Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement in the arts, its set of cultural tendencies and associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. In particular the development of modern industrial societies and the rapid growth of cities, followed then by the horror of World War I, were among the factors that shaped Modernism. Related terms are modern, modernist, contemporary, and postmodern.

In art Modernism explicitly rejects the ideology of realism, and makes use of the works of the past, through the application of reprise, incorporation, rewriting, recapitulation, revision and parody in new forms. Modernism also rejects the lingering certainty of Enlightenment thinking, as well as the idea of a compassionate, all-powerful Creator.

In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an emerging fully industrialized world. The poet Ezra Pound's 1934 injunction to "Make it new!" was paradigmatic of the movement's approach towards the obsolete. Another paradigmatic exhortation was articulated by philosopher and composer Theodor Adorno, who, in the 1940s, challenged conventional surface coherence and appearance of harmony typical of the rationality of Enlightenment thinking. A salient characteristic of modernism is self-consciousness. This self-consciousness often led to experiments with form and work that draws attention to the processes and materials used (and to the further tendency of abstraction).

Clinton Richard Dawkins, FRS, FRSL (born 26 March 1941), known as Richard Dawkins, is a British ethologist, evolutionary biologist and author. He is an emeritus fellow of New College, Oxford, and was the University of Oxford's Professor for Public Understanding of Science from 1995 until 2008.

Dawkins came to prominence with his 1976 book The Selfish Gene, which popularised the gene-centered view of evolution and introduced the term meme. In 1982 he introduced an influential concept into evolutionary biology, presented in his book The Extended Phenotype, that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment, including the bodies of other organisms.

Dawkins is an atheist, a vice president of the British Humanist Association, and a supporter of the Brights movement. He is well known for his criticism of creationism and intelligent design. In his 1986 book The Blind Watchmaker, he argued against the watchmaker analogy, an argument for the existence of a supernatural creator based upon the complexity of living organisms. Instead, he described evolutionary processes as analogous to a blind watchmaker. He has since written several popular science books, and makes regular television and radio appearances, predominantly discussing these topics. In his 2006 book The God Delusion, Dawkins contends that a supernatural creator almost certainly does not exist and that religious faith is a delusion—"a fixed false belief." As of January 2010 the English-language version has sold more than two million copies and had been translated into 31 languages.