Vrishchik Rashifal Aaj Ka Panchang Aaj Ka Rashifal Vrishchik Rashi Vrishchik Rashi 7 September 2021 Aaj Ka Vrishchik Rashifal Vrishchik Rashi Aaj Ka Rashifal 7 September Vrishchik Rashi Vrishchik Rashi September 2021 Dainik Rashifal Horoscope Astrology #AajKaVrishchikRashi #वृश्चिक #Scorpio #AajKaVrishchikRashifal #Vri#scorpio_prediction #VrishchikRashi #AajKaRashifal #VrishchikRashifal #VrishchikRashi7SeptembershchikRashiKaAajKaRashifal #Vrishchik_Rashi #Aaj_Ka_Rashifal #Vrishchik_Rashifal #Vrishchik_Rashi_7September #Aaj_Ka_Vrishchik_Rashi #Vrishchik_Rashi_Ka_Aaj_Ka_Rashifal #Aaj_Ka_Vri...
Rashi script is a semi-cursive typeface for the Hebrew alphabet. It is named for Rashi, an author of rabbinic commentary on the Hebrew Bible (Tanakh) and the Talmud, and it is customarily used for printing his commentaries. The typeface (which was not used by Rashi himself) is based on 15th century Sephardic semi-cursive handwriting. It was taken as a model by early Hebrew typographers such as Abraham Garton, the Soncino family and Daniel Bomberg, a Christian printer in Venice, in their editions of commented texts (such as the Mikraot Gedolot and the Talmud, in which Rashi's commentaries prominently figure).
The purpose was to distinguish the rabbinic commentary from the text itself for which a proper square typeface was used.
The Rashi typeface is also traditionally used for printed Judaeo-Spanish.
The initial development of typefaces for the printing press was often anchored in a pre-existing manuscript culture. In the case of the Hebrew press, Ashkenazi tradition prevailed and square or block letters were cast for Biblical and other important works. Secondary religious text, such as rabbinic commentaries, was, however, commonly set with a semi-cursive form of Sephardic origin, ultimately normalised as the Rashi typeface.
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